Colorado - Abstract Prints

American Yachting Scene is a vibrant explosion of ocean blue , whitecaps and strong yellow slashes to describe the ships sailing to their destination. There is an insert of a Currier and Ives print of sailing ships that Dali used as his inspiration. This original lithograph is from the series “The World Of Currier...

Nude with Veils ( Nu aux Voilettes ) portrays a female nude with long hanging breasts, a crutch instead of a head and a veil streaming off the top of the crutch with the left ar...

Color lithograph, Ed. 25 The artist describes his work: My work has often been described as belonging to a category of ‘reductive, geometric abstraction’. In the last decade ho...

The artist describes this project: Making these monotypes was a wonderful new experience for me. They combine a painterly, abstract background with a graphic structure of hard edged...

Color woodcut, Edition 30. Lotus is a twenty-six color woodcut from seven woodblocks printed in an edition of 30, plus proofs, on white Thai Mulberry paper. In this print, a compe...

Color lithograph, Edition 30 Richert, who was intuitively observing shadows cast by three-dimensional forms, found that one such structure – the rhombic tricontahedron – placed un...

Is it Lawful to Pay Taxes To Caesar shows Caesar as an imposing seated figure taking up three quarters of the image against a white background with a mounted horseman over Caes...

An original lithograph poster by French artist Andre Masson for Exposition de ses œuvres récentes 1962-1968 à la Galerie Louise ......exhibition of the recent ...

The Lobsters Quadrille is from Lewis Carroll's Alice's Adventures in Wonderland as interpreted by Salvador Dali and published by Maecenas ( a Random House imprint) 1969 and is from the portfolio of one signed etching in colors and 12 heliogravures with remarque, hors-texte, title page, and text. The frontis page etching is signed in pencil by the artist. The Lobsters Quadrille is in excellent condition. It is a limited Edition 764/2500 signed in the plate by Dali on Mandeure paper. Photogravure, also known as heliogravure, is a complex intaglio printing process that photographically transfers an image to a plate and then to the page. After the image has been transferred to the plate, it is then etched onto it before being printed onto paper. The results are of incredibly high-quality.photogravure in its mature form was not developed until the late 1870s by Czech painter Karel Klíč. He first included pigment paper in the process of photo technical transfer in 1879 and is regarded as the inventor of photogravure process.There are two steps to the process. Firstly, a copper plate is coated with a light-sensitive gelatine tissue which is then exposed to the light from a photographic image. The gelatine hardens where the light falls, and remains soft where light doesn’t. Following this step, the plate is etched down to different depths according to the hardness of the gelatine. The result of this is a highly defined intaglio plate that can reproduce in great detail the tones of the original photographic image. The printing plate is etched to a different depth according to the finest tonal values, which can be printed after removal of the remaining gelatine using the gravure printing process. Salvador Domingo Felipe Jacinto Dalí i Domènech...

Abstract monotype painting by Colorado woman artist Wilma Fiori (1929-2019). Abstract composition in deep jewel tones of green, orange, teal and purple on a black background. Monotype (numbered 1/1) printed on paper, signed by the artist lower right and upper left. Presented in a custom white frame with all archival materials. Provenance: Estate of the artist, Wilma Fiori About the Artist: Wilma Fiori (Wilma Denny) was born in Youngstown Ohio in 1929 and was raised in Great Bend, Kansas. She studied at Loretto Heights College in Denver, Colorado. Fiori graduated with a Bachelor of Fine Arts (BFA) degree in 1952. Two years later, she married Bob Fiori, a fellow student from Lorreto Heights. She remained active as an alumna for the College while raising four children. During this time, she developed an interest in anthropology and, in 1979, Wilma earned a Masters of Arts in Anthropology degree from the University of Denver. Fiori worked as a curatorial assistant to Richard Conn...

Color woodcut, Edition 30. In all of Morinoue's work there is a compelling sense of place--the ocean shoreline, lava flows and Japanese gardens. He is a patient observer of nature...

Color lithograph, Edition 30 In 2010, Ray made his first lithographs at Shark’s Ink., Pyzinerol and Pyzinerol II. Ambitious prints with 18 colors from 15...

Spanish artist Antoni Clave (1913 – 2005) was a prolific printmaker and has had major shows in museums all over the world. This limited edition print is in very good condition. At on...

He Went Out Carrying His Own Cross is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by...

And He Was Baptised is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-1...

He Uttered A Loud Cry and He Breathed His Last is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite publish...

Losias Sepultus in Mausoleo Patrum ( Josiah buried in the Mausoleum of his Father ) is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’...

Saint Raphael is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-1969....

This was just a man is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-...

This is a framed 18" x 18" reproduction in an abstract oil painting floral style, from an ongoing floral series the artist has been working on since 2022. Since the original has some...

Come, Lord Jesus, 1967 is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1...

"Convolution" is a lithograph on paper by Herbert Bayer (1900-1985) from 1948 of an abstract kinetic movement shape. Presented framed in all archival materials, outer dimensions measure 23 x 26 ¾ x 1 ¼ inches. Image sight size is 17 x 22 inches. Print is clean and in very good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Herbert Bayer Born 1900, Haag am Hausruck, Ausstria Died 1985, Montecito, California Herbert Bayer enjoyed a versatile sixty-year career spanning Europe and America that included abstract and surrealist painting, sculpture, environmental art, industrial design, architecture, murals, graphic design, lithography, photography and tapestry. He was one of the few “total artists” of the twentieth century, producing works that “expressed the needs of an industrial age as well as mirroring the advanced tendencies of the avant-garde.” One of four children of a tax revenue officer growing up in a village in the Austrian Salzkammergut Lake region, Bayer developed a love of nature and a life-long attachment to the mountains. A devotee of the Vienna Secession and the Vienna Workshops (Wiener Werkstätte) whose style influenced Bauhaus craftsmen in the 1920s, his dream of studying at the Academy of Art in Vienna was dashed at age seventeen by his father’s premature death. In 1919 Bayer began an apprenticeship with architect and designer, Georg Schmidthamer, where he produced his first typographic works. Later that same year he moved to Darmstadt, Germany, to work at the Mathildenhöhe Artists’ Colony with architect Emanuel Josef Margold of the Viennese School. As his working apprentice, Bayer first learned about the design of packages – something entirely new at the time – as well as the design of interiors and graphics of a decorative expressionist style, all of which later figured in his professional career. While at Darmstadt, he came across Wassily Kandinsky’s book, Concerning the Spiritual in Art, and learned of the new art school, the Weimar Bauhaus, in which he enrolled in 1921. He initially attended Johannes Itten’s preliminary course, followed by Wassily Kandinsky’s workshop on mural painting. Bayer later recalled, “The early years at the Bauhaus in Weimar became the formative experience of my subsequent work.” Following graduation in 1925, he was appointed head of the newly-created workshop for print and advertising at the Dessau Bauhaus that also produced the school’s own print works. During this time he designed the “Universal” typeface emphasizing legibility by removing the ornaments from letterforms (serifs). Three years later he left the Bauhaus to focus more on his own artwork, moving to Berlin where he worked as a graphic designer in advertising and as an artistic director of the Dorland Studio advertising agency. (Forty years later he designed a vast traveling exhibition, catalog and poster -- 50 Jahre Bauhaus -- shown in Germany, South America, Japan, Canada and the United States.) In pre-World War II Berlin he also pursued the design of exhibitions, painting, photography and photomontage, and was art director of Vogue magazine in Paris. On account of his previous association with the Bauhaus, the German Nazis removed his paintings from German museums and included him among the artists in a large exhibition entitled Degenerate Art (Entartete Kunst) that toured German and Austrian museums in 1937. His inclusion in that exhibition and the worsening political conditions in Nazi Germany prompted him to travel to New York that year with Marcel Breuer, meeting with former Bauhaus colleagues, Walter Gropius and László Moholy-Nagy to explore the possibilities of employment after immigration to the United States. In 1938 Bayer permanently relocated to the United States, settling in New York where he had a long and distinguished career in practically every aspect of the graphic arts, working for drug companies, magazines, department stores, and industrial corporations. In 1938 he arranged the exhibition, “Bauhaus 1919-1928” at the Museum of Modern Art, followed later by “Road to Victory” (1942, directed by Edward Steichen), “Airways to Peace” (1943) and “Art in Progress” (1944). Bayer’s designs for “Modern Art in Advertising” (1945), an exhibition of the Container Corporation of America (CAA) at the Art Institute of Chicago, earned him the support and friendship of Walter Paepcke, the corporation’s president and chairman of the board. Paepcke, whose embrace of modern currents and design changed the look of American advertising and industry, hired him to move to Aspen, Colorado, in 1946 as a design consultant transforming the moribund mountain town into a ski resort and a cultural center. Over the next twenty-eight years he became an influential catalyst in the community as a painter, graphic designer, architect and landscape designer, also serving as a design consultant for the Aspen Cultural Center. In the summer of 1949 Bayer promoted through poster design and other design work Paepcke’s Goethe Bicentennial Convocation attended by 2,000 visitors to Aspen and highlighted by the participation of Albert Schweitzer, Arthur Rubenstein, Jose Ortega y Gasset and Thornton Wilder. The celebration, held in a tent designed by Finnish architect Eero Saarinen, led to the establishment that same year of the world-famous Aspen Music Festival and School regarded as one of the top classical music venues in the United States, and the Aspen Institute for Humanistic Studies in (now the Aspen Institute), promoting in Paepcke’s words “the cross fertilization of men’s minds.” In 1946 Bayer completed his first architecture design project in Aspen, the Sundeck Ski Restaurant, at an elevation of 11,300 feet on Ajax Mountain. Three years later he built his first studio on Red Mountain, followed by a home which he sold in 1953 to Robert O. Anderson, founder of the Atlantic Richfield Company who became very active in the Aspen Institute. Bayer later designed Anderson’s terrace home in Aspen (1962) and a private chapel for the Anderson family in Valley Hondo, New Mexico (1963). Transplanting German Bauhaus design to the Colorado Rockies, Bayer created along with associate architect, Fredric Benedict, a series of buildings for the modern Aspen Institute complex: Koch Seminar Building (1952), Aspen Meadows guest chalets and Center Building (both 1954), Health Center and Aspen Meadows Restaurant (Copper Kettle, both 1955). For the grounds of the Aspen Institute in 1955 Bayer executed the Marble Garden and conceived the Grass Mound, the first recorded “earthwork” environment In 1973-74 he completed Anderson Park for the Institute, a continuation of his fascination with environmental earth art. In 1961 he designed the Walter Paepcke Auditorium and Memorial Building, completing three years later his most ambitious and original design project – the Musical Festival Tent for the Music Associates of Aspen. (In 2000 the tent was replaced with a design by Harry Teague.) One of Bayer’s ambitious plans from the 1950s, unrealized due to Paepcke’s death in 1960, was an architectural village on the outskirts of the Aspen Institute, featuring seventeen of the world’s most notable architects – Walter Gropius, Marcel Breuer, I.M. Pei, Minoru Yamasaki, Edward Durrell Stone and Phillip Johnson – who accepted his offer to design and build houses. Concurrent with Bayer’s design and consultant work while based in Aspen for almost thirty years, he continued painting, printmaking, and mural work. Shortly after relocating to Colorado, he further developed his “Mountains and Convolutions” series begun in Vermont in 1944, exploring nature’s fury and repose. Seeing mountains as “simplified forms reduced to sculptural surface in motion,” he executed in 1948 a series of seven two-color lithographs (edition of 90) for the Colorado Springs Fine Arts Center. Colorado’s multi-planal typography similarly inspired Verdure, a large mural commissioned by Walter Gropius for the Harkness Commons Building at Harvard University (1950), and a large exterior sgraffito mural for the Koch Seminar Building at the Aspen Institute (1953). Having exhausted by that time the subject matter of “Mountains and Convulsions,” Bayer returned to geometric abstractions which he pursued over the next three decades. In 1954 he started the “Linear Structure” series containing a richly-colored balance format with bands of sticks of continuously modulated colors. That same year he did a small group of paintings, “Forces of Time,” expressionist abstractions exploring the temporal dimension of nature’s seasonal molting. He also debuted a “Moon and Structure” series in which constructed, architectural form served as the underpinning for the elaboration of color variations and transformations. Geometric abstraction likewise appeared his free-standing metal sculpture, Kaleidoscreen (1957), a large experimental project for ALCOA (Aluminum Corporation of America) installed as an outdoor space divider on the Aspen Meadows in the Aspen Institute complex. Composed of seven prefabricated, multi-colored and textured panels, they could be turned ninety degrees to intersect and form a continuous plane in which the panels recomposed like pieces of a jigsaw puzzle. He similarly used prefabricated elements for Articulated Wall, a very tall free-standing sculpture commissioned for the Olympic Games in Mexico...

Raising Lazarus by Salvador Dali from Biblia Sacra is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite pub...

The Spirit is Willing But the Flesh is Not by Salvador Dali from Biblia Sacra is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five volume...

Elijah by a Whirlwind on a Chariot of Fire by Salvador Dali from Biblia Sacra is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five vol...

Abstract monotype on paper featuring red, green, and blue rectangles on a gray background by Wilma Fiori (1929-2019). Presented in a custom frame with all archival materials measurin...

Abstract monotype in blue, brown and black on paper by Wilma Fiori (1929-2019). Print is presented in a custom frame with all archival materials measuring 20 1⁄2 x 19 1⁄4 x 1 inches....

Monotype, ink on paper, featuring an abstract red and beige composition by Wilma Fiori (1929-2019). Presented in a custom frame with all archival materials measuring 20 x 19 1⁄2 x 1 ...

Into the Grave of Elish is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1...

Divided Lands, Signed Contemporary Blue Abstract Color Field Digital Painting 30" x 30" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artis...

Jesus Scourged, 1967 is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1...

Serigraph on paper titled "Gothic Towers" by Edward (Eduardo) Arcenio Chavez (1917-1995) from circa 1955 of an abstract tower structure with orange, brown, greens and white. Presented framed, outer dimensions measure 25 ¼ x 17 ½ x 1 ½ inches. Image sight size 18 ½ x 11 ¼ inches. Print is clean and in very good vintage condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Born in Wagonmound, New Mexico, Eduardo Chavez...

And You Child, the Prophet of the Most High  is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in ...

Under the Illusion, Original Signed Contemporary Blue Abstract Digital Painting 32" x 24" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artist in verso. This abstract digital painting by artist Denise Dundon...

A Great Battle in Heaven, 1967 is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Riz...

A Woman Clothed with the Sun, 1967 is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome b...

Outgoing Tide, Signed Contemporary Neutral Abstract Digital Painting 24" x 24" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artist in verso. This square format digital...

The artist describes this project: My lithographs In Between Days and A Question of Time are based on a series of monotypes I have created over the past couple years. In the monotypes I layer color fields, forms, patterns, and arrays of dots or other shapes onto dozens of sheets of paper in a process somewhat like sketching. I collect found objects to use as stencils to physically print from or to photocopy. A few objects used in the making of these prints are perforated metal sheets, wooden wine crate...

The artist describes this project: “yo (jr.)” and “rodo”, depict avatar like figures set in an animated, virtual space. Each central character, accompanied by secondary elements of ...

The artist describes this project: “yo (jr.)” and “rodo”, depict avatar like figures set in an animated, virtual space. Each central character, accompanied by secondary elements of ...

The artist describes this project: My lithographs In Between Days and A Question of Time are based on a series of monotypes I have created over the past couple years. In the monotypes I layer color fields, forms, patterns, and arrays of dots or other shapes onto dozens of sheets of paper in a process somewhat like sketching. I collect found objects to use as stencils to physically print from or to photocopy. A few objects used in the making of these prints are perforated metal sheets, wooden wine crate...

"Tree in Ranchitos II" (New Mexico) is a lithograph initialed lower right by artist Andrew Michael Dasburg (1887-1979) from 1975. Presented in a custom frame measuring 30 ½ x 36 ¼ inches. Image size is 16 ½ x 23 ¼ inches. About the Artist: Born France, 1887 Died New Mexico, 1979 Andrew Dasburg was born in Paris, but emigrated to New York City in 1892 with his mother. A childhood sickness left him lame, and his artistic propensities were first recognized by a teacher at the crippled children’s school. She enrolled him in the Art Students League in 1902. There he studied under Kenyon Cox, Frank Vincent Dumond, and Birge Harrison. Later, he began taking night classes from Robert Henri at the New York School of Art. Dasburg spent 1908-1910 in Paris, where he was introduced to the great impressionist painters Matisse and Cezanne. Inspired by the work of the European modernists, Dasburg returned to the United States, where he moved to Woodstock, New York. In Woodstock, he and his wife, Grace Mott Johnson, lived with Morgan Russell...

Color lithograph, Patron Impression. Emmi Whitehorse is a painter and printmaker. Using a private language of symbols and memories, Whitehorse makes ‘personal diaries’ of her life a...

Mid-20th century abstract blue and white serigraph on paper by Margo Hoff (1910-2008). Presented in a custom oak frame with all archival materials and UV/non-reflective glass, outer ...

Dali Inaguracion Teatro Museo Figueras Espana Septiember 1974 is a rare plate signed vintage poster celebrating the opening of the Salvad...

The Dance of Herodias Daughter, 1967 is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome...

  Jeremiah's Prophecy Against the King Joachim, 1967 is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite ...

At First Light, Signed Contemporary Blue Abstract Digital Painting 24" x 24" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artist in verso. This square format digital p...

Group of five abstract lithographs signed and individually titled by artist Dale Chisman from 1987. Titles are: At Midnight, I Breathed A Gentle Fragrance, If You Love for Beauty's S...

Color lithograph, Edition 25. The artist describes this project: My Field Lines body of work is inspired by the electromagnetic lines depicted in scientific and mathematical litera...

Color monotype. Barbara Takenaga's latest prints are a series of Untitled hand colored monotypes, which she describes as follows: Making these monotypes was a wonderful new experience for me. They combine a painterly, abstract background with a graphic structure of hard edged, flat forms. Those dark shapes can be read as either positive/foreground space (body silhouettes or curtains) or as negative space that frames a central image (landscapes, columns, creatures). Similarly, the white lines and dots...

Salvador Dali American Trotting Horses no.1 poster for Tokyo Exhibit 1974. This image is from the The Currier and Ives Suite of six litho...

Color lithograph, Edition 25. Barbara Takenaga is a painter who made her first lithograph at Shark's in the summer of 2002. Her abstract works are full of repeated, obsessive mark...

Surreal Fantasy is a 1967 original limited edition ( 18/30 ) black and white signed etching by Italian artist Alberto Longoni in good condition. ...

When Many Becomes One is a series of new work exploring form and the relationship between the individual and collective. Paulo Wellman has employed vari...

The Fragrance of Park City by the Dutch Pop artist Clemens Briels is an original limited edition no. 195/200 3D serigraph with embossing and bears the ...

When Many Becomes One is a series of new work exploring form and the relationship between the individual and collective. Paulo Wellman has employed vari...

Lithograph titled "Mining Town" by Otis Dozier (1904-1987) from 1940. Modernist scene of a mountain mining town with several buildings at the base of the mountain. Presented in a custom black frame, outer dimensions measure 25 ½ x 18 ⅜ x ¼ inches. Image sight size is 16 ¼ x 9 ½ inches. Print is clean and in very good condition - please contact us for a detailed condition report. Provenance: Private Collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: Born in Forney, Texas, Otis Marion Dozier was raised on a farm in Mesquite, Texas. Dozier was a muralist, potter, lithographer, sculptor, and painter. Dozier was a member of a group of Texas regionalist artists known as the "Dallas Nine." His surroundings in Texas became the focus of much of his art. Dozier’s first artistic training took place in the early 1920’s when his family moved to Dallas. He studied under Vivian Aunspaugh, Cora Edge, and Frank Reaugh...