Colorado - Decorative Art

A stunning work of pressed copper, this substantial piece depicts a hunting scene from the late-19th century. If we could title the piece, we would call it "Bulging" after the magnif...

A parfleche container in an envelope form, finely painted in an abstract design. Makes a stunning wall hanging alone or in a grouping with other parfleche or can be placed on a shelf or Stand. This was created by a North American Indian living in the Plateau cultural area - encompassing portions of what is now northern Idaho, western Montana, northeast and central Oregon, eastern Washington and southeast British Columbia. The tribes from this region include Kalispel, Flathead, Kutenai, Palus, Coeur D'Alene and Nez Perce. Parfleches are rawhide containers which were fundamental to the Plains way of life. Functioning essentially as protective travelling suitcases, they enabled the nomadic tribes to effectively pursue buffalo herds and migrate between seasonal camps. So critical were they to a nomadic existence that over 40 tribes are known to have historically produced parfleches. Collectively, these tribes inhabited an area which encompassed the entirety of the Plains, as well as the parts of the Southwest, the Transmontane and Western Plateau regions. Parfleches were, out of necessity, robust and versatile objects. They were designed to carry and protect within them anything from medicinal bundles to seasonal clothing or food. In fact, it was because of the containers’ robusticity and variety that parfleches earned their name in the Anglo world. Derived from parer (to parry or turn aside) and fleche (arrow), the word parfleche was coined by 17th century French Canadian voyageurs and used to describe indigenous objects made from rawhide. Despite their common utilitarian function, parfleches served as one of the major mediums through which Plains Indian tribes could develop their long-standing tradition of painting. In fact, it is in large part due to the parfleche that tribal style emerged. Even though parfleche painting developed simultaneously with beading and weaving, painting as an artistic tradition held particular importance in tribal culture. Believed to have evolved from tattooing, it had always been used as a conduit through which tribal and individual identity could be expressed. As such, many tribeswomen were deeply committed, some even religiously, to decorating their parfleche either with incised or painted motifs that were significant to them and/or the tribe. For some tribes, such as the Cheyenne, the decorative processes which surrounded parfleche production were sacred. For others, it seems that their parfleche designs shared an interesting artistic dialogue with their beadwork, indicating a more casual exchange of design motifs. This particular relationship can be seen in Crow parfleche...

Presented is a printed folding fan featuring the American Flag, which dates to the early 20th century. With 48 printed stars on the fan’s canton, the fan celebrates New Mexico and Arizona statehood. The fan’s design is completed with 13 alternating red and white stripes across its white sticks and guard. The 48-star flag had a fly date of 47 years, from July 4, 1912 to July 3, 1958. Prior to the introduction of the 48-star flag with the admission of New Mexico and Arizona to the Union in 1912, no legislation existed regarding the official proportions, sizes, and pattern for stars on the American flag. As a result, many Americans designed the starry canton of their homemade flags to their own whim, in medallion, spiral, and flower star configurations. Coinciding with the introduction of the 48 star flag in 1912, President William Howard Taft...

Presented is a patriotic folding paper fan, with an American flag motif. The fan is painted with two small American flags at left and right and two...

This is an original "The Pony Express" Hermès silk scarf by the American artist Kermit Oliver. The scarf is shown in its white and burgundy colorway. The English and French titles "The Pony Express" “Le Cheval Express” are both displayed at the top in red lettering on an orange banner. The main composition shows a Pony Express rider in a brown fringed outfit...