Arkansas

Acrylic, Gouache & Colored Pencil on (400 gsm) Fine Art Paper + + If I see a feather laying on the ground, I always stop to pick it up and look closely at the design – they are ...

I thought of these as paintings as “windows that look into a color-filled world that swirls, floats, sways, and breathes with constant motion. They reflect the way I observe the qu...

I thought of these as paintings as “windows that look into a color-filled world that swirls, floats, sways, and breathes with constant motion. They reflect the way I observe the qu...

I thought of these as paintings as “windows that look into a color-filled world that swirls, floats, sways, and breathes with constant motion. They reflect the way I observe the qu...

I thought of these as paintings as “windows that look into a color-filled world that swirls, floats, sways, and breathes with constant motion. They reflect the way I observe the qu...

I thought of these as paintings as “windows that look into a color-filled world that swirls, floats, sways, and breathes with constant motion. They reflect the way I observe the qu...

Acrylic, Gouache & Pencil on Canvas There is something so compelling about the process of walking the shoreline and collecting the beautiful sculptural shells that wash up onto t...

Acrylic, Gouache & Pencil on Canvas There is something so compelling about the process of walking the shoreline and collecting the beautiful sculptural shells that wash up onto t...

I thought of these as paintings as “windows that look into a color-filled world that swirls, floats, sways, and breathes with constant motion. They reflect the way I observe the qu...

I thought of these as paintings as “windows that look into a color-filled world that swirls, floats, sways, and breathes with constant motion. They reflect the way I observe the qu...

I thought of these as paintings as “windows that look into a color-filled world that swirls, floats, sways, and breathes with constant motion. They reflect the way I observe the qu...

Acrylic, Gouache & Colored Pencil on (400 gsm) Fine Art Paper + + If I see a feather laying on the ground, I always stop to pick it up and look closely at the design - they are pe...

Acrylic, Gouache & Colored Pencil on (400 gsm) Fine Art Paper + + If I see a feather laying on the ground, I always stop to pick it up and look closely at the design - they are pe...

Acrylic, Gouache & Colored Pencil on (400 gsm) Fine Art Paper + + If I see a feather laying on the ground, I always stop to pick it up and look closely at the design - they are pe...

Float II, Acrylic and Colored Pencil on Linen, 20"x20" When I was growing up, I spent countless summers on the beach in Connecticut with my family. When the tide was low, I loved...

Flower Portrait (Dahlia) II Acrylic, Gouache & Pencil on Linen ------------------------------------------- About the Flower Portraits: Working intentionally with live flowers, ...

Petal Cascade I, 36 x 36 inch, Acrylic on Linen +Canvas is a 1-1/2inch; deep gallery wrap style. The edges are painted a crisp white, but you may see some texture on the edges from p...

Cavallo, by Ferruccio Ferrazzi, Religious, Painting,Horse, Vatican, Brown,Tan “Cavallo” by Ferruccio Ferrazzi is a work lost during World War II and restored by the Mosaic School of Art at Vacan City. Circa 1940s. Ferruccio Ferrazzi (15 March 1891 – 8 December 1978 in Rome) was an Italian painter and sculptor as well as a professor at Accademia di Belle Arti of Rome.) Born in Rome, Ferrazzi was the eldest son of the sculptor Stanislao Ferrazzi. In 1904, he was trained in the studio of Francesco Bergamini, a former pupil of Michele Cammarano. The following year he attended the Scuola Libera del Nudo and at the Accademia di Francia. He first exhibited at the 1907 Exhibition (LXXVII Esposizione Internazionale di Belle Arti) in Rome. In 1910, he won a scholarship to the Instituto Catel which allowed him to take up art as a career. In 1913, he exhibited Genetrix at the First Roman Secession Exhibition (Prima Esposizione internazionale d'arte della Secessione Romana). In December, he was granted the national art pension which gave him financial security and allowed him to set up a studio in Via Ripetta. A visit to the Louvre in Paris revealed his interest in Georges Seurat whose style was similar to his own. In 1926, he became a professor at the Accademia di San Luca. The same year he was the first Italian to win the Carnegie Prize. In the spring of 1933, he was elected to the Italian Academy. After the war, he created mainly religious works, both paintings and sculptures. In the 1950s, he spent most of his time at the Casa di Santo Stefano in Monte Argentario where he created his ambient sculpture Il Teatro...