1960s Pendant Necklaces

This 18k yellow gold and platinum pendant with tanzanite and diamond is extraordinary. Being made in rich, 18k yellow gold, and platinum, a forever white metal, this pendant exudes e...

Christian Dior GROSSE 1960 Gripoix Sapphire Emerald Ruby Heart Whole Shining Crystals Pendant Necklace, Gold Tone Very good condition. Light scratches or colour loss, barely noticea...

One of a kind vintage charm. This charm is on the larger size, depicting in detail an entire vintage sewing machine with a bobbin of thread. The charm f...

FACTORY / HOUSE: Ernest Borel Watch Company STYLE / REFERENCE: Pendant Watch / N.O.S. METAL / MATERIAL: Yellow Gold Filled CIRCA / YEAR: 1960's DIMENSIONS ...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). PS: THIS POLICY IS NOT APPLICABLE ...

In very good condition. Total weight is 22.9 grams. Totally is diamond about 3.70 carat. The diamond is has G-H color and vs-vvs clarity. Totally lenght is chain 48 cm... Acid tes...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). PS: THIS POLICY IS NOT APPLICABLE ...

Pendant in 18 karat yellow gold, eagle head hallmark. Retro oval pendant, it is bordered by a twist of yellow gold and holds in its center an enamel from Limoges representing a young...

Bacchus bust pendant designed by Spritzer & Fuhrmann. A vintage unusual and sculptural piece from the mid century period, circa 1960's. It was crafted in...

This vintage 18k gold Italian lantern charm is encrusted with citrine, amethyst, garnet, tourmaline and turquoise, bezel set among Etruscan Revival wirework and granulation. The orna...

A rare, large pendant of teardrop shaped amethyst and rock quartz polished stones fastened by silver hooks. Pendant suspends from a sterling silver collar, all designed by Vivianna T...

This is a vintage 9ct yellow gold zodiac pendant. The pendant features libra scales in the centre which is surrounded by a textured circular border. Co...

Introducing the exquisite 14K Solid Gold 1960s Cross Pendant, a timeless and elegant piece that exudes vintage charm and sophistication. Crafted from daint...

Intricately designed as Pas De Deux - duet / couple performing ballet of openwork motif within finely decorated border This Vintage Italian Pendant is of superb workmanship: Exce...

Modernist sculptural piece designed by Carlos Páez Vilaró (1926-2014) Magnificent sculptural piece of jewelry, created in Montevideo Uruguay by the plastic artist and sculptor Carlos Páez Vilaró, back in the 1967. This gorgeous piece of art has been crafted in solid yellow gold of 18 karats, with textured surfaces finishes and embellished with accents of red, orange and white glass enamel. It is fitted at the reverse with a hinged double pins bars to wear as a brooch or a pendant. Weight: 52.25 Grams, (34.51 Dwt). Measurements: 95.25 mm by 69.85 mm (3.75 x 2.75 Inches). Hallmarks: Stamped with the maker's mark, the mark for the assay of the gold and signed in full by the artist, "CARLOS PEREZ VILARO 67". Carlos Páez Vilaró He was born in Montevideo, Uruguay, in 1923. He was a Uruguayan abstract artist, painter, potter, sculptor, muralist, writer, composer and constructor. He took up drawing in 1939 and relocated to Buenos Aires, where he worked as a printing apprentice in the industrial Barracas section of the Argentine capital. Returning to Montevideo in the late 1940s, he developed an interest in Afro-Uruguayan culture. Settling in Montevideo's primarily black neighborhood of "Mediomundo" ("Half-World"), he studied the Candombé and Comparsa dances characteristic to the culture. He composed numerous musical pieces in the two genres and conducted an orchestra. His group's congas and bongos were decorated with their leader's own thematic drawings, as well. His interest in the culture later led him to Brazil, home to the western hemisphere's largest population of African descent. Páez Vilaró was invited to exhibit some of this work by the Director of the Modern Art Museum of Paris, Jean Cassou, in 1956. He traveled to Dakar, Senegal, later that year – his first visit to Africa. He was one of the "Grupo de los 8", a movement of Uruguayan art...

One Mid-Century Onyx and Diamond 14k Yellow Gold Silver Pendant Necklace. Featuring six pear cut onyx. Accented by 30 single cut diamonds with a total weight of approximately 0.30 ca...

Danish jewelry artist Jorgen Jensen designed this elegant Space Age modernist collar pendant-necklace. The piece is all made in pewter with arctic blue poured glass cabochons. The ar...

This lovely example of Danish silver jewellery is fully signed N.E.From in impressed script on the reverse of the pendant. Danish jeweller and s...

An ocean Blue Aquamarine and Diamond Pendant Necklace in 14K White Gold. Natural GIA certified as Greenis blue Aquamarine Basket set with a white gold crown decorated with natural S...

Vintage necklace made of 18-carat white gold, studded with diamonds with a total weight of approx. 0.64ct (color D, clarity VS) with a central sapphire weighing approx. 0.70ct Very ...

This imperial jade & diamond pendant is simple and perfect. The mid-century (circa 1960s-1970s) pendant has been rendered in 18K white gold and set with a quarter-carat of small, br...

tem Details: Metal Type: 14K Yellow Gold [Hallmarked, and Tested] Weight: 3.8 grams Diamond Details: .40ct total weight, G-H Color, VS Clarity, Natural Diamond, Round Brilliant M...

Pendant in 18 karat yellow gold, weevil halmark. This vintage pendant depicts a saddled camel with a finely chiseled coat. Pendant sold alone without its presentation chain. Height :...

Christian Dior GROSSE Vintage Emerald Sapphire Pendant Necklace Drop Earrings Jewellery Set, Gold Tone Very excellent condition. 100% Genuine...

Very good condition. Some light scratches or colour loss. Signed Grosse at back. 100% Genuine. Rare to find. Size: 38*0.9 cm. Pendant: 1.5*2.0 cm. Weight: 35 g. _ _ _ Great for ...

Vintage Diamond Ruby Emerald Onyx18K Gold Parrot Pin Brooch See life in Vivid colors with these exquisite Diamond, Ruby, Emerald, and Onyx18K Gold Elegant Parrot Pin Brooch with a...

French jewelry artist Henry Perichon (aka Henry) designed this elegant brass and Talosel resin necklace in the 1960s. The long necklace features a brown-beige Talosel resin ball pendant topped with topaz orange crystal faceted rhinestones. The necklace is finished with a gilded brass serpentine chain ornate with natural quartz beads and a hook-closing clasp. This piece is unsigned, but the beige-brown Talosel pendant and the specific ornate hook closing clasp are unmistakable artist signatures. The long necklace is in good condition, with minor wear due to age. Measurements: The necklace's total length is 29.13 in long (74 cm) - The drop is 16.57 in long (42 cm) - the pendant is 1.19 in diameter (3 cm) x 1.57 in high (3.9 cm). Note: Henry Perichon (1910 - 1970), whose artist name is Henry, is one of the most inventive jewelry designers of the period. His studio was in Lyon, working on a medium such as bronze, silver, white metal, or Talosel resin. His style is hard to define, reflecting many influences, including Ancient, Medieval, Renaissance, Baroque, and Art Deco. Many famous actresses from the 1950s and the 1960s, like Claudette Colbert, Suzanne Flon, Michele Morgan...

Very good condition. 100% Genuine. Size: 38 cm. Extend chain: 6 cm. Pendant: 1.6*1.6 cm. Weight: 22 g. _ _ _ Great for everyday wear. Come with velvet pouch and beautiful package...

Year: 1960s Item Details: Metal Type: 14K Yellow Gold [Hallmarked, and Tested] Weight: 3.5 grams Diamond Details: Measurement: 1 inch long Condition: Excellent

Year: 1960s Item Details: Metal Type: 14K Yellow Gold [Hallmarked, and Tested] Weight: 2.7 grams Measurement: 1 inch long Condition: Excellent

Acquire this rare Buccellati brooch and convertible pendant to make two valiant statements in your collection. Bacchus is the beloved Roman God of agriculture, wine, and fertility....

Pendant brooch designed by George Weil. A sculptural piece of jewelry from the brutalist art movement, created during the post war period in London England by the artist goldsmith George Weil, back in the 1960. This versatile pendant-brooch has been crafted with intricate patterns in solid yellow gold of 18 karats with textured finish. It is fitted at the reverse with double pin bars, a hinge and a mechanical lock to wear as a brooch. Diamonds: Mounted in four-prongs settings, with 16 calibrated round brilliant cut diamonds, with a combined weight of 1.28 carats, white colorless F/G color, VS-2 clarity Coral: Mounted in prongs settings, with 4 oval cabochon cut of natural salmon coral with an approximate weight of 28.50 carats. Weight: 34.95 Grams (22.41 Dwt.) Measures: 80 mm by 38 mm by 15 mm (3.15 x 1.50 x 0.59 Inches). Hallmarks: Stamped with the maker's mark, the mark for the assay of the gold and signed, "G. WEIL 18 CT". George Weil He was born in Vienna in 1938. Was part of a Jewish family who left Antwerp in 1939 on the last possible plane. He trained as a jeweler and spent some time at St Martins' School of Art in London. He also made sculpture, including portrait busts of Winston Churchill...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). PS: THIS POLICY IS NOT APPLICABLE ...

Indulge in the untamed elegance of this captivating statement piece - a mesmerizing Talon pendant featuring a predator's claw encased in an 18k yellow go...

A Vintage Modernist Ruby Necklace. A stunning design embellished with wonderfully rich pink ruby baguettes delivers a timeless piece with attitude. An ...

Modernist pendant designed by Spritzer & Furhmann. Fantastic sculptural convertible pendant, created for the jewelers and retailers Spritzer & Furhmann, back in the late 1960. This ...

Very good condition. 100% Genuine. Size: 34 cm. Extend chain: 6 cm. Pendant: 2.3*2.7 cm. Weight: 20 g. _ _ _ Great for everyday wear. Come with velvet pouch and beautiful packag...

Vintage c.1960's silver modernist tiered pendant statement necklace. Large modernist pendant made up of three polished silver-toned metal curved shapes in varying sizes. Each tier is...

Pendant in 18 karat yellow gold pendant, eagle head hallmark. An oval-shaped antique pendant with a small hinge on the back to accommodate a keepsake. The back is smooth and the fron...

Very excellent condition. Signed Grosse at back. 100% Genuine. Rare to find. Size: 40* 0.8 cm. Pendant: 3.1*3.0 cm. Weight: 26 g. _ _ _ Great for everyday wear. Come with velvet ...

Medallion designed by Nino D'Antonio Germano. Beautiful piece of jewelry art, created in Roma Italy by the jeweler sculptor Nino D'Antonio Germano. This fantastic medallion was craf...

Christian Dior GROSSE Vintage Flower Leaf Crystals Emerald Sapphire Ruby Pendant Necklace Clip Earrings Jewellery Set, Gold Tone Very excellent conditio...

Vintage 14k Yellow Gold 7mm x 14mm Marquise Shaped Green Jade Pendant Pendant measures approx .55" x 1.25" The Virtues of Jade: A medicinal cult arose around jade in Ancient China. ...

Fringe necklace designed by Eigil Jensen for Anton Michelsen. Beautiful fringe necklace, created in Copenhagen Denmark, by the silversmith Eigil Jensen for Anton Michelsen, back in the 1960. Crafted as a flexible cascade of multiples tines, made up in Sterling Silver, Silver, Plated Yellow Gold, Plated Rose Gold, and Plated Oxidized Silver. Fitted with an integrated toggle lock with a ring. Very comfortable and gorgeous look. Weight: 77.95 Grams, (49.97 Dwt). Size: Fit a neck up to 16 Inches, (40 Cm). Measurements: The fringes lengths are 27 mm (1.06 Inches). Hallmarks: Stamped with Danish crown marks the maker's mark, the mark for the assay of the silver and signed, "AM STERLING DENMARK". Anton Michelsen Company He was born 1809 in Copenhagen Denmark, he completed a goldsmith's apprenticeship in Odense in 1839 before moving back to Copenhagen where he continued his training in Dyrkoph's and court goldsmith J.B. Dalhoff's workshops. He also attended the Royal Danish Academy of Arts where he was influenced by Gustav Friedrich Hersch. In 1836, he went on a long journey abroad, working in some of the leading goldsmiths in Germany and Paris. He established his own goldsmith in Gothersgade, Copenhagen when he returned to Denmark in 1841. He immediately won the attention of the royal family and the king Christian VIII charged him with executing all Danish orders with title of royal court and order jeweler. Michelsen was the only Danish goldsmith who was represented at the Exposition Universelle in Paris in 1855. The company of A. Michelsen, was a leading Danish jeweler founded in 1841 by Anton Michelsen in Copenhagen. It was responsible for executing all Danish royal orders and was absorbed by the Georg Jensen company in 1985. Eigil Jensen Eigil Jensen was born in the Danish town of Aalborg in 1917. He liked drawing and was originally drawn towards graphic design, but was unable to find an apprenticeship. Instead, a goldsmith in Aalborg was looking for an apprentice who could draw. He soon showed an aptitude for his work and finished his apprenticeship in 1938. Jensen then sought new challenges and was employed by Hans Hansen in Kolding, Hans Hansen silversmith had an international reputation by this time. After five years at Hans Hansen Jensen sent his CV to A. Michelsen in Copenhagen, where he worked for the next forty years until his retirement in 1985. After just four years he became the foreman for the goldsmith workshop, he simultaneously studied and became a qualified gemologist and diamond expert. At Michelsen Eigil Jensen fulfilled many different design assignments, including jewelry, Christmas spoons, and hollowware. He also executed many commission orders; mayoral chains, church silver and silverware for Crown Prince Margrethe and Prince Henrik's as well as Princess Benedikte and Prince Richard...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). PS: THIS POLICY IS NOT APPLICABLE ...

Sculptural necklace designed by Liuba Wolf. Extremely rare sculptural necklace, created in Sao Paulo Brazil by the artist Liuba Wolf, back in the 1970. This fantastic piece is a one of a kind and has been crafted with concretism art patterns in solid rich yellow of of 18 karats with textured surfaces. The main pendant is completely chiseled with irregular hammered finishes and sharp edges It is fitted with a removable chain in suite, which is composed of twenty six geometric links of different lenght and a security hook lock. Weight: 108.52 Grams, (69.57 Dwt). Size: The lenght of the chain is 25 Inches, (63.5 Cm). Measurements: The main sculpture pendant is 55 mm by 71 mm by 10 mm (2.16 x 2.79 0.39 Inches). Hallmarks: Stamped with the designer artist name, the mark for the assay of the gold, the edition number and signed, "LIUBA .750 1/30 1/50". Edition: Brazil Sao Paulo 1/30 for the pendant and 1/50 for the geometric chain, the authorized edition was only of 30 and 50 pieces, respectively but the production was never completed and only the number 1 of each one was made. Both pieces are stamped with the edition numbers. Liuba Wolf She born as Liuba Boyadjieva in Sofia Bulgaria in 1923. She was raised in a privileged, cultivated milieu by a writer mother and industrialist father who (he also played the violin) instilled in her a taste for music. The artist received a humanistic education, studying Greek and Latin and mastering the piano. When her family moved to Geneva, she attended art school and developed a special interest in sculpture. Later, she studied in Zurich under Germaine Richier (1904-1958), a renowned artist of the Paris School. This contact with Germaine Richier had a strong impact on Liuba Boyadjieva’s education as a modern sculpture and left a deep imprint on her understanding of sculpture. In those years, in Zurich, she was also in contact with a group of important artists, like, among others, Marino Marini and Arthur Honnegger. At the end of the war, when Richier reopened her atelier in Paris, Liuba moved to the French capital and continued her studies with her teacher until 1949. Her social circle in France included Zadkine, Viera da Silva, Alberto Magnelli, among others. She traveled often throughout Europe and visited the most important museums. Liuba Boyadjieva came to Brazil, married the industrialist and collector Ernesto Wolf in 1958, and lived between São Paulo and Paris, keeping studios in both cities. She became a naturalized Brazilian citizen. She developed a personal way of working her sculptures and achieved full artistic maturity. In the 1960s and 1970s, Liuba Wolf exhibited her work in several cities around the world and achieved international recognition. In 2001, on the occasion of her exhibition at Achim Moeller Fine Art. Rizzoli (New York) published a book celebrating Wolf’s art and featuring Sam Hunter’s essay “Liuba: At the Edge of Abstraction.” Among the central features of Liuba Wolf’s work are her expressive power, the surface’s play between the smooth and the textured, and rusticity. Verticality is another key characteristic, as well as the gesturalism of the forms. Figurative early on in her career, Wolf’s works became abstracted starting in the 1950s, but there always remained an archaic memory that referred back to primitive archetypes. Some critics, like Sam Hunter, see in those shapes a reference to pre-Columbian realities. Another highlight is a degree of surrealism in Wolf’s abstraction, yet critics mostly underscore the fact that she situated her sculptures at the border between abstraction and figuration, as well as the force of imagination in the conception of the works. On more than one occasion Liuba Wolf said that her forms are born from the subconscious. For her, they are “bugs”, animals, but they can also be plants or roots. They could be totems, in a symbiosis between the animal and the plant worlds, according to another observer, artist Emmanoel Araújo. Liuba Wolf stated once in an interview that her work “finds inspiration in natural shapes.” The exhibition at the Lasar Segall...

Introducing the exquisite 1960s Native American Silver Turquoise Flower Pendant—a timeless piece of jewelry that encapsulates the beauty of Na...

Scorpions symbolize ardency, rebirth and protection, so bring some passion and transformation in your life with this stunning Vintage Diamond 18K Gold Scorpion Oval Cabochon Pin Broo...

Modelled as an 18K yellow gold medallic pendant, one side depicting Aries the ram in raised relief, the reverse showing the dates of this zodiac sign wit...

Amethyst Heart-Shaped (Spade) Renaissance Style Pendant is a striking piece of Italian Retro jewelry ~~~~~~ Featuring a heart-shaped cabochon Natural Amethyst, bezel set within ...

Of Australian provenance, the pendant is crafted in 9K yellow gold, in gorgeous foliate motif, measuring 26mm (including bail) x 14mm bezel set with Australian doublet opal of ov...

This superb collar necklace with Space Age design was designed in France in the 1960s. This piece is nicely made and is reminiscent of Paco Rabanne's metal jewelry work. The necklace...

Henry Dankner & Sons charms are highly collectible, rare and known fo extraordinary details. This spinning heart charm is no exception. The heart with crown is set with two large r...

A silver necklace made in 1968 by the Swedish silver smith master Anders Högberg. He was at this time one of the most known smiths in Sweden. It has a strong chain with oval links on...

Lapponia Björn Weckström 14 Karat Gold Necklace Pearl 1966. The pendant comes with a chain that is not original. Björn Weckström 1966 MADE IN FINLAND The Necklace is perfect condition. Designed by Björn Weckström for Lapponia. Measurements: Lenght (chain): 41 cm Height (pendant): 2,5 cm Width (pendant): 1,4 cm Stamped with: 585 (14 carat gold) N7 Crown Heart LAPPONIA See also other Weckström jewelry for sale I have several Lapponian Jewelry designed by Björn Weckström for sale, see group photo. Björn Weckströn: Rough matt surfaces, uncut semi-precious stones and asymmetrical forms are typical to his massive golden jewelry. Inspiration comes often from nature. When working in silver, Weckström can for example portray the snowy, Finnish winter landscape with its frozen lakes. Weckström considers jewelry as an art form and his designs as miniature sculptures. In 1963 Björn Weckström started co-operation with jewelry manufacturer Kruunu-Koru Oy (later Lapponia Jewelry) and its owner Pekka Anttila. Weckström became company’s designer and art director. In 1965 Weckström took part in the International Jewelry Contest in Rio de Janeiro, where his yellowgold and tourmaline necklace “Flowering wall” won the Grand Prix. Through this distinguished award, the company received worldwide recognition, launching Lapponia’s international success. His designs have been in continuous production with Lapponia ever since. Probably the best-known piece of Weckström’s jewelry is necklace Planetoid Valleys...

1960s Enamel 18k Yellow Gold Diamonds Emeralds Female Portrait Medal Pendant. High quality hand painted enamel. Amazing original pendant. A gorgeous design, it could be a special add...

Circa 1960s, 18k, Italy. This sleek modernist pendant has a major Italian design cool factor. Its sleek wow sixties form is underscored by a crisp black onyx and sparkly diamonds com...

This impressive sculptural brutalist bronze pendant necklace was designed by French sculptor and painter Henri Nogaret (1927 -). The piece boasts a large bronze modernist abstract sc...