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Item Ships From: Chicago
Gustav Klimt "Study for Water Serpents" collotype from Funfundzwanzig folio
By Gustav Klimt
Located in Chicago, IL
Title page numbered: 263/450
Category
1910s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
H.O. Miethke Das Werk folio "Sunflower" collotype print
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
Sunflower, no. 10 from the third installment of Das Werk Gustav Klimts
Created during his residency in Litzlberg on Attersee, where Klimt and the Floge family summered from 1900-1907, Klimt explores nature’s transcendental qualities. His single sunflower is human-like, it’s golden halo is like a ring of sun-kissed hair surrounding a bald pate. It’s known that at the same time Klimt was creating this image, he was also at work on a photo essay about the Floge sisters’ clothing from their fashion salon. Their fashion house was best known for its “reform dresses” which featured loose-fitting long robes which billowed at the arms and torso. Viewed with this in mind, it is not a hard leap to imagine the lone sunflower as a self-portrait from reverse. Klimt’s balding head crowned in a golden corona forms the apex of a pyramidal flowing gown of foliage and flowers. By orienting the anthropomorphic flower at the garden’s central foreground and adorning it with repetitive motifs of round flowers of varying sizes, Klimt’s sunflower...
Category
Early 1900s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
J. Kosbü Optik by Theodor Paul Etbauer, Modernist optometry lithograph c. 1920
Located in Chicago, IL
Expressionist lithographic poster by Theodor Paul Etbauer for J. Kosbü Optik, a German optometry practice. Etbauer elegantly merges art and advertisement with a simple, striking desi...
Category
1920s Expressionist Chicago - Prints and Multiples
Materials
Lithograph
R. Layni, Zeichnungen folio, "Woman with Greyhound" Collotype plate III
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...
Category
1910s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
DIE TRAUME BESCHAUTE (OBSERVED IN A DREAM)
By (after) Egon Schiele
Located in Chicago, IL
Published anonymously c. 1920, Vienna, in an edition of 100, after the original watercolor and pencil on paper, titled in the plate at the top: “DIE TRAUM/BESCHAUTE” and signed and d...
Category
1920s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
"On Earth as it is in Heaven" Original 1899 Color Lithograph by Alphonse Mucha
By Alphonse Mucha
Located in Chicago, IL
Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...
Category
1890s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
H.O. Miethke Das Werk folio "Water Snakes II" collotype print
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
Water Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts
The last painting Klimt exhibited with the Secession before resigning, Water ...
Category
Early 1900s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
E. Strache, Handzeichnungen folio, "Crouching Female Nude" Collotype plate V
By (after) Egon Schiele
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...
Category
1920s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
"Opium" Lithograph Poster by Theo Matejko
By Theo Matejko
Located in Chicago, IL
Frame is handmade by artist Gail Potocki.
WEAG-Matejko, Printer, Vienna
"In 1919, artist Theo Matejko created this lithograph for Robert Reinert's silent film Opium (starring Conra...
Category
1910s Expressionist Chicago - Prints and Multiples
Materials
Lithograph
H.O. Miethke Das Werk folio "University of Vienna Murals" 3 collotype prints
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
This listing is for 3 collotypes: "Medicine", "Jurisprudence", and "Philosophy", pictured, from the Das Werk portfolio by Gustav Klimt and k.k. Hof-und Staatsdruckerei, published by H.O. Miethke. Gustav Klimt created glyphs, unique to each of these pieces, specifically for this portfolio. Further information below:
About the portfolio:
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914.
The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images.
1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art...
Category
Early 1900s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
French Art Exhibition Poster by Raoul Dufy, Modernist Lithograph, 1959
By Raoul Dufy
Located in Chicago, IL
"Exposition d'Art Français" features a busy, dreamy depiction of the French countryside in a very loose style. Created by Raoul Dufy as the poster for an exhibition held in Kaunas, L...
Category
1930s Chicago - Prints and Multiples
Materials
Lithograph
H.O. Miethke Das Werk folio "Danaë" collotype print
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
Danaë, no. 2 from the fourth installment of Das Werk Gustav Klimts
Danae originates from Greek mythology. She is the daughter of the King of Argos. Because a...
Category
Early 1900s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
Seated woman with shawl, Gustav Klimt Handzeichnungen (Sketch), 1922
By (after) Gustav Klimt
Located in Chicago, IL
Original collotype lithograph of Gustav Kilmt’s Seated woman with shawl, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity.
Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity.
Century Guild has curated collections of Gustav Klimt’s printed...
Category
1920s Vienna Secession Chicago - Prints and Multiples
Materials
Paper, Lithograph
Woman in dress, Gustav Klimt Handzeichnungen (Sketch), Thyrsos Verlag, 1922
By (after) Gustav Klimt
Located in Chicago, IL
Original collotype lithograph of Gustav Kilmt’s Woman in dress, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, i...
Category
1920s Vienna Secession Chicago - Prints and Multiples
Materials
Paper, Lithograph
R. Layni, Zeichnungen folio, "Russian Soldier" Collotype plate VII
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful draftsmanship and precocious insight into the human condition. Part of the first wave of Austrian Modernism, he was swept away by the Viennese fascination with the tension between Life and Death (known in the works of Freud and his later interpreters as Eros and Thanatos). Life, identified with attraction, love, sexuality, and reproduction, and Death, represented by distortion, disease, repulsion, and hysteria, often appeared in the same composition, thereby suggesting the frightening life cycle of the human mind and body.
Young throughout his career, Schiele universalized his childhood traumas, thriving libido, insecurities, fears, and longings. His contorted line, jarring contrasts, and flat areas of color, demonstrate an early alliance with Expressionist philosophy and artists who were relentlessly frustrated by conventionality in all its forms. Schiele’s work embodied man’s disorientation and confusion in a seemingly absurd world, a world plagued by disease and war. It continues to be astonishingly relevant today, not just because it helped define Modernism but also because it revealed the dark and immutable aspects of the human condition.
Zeichnungen is a fine art print portfolio published by Verlag der Buchhandlung Richard Lanyi, Vienna, 1917, printed by Max Jaffe...
Category
1910s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
Art Nouveau "Glasgow Rose" original lithograph by Charles Rennie Mackintosh
Located in Chicago, IL
Charles Rennie Mackintosh was a Scottish architect, designer, and visual artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow and died in London. He is among the most important figures of Modern Style (British Art Nouveau...
Category
Early 1900s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
E. Strache, Handzeichnungen folio, "Female Nude, Walking" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...
Category
1920s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
Female semi-nude on bedding (Plate 12), Gustav Klimt Twenty-Five Drawings folio
By (after) Gustav Klimt
Located in Chicago, IL
Color lithograph created from Gustav Kilmt’s sketch of a semi-nude figure on bedding. Edited by Alice Strobl and published in 1964 by Akademische Druck und Verlagsanstalt Graz in Vie...
Category
1960s Chicago - Prints and Multiples
Materials
Paper
Alphonse Mucha's Le Pater: "Thy Kingdom Come" 1899 sepia lithograph
By Alphonse Mucha
Located in Chicago, IL
Stone lithograph sepia plate of Thy Kingdom Come from Alphonse Mucha’s masterpiece of mysticism, Le Pater. Printed by F. Champenois, published by Henr...
Category
1890s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
Road Signs by Mary Corita (Sister Corita) Kent (INV# NP3245)
By Mary Corita (Sister Corita) Kent
Located in Morton Grove, IL
Sister Mary Corita
Road Signs
screenprint
paper size: 23 x 11.5"
framed: 26 x 14.5"
1969
signed
Category
1960s Contemporary Chicago - Prints and Multiples
Materials
Screen
"Peter Pathe Marie Hagan" Original Lithograph Poster by Walter Schnackenberg
By Walter Schnackenberg
Located in Chicago, IL
Original vintage lithograph poster with depiction of Munich-based balletic duo Peter Pathe and Maria Hagen. Design by Walter Schnackenberg (German, 1880-1961). A very scarce example....
Category
1910s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
Le Cheval Bleu (The Blue Horse)
By Albert Zavaro
Located in Chicago, IL
Edition of 110, signed and numbered lower right
Category
1970s Contemporary Chicago - Prints and Multiples
Materials
Lithograph
Fruit Trees by Gustav Klimt, Das Werk lifetime landscape collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Impressionist Fruit Trees landscape, painted in 1901. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
Androgyne, Hésperus by Carlos Schwabe, Mystical Symbolist illustration, 1904
By Carlos Schwabe
Located in Chicago, IL
Lithograph from Carlos Schwabe’s series of hand-colored Symbolist fantasy illustrations for Catulle Mendès’ Hésperus, published in 1904 by Société de pr...
Category
Early 1900s Symbolist Chicago - Prints and Multiples
Materials
Paper, Aquatint
H.O. Miethke Das Werk folio "The Great Poplar II (Thunderstorm)" collotype print
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category
Early 1900s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
Max Eisler Eine Nachlese folio "Portrait of Serena Lederer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #6, Bildnis Frau Serena Lederer; grey monochrome collotype after the 1905 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN...
Category
1930s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
Alphonse Mucha's Le Pater: "Lead Us Not Into Temptation" Japon lithograph, 1899
By Alphonse Mucha
Located in Chicago, IL
Lithographic sepia plate of Lead Us Not Into Temptation but Deliver Us From Evil from Alphonse Mucha’s masterpiece of mysticism, Le Pater. This example comes from the extremely scarc...
Category
1890s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
Church in Cassone by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Church in Cassone, painted in 1913. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
"Art et Decoration" Original 1902 Art Nouveau Color Lithograph by Alphonse Mucha
By Alphonse Mucha
Located in Chicago, IL
Plate 57 from "Documents Decoratifs", published by Librairie Centrale des Beaux-Arts in Paris, 1902.
Literature: Rennert/Weill, A.7 p. 389, Lendl p.132-33 no.105, Grand Palais no 28...
Category
1890s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
Reclining nude, Gustav Klimt Handzeichnungen (Sketch), Thyrsos Verlag, 1922
By (after) Gustav Klimt
Located in Chicago, IL
Original collotype lithograph of a reclining nude drawing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwo...
Category
1920s Vienna Secession Chicago - Prints and Multiples
Materials
Paper, Lithograph
The Column of Marcus Aurelius
By Giovanni Battista Piranesi
Located in Chicago, IL
A fine impression with the address of the artist (Autore, Strada Felice) and the price (Paoli 2 1/2) as well as Hind Watermark no.3 (Fleur-de-lys-in-a-Double-Circle), all correspondi...
Category
Mid-18th Century Chicago - Prints and Multiples
Materials
Etching
Max Eisler Eine Nachlese folio “Portrait of Baroness Bachofen-Echt” collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914-1916 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Chicago - Prints and Multiples
Materials
Archival Paper
Fantastic Mid-Century Serigraph of the Executive House Chicago by Mark Coomer
Located in Chicago, IL
You definitely need this fantastic Mid-Century serigraph of Chicago's Executive House hotel and the Chicago River by artist Mark Coomer, in its original of...
Category
1950s American Modern Chicago - Prints and Multiples
Materials
Masonite, Screen
Max Eisler Eine Nachlese folio “The Bride” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #30, Brautzug; multi-color collotype after unfinished 1917/18 painting in oil on canvas.
Painted in the last months of Klimt’s life, The Bride was one...
Category
1930s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
R. Layni, Zeichnungen folio, "The Artist's Wife, Seated" Collotype plate VI
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterfu...
Category
1910s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
The Jockey
By Henri de Toulouse-Lautrec
Located in Chicago, IL
Color lithograph on Chine volant, 1899. Edition of aproximately 112. Printed by H. Stern, Paris. Published by Pierrefort, Paris.
Reference: Wittrock; 308-2nd edition, vol. 2, pg. 6...
Category
1890s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
Seated woman, Gustav Klimt Handzeichnungen (Sketch) collotype lithograph, 1922
By (after) Gustav Klimt
Located in Chicago, IL
Original 1922 collotype lithograph of a woman draped in fabric, created from Gustav Kilmt’s handzeichnungen (sketch). Published by Thyrsos Verlag, Leipzig and Vienna, in an edition o...
Category
1920s Vienna Secession Chicago - Prints and Multiples
Materials
Paper, Lithograph
Fine Etching of Municipal (Midway) Airport Chicago by Kent Hagerman
By Kent Hagerman
Located in Chicago, IL
A fine & captivating etching of Municipal (Midway) Airport Chicago by artist Kent Hagerman. Artwork size: 7" x 10". Archivally matted to 12" x 16".
Kent Hagerman, also known as ...
Category
1950s American Modern Chicago - Prints and Multiples
Materials
Paper, Etching
"Our Father Who Art in Heaven" Original 1899 Color Lithograph by Alphonse Mucha
By Alphonse Mucha
Located in Chicago, IL
Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...
Category
1890s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
A 1930 Lithograph of the First House Built in Chicago by Raoul Varin
By Raoul Varin
Located in Chicago, IL
A 1930 lithograph on paper by artist Raoul Varin, titled "The First House Built in Chicago". Provenance: Arthur Ackerman & Son, Inc., Chicago, IL
- Printed in 1930. Artwork size: ...
Category
1930s American Modern Chicago - Prints and Multiples
Materials
Paper, Lithograph
Max Eisler Eine Nachlese folio “Malcesine on Lake Garda" collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #7, Malcesine am Gardasee; multi-color collotype after 1913 painting in oil on canvas. The original was destroyed by fire ...
Category
1930s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
Graphic Artwork Exhibition Poster by Georges Braque, Modernist Lithograph 1959
By (after) Georges Braque
Located in Chicago, IL
"Georges Braque Graphic Works" features a bird in flight against a ruddy background. The poster announces an exhibition of prints and illustrated books held at Galerie Nicolas Rauch ...
Category
Mid-20th Century Cubist Chicago - Prints and Multiples
Materials
Lithograph
Alphonse Mucha's Le Pater: "Give Us This Day Our Daily Bread" 1899 lithograph
By Alphonse Mucha
Located in Chicago, IL
Stone lithograph sepia plate of Give Us This Day Our Daily Bread from Alphonse Mucha’s masterpiece of mysticism, Le Pater. Printed by ...
Category
1890s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
Horse Swan, Hésperus by Carlos Schwabe, Symbolist fantasy lithograph, 1904
By Carlos Schwabe
Located in Chicago, IL
Lithograph from Carlos Schwabe’s series of hand-colored Symbolist fantasy illustrations for Catulle Mendès’ Hésperus, published in 1904 by Société de pr...
Category
Early 1900s Symbolist Chicago - Prints and Multiples
Materials
Paper, Aquatint
A Fabulous 1950s Serigraph of Chicago's Wrigley Building by Mark Coomer
Located in Chicago, IL
You really need to bring home this wonderful serigraph for your collection! A fabulous Mid-Century, ca. 1959 serigraph of Chicago's Wrigley Building in its original (and kitchy!) fr...
Category
1950s American Modern Chicago - Prints and Multiples
Materials
Paper, Screen
Italian Banquet
By Jacques-Philippe Le Bas
Located in Chicago, IL
A very good impression of the published state of this work after Nicholas Lancret (1690-1743), painter of “Fetes Galantes.” Mercure de France announce...
Category
18th Century Chicago - Prints and Multiples
Materials
Etching
Alphonse Mucha's Le Pater: "Hallowed Be Thy Name" 1899 sepia lithograph
By Alphonse Mucha
Located in Chicago, IL
Stone lithograph sepia plate of Hallowed Be Thy Name from Alphonse Mucha’s masterpiece of mysticism, Le Pater. Printed by F. Champenois, published by Henri Piazza in Paris in an edition of 510, 1899.
“Le Pater is the perfect convergence of three important movements at the close of the 19th century: Art Nouveau, Mysticism, and Religion. Art Nouveau, through its respect and honor of Nature, promotes the idea of a spirit of energy coursing through all things–a tenet of Mysticism–that finds foundation in the traditions of Mucha's personal relationship with the imagery of Religion. Le Pater gave Mucha a venue to communicate his beliefs specifically through his unique approach to Art and the coded language he had been learning through his devotion to Masonic teachings. He combined the aesthetics of Medieval manuscripts...
Category
1890s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
Peter Pathe - Original Lithograph Poster
By Walter Schnackenberg
Located in Chicago, IL
PETER PATHE, poster lithograph, Schnackenberg School, 1919, the image features the headline performer, Peter Pathe, in drag wearing a form-fitting button-down jacket, high-waisted shorts buttoning down the front, Mary Jane dance shoes and calf-length white socks; Pathe is depicted in motion with raised jazz hands which frame his bushy-haired heavily made-up face and body curving in dynamic lateral movement with raised front leg turned out; with printed text at the bottom: “PETER PATHE/und/Fritz Wolf-Killanyi * Renate Ferena/Tia Majja * Else Zimmermann tanzenmit grossem/Orchester (Leitung: Rob. Tants) Donnerstag, 18 Nov., amends 71/2 Uhr im Konzertsaal Hotel “Vier Jahreszeiten”/Karten zu Mk. 20. - bis Mk. 3.- bei Alfr. Schmid Nachf., Residenzstr. 7 und Otto Halbreiter, Promendeplatz 16.”; printed text at mid-right: “M. Pathe/19”; marked with the printer’s stamp in the lower right: “Oscar Consee/Kunstanstalt/Munchen/Valley Str./7-9”; the poster is secured by matting and framed with a plexiglass cover, Boston...
Category
1910s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
"Lead Us Not Into Temptation" Original 1899 Color Lithograph by Alphonse Mucha
By Alphonse Mucha
Located in Chicago, IL
Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...
Category
1890s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
Max Eisler Eine Nachlese folio “Sunflowers” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #3, Sonnenblumen; multi-color collotype after 1908 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
Masturbating Woman Surrounded by Black
By (after) Egon Schiele
Located in Chicago, IL
Published anonymously c. 1920, Vienna, in an edition of 100, after the original gouache, watercolor and pencil on paper, signed and dated in the plate by the artist in middle right: ...
Category
1920s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
H.O. Miethke Das Werk folio "Portrait of Helene Klimt" collotype print
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category
Early 1900s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
Landscape with Marching Soldiers
By Jan van Huchtenburg
Located in Chicago, IL
Etching from the Six Landscapes
Category
18th Century Chicago - Prints and Multiples
Materials
Etching
Gerlach's Allegorien, plate #66: "Tragedy" Lithograph, Gustav Klimt.
By Gustav Klimt
Located in Chicago, IL
Gustav Klimt created this image for inclusion in Gerlach & Schenk’s Allegorien the year before he formed the Vienna Secession. While this design is similar to his other inclusions, L...
Category
1890s Vienna Secession Chicago - Prints and Multiples
Materials
Lithograph
Ballet und Pantomime "Bingha", plate #8.
By Walter Schnackenberg
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.
In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color.
SCHNACKENBERG BALLET UND PANTOMIME...
Category
1920s Art Deco Chicago - Prints and Multiples
Materials
Paper
Alphonse Mucha's "Figures Decoratives" 1905 Art Nouveau Lithograph, Plate 37
By Alphonse Mucha
Located in Chicago, IL
Plate 37 from Alphonse Mucha's Figures Decoratives, a folio of forty color lithographic plates published by Librairie centrale des beaux-arts in 1905.
Issued during a period of incr...
Category
Early 1900s Art Nouveau Chicago - Prints and Multiples
Materials
Lithograph
The Swamp by Gustav Klimt, Das Werk lifetime landscape collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s The Swamp, painted in 1900. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Sta...
Category
Early 1900s Vienna Secession Chicago - Prints and Multiples
Materials
Paper
Woman in hat and stockings, Gustav Klimt Handzeichnungen (Sketch), 1922
By (after) Gustav Klimt
Located in Chicago, IL
Original 1922 collotype lithograph of a well-dressed woman in a hat and stockings, created from Gustav Kilmt’s handzeichnungen (sketch). Published by Thyrsos Verlag, Leipzig and Vien...
Category
1920s Vienna Secession Chicago - Prints and Multiples
Materials
Paper, Lithograph
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