California - Landscape Prints

This is an original 18th century hand-colored copperplate engraving of a pair of red and black woodpecker birds entitled "1. Pie Roux, de Cayenne 2. Petit Pie Noir, de Cayenne (Red a...

Signed and numbered. View of reflections of boats in a marina. Signed, titled and numbered from the edition of 120. Born in Berkeley, California, on December 21, 1949, he was raised...

"Snug Harbor" Etching of a Romantic Harbor Scene 1928 Tall ships in a "Snug Harbor" by Armin Carl Hansen (American, 1886-1957. On wove paper. Image, 6"H x 8"W Sheet, 9.75"H x 12"W ...

Whimsical and vivacious limited editions screen-print on paper depicting a smiling nude figure lounging on a beach next to a fantastical orange and purple striped iguana, with volcanos erupting in the distance and several airplanes flying through the night sky by Phoebe Cole...

This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...

an homage to the photo realism + pop art color palette of artist David Hockney Beach Goals by Erik Pawassar 29 x 40 inches (74 x 102cm) signed edition of 25 48 x 67 inches (122 x...

"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space. Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco" Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957" Titled, signed, and dated "in plate" Presented in a silver colored frame with a double mat. Frame size: 22.5"H x 27"W Image size: 15"H x 20"W Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting. Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique. Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other." Cope died on June 10, 1999, in San Francisco, California. Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah. Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...

Artist: Manuel Robbe (French, 1872-1936) Title: Le Retour Des Pecheurs Year: 1933 Medium: Etching with aquatint Paper: B.F.K Rives Image (plate mark) size: 1...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

Rue de la Paix, Paris - Hand Colored Lithograph 1845-1860 Delicate hand-colored lithograph of Rue de la Paix Palace in Paris, France printed by Rose-Joseph Lemercier (French, 1803 - 1887). Published, Paris 1843 to 1867 by Hautecoeur Freres (Eugène and Alfred Hautecoeur (French). After Charles Riviere...

This colorful and detailed 17th century hand-colored copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1760. The map depicts the Île-de-France, which is one of the ancient provinces of France. Paris is located in the center of the map, with Versailles to the southwest The map extends from Rouen in the west to Reims in the east. The area around Paris, the Véxin Français, was the original domain of the king of France. Other areas were ruled by French feudal lords. For example, the Véxin Normand area was the domain of the Duke of Normandy...

Aldo Luongo "Windy Beach II" Serigraph c.1990 Signed / Numbered Beautiful vintage serigraph by listed Argentinian / American artist Aldo Luongo (b. 1941) The scene is windy beach in the dunes, with reeds blowing in the wind. This is a large serigraph...

Headland IV by Gordon Cook (American, 1927-1985). 1963. Signed on verso "gordon cook/ Headland IV 1963." Detailed etching based on a natural shore scene by Gordon Cook. Printed on ...

Signed, titled and numbered by the artist, edition of 30. This Imaginary topiary and garden scene is the smallest that Houtin completed. . François Houtin was born in Craon en Maye...

Beautiful engraving of a late 19th Century painting by Frederic Arthur Bridgman (American, 1847 - 1928) titled "A Hot Bargain," (see image) engraved by James D. Smillie (American, 1833-1909), circa 1900. Signed lower right edge. Edition 64/225 with attribution to piece and artist on verso. Presented in with new mat. Original mat on verso. Condition: Good, minor foxing on edge. Image size: 5.88"H x 9"W. A native of New York and the son of an engraver, James David Smillie earned his early reputation for his etching skills but later for watercolor landscapes. He began etching at age 8, learning from his father, James Smillie...

Medium: Aquatint Dimensions: 12 x 9 inches (image) Signature: Signed Date finished: 2018 Edition: of 100 Fall colors on Chuckanut Drive, south of Bellingham, WA Born in Berkeley, ...

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

This artwork titled "Un Longue Apres Midi" 1984 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It ...

This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well. This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

Billie Coyne "Farmers Market" Signed / Numbered Lithograph c.1993 32" wide x 22" high The lightly distressed frame measures 44.5" wide x 34.5" high Sig...

Substantially framed contemporary limited edition giclée print on canvas of a beautiful plein air impressionist landscape painting by California artist Donald R. Britton (American, b.20th Century), 2007. Some small areas of oil paint highlights added to canvas print by the artist. The landscape features a calm mountain stream flowing past large boulders and yellow autumn trees, with tall majestic mountains in the background. Hand signed lower right "DR Britton" with the edition number 11/100. Signed and dated in the print "DR Britton '07", lower left. Displayed in a custom rustic style contemporary wood frame with linen liner and gold trim. Canvas size: 20"H x 16"W. Don Britton is a contemporary representational landscape painter of the western US with focus on the southwest, the Pacific coast and the Sierras. Recent Awards and Publications: 2019: Juror's Purchase Award, "Pacific Bluffs" at Art for Heaven's Sake Annual Art Festival, Redlands, CA 2016: First Place,"Land Put to A Higher Use", The 9th Annual Ralph Love Plein Air Competition in Temecula, CA 2014: "Canyon Clouds" and "Carmel Wetlands" were juried in to the Museum of the Art Institute Regional Show in San Diego 2012: "View from Mather Point" was selected for installation in the US Embassy in Sri Lanka. 2011: "On the Rocks" selected as a finalist in the Artist's Magazine annual national competition. 2010 - "Your Composition Should Evoke an Emotion" feature article in International Artist, pp 52-59, vol 70, 2010 2010 - "Morning Becomes the Valley" and "Lamoille Canyon" selected for installation in the US Embassy in Yemen 2010 - Grant from Nevada Arts Council 2008 - Grant from Nevada Arts Council 2007 - Paint America National Competition Top 50 Miniatures 2007 - First Place, Oil Painting, Carson Valley Art Association Annual Exhibit Artist’s Statement: I have been surrounded by artists virtually all my life. I received my first drawing instruction at the age of six from my father. We were living in New Mexico at the time and he was an avid amateur landscape painter there. Although I dabbled in painting off and on for years, my first career took a different path. Following a BA from the University of Colorado and a PhD from The Ohio State University I entered a career in neuroscience research. However, in 2004, I committed to painting full time and was almost immediately rewarded with the joy of recreating scenes I loved. I am indebted to numerous mentors along the way including Mark Tompkins, Skip Whitcomb, William Scott Jennings, Jim Wilcox...

This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...

Artist: David Rosenthal (American 1876-1949) Title: Bayfront Park, Miami Florida Year: c.1940 Medium: Color Etching with aquatint Image (Plate mark) size: 9 x 11 inches Sheet size: 10 x 12.25 inches Signature: Hand signed, titled and numbered 6/150 in pencil by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...

This artwork "Landscape with House" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the arti...

This artwork titled "Linz Landhaus, Austria" 1977., is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The...

Les Tuileries, Paris - Hand Colored Lithograph Delicate hand-colored lithograph of Tuileries Palace in Paris, France printed by Rose-Joseph Lemercier (French, 1803 - 1887). Published, Paris 1843 to 1867 by Hautecoeur Freres (Eugène and Alfred Hautecoeur (French). After Charles Riviere...

Vintage California Wine Country Etching - "Sonoma Oak" Landscape Wonderful iconic wine country scene of large California Live Oak with barn and water tower by Napa County artist Lou...

La Jolla - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in t...

This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg Braun & Franz Hogenberg, in volume II of their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575. This is a beautifully colored and detailed map of Emden, a seaport in northwestern Germany, along the Ems River and perhaps portions of over Dollart Bay, near the border with the Netherland. The map depicts a bird's-eye view of the city from the southwest, as well as a view of the harbor and an extensive system of canals. Numerous ships of various sizes, as well as two rowboats containing numerous occupants are seen in the main waterway in the foreground and additional boats line two canals in the center of the city. Two men and two women are shown on a hill in the foreground on the right, dressed in the 16th century style of nobility. Two ornate crests are included in each corner. A title strap-work cartouche is in the upper center with the title in Latin. The crest on the right including Engelke up de Muer (The Little Angel on the Wall) was granted by Emperor Maximilian I in 1495. This is an English translation of an excerpt of Braun's description of Embden: "In Emden, the capital of East Frisia, rich merchants live in very fine houses. The city has a broad and well-situated harbour, which in my opinion is unique in Holland. Frisia and the whole of the Netherlands, for the ships can anchor here right under the city walls. They have also extended the harbour as far as the New Town, so that up to 400 ships can now find shelter here when the sea is rough." The emphasis on the harbor and waterways within the city highlights the importance of Emden's place as a seaport at this time. Embden developed from a Dutch/Flemish trading settlement in the 7th-8th centuries into a city as late as late 14th century. In 1494 it was granted staple rights, and in 1536 the harbour was extended. In the mid-16th century Emden's port was thought to have the most ships in Europe. Its population then was about 5,000, rising to 15,000 by the end of the 16th century. The Ems River flowed directly under the city walls, but its course was changed in the 17th century by the construction of a canal. Emden has canals within its city limits, a typical feature of Dutch towns, which also enabled the extension of the harbor. In 1744 Emden was annexed by Prussia and is now part of Germany. It was captured by French forces in 1757 during the Seven Years' War, but recaptured by Anglo-German forces in 1758. During the Napoleonic French era, Emden and the surrounding lands of East Frisia were part of the short-lived Kingdom of Holland. References:Van der Krogt 4, 1230, State 2; Taschen, Braun and Hogenberg...

This artwork "Untitled" 1982 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dat...

Signed, titled and numbered by the artist, edition of 40. Houtin's early prints are more surrealistic and imaginary compositions, which eventually develop into the imaginary gardens...

Aspen Study II by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Collarus" (White-collared Flycatcher birds) by John Gould from his monograph "The Birds of Great Britain",...

The tree is a native Californian Monterey pine. They are found up and the down the coast of California from Carmel to San Francisco and all the way up north Mendocino. The moody scen...

billboard against ultramarine blue night sky, a large scale original photograph from a series of conceptual motivational messages on classic Americana billboards in landscape of the ...

This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pine trees obscured by fog and wildflowers are in the woods across the bay fr...

This artwork titled "Notre Dame De Paris in Winter" is an original serigraph by Russian artist Liudmilia Kondakova, born 1956. It is signed and numbered 321/325 in gold felt pen by t...

large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle paintings by artist Henri Rousseau Edition EKTAlux - Cloud Forest...

Medium: etching and aquatint Edition of 120 Year: 2023 Image Size: 4 x 5 inches Signed, titled and numbered by the artist. The view west from Cypress Island off the coast of Washin...

A pair of hand-colored lithographs of ducks entitled "Tadorna Vulpanser" (Sheldrake Ducks) and "Mergus Umbellus' (Smew or Nun Ducks) from John Gould's publication "Birds of Great Br...

This is the mini studio proof of the larger hand-printed photograph of the same name. These iconic Monterey pines can be found all up and down the coast of northern California from S...

This artwork "Marienburg Castle, Germany" 1920, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17.25 x 23 inches, framed size is 28.75 x 33 inches. Custom framed in a wooden gold and silver distressed frame, with fabric matting and dark grey color small fillets. It is in very good condition, the paper is slightly toned by age, it have a small discoloration near the signature, see picture #7 About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

This artwork titled ""Mer Pacifique (Pacific Ocean)" 1979 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dated, titled and numbered 125/125 in pencil by the artist. The image (plate mark) size is 17 x 17 inches, framed size is 31.75 x 25 inches. Framed in a mahogany style wood frame, with off white matting. It is in excellent condition, the frame has very small minor restorations, practically invisible. About the artist: Jean Solombre was born in Paris France in 1948. Solombre is an internationally respected painter, engraver, and writer. Tapestries created from images of Solombre paintings are woven at the atelier Aubsson, in France. The first Solombre fiber art created at Aubsson, was produced in 1979. Solombre, among the finest artists in France, was first acclaimed as printmaker, best known for his handsome richly textured and technically exquisite aquatint engravings which he presented with descriptive original poetry. Solombre's work has been shown in premiere art exhibitions Since 1970 including: The Great and Young of Today, at the Museum of Grand Palais, Paris; The Print Biennial at the Museum Galleria, Paris; and The International Art Fair in Paris, Basel, Dusseldorf, Washington, and New York. Solombre's printmaking intaglio technique masterfully combines the techniques of acquatint and engraving. These combination works, watercolor paintings, and oil paintings on canvas have been shown in prestigious solo exhibitions at: Jean-Marie Cupillard's la Bijougalerie in Grenoble, La Torte Gallery, Paris; Lahumiere, Paris; L'Empreinte Gallery, Strasbourg; Gallery Oliveier, Lille; Hohenloher Foundation, Langenburg West Germany; Gallery L'Angle Aigu, Bruxelles, Belgium; Gallery 410, New York USA; Frances Aronson...

from a series of photographic works capturing the sea blue color palette of the ocean Seascape III by Frank Schott 48 x 64 inches / 122cm x 163cm signed edition of 7 30 x 40 inche...

Artist: Cuca Romley– Spanish/American, b.1933 Title: Operation Sail Year: 1986 Medium: Color etching Image size: 17.5 x 24.75 inches. Sheet size: 22.25 x 30 nches. Paper: Tiepolo Fabriano Signature: Hand signed in pencil by the artist Edition: Numbered 5/10 H.C in pencil Condition: Excellent, has never been framed Cuca Romley is in her eighties, and currently based in Spain after spending decades in New York City. She was trained at The École Nationale Supérieure des Beaux-Arts (ENSBA), a distinguished National School of Fine Arts in Paris, France. The artist won several noted awards for her art in her native Spain, and in Paris, France. She worked as an artist and also had a career in advertising, illustration and interior design, in Spain, France and New York. As an artist, she has had solo and group exhibitions first Paris, France, Monaco, Japan, Spain and the US. Cuca Romley’s etchings of both famous and little places around the world are depicted with a remarkable attention to detail, a style that belies her sophisticated sense of line and color. These etchings capture a bygone era of a city in flux, and a snap shot of a classic image of a place. Each plate is etched with patience and a thoroughness reminiscence of the earlier days of engraving, in exquisite and fine detail. Romley creates her intricate design on the etching ground that covers the copper plate. After the acid has etched the lines into the copper plate she engraves the details into the plate with a burin until the image is completed. For each individual print, a master printer must ink the plate and wipe the surface clean. The plate is placed on the bed of the press and the previously wet paper 100% cotton Tiepolo Fabriano covering the plate, is passed through the press, and that completes the printing process. After the printing ink has dried for a couple of days, the etching is ready for the hand coloring by the artist. There are often more than 30 colors in one of Romley’s images. Each print can take up to 6 hours to color; these colors impart a subtle transparent effect that compliments the delicacy of the line. 2016 Group Show - Guild Hall, East Hampton, N.Y., USA 2013-16 Barcelona Design Gallery, Barcelona, Spain 2010 Group Show - Elaine Benson Gallery, Bridgehampton, N.Y., USA Group Show - Guild Hall, East Hampton, N.Y., USA Group Show - Gallery International Naive Art, N.Y., USA 2009 Group Show - Gallery International Naive Art, N.Y., USA 2008 Group Show - Gallery International Naive Art, N.Y., USA Group Show - Guild Hall, East Hampton, N.Y., USA Group Show - The Winter Tree Gallery, Sag Harbor, N.Y., USA Gina Gallery, New York, N.Y., USA Guild Hall, East Hampton, N.Y., USA 2007 The Cordova Gallery, Greenport, N.Y., USA 2006 One Person Show - JP Morgan Chase, New York, N.Y., USA The Winter Tree Gallery, Sag Harbor, N.Y., USA 2005 One Person Show - JP Morgan Chase, New York, N.Y., USA The Winter Tree Gallery, Sag Harbor, N.Y., USA 2004 One Person Show - JP Morgan Chase, New York, N.Y., USA 2003 One Person Show - JP Morgan Chase, New York, N.Y., USA One Person Show - Galerie Select, East Hampton, N.Y., USA Group Show - Frank F. Miele Gallery, New York, N.Y., USA 2002 Group Show - Eugenia Cucalon Gallery, New York, N.Y., USA 2001 One Person Show - New York Institute of Technology, New York, N.Y., USA One Person Show - Frank F. Miele Gallery, New York, N.Y., USA 2000 One Person Show - Galerie Select, East Hampton, N.Y., USA 1999 One Person Show - Galerie Select, East Hampton, N.Y., USA 1998 One Person Show - Galerie Select, East Hampton, N.Y., USA 1997 One Person Show - Galerie Select, East Hampton, N.Y., USA 1995 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1993 Expansion of Furniture and Jewelry Lines 1992 One Person Show - The Winter Tree Gallery, New York, N.Y., USA 1991 One Person Show - Tamames Gallery, Madrid, SPAIN 1990 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1989 One Person Show - Wenniger Graphics, Boston, Massachusetts, USA Group Show - Wenniger Graphics, Boston, Massachusetts, USA One Person Show - Beaux Arts International Gallery, Toronto, CANADA 1988 One Person Show Fontana Gallery, Tokyo, JAPAN One Person Show - The Winter Tree Gallery, New York, N.Y., USA 1987 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA 1986 One Person Show - Collector's Guild, Short Hills, New Jersey, USA One Person Show - Sharon Park Gallery, San Francisco, California, USA One Person Show - De Vecchis Gallery, Philadelphia, Pennsylvania, USA 1985 Group Show - "New York Hispanic Expressions", City Hall, New York, N.Y., USA One Person Show - De Vecchis Gallery, Philadelphia, Pennsylvania, USA One Person Show - The Lessing Gallery, New York, N.Y., USA 1984 One Person Show - Art Works Gallery, State College, Boalsburg, Pennsylvania, USA One Person Show - JoAnn Perse Gallery, Little Rock, Arkansas, USA 1983 One Person Show - The Hyatt Gallery, Nice, FRANCE Group Show - Neville Gallery, Toronto, CANADA One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA Group Show - The Winter Tree Gallery, New York, N.Y., USA 1979-82 Exclusive representation by Bowles/Hopkins, San Francisco, California, USA 1981 Design Gates and Furniture for the Winter Tree Gallery, New York, N.Y., USA 1979 First Prize, National Arts Club Competition, New York, N.Y., USA 1977 One Person Show - Bryant Public Library, Roslyn, New York, USA 1976 One Person Show - Cordoba Gallery...

A 17th century copperplate hand-colored map entitled "The Second Table of Ireland, Udrone" by Gerard Mercator and Jodocus Hondius, published in Amsterdam in 1635 in 'Cosmographicall ...

A sspectacular view from above of the buildings and traffic a large city. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to comple...

This artwork titled "Open Gate" c.1925 is an original color woodcut by renown Australian/British artist John Hall Thorpe, 1874-1947 It is hand signed ...

This artwork titled "House in the Sun" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the plate. The artwork (image) size is 6.75 x 12 inches, framed size is 13.5 x 18.25 inches. Custom framed in silver metal frame, with light grey matting. It is in excellent condition, the frame have some very small minor scratches, barely visible. About the artist: Painter Kenneth Adams (1897-1963) arrived on the Taos art scene in 1924, at the urging of his former instructor Andrew Dasburg. Although Adams had been born and raised less than 700 miles away in Topeka, Kansas, his journey to the Southwest had been years - and countries - in the making. Earlier in his 20s, Adams had embarked on the Midwesterner’s equivalent of a Grand Tour: Chicago, then New York City, and finally, Italy and France. From these sojourns, the artist had absorbed all the lessons in light, color, and form that renowned teachers and rolling countrysides could offer. Now, thanks to Dasburg’s invitation, Adams found he could stop traveling; he had finished honing his craft and found his muse. New Mexico - its people and its land - would be an infinite source of inspiration. Adam’s painterly devotion soon impressed the prestigious Taos Society of Artists...

Linocut showing the downtown Los Angeles skyline. Yangna was the largest village of indigenous peoples located near downtown Los Angeles when the Spanish arrived. This print pays hom...

A larger hand-printed version of the 7.5 x 11" photograph of the same name. Only 10 editions made. These iconic Monterey pines can be found all up and down the coast of northern Cali...

DESERT CROSSING by Frank Schott from a series of black and white photographs capturing the Golden State's vast desert landscapes 48 x 72 inches / 122cm x 183cm signed edition of...

This is a hand-colored folio sized lithograph entitled "Selasphorus Scintilla" (Little Flame-bearer Hummingbirds) by John Gould, Plate 162 in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, green, ochre-colored hummingbirds with flame red protrusions under their beaks; perched on broad moss green-colored leaves of a plant with pale blue-colored flowers. This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing related to the lower quality paper used for the text pages in the publication. There are several other unframed Gould hummingbird...

This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pine trees obscured by fog are in the woods across the bay from San Francisco...

This is a signed woodcut engraving entitled "Mine Shaft" created by Albert Abramovitz in 1935, after a trip to the Soviet Union. It depicts two Russian workers constructing a mine sh...

This artwork titled "A Kodak Moment" 1992 is an offset lithograph by renown Western artist Gary Carter, born 1938. It is hand signed and numbered 816/850 i...

Medium: Etching Edition of 100 Year: 1971 ImageSize: 16 x 11.5 inches Signed, titled and numbered etching from the edition of 100. An humorous look at Adam and Eve surrounded by ani...

This artwork titled "Kreuzenstein Courrtyard, Austria" c. 1960 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil by the artist at the lower center. The image (plate mark) size is 15.75 x 17.35 inches, framed size is 25.25 x 26 inches. Custom framed in a wooden antique silver frame, with decorated matting. It is in excellent condition, the colors are fresh and bright, the frame has minor restorations, practically invisible. About the artist. Born in Vienna in 1914, Robert Kasimir began drawing at age 4, taught by his grandfather Alois. He made his first etching at age 5. He graduated from Vienna schools and attended the Technological College before switching to the Academy for Graphic Art, where he studied under Professor Hans Frank, a painter and graphic artist. Robert inherited the talent of his famous parents. His technique and subject matter are quite similar to those of his father. He signed his early etchings with the pseudonym "F.O. Robert" until he became established as a successful artist in his own right. Only then did he begin signing his etchings with his own name. In 1936 he came to the United States for a year of study at the Academy of Fine Arts, Philadelphia. During that year he made drawings for his American etchings, including the Capitol in Washington, Yale University, Broad Street, New York, and the University of California in Berkeley. He completed the actual etchings after his return to Vienna. In 1938 he was drafted into the army. He was sent to several fronts (Belgium, Holland, France, Russia) as a war reporter. He did many drawings during the war. In 1945 he returned to Vienna. For the next several years industrial commissions comprised most of his work, though he did several of his Viennese and Austrian scenes such as the Vienna Opera House...

A 17th century hand-colored map entitled "Guineae Nova Descriptio" by Gerard Mercator and Jodocus Hondius, published in their 'Atlas Minor' in Amsterdam in 1635. It is focused on the...

This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition. About the artist: Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL. Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...