Australia - Seating

he TH Brown Martelle bar stool was first manufactured in the early 1960 and remains an iconic, timeless Australian design to this day. The beautifully sculpte...

he TH Brown Martelle bar stool was first manufactured in the early 1960 and remains an iconic, timeless Australian design to this day. The beautifully sculpte...

The TH Brown Danish bar stool was designed by Peter Brown and first manufactured from early 1960, and remains an iconic, timeless Australian design masterpiece to this day. The beautifully sculpted timber seat back, angled legs and hand stitched upholstery remain as contemporary as the day they were first designed. These iconic stools are the among the most coveted Australian mid-century pieces ever produced. The original examples have become heirlooms and are seen in many magazines, exhibitions, and design showrooms around the world. Hand finished by expert craftsmen it features solid timber frame, the finest Italian leather and the highest quality materials throughout. All timbers and leathers are ethically sourced. These stools will be a design statement in any contemporary or mid-century themed kitchen, bar, or office. They are individually numbered and certified, offering the purchaser an ideal heirloom piece for future generations. TH Brown remains Australia’s oldest operating furniture brand - established in Adelaide, South Australia in 1911. From the 1950's, TH Brown produced many of the most sought-after mid-Century Furniture pieces ever produced in Australia. The most famous designs were the iconic ranges of Bar Stools, Coffee Tables and Dining Chairs, amongst many others - produced in Adelaide from the mid 1950's through to the 1980's. Our most collected pieces have now been re-issued for the world to enjoy! Every piece is produced under the careful eye of the 3rd generation of TH Brown’s family and each piece is hand finished to the same exacting standards as the original craftsmen. These unmistakable pieces are not replicas and remain the gold-standard of Australian furniture...

he TH Brown Martelle bar stool was first manufactured in the early 1960 and remains an iconic, timeless Australian design to this day. The beautifully sculpte...

he TH Brown Martelle bar stool was first manufactured in the early 1960 and remains an iconic, timeless Australian design to this day. The beautifully sculpte...

Imagine relaxing into this cozy genuine sheepskin beanbag while you unwind after a long and tiring day. This inviting shaggy bean bag chair is handcrafted from the finest long wool Icelandic sheepskin resulting in the most amazing shaggy and tactile appearance with a wool range of 4 to 6 inches (10 - 15cm) in length. The natural white and black spot color is unaltered (not dyed), preserving the natural beauty of the original sheep wool color. These natural color tones carry character and individuality and will vary throughout the sheepskin cover. The natural white may have creamy undertones while darker brown undertones may be found in the natural black. These are natural characteristics of sheep wool and every sheepskin will differ making each bean bag extraordinarily unique. Whether styled in the kids bedroom to help with learning, placed in the living room for additional seating or in the cinema room for the ultimate gaming experience, this long wool shaggy bean bag will be loved and enjoyed by all. Our Icelandic sheepskins are carefully sourced directly from Europe, using only natural by-product and eco-friendly processing, without the use of harsh and toxic chemicals that are damaging to the environment and humans, making them safer and healthier inside the home for everyone to enjoy. Each Icelandic sheepskin beanbag chair is individually handcrafted in Australia by eluxury home with expertise and craftsmanship and most importantly made to strict child safety law. The sheepskin beanbags come with an additional internal cotton bean fill cover, a safety child lock zipper and a genuine leather base for extra durability and easy care. Eluxury home are artisan makers of authentic sheepskin beanbags and offer this design in a collection of long wool sheepskin colors, view image gallery for color selection. This sheepskin bean bag does not come with bean fill but can be requested upon additional charge. At eluxury home we use polystyrene fill and this cover will require about 400 - 500L depending upon desire of firmness. Features: Handcrafted from genuine Icelandic sheepskins Color: Natural white and natural black custom make in other colors Dimensions: 90cm width x 70cm height (+ wool pile) Overall dimensions: 100cm x 80cm (H) Long and shaggy wool pile ranging 4-6 inches / 10-15cm Individually handcrafted in Australia Made to strict Australian Child...

‘Partu’ (2020) is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilities. Found materials and leather are used to create awareness about Material Culture and recycling. This collection was developed in Thirroul on the New South Wales Coal Coast. Johnny and Trent came together four times over a period of 18 months, developing new methods for collaboration that could shape their incongruent knowledge, methods, and skills in designing and making into co-authored outcomes. These methods include: ‘Sketching exchange’, a process of back-and-forth sketch iteration, allowing an idea to evolve with equal input from both creators; and ‘designing by making’, a method of working with materials at full scale, to design an object as it is being made. In this approach the prototype is the sketch and both collaborators work together to carve, construct and/or manipulate material, giving the object three-dimensional form as they design and make simultaneously. Trent Jansen & Johnny Nargoodah Partu (Skin) Collection Ngumu Janka...

‘Partu’ (2020) is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilities. Found materials and leather are used to create awareness about Material Culture and recycling. This collection was developed in Thirroul on the New South Wales Coal Coast. Johnny and Trent came together four times over a period of 18 months, developing new methods for collaboration that could shape their incongruent knowledge, methods, and skills in designing and making into co-authored outcomes. These methods include: ‘Sketching exchange’, a process of back-and-forth sketch iteration, allowing an idea to evolve with equal input from both creators; and ‘designing by making’, a method of working with materials at full scale, to design an object as it is being made. In this approach the prototype is the sketch and both collaborators work together to carve, construct and/or manipulate material, giving the object three-dimensional form as they design and make simultaneously. Trent Jansen & Johnny Nargoodah Partu (Skin) Collection Ngumu Janka...

This luxurious black sheepskin bean bag chair cover is the modern must-have decor accent for anyone who wants to live in ultimate comfort. Australian, Merino sheepskin is a world-class natural fiber known for its super plush, super dense, and super cozy wool. This luxurious and large sheepskin bean bag...

‘Partu’ (2020) is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilities. Found materials and leather are used to create awareness about Material Culture and recycling. This collection was developed in Thirroul on the New South Wales Coal Coast. Johnny and Trent came together four times over a period of 18 months, developing new methods for collaboration that could shape their incongruent knowledge, methods, and skills in designing and making into co-authored outcomes. These methods include: ‘Sketching exchange’, a process of back-and-forth sketch iteration, allowing an idea to evolve with equal input from both creators; and ‘designing by making’, a method of working with materials at full scale, to design an object as it is being made. In this approach the prototype is the sketch and both collaborators work together to carve, construct and/or manipulate material, giving the object three-dimensional form as they design and make simultaneously. Trent Jansen & Johnny Nargoodah Partu (Skin) Collection Ngumu Janka Warnti...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectable furniture since they met in Johnny’s home town of ...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectable furniture since they met in Johnny’s home town of ...

‘Partu’ (2020) is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilitie...

‘Partu’ is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilities. Found materials and leather are used to create awareness about Material Culture and recycling. This collection was developed in Thirroul on the New South Wales Coal Coast. Johnny and Trent came together four times over a period of 18 months, developing new methods for collaboration that could shape their incongruent knowledge, methods, and skills in designing and making into co-authored outcomes. These methods include: ‘Sketching exchange’, a process of back-and-forth sketch iteration, allowing an idea to evolve with equal input from both creators; and ‘designing by making’, a method of working with materials at full scale, to design an object as it is being made. In this approach the prototype is the sketch and both collaborators work together to carve, construct and/or manipulate material, giving the object three-dimensional form as they design and make simultaneously. Trent Jansen & Johnny Nargoodah Partu (Skin) Collection Ngumu Janka...

‘Partu’ (2020) is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilities. Found materials and leather are used to create awareness about Material Culture and recycling. This collection was developed in Thirroul on the New South Wales Coal Coast. Johnny and Trent came together four times over a period of 18 months, developing new methods for collaboration that could shape their incongruent knowledge, methods, and skills in designing and making into co-authored outcomes. These methods include: ‘Sketching exchange’, a process of back-and-forth sketch iteration, allowing an idea to evolve with equal input from both creators; and ‘designing by making’, a method of working with materials at full scale, to design an object as it is being made. In this approach the prototype is the sketch and both collaborators work together to carve, construct and/or manipulate material, giving the object three-dimensional form as they design and make simultaneously. Trent Jansen & Johnny Nargoodah Partu (Skin) Collection Ngumu Janka...

‘Partu’ (2020) is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilities. Found materials and leather are used to create awareness about Material Culture and recycling. This collection was developed in Thirroul on the New South Wales Coal Coast. Johnny and Trent came together four times over a period of 18 months, developing new methods for collaboration that could shape their incongruent knowledge, methods, and skills in designing and making into co-authored outcomes. These methods include: ‘Sketching exchange’, a process of back-and-forth sketch iteration, allowing an idea to evolve with equal input from both creators; and ‘designing by making’, a method of working with materials at full scale, to design an object as it is being made. In this approach the prototype is the sketch and both collaborators work together to carve, construct and/or manipulate material, giving the object three-dimensional form as they design and make simultaneously. Trent Jansen & Johnny Nargoodah Partu (Skin) Collection Ngumu Janka...

Whether styling a living room for seating or foot comfort or adding a little glam to a bedroom, this light grey Mongolian fur pouffe will look and feel super lush in any interior setting. Each Mongolian fur ottoman...

The 5.30 lounge chair is a distinct yet classic seating option, suited for entertainment rooms, workspaces or other commercial spaces. The chair is named for the standard 5 x 30mm f...

What a great way to add a stylish addition to your living room comfort with this brown leather pouf. Featuring an Italian grained leather trimmed with Australian curly wool shearling...

Wise, calm, and powerful. The Phillip Adams chair is perhaps the most respected chair of all time, its contributions to civilization and artistic awarene...

Imagine relaxing with this real fur ottoman! Whether styling a living room for seating or foot comfort or adding a little glam to a bedroom, this snow white Mongolian fur pouf will look and feel amazing in any interior setting. Each fur ottoman features the most luxurious and silky Mongolian sheepskin...

Imagine after a hard day’s work relaxing into a genuine sheepskin bean bag, the world’s most beautiful natural fibre. Sheepskin's qualities are und...

Calm, patient and consistent, the UCCIO chair was conceived with two key objectives at heart - strength and capacity. A true gentleman in its manner, the chair steps back to allow an...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of F...

The 5.30 lounge chair is a distinct yet Classic seating option, suited for entertainment rooms, workspaces or other commercial spaces. The chair is named for the standard 5 x 30mm f...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of Fitzroy Crossing, as part of Frem...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of Fitzroy Crossing, as part of Frem...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of Fitzroy Crossing, as part of Frem...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of F...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of Fitzroy Crossing, as part of Frem...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of Fitzroy Crossing, as part of Frem...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of Fitzroy Crossing, as part of Frem...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian...