California - Landscape Prints

This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...

"Sometimes is forever" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "Sometimes is forever" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, with various biomorphic objects floating in the sky. Some of them resemble coral, growing vertically. Others look like microscopic organisms, with stringy tails. Titled, numbered, signed, and dated along the bottom edge: Sometimes is forever 16/50 J CRABB...

Rascale in Paradise - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yo...

All The Things - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yoursel...

Vintage California Wine Country Etching - "Sonoma Oak" Landscape Wonderful iconic wine country scene of large California Live Oak with barn and water tower by Napa County artist Lou...

This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well. This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

Medium: etching and aquatint Edition of 250 Year: 2014 Image Size: 9 x 12 inches Signed, titled and numbered by the artist. Inspired by a scene of seven Canadian Geese in Lake Padde...

This is an original 19th century duotone lithograph entitled "The Entrance to the Citadel of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pub...

This large hand-colored map entitled "Le Royaume de Portugal et des Algarves Divisee en see Archeveches, Eveches et Territoires Par le Sr Sanson" was originally created by Nicholas S...

Stamped, verso, with certification of authenticity for 'Marion Cunningham' (American, 1908-1948) and created in 1948. Paper dimensions: 17.75 x 16 inches A substantial and rare, mid-century silkscreen showing a Samoan family seated beneath a traditional tent of tapa cloth and being served by a young woman. To realize this complex work, Cunningham used as many as one dozen hand-drawn screens, each of which varied in pigment, hue and opacity. Created during the extraordinary creative ferment that characterized the last year of the artist's life, this work represents a remarkable achievement for both artist and medium. Born in Indiana, Marion Osborn Cunningham moved to California in 1911. She first studied art with the American Impressionist, Ruth Heil Emerson, before continuing her education at Santa Barbara City College and receiving her Bachelor of Arts from Stanford University. She subsequently furthered her studies at the California School of the Fine Arts and at the Art Students League in New York City, where she met and married the American abstract artist Ben Cunningham. Returning to San Francisco...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

TOPIARY IV by Frank Schott from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism 60 x 48 inches (152 x 1...

This is a larger version of the smaller photograph of the same name. All are hand-printed photographs on watercolor paper using the antique cyanotype process. The view is of a very m...

This is an original 19th century duotone lithograph entitled "A Colossal Statue at the Entrance to the Temple of Luxor" by David Roberts, from his Egypt and Nubia volumes of the larg...

(After) JOHN JAMES AUDUBON (1785 - 1851) MISSOURI MOUSE, 1846 - Plate 100 (C) No. 20 Lithograph with original hand coloring. From Audubon's "The Viviparous Quadrupeds of North America...

This artwork "Le Lapin Agile" c.1970 Is an original colors lithograph by noted French artist Denis Paul Noyer, b.1940. It is signed and numbered 372/375 in...

This artwork, "La Fete a Honfleur" c.1980 is a original colors serigraph on Wove paper by French artist (Fanch) Francois Ledan, born 1949. it is hand signed an...

Autumn Trees Close Up - Woodblock Print on Paper #12/15 Abstracted landscape detail woodblock by Janet Wheeler (American, 1922-2001). This piece shows abstracted details of trees in autumn. There are branches cutting across the scene, which is full of vibrant yellow and orange. Numbered "12/15" in the lower left corner. Signed "Janet P Wheeler...

This is an antique engraved view entitled "Fodinae aerariae Falunenfis, qui orientem fpectat, delineatio" (Copper mining in Falun), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johannes van den Aveelen (1650-1727), who was an accomplished copperplate engraver who emigrated to Sweden to work on Dahlberg's spectacular book, "Sueciae Antiquae et Hodiernae", which was focused on the views and architecture of Sweden, both in the ancient past and at the time of the publication. This engraving depicts a very active 17th century working scene...

Signed 1926 Armin Carl Hansen Etching and Drypoint of Central Coast California Valley Farm Wonderful etching and drypoint of Valley Farm signed and titled by Armin Carl Hansen (Amer...

This is a hand-colored engraving depicting the natural history of moths and a lady bug, which is plate 22 from Moses Harris' publication "The Aurelian: or Natural History of English Insects; Namely Moths & Butterflies", first published in London in 1766 and this from an 1840 edition. The engraving depicts the natural history developmental stages of the Burnished Brass Moth, the Dark Gothic...

A sspectacular view from above of the buildings and traffic a large city. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to comple...

Dramatic and compelling abstract lithograph of an abstracted lava-like form or glowing skyline under a full moon on a pitch black background by Patricia A. Pearce (American, b. 1948)...

These artwork titled "Twin Lake and Lake view" 1986 are two original color serigraphs on different papers by American artist Virgil Trasher b.1943. One is ...

"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

A spectacular view from above of a major cross roads in a town where some large gathering of people or protest is happening. Werger's mezzotint prints are masterful at capturing a mo...

A beautiful aquatint etching of a serene pastoral scene in the Picardy region of northern France by Paul Emile Lecomte (1877-1950). A mother and child are seen walking down a path in...

This artwork titled "Apple Orchard" 1998, is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled a...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Canoe. Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. All work...

An 18th century etching and engraving entitled "Earl Sandwich Refusing to Leave His Ship While on Fire in the Battle of Sole Bay" by William Byrne (1743-1805), after a painting by Robert Smirke (1753-1845). It was published in London in 1798. The print is presented in a cream-colored mat. The mat measures 17.13" in height and 13" in width. The print is in excellent condition. Edward Montagu, the 1st Earl of Sandwich...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Grand Canyon, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. A...

large scale photograph of iconic Italian architecture by architect Adalberto Libera for writer Curzio Malaparte on the Mediterranean island of Capri, Italy, famous film location of Jean-Luc Godard's movie 'Contempt' starring Brigitte Bardot, Michel Piccoli, Fritz Lang and Jack Palance Casa Malaparte...

Tree Study V by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of 2...

A 17th century hand-colored map entitled "Guineae Nova Descriptio" by Gerard Mercator and Jodocus Hondius, published in their 'Atlas Minor' in Amsterdam in 1635. It is focused on the...

This artwork titled "Open Gate" c.1925 is an original color woodcut by renown Australian/British artist John Hall Thorpe, 1874-1947 It is hand signed ...

Signed and titled by the artist from the edition of 20. This woodcut is a bold graphic depiction of the Lockheed Constellation airplane, which was made in Southern California Romero...

"T.A.M.P. #3" - 1975 Surrealist Lithograph on Paper 1975 surrealist lithograph on paper titled "T.A.M.P #3" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscap...

Signed, titled and numbered by the artist. A view of ocotillo cactus, based on a view near Clark Dry Lake, Anza Borrego Desert State Park, California. Born in Berkeley, California,...

Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper Detailed drypoint etching by Wolfgang Tritt (German, 1913-1983). The Kaiser Wilhel...

From a series of photographs capturing the Golden State's vast monochromatic desert landscapes on an moody autumn day 48 x 48 inches ( 122 x 122cm ) edition of 7 signed 40 x 40 inc...

This print was featured in “Dreamland”, the first solo exhibition of Chicano artist Frank Romero at MOLAA (Museum of Latin American Art). The freeway and car culture of southern Ca...

an homage to the photo realism + pop art color palette of artist David Hockney Best Seats by Erik Pawassar 27 x 40 inches (69 x 102cm) signed edition of 25 48 x 72 inches (122 x ...

This colorful and detailed 17th century hand-colored copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1760. The map depicts the Île-de-France, which is one of the ancient provinces of France. Paris is located in the center of the map, with Versailles to the southwest The map extends from Rouen in the west to Reims in the east. The area around Paris, the Véxin Français, was the original domain of the king of France. Other areas were ruled by French feudal lords. For example, the Véxin Normand area was the domain of the Duke of Normandy...

large scale photograph of iconic Italian architecture by architect Adalberto Libera on the Mediterranean island of Capri, Italy, built for writer Curzio Malaparte and famous film location of Jean-Luc Godard's movie 'Contempt' starring Brigitte Bardot and Michel Piccoli Casa Malaparte...

Chora Terrace from the Patmos portfolio is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black fram...

Brand-new addition to the Foggy Woods Collection of forests in northern California near San Francisco. New as of May 14, 2024. This is a hand-printed contact photograph using the ant...

Cinema cityscape, an aquatint print and hand painted watercolor by Leon Kroll (American,1884-1974). Signed lower left vertical "Leon Kroll '68". Edition one of six, 1/6. Unframed. 15...

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

"Snug Harbor" Etching of a Romantic Harbor Scene 1928 Tall ships in a "Snug Harbor" by Armin Carl Hansen (American, 1886-1957. On wove paper. Image, 6"H x 8"W Sheet, 9.75"H x 12"W ...

JOSEPH PENNELL (1857- 1926) UP TO THE WOOLWORTH 1915 (Wuerth 673) Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...

This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...

This is a framed hand-colored botanical engraving entitled "Agave or American Aloe" by Reinagle for Robert Thornton's publication 'The Temple of Flora, or Garden of the Botanist, Poet, Painter and Philosopher', published in London in 1811. This beautiful botanical was created using several engraving techniques, including aquatint, mezzotint, stipple and line engraving methods. It was printed in color and then finished by hand. The print is presented in a gold-colored wood frame and a heather green mat, which is enhanced with a gold fillet. The frame measures 21.63" high by 16.63" wide and 1" deep. It is glazed with UV conservation glass. All of the mounting materials are archival. The original text page from the early 19th century publication is attached to the rear of the frame. The print is in excellent condition. Robert John Thornton (1765-1832) was attracted to natural history at an early edge and created his own botanical garden and an aviary as a boy. He graduated from Cambridge with a medical degree and set up practice as a London. He inherited his family fortune in 1797, which allowed Thornton the opportunity to devote time to his lifelong goal of creating an extensive scholarly work dedicated to the great classical Swedish naturalist, Carolus Von Linnaeus (1707-1778), also known as Carl von Linné...

This artwork titled "St Paul De Vence" c.1980 is an original lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and inscribed Artist Proof G.S. in pencil by the artist. The image size is 11.25 x 17.75 inches, sheet size is 22 x 30 inches. It is in excellent condition, has never been framed. About the artist: Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings. TEACHING: Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002. CYCLES OF WORKS IN ART: • Biblical, American Indian, Rome 1948-62, Oil Paintings • Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine • Archetypal Frescos 1948-55, Mexico, California, Israel • Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962 • Tapestries of the Zodiac 1961-1963, Spain • Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967 • Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008 • Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968 • The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971 • Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008 • Barbary Coast Drawings, Full Color and Monochromatic 1967-1994 • The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983 • Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008 • Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008 • Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008 • Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008 • Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008 • Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008 • Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008 • Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008 • The Great Masters of Art Series 1998-2008 • Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008 EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS. • Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internationale d'Art de Mode, Val de Grace, Paris, France • 20th Anniversaire Paris American Academy 1985 • Gallery International Inc, St Maarten, Netherlands Antilles 1990-93 • National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35' • Galerie du Carlton, La Croisette, Cannes, France 1964-78 • Galerie des Champs-Elysees, Paris, France 1966-78 • Galeria "M" Copenhagan, Denmark 1967 • Galerie del Cisne, Madrid, Spain • Upper Grosvenor Galleries, London England 1966-68 • Kunsthandel Monet, Amsterdam Holland 1960-80 • Harrison Galleries, Vancouver BC Canada 1970-2008 • Guild Gallerie Calgary, Canada 1975-98 SELECTED EXHIBITIONS: USA • University of Southern California 1950 • Palos Verdes Community Galleries, CA 1955 • Cowie Galleries, Los Angeles, CA 1956 • Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959 • Maxwell Galleries, San Francisco, CA 1962-63 • Raymond Burr Galleries Beverly Hills, CA 1961-64 • Gallery 235, Chicago,IL 1967 • Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008) • Lars Laine Art Galleries, Palm Springs, CA 1969-84 • Two Squares Gallery, Denver, CA 1966-70 • Fisk University Art Museum, Nashville TN 1968 • Lewis Galleries, Omaha Nebraska 1973-2008 • Talberts Galleria Tacoma, WA 1978-2008 • Lyon Art Gallery San Francisco CA 1974-1980 • Owl 57 Galleries Woodmere NY 1979-2008 • Walt Kuhn Galleries, Cape Neddick...

Les Tuileries, Paris - Hand Colored Lithograph Delicate hand-colored lithograph of Tuileries Palace in Paris, France printed by Rose-Joseph Lemercier (French, 1803 - 1887). Published, Paris 1843 to 1867 by Hautecoeur Freres (Eugène and Alfred Hautecoeur (French). After Charles Riviere...