Skip to main content

California - Landscape Prints

to
241
565
405
283
227
233
Overall Width
to
Overall Height
to
599
178
97
54
48
37
36
7
6
5
4
3
2
1
131
57
41
37
36
176
234
576
727
10
8
28
41
16
11
23
52
44
34
117
1,031
606
67
422
392
362
253
178
135
129
125
122
115
106
102
100
92
88
88
84
83
71
61
560
346
316
271
245
408
441
1,713
11,073
4,617
Item Ships From: California
Winter Woods, edition 1 of 10 (hand-printed cyanotype, 30 x 18 inches)
Located in Oakland, CA
The moody scene of a shady bend in a forest path was captured at dawn on a winter's day. The sky is beginning to brighten. The tall narrow format accentuates the height of the tower...
Category

2010s Contemporary California - Landscape Prints

Materials

Paper, Archival Paper, Rag Paper, Photogram

Northern Italy: A 16th Century Hand-colored Map by Abraham Ortelius
By Abraham Ortelius
Located in Alamo, CA
This is a framed 16th century hand-colored copperplate map of northern Italy entitled "Veronae Urbis Territorium a Bernardo Bragnolo Descriptium" by Abraham Ortelius from his atlas "Theatrum Orbis Terrarum", which was the first modern atlas of the world, with the first volume published in 1570. This map was part of a subsequent volume, published in Antwerp in 1584. It was based on an earlier map by Bernardo Brognoli. This beautiful map of northern Italy is focussed on Verona and its environs, including Mantua. Lake Garda and the South Tyrol mountains are prominently depicted. There is a very large striking cartouche in the upper left and a decorative distance scale in the lower right. This striking hand-colored map of northern Italy is presented in a gold-colored wood frame and an olive green-colored mat. It is glazed with UV conservation glass. All mounting materials used are archival. The frame measures 21.5" high by 28" wide by 0.75" deep. There is a central vertical fold, as issued, with slight separation of the lower portion of the fold. There are faint spots in the upper and right margins, but the map is otherwise in very good condition. Abraham Ortelius (also known as Ortels, Orthellius, and Wortels) (1527-1598) was a Dutch cartographer, geographer, and cosmographer. He began his career as a map colorist. In 1547 he entered the Antwerp guild of St Luke as an "illuminator of maps". He had an affinity for business from an early age and most of his journeys before 1560, were for business. He was a dealer in antiques, coins, maps, and books. 
His business income allowed him to acquire an extensive collection of medals, coins, and antiques, as well as a large library of books...
Category

16th Century Old Masters California - Landscape Prints

Materials

Engraving

Washington's Courtship - 1932 Etching on Paper
By William Auerbach-Levy
Located in Soquel, CA
Washington's Courtship - 1932 Etching on Paper 1932 black and white etching depicting George and Martha Washington by William Auerbach-Levy (Russian, 1889-1964). Titled "Washington'...
Category

1930s American Impressionist California - Landscape Prints

Materials

Laid Paper, Etching

"Une Partie de Campagne": 19th Century Honore Daumier Caricature
By Honoré Daumier
Located in Alamo, CA
This is a 19th century Honore Daumier lithographic caricature/satire entitled "Une Partie de Campagne" (Part of the Campaign), plate 59 from the ser...
Category

Mid-19th Century Other Art Style California - Landscape Prints

Materials

Lithograph

Bearded Tree Swift Birds: 19th C. Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...
Category

Mid-19th Century Naturalistic California - Landscape Prints

Materials

Lithograph

Trees, Print on Paper, Framed
By Vahe Yeremyan
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Paper, Subject: Trees, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. All work...
Category

2010s Impressionist California - Landscape Prints

Materials

Color, Satin Paper

Willet or Stone Curlew: A First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Semipalmated Snipe, Willet or Stone Curlew, 1. ...
Category

Mid-19th Century Naturalistic California - Landscape Prints

Materials

Lithograph

Headland, by Stephen Lawlor
Located in Palm Springs, CA
Medium: Aquatint, Drypoint, Etching Year: 2009 Image Size: 4.3 x 3.54 Edition size: 50 Brooding landscape a single red tree on a promontory overlooking the ocean. Lawlor's early e...
Category

2010s Impressionist California - Landscape Prints

Materials

Etching, Aquatint

Waterlilies, Print on Paper, Framed
By Vahe Yeremyan
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Satin Paper, Subject: Waterlilies, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copyrighted ...
Category

2010s Impressionist California - Landscape Prints

Materials

Paper, Satin Paper, Color

Conversation
By Aldo Luongo
Located in San Francisco, CA
This artwork titled "Conversation" 1988 is a color lithograph on Arches paper by noted Italian/Argentinian artist Aldo Luongo, b.1941. It is hand signed and numbered 103/275 in pencil by the artist. The image size is 20 x 25 inches, sheet size is 25 x 29 inches. It is in excellent condition. About the artist: Aldo Luongo was born in Buenos Aires, Argentina, of Italian heritage. Since as far back as he can remember, Luongo had two great passions: art and soccer. Shortly after his graduation from the Academy of Fine Arts in Buenos Aires, Luongo came to the U.S. to play professional soccer for the New York Generals. After his athletic career was cut short due to an injury, he arrived in New York City with a dream to pursue his artwork full time. In the 70’s, he had his first major success with multiple reproductions of his black & white drawings. Not only were these prints released to great critical acclaim, they were a huge commercial success as well (hundreds of thousands of pieces sold within several years). Aldo had put himself on the map as a major international artist. Aldo Luongo has continued his reign at the top of the contemporary art world for almost four decades – a distinction that puts him in a class of his own. He has received numerous awards and honors, including being named a 3-time official Olympic Artist (Summer 1988, Summer 1996, and Winter 2002); an official World Cup Artist (1998); an official U.S. Women’s World Cup Artist (1999); and the 1999 Sports Artist of the Year (U.S. Sports Museum). He also has twice been chosen to paint eggs for the White House Easter Egg Hunt which now reside in the Smithsonian Institute. SELECTED PUBLIC EXHIBITIONS & COLLECTIONS 2018 Chloe Gallery Summer Art and Winemakers’ Dinner Exhibition Chloe Gallery, San Francisco, California The Smithsonian Institute, Washington, D.C. The Museum of Science and Industry, Los Angeles, California The Juarez Museum, Juarez, Chihuahua, Mexico The John F. Kennedy Museum, Boston, Massachusetts The Olympic Museum, Lausanne, Switzerland The Olympic Village Collection, Colorado Springs, Colorado The Sports Museum, Daphne, Alabama PRIZES, HONORS, & AWARDS International Olympics, “Official Olympic Artist,” (Summer 1988, Summer 1996, Winter 2002, Winter 2010) World Cup of Soccer, “Official World Cup Artist” (1998) U.S. Women's Soccer World Cup, “Official Artist” (1999) 1999 “Sports Artist of the Year,” U.S. Sports Museum White House “Easter Egg Hunt,” commissioned painting Smithsonian Institute, Washington, D.C. FAMOUS COLLECTORS: Giada De Laurentiis Mary Kate & Ashley Olsen Matt Leinert Bob Arum Geena Davis Kevin Costner Placido Domingo Argentine President Menem Luciano Pavarotti Jose Carreras...
Category

Late 20th Century Realist California - Landscape Prints

Materials

Lithograph

Seascape XVII large format photograph of monochrome blue water surface and Cloud
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary California - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper
Located in Soquel, CA
Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper Clean, modern lithograph of the Ennis House in Los Angeles by Frances Myers (American, 1936-2014). The Ennis House sits at the top of a small hill, cutting a strong line against a soft peach-colored sky. Wright's strong sense of balance is highlighted in this composition, with patterns and lines guiding the viewers eye in various directions around the piece. Numbered, titled, signed and dated along the bottom edge: 7/50 Ennis House - Los Angeles Frances Myers 1980 Paper size: 29.5"H x 38"W Print size: 24"H x 32"W Shipped rolled in a tube. Myers was born on April 16, 1936, in Racine, Wisconsin. She began her studies at the San Francisco Art Institute, but soon transferred to the University of Wisconsin–Madison where she earned a BS in 1962, and an MFA in 1965. Myers employed a variety of printmaking techniques in her career including "relief, photo-etching, and mixed media processes." Myers is best known for her prints depicting various buildings. She once said, “I don’t want to invent a building, I want to bring new life to a building.” Growing up in Racine, Myers was exposed to many of Frank Lloyd Wright's architectural works, and she paid tribute to this in her 1980 work The Frank Lloyd Wright Print...
Category

1980s Modern California - Landscape Prints

Materials

Paper, Ink, Lithograph

Corea Harbor
By James Groleau
Located in Palm Springs, CA
This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth centur...
Category

21st Century and Contemporary Contemporary California - Landscape Prints

Materials

Mezzotint

Aztlan low & slow
By Juan Fuentes
Located in Palm Springs, CA
Medium: linocut Year: 2023 Image Size: 24 x 24 inches Edition Size: 10 An hommage to the low riders of Southern California chicano car culture, complete with zoot suits, made famou...
Category

2010s Contemporary California - Landscape Prints

Materials

Linocut

Le Lapin Agile
By Denis Paul Noyer
Located in San Francisco, CA
This artwork "Le Lapin Agile" c.1970 Is an original colors lithograph by noted French artist Denis Paul Noyer, b.1940. It is signed and numbered 372/375 in...
Category

Late 20th Century Modern California - Landscape Prints

Materials

Lithograph

Close Up - large format photograph of conceptual billboard sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph of billboard sign with conceptual message in iconic landscape of the American West. a series of images capturing the unique infi...
Category

21st Century and Contemporary Contemporary California - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Rathaus in Vienna
By Josef Eidenberger
Located in San Francisco, CA
This artwork "Rathaus in Vienna" c. 1960 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark...
Category

Mid-20th Century Realist California - Landscape Prints

Materials

Etching

Summer Field, Print on Paper, Framed
By Vahe Yeremyan
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Satin Paper, Subject: Summer Field, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copyrighted...
Category

2010s Impressionist California - Landscape Prints

Materials

Paper, Satin Paper, Color

Marina Reflections, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Signed and numbered. View of reflections of boats in a marina. Signed, titled and numbered from the edition of 120. Born in Berkeley, California, on December 21, 1949, he was raised...
Category

2010s Contemporary California - Landscape Prints

Materials

Etching

Maple Sugar Grove
By Cuca Romley
Located in San Francisco, CA
Artist: Cuca Romley– Spanish/American (1933- ) Title: Maple Sugar Grove Year: circa 1981 Medium: Color etching Sight size: 24 x 17.75 inches. Sheet size: ...
Category

1980s Other Art Style California - Landscape Prints

Materials

Paper, Color, Etching

Cerca del Mar, by Christian Bozon
By Christian Bozon
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...
Category

21st Century and Contemporary Abstract California - Landscape Prints

Materials

Etching, Aquatint

Cliff House, San Francisco
By Fanch (Francois Ledan)
Located in San Francisco, CA
This artwork titled "Cliff House, San Francisco" c.1980 is a original colors lithograph on paper by French artist (Fanch, Francois Ledan, born 1949) it is...
Category

Late 20th Century Modern California - Landscape Prints

Materials

Lithograph

Seascape I Triptych - 3 large format photographs of blue water surface + horizon
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape I...
Category

21st Century and Contemporary Contemporary California - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Partir Avant la Pleine Mer
Located in San Francisco, CA
This artwork titled "Partir Avant la Pleine Mer" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-200...
Category

Late 20th Century Surrealist California - Landscape Prints

Materials

Etching, Aquatint

Topiary III - large format photograph of ornamental shaped tree in urban setting
By Frank Schott
Located in San Francisco, CA
From a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism TOPIARY III by Frank Schott 40 x 32 inches (102 x...
Category

21st Century and Contemporary Contemporary California - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

French Forest Landscape Lithograph "Bord de la Forêt et Maisons Sous la Neig"
By Bernard Gantner
Located in Soquel, CA
Quiet winter scene on a frozen lake by listed artist Bernard Gantner (France, b. 1928). Presented in a rustic wood frame. Signed and numbered in pencil: edition number "149/275" lowe...
Category

1980s Impressionist California - Landscape Prints

Materials

Paper, Ink, Lithograph

Aldo Luongo "Windy Beach II" Serigraph c.1990 Signed / Numbered
By Aldo Luongo
Located in San Francisco, CA
Aldo Luongo "Windy Beach II" Serigraph c.1990 Signed / Numbered Beautiful vintage serigraph by listed Argentinian / American artist Aldo Luongo (b. 1941) The scene is windy beach in the dunes, with reeds blowing in the wind. This is a large serigraph...
Category

Late 20th Century Post-Modern California - Landscape Prints

Materials

Screen

Glacier Divide, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Signed, titled and numbered by the artist. Image size: 4 x 16 inches Glacier Divide from Humphreys Basin, John Muir Wilderness, California. Scene of sunlight on snow-capped mountain...
Category

Early 2000s Contemporary California - Landscape Prints

Materials

Etching, Aquatint

Fence Lines, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Hillside landscape with fence and wildflowers. A scene from the hills west of San Joaquin Valley, California.. Signed, titled and numbered from the edition of 120.. Born in Berkeley...
Category

Early 2000s Contemporary California - Landscape Prints

Materials

Etching, Aquatint

Aspen Study III - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study III by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada...
Category

21st Century and Contemporary Contemporary California - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

L'Ouie , by Francois Houtin
By François Houtin
Located in Palm Springs, CA
This is one print from a series of 5 that comprised the CINQ JARDINS ,CINQ SENS (five gardens, five senses), with texts and poems by Federico Garcia Lorca. The image relates to soun...
Category

1980s Contemporary California - Landscape Prints

Materials

Etching

"Blue Lagoon", Whimsical Beach Landscape with Figure, Lizard, Volcanoes & Planes
Located in Soquel, CA
Whimsical and vivacious limited editions screen-print on paper depicting a smiling nude figure lounging on a beach next to a fantastical orange and purple striped iguana, with volcanos erupting in the distance and several airplanes flying through the night sky by Phoebe Cole...
Category

1980s Surrealist California - Landscape Prints

Materials

Paper, Ink, Screen

Billie Coyne "Farmers Market" Signed / Numbered Lithograph c.1993
By Billie Coyne 20th c
Located in San Francisco, CA
Billie Coyne "Farmers Market" Signed / Numbered Lithograph c.1993 32" wide x 22" high The lightly distressed frame measures 44.5" wide x 34.5" high Sig...
Category

Late 20th Century California - Landscape Prints

Materials

Lithograph

Canoe, Print on Paper, Framed
By Vahe Yeremyan
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Paper, Subject: Canoe. Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. All work...
Category

2010s Impressionist California - Landscape Prints

Materials

Color, Satin Paper

Le Retour Des Pecheurs
By Manuel Robbe
Located in San Francisco, CA
Artist: Manuel Robbe (French, 1872-1936) Title: Le Retour Des Pecheurs Year: 1933 Medium: Etching with aquatint Paper: B.F.K Rives Image (plate mark) size: 1...
Category

1930s Impressionist California - Landscape Prints

Materials

Aquatint

Bending Pine, edition 1 of 5 (hand-printed cyanotype, 18 x 11 inches)
Located in Oakland, CA
The tree is a native Californian Monterey pine. They are found up and the down the coast of California from Carmel to San Francisco and all the way up north Mendocino. The moody scen...
Category

2010s Contemporary California - Landscape Prints

Materials

Paper, Archival Paper, Rag Paper, Photogram

"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed
By Gordon Cope
Located in Soquel, CA
"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space. Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco" Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957" Titled, signed, and dated "in plate" Presented in a silver colored frame with a double mat. Frame size: 22.5"H x 27"W Image size: 15"H x 20"W Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting. Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique. Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other." Cope died on June 10, 1999, in San Francisco, California. Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah. Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...
Category

1950s American Impressionist California - Landscape Prints

Materials

Paper, Ink, Screen

Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
By Pierre-Joseph Redouté
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category

Late 18th Century Naturalistic California - Landscape Prints

Materials

Engraving

Red & Black Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of a pair of red and black woodpecker birds entitled "1. Pie Roux, de Cayenne 2. Petit Pie Noir, de Cayenne (Red a...
Category

1760s Naturalistic California - Landscape Prints

Materials

Engraving

"Snug Harbor" Etching of a Romantic Harbor Scene 1928
By Armin Hansen
Located in Soquel, CA
"Snug Harbor" Etching of a Romantic Harbor Scene 1928 Tall ships in a "Snug Harbor" by Armin Carl Hansen (American, 1886-1957. On wove paper. Image, 6"H x 8"W Sheet, 9.75"H x 12"W ...
Category

1920s American Impressionist California - Landscape Prints

Materials

Laid Paper, Etching

Rue de la Paix, Paris - Hand Colored Lithograph 1845-1860
Located in Soquel, CA
Rue de la Paix, Paris - Hand Colored Lithograph 1845-1860 Delicate hand-colored lithograph of Rue de la Paix Palace in Paris, France printed by Rose-Joseph Lemercier (French, 1803 - 1887). Published, Paris 1843 to 1867 by Hautecoeur Freres (Eugène and Alfred Hautecoeur (French). After Charles Riviere...
Category

Mid-19th Century Romantic California - Landscape Prints

Materials

Paper, Ink, Watercolor

Sierra Mountain Stream in Autumn, Contemporary California Giclée on Canvas
Located in Soquel, CA
Substantially framed contemporary limited edition giclée print on canvas of a beautiful plein air impressionist landscape painting by California artist Donald R. Britton (American, b.20th Century), 2007. Some small areas of oil paint highlights added to canvas print by the artist. The landscape features a calm mountain stream flowing past large boulders and yellow autumn trees, with tall majestic mountains in the background. Hand signed lower right "DR Britton" with the edition number 11/100. Signed and dated in the print "DR Britton '07", lower left. Displayed in a custom rustic style contemporary wood frame with linen liner and gold trim. Canvas size: 20"H x 16"W. Don Britton is a contemporary representational landscape painter of the western US with focus on the southwest, the Pacific coast and the Sierras. Recent Awards and Publications: 2019: Juror's Purchase Award, "Pacific Bluffs" at Art for Heaven's Sake Annual Art Festival, Redlands, CA 2016: First Place,"Land Put to A Higher Use", The 9th Annual Ralph Love Plein Air Competition in Temecula, CA 2014: "Canyon Clouds" and "Carmel Wetlands" were juried in to the Museum of the Art Institute Regional Show in San Diego 2012: "View from Mather Point" was selected for installation in the US Embassy in Sri Lanka. 2011: "On the Rocks" selected as a finalist in the Artist's Magazine annual national competition. 2010 - "Your Composition Should Evoke an Emotion" feature article in International Artist, pp 52-59, vol 70, 2010 2010 - "Morning Becomes the Valley" and "Lamoille Canyon" selected for installation in the US Embassy in Yemen 2010 - Grant from Nevada Arts Council 2008 - Grant from Nevada Arts Council 2007 - Paint America National Competition Top 50 Miniatures 2007 - First Place, Oil Painting, Carson Valley Art Association Annual Exhibit Artist’s Statement: I have been surrounded by artists virtually all my life. I received my first drawing instruction at the age of six from my father. We were living in New Mexico at the time and he was an avid amateur landscape painter there. Although I dabbled in painting off and on for years, my first career took a different path. Following a BA from the University of Colorado and a PhD from The Ohio State University I entered a career in neuroscience research. However, in 2004, I committed to painting full time and was almost immediately rewarded with the joy of recreating scenes I loved. I am indebted to numerous mentors along the way including Mark Tompkins, Skip Whitcomb, William Scott Jennings, Jim Wilcox...
Category

Early 2000s American Impressionist California - Landscape Prints

Materials

Canvas, Giclée, Oil

L'Isle de France: A Hand-colored 17th Century Map by De Wit
By Frederick de Wit
Located in Alamo, CA
This colorful and detailed 17th century hand-colored copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1760. The map depicts the Île-de-France, which is one of the ancient provinces of France. Paris is located in the center of the map, with Versailles to the southwest The map extends from Rouen in the west to Reims in the east. The area around Paris, the Véxin Français, was the original domain of the king of France. Other areas were ruled by French feudal lords. For example, the Véxin Normand area was the domain of the Duke of Normandy...
Category

Early 18th Century Old Masters California - Landscape Prints

Materials

Engraving

California Mono - large photograph of infinite monochromatic desert landscape
By Frank Schott
Located in San Francisco, CA
From a series of photographs capturing the Golden State's vast monochromatic desert landscapes on an moody autumn day 48 x 48 inches ( 122 x 122cm ) edition of 7 signed 40 x 40 inc...
Category

21st Century and Contemporary Contemporary California - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Bayfront Park, Miami, Florida
By David Rosenthal
Located in San Francisco, CA
Artist: David Rosenthal (American 1876-1949) Title: Bayfront Park, Miami Florida Year: c.1940 Medium: Color Etching with aquatint Image (Plate mark) size: 9 x 11 inches Sheet size: 10 x 12.25 inches Signature: Hand signed, titled and numbered 6/150 in pencil by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...
Category

Early 20th Century American Impressionist California - Landscape Prints

Materials

Etching, Aquatint

Un Longue Apres Midi
Located in San Francisco, CA
This artwork titled "Un Longue Apres Midi" 1984 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It ...
Category

Late 20th Century Surrealist California - Landscape Prints

Materials

Etching, Aquatint

"St. Nicolas du Chardonnet" Etching in Ink on Paper
Located in Soquel, CA
"St. Nicolas du Chardonnet" Etching in Ink on Paper Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings. Stamp with coat of arms on verso. Artist's info written on verso. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 6.75"W Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...
Category

1910s American Impressionist California - Landscape Prints

Materials

Paper, Ink, Drypoint

"Sky Battle" Airplanes Litoghraph by J.D. Carrick
Located in Pasadena, CA
This 1958 lithograph by J.D. Carrick depicts an aerial encounter between two iconic World War I-era biplanes. The focal plane, likely representing a German Fokker D.VII fighter—known...
Category

1950s Post-War California - Landscape Prints

Materials

Lithograph

October Colors, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Medium: Aquatint Dimensions: 12 x 9 inches (image) Signature: Signed Date finished: 2018 Edition: of 100 Fall colors on Chuckanut Drive, south of Bellingham, WA Born in Berkeley, ...
Category

2010s Contemporary California - Landscape Prints

Materials

Etching, Aquatint

Untitled
By Billy Al Bengston
Located in San Francisco, CA
Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...
Category

1990s Pop Art California - Landscape Prints

Materials

Paper, Lithograph, Screen

Landscape with House
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Landscape with House" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the arti...
Category

Early 20th Century Realist California - Landscape Prints

Materials

Etching

Les Tuileries, Paris - Hand Colored Lithograph 1845-1860
Located in Soquel, CA
Les Tuileries, Paris - Hand Colored Lithograph Delicate hand-colored lithograph of Tuileries Palace in Paris, France printed by Rose-Joseph Lemercier (French, 1803 - 1887). Published, Paris 1843 to 1867 by Hautecoeur Freres (Eugène and Alfred Hautecoeur (French). After Charles Riviere...
Category

Mid-19th Century Romantic California - Landscape Prints

Materials

Paper, Ink, Watercolor

Headland IV - Etching by Gordon Cook on Japanese Paper
By Gordon Cook
Located in Soquel, CA
Headland IV by Gordon Cook (American, 1927-1985). 1963. Signed on verso "gordon cook/ Headland IV 1963." Detailed etching based on a natural shore scene by Gordon Cook. Printed on ...
Category

1960s American Impressionist California - Landscape Prints

Materials

Laid Paper, Etching

A Greenfinch & A Sparrow: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category

1760s Naturalistic California - Landscape Prints

Materials

Engraving

Black-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well. This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category

Mid-19th Century Naturalistic California - Landscape Prints

Materials

Lithograph

Dark Forest (8.5 x 11 inch hand-printed cyanotype)
Located in Oakland, CA
These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...
Category

2010s Contemporary California - Landscape Prints

Materials

Paper, Archival Paper, Rag Paper, Photogram

Linz Landhaus, Austria
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Linz Landhaus, Austria" 1977., is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The...
Category

Late 20th Century Realist California - Landscape Prints

Materials

Etching

Beach Goals - large format photograph of iconic yellow soccer goals
By Erik Pawassar
Located in San Francisco, CA
an homage to the photo realism + pop art color palette of artist David Hockney Beach Goals by Erik Pawassar 29 x 40 inches (74 x 102cm) signed edition of 25 48 x 67 inches (122 x...
Category

21st Century and Contemporary Contemporary California - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Untitled
Located in San Francisco, CA
This artwork "Untitled" 1982 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dat...
Category

Late 20th Century Surrealist California - Landscape Prints

Materials

Etching, Aquatint

Vintage California Wine Country Etching - "Sonoma Oak"
Located in Soquel, CA
Vintage California Wine Country Etching - "Sonoma Oak" Landscape Wonderful iconic wine country scene of large California Live Oak with barn and water tower by Napa County artist Lou...
Category

1970s American Impressionist California - Landscape Prints

Materials

Etching

Recently Viewed

View All