Continental US - Photography

Rebecca Skinner’s “Reflection” is part of her "On and Off the Trail" series documenting the beautiful landscapes of New England. The 18 x 12 inch color photo with satin finish is inf...

Available Sizes: 8 x 10 in $600.00 Open Edition 11 x 14 in $1,000.00 Edition of 50 16 x 20 in $3,000.00 Edition of 50 20 x 24 in $4,000.00 Edition of 50 30 x 40 in $6,000.00 Ed...

Swimmer 2020 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 10 x 7 inches (25.4 x 17.8 cm), image $1,500 + $250 matting/framing Thi...

Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” consists of a 3-part series of s...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

American Photographer Leonard Freed travelled extensively and enjoyed Italy - a country he returned to often and photographed throughout his long photographic career. Cats, Naples, I...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Signed limited edition print of Willie Nelson by Pulitzer Prize winning photographer, Jay Dickman, taken on the road in 1978 Signed limited edition prints, printed on Epson Heavywei...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

A classic, stunning shot of the Red Hot Chili Peppers in 1985 by celebrated photographer, Ebet Roberts. Signed limited edition, hand printed sil...

"Cernunnos IV" Nude Photography 24" x 32" inch Edition 1/7 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 24" x 18" inch Edition of 7 32" x 24" inch ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

"Blood and Milk III" charts new territory in contemporary underwater fine art photography. Set against a mesmerizing crimson background that evokes molten lava, the image captures a ...

"Presentation of Sensuality" Nude Photography 60x40 in Ed. 1/3 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 24: 27" x 18" inch Edition...

Ditch Plains 1 was shot at Ditch Plains Beach in Montauk, NY Summer 2023.

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Christo and Jeanne-Claude Wrapped Reichstag (I) (German Parliament, Blue Sky) Color Photograph on Archival Paper Year: 1995 Size: 11.81 x 15.74 inches (30 x 40 cm) Photographer: Wolf...

Cups II (Suburbia) - 2004 20x24cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 2912. Not mounted. This pr...

This artwork titled "Che (Che Guevara cutting cane) 1962 (printed later) is a gelatin silver print by noted Cuban artist Ernesto Fernandez Nogueras, b.1939. It is signed, titled and dated at the lower margin. The photograph size is 10 x 6.5 inches, framed size is 17.85 x 15.85 inches. Custom framed in a black frame, with white matting. It is in excellent condition. About the artist: Ernesto Fernandez trained under the tutelage of several established photographers during the 1950s in Havana. He is one of the four great photographers of the Revolutionary period of Cuba. As a young man he witnessed both the excesses of Havana as a “playground” of the USA, and the poverty that produced the hotbed of revolutionary thought and action. He was in the Cuban capital as the revolution reached its climax, and his pictures document a time of great hope. They are celebrations of youth’s ability to bring about change and to reinvent a new world. Alongside Korda, Salas and Corrales, Fernandez documented the heady days of the Triumph of the Revolution and continued to photograph Fidel Castro, Che Guevara and other leading lights of the new system, including some wonderfully intimate studies of Alicia Alonso...

For this black-and-white photography series, he used elements such as water (emotions) to narrate a story. He worked with the color white in the fabrics to communicate clarity and re...

Héliogravure on vélin paper. Inscription: Unsigned and unnumbered, as issued. Paper Size: 15.75 x 11.75 inches. Notes: From the folio, Erwin Blumenfeld, Electa Editrice Portfolios, 1...

signed, titled and dated by artist in pencil on verso

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Ballerina Mary Drage in taffeta evening dress by Rappi, the MET gallery, 1950 C print Estate stamped and numbered edition of 21 on verso with certificate of authenticity Norman Park...

An underwater photograph of a young naked model wrapped in tulle. One of her charming breasts escaped the cover. The photograph is made in warm sepia tone. Original gallery quali...

This black and white abstract photograph is unique. Betsy Kenyon works in a darkroom with light and shapes. There is no negative, making each artwork one ...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Keith Haring Painted Man: Original 1983 announcement card for Keith Haring’s well-documented exhibition, Keith Haring 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Off-set printed, 1983. Dimensions: 6 x 4 inches. Some minor fading to the reverse; otherwise very good overall condition with strong colors. Literature: Keith Haring: Posters (Prestel pub.) Further About In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing. Related Categories Keith Haring dancer. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.

"The Gaze" An iconic, fashion-inspired portrait of a young Rendille woman highlighting the bold and beautiful traditions of her remote tribal culture. The print series Desert Song:...

Marilyn Monroe on the set of ‘The Misfits’, Reno, Nevada, 1960. All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Edition of 25 + 3 Artist Proo...

Sacrilege - 2020 48x60cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label and certificate. Artist inventory PL2020-940. Not m...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Heresy - 2020, 20x20cm, Edition of 7 plus 2 Artist Proof. Archival Print, based on the Polaroid. Signature label and certificate. Artist inventory PL2020-906. Not mounted. K...

Over my Head - 2020 48x60cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label and certificate. Artist inventory PL2020-941. No...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Artist: Chuck Close Title: Untitled (Kates #11) Year: 2005 Medium: Digital pigment print on Hahnemuhle Satin paper Edition: 25; signed, dated and numbered in pencil Sheet: 17 x 22 inches (43.18 x 55.88 cm) Frame: 19 1/2 x 24 1/2 inches (49.53 x 62.23 cm) Certificate of Authenticity included For its September 2003 issue, W. magazine commissioned artists Richard Prince, Takashi Murakami, Lisa Yuskavage...

Large scale photograph of PRADA MARFA, a permanently installed pop architectural land art project sculpture by artists Elmgreen and Dragset, inaug...

The Sanchez Twins by Baron Wolman, taken in San Francisco in 1968 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited edition ...

Jackie Rides White Horse, 4027_0076 -- JBK on Horse at Merrywood, her mother's estate. This image looks best in the 11 x 17 size. The 17 x 22 size is soft. Image size is 13.75" x 20"...

Steve McCurry Afghan Girl 1984 (printed later C-print on Fuji Crystal archival paper 24 x 20 inches Signed and dated Steve McCurry has been one of the most iconic voices in contempo...

Aspen Study I by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Texas Longhorn Wall Art ABOUT THIS PIECE: This series was captured on a local Texas ranch, where the land stretches wide and the longhorns stand as living symbols of endurance, her...

Beaton, Cecil & Daniela Palazzoli (Editor) Cecil Beaton – Portfolio, 1981; Electa Editrice Portfolios - LIMITED EDITION Milano, Italy: Electa Editrice Publishers, 1981. Limited Edition Portfolio. This is no. 785 out of an edtion of 1000. A portfolio of twelve heliogravure plates with tissue guard-leaves and limitation leaflet with preface. Housed in portfolio and slipcover, portfolio: 16 1/4 x 12 1/2 in (415 x 317 mm); each print approximately 8 5/8 x 6 5/8 in (220 x 170 mm). Subjects include Gary Cooper, 1930s; Buster Keaton, 1931; Marlene Dietrich, 1935; John Wiessmuller, 1933; Greta Garbo, 1946; Marlon Brando, 1947; Audrey Hepburn, 1954; Frank Sinatra, Sammy Davis Jr., Dean Martin in "High Society", 1956; Marilyn Monroe, 1952; Rudolf Nureyev, November, 1962; Edith Sitwell, 1962; and Pablo Picasso...

Bettie Page Two-Piece Leopard Print Suit, Key Biscayne, FL, 1954 by Bunny Yeager Vintage Gelatin Silver Print Image size: 20 in. H x 16 in. W Frame ...

11 x 14" vintage silver gelatin photograph of composer David Del Tredici, photographed nude in 1973. Signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitchell...

"Pygmalion and Galatea" Photography 16" x 16" in Edition of 24 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

Fly me to the Moon (Till Death do us Part) - 2005 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inve...

Stefanie Schneider's Minis Party's over (Oxana's 30th Birthday), 2008 featuring Radha Mitchell Signed and signature brand on verso. Lambda digital Color Photographs based on a Polar...

In reading the introduction of his first book Diesels and Dinosaurs, Fitch paints a vivid image of a young version of himself speeding down a two-lane highway in the back of his fath...

Framing available. A stunning powerful photograph. Tom Millea was known for his exceptional platinum printing. Loose print.Signed. 8x12" pigment print

This is a contemporary black and white photograph of Wild Mustangs. "They represent the ultimate expression of American freedom" 36x48 Unsigned test print Printed on archival paper ...

One of a kind Photomontage on archival paper Overall sheet size: 27.5 in. H x 39 in. W Individual sheet Size: 27.5 in. H x 19.5 in. W Unframed Signed, titled and dated by the artist The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from the photographs he took with his camera larger versions of those pieces, but having only registered his models with a single photograph it was impossible to achieve, given this need he adopts the language of fractionation completing the message he wants to transmit through his work. Castro perfected his technique throughout the years, now on he takes numbers of photographs of his subject, which are then assembled to conform a unique photo collage...

Bob Gruen Patti Smith Live - Schaefer Music Festival, Central Park, NYC, 1976 gelatin silver print 20 x 24 inches Bob Gruen is one of the most well known and respected photographers...

Windmills of your Mind (Heavenly Falls) - 2016 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. Artist invent...

This is a black and white photograph by Bob Mizer depicting a young and handsome nude Forrester Millard at age 21. Forrester Millard, Age 21 1947 Vintage silver print 9.5 x 7.5 in...

"The moment Hot Shot arrived on set, I was reminded of the way time stops when a bull enters the room. He was a fierce beauty to behold and a rare glimpse at the chilling juxtapositi...

The Beastie Boys and Run DMC on the roof of B. Smith's restaurant at 47th St. and 8th Avenue in New York City on May 11, 1987, taken by Ebet Roberts. Signed limited edition, hand pr...