Continental US - More Prints

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Original 1924 Soviet Union lithographic poster for a monthly magazine called "Flint". The magazine was a public scientific journal that dealt with the electrical revolution, biolog...

Original vintage movie poster: "The Sundowners" is a 1950 American film directed by George Templeton. Horizontal half sheet U. S. Movie poster. The Sundowners is a 1950 American ...

The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...

Artist: Adriaen van Ostade, After by Amand Durand, Dutch (1610 - 1685) - Le Goute, Year: 1875, Medium: Heliogravure, Image Size: 7.5 x 9.75 inches, Size: 8.5 x 10.25 in. (21.59 x 2...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Colette (aka Colette Justine), Tunisian/American (1952 - ) - Real dream II, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: ...

Original Einstein vintage poster. “Hair. It’s not the style that counts, it’s what’s under it.” A black and white image of Einstein with his hair messed me. Linen-backed in excellent condition, ready to frame. From a series of portraits with inspirational quotes from The Equitable Life Assurance Society of the United States. Photo from Bettmann Archive. The poster is a variation of the original photo with the quote “It’s not the style that counts, it’s what’s under it”. This quote is a play on words emphasizing substance's importance over style. The poster reminds us that actual value lies in what is inside a person rather than their outward appearance. About Equitable Life. After closing to new business in 2000, parts of the business were sold off, and the remainder of the company became a subsidiary of Utmost Life and Pensions in January 2020. The Equitable Life Assurance Society (Equitable Life), founded in 1762, is a life insurance...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 368 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...

This is an original 19th century hand colored McKenney and Hall lithograph of a Native American entitled "Thayendanegea, Great Captain of the Six Nations, ...

ABOUT THIS PIECE: Since 2008 fine art photographer Jonathan Chritchley has regularly been invited to attend the Classic Yacht Regattas on the legendary Cote d’Azur in France, working...

Original French Line Normandie horizontal cruise line shipping lithograph. Artist Albert Sebillle with signature in the plate, lower right corner. Arch...

Original, linen-backed, vintage poster Bieres Excelsior. The 4 beers: Pearle; Bock; Saphir; '51 from the grand brasseries de Lille (Belgium). Artist: Sogno. Fine, excellent condition. Professional acid-free archival linen-backed, ready to frame. Large size format! Need to spruce up and decorate a large bar area, a beer drinking man...

A vibrant vintage poster in blue, pink, brown, and classic 1960's avocado green, by Scottish Pop art progenitor Eduardo Paolozzi. Machinery extends upward in two arms like a space-age car engine...

This colorful and detailed 17th century hand-colored copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1760. The map depicts the Île-de-France, which is one of the ancient provinces of France. Paris is located in the center of the map, with Versailles to the southwest The map extends from Rouen in the west to Reims in the east. The area around Paris, the Véxin Français, was the original domain of the king of France. Other areas were ruled by French feudal lords. For example, the Véxin Normand area was the domain of the Duke of Normandy...

Myron Stout Untitled (from Rubber Stamp Portfolio), 1976 Rubber Stamp Print on Buckeye Paper 8 × 8 inches Limited Edition of 1000 Stamped with a...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Le Poete Virgile suspendu dans un Panier, Year: 1873, Medium: Heliogravure, Size: 10.5 x 8 in. (26.67 x 20.32...

Mark di Suvero Future Shadow II, ca. 2001 Lithograph on Arches 88 Paper with Deckled Edges Signed and numbered from an edition of 5 by the artist on the front 32 × 23 inches Unframed The work was gifted directly by the artist to the present owner. This is a variation of a print the artist created as a donation to the Venice California...

Original Salamanca Ferias y Fiestas vintage Spanish poster. Lithograph archival linen backed and ready to frame. Artist: Ramon Melero. Very good condition. No tears, no stains, no damage. Fine condition This image has two piñata style faces. The woman has a flower in her hair and a veil and the man is just wearing a small Swiss hat. On the left side, there is a cow handing off a string that also has flowers. A city seal is in the upper left corner. The festival is in honor of la Virgen de la Vega...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

This Futuristica skyline series by Mauro Oliveira has been a bestseller for the past 10 years. All pieces of the series are one of a kind, representing well known cities such as New...

Miguel Angel Blanco (Spain, 1958) 'Flores pétreas III', 2003 digital print on paper 14.6 x 11.9 in. (37 x 30 cm.) Edition of 50 Unframed ID: BLA1420-003-050 Hand-signed by author

A brilliant and early impression of this woodcut. Dark, well-inked, with strong contrasts and no sign of wear. From "The Fall and Salvation of Mankind Through the Life and Passion of Christ."

Original engraving #3 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

In the style of Barry McGee Lithograph Edition: 4/6 Signed, numbered, dated and inscribed by the artist Size: 15 x 22 inches Barry McGee was born in 1966 in San Francisco, Californi...

EIGHTEENTH CENTURY BRITISH CARICATURE THE HAPPY CONSULTATION, or MODERN MATCH, 1769 (DG 4335) ...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "fly." Smith has used one of her animal/insect iconic figures for this glassine paper and wove pap...

John Winkler (California, 1890-1979) "Night in Chinatown" Original Etching c.1936 Also known as "Figures by a Street Lamp." Winkler worked as a gas lamp lighter early in his student...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "moth." Smith has used one of her animal/insect iconic figures f...

"The Lightning Strikes Twice" by Prefab77 is a screen print and handfinished with spray paint. The artwork dimension is 76,5 x 57,5 cm (H x W) in an edition of AP 1/1 as a proof for ...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is f...

large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 25 x 40 inches (64 x 102cm) signed edition of ...

Original Sabena vintage travel poster. Archivally linen —backed in very fine condition, A, ready to frame. The image comprises three surfboard-style sections depicting New York to Brussels and to the Heart of Paris via Sabena, Belgian World Airlines. Sabena, short for Société Anonyme Belge d'Exploitation de la Navigation Aérienne, was Belgium's national airline from 1923 until its bankruptcy in 2001. Sabena produced numerous vintage travel posters during its operational years to promote tourism and its flight routes. One notable poster is titled "Fun Brussels, Helicopter to Paris." This poster likely depicts Brussels as a vibrant and exciting destination, highlighting the convenience of traveling from Brussels to Paris via helicopter. Sabena was known for its innovative approach to air travel, and the depiction of a helicopter flight to Paris would have been cutting-edge at the time. One of the surfboard-style images features New York, the next the World’s Fair in Brussels, and, of course, the Eiffel Tower...

Original French poster Levurine. Artist John Onwy. Archival linen backed in very good condition with very minor touch up. Rare kitchen original lithograph. Printed by Vercasson, one of France’s premier stone lithograph companies. This poster is now over 100 years old! This little red-headed boy is sitting in a backing tin that has grown in size because Levurine is a yeast used in backing. The artist Onwy is known for his children's designs in the old French posters...

Artist: SICA, American (1932 - ) Title: Karnak Medium: Aquatint Etching, Signed and numbered in pencil Edition: AP Image Size: 14.5 x 10.5 inches Size: 22 in. x 15 in. (55.88 cm x 38...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* Celebrating the one and only Marilyn Monroe by Mauro Ol...

Original poster: Linen-backed original poster "Tage Slawischer Kultur" done by the artist Rasch. The days of Slavic Culture. This would cover the countries knowns as Slavic language speaking people: Russia, the Ukraine, Belarus, Poland, Czech Republic, Slovakia, Bulgaria, Slovenia, Croatia, Serbia, Bosnia and Herzegovina, Macedona and Montenegro. A drama mask in white rests on a leaning abstract color panel that could be a scarf or material that blends the styles and colors inlocking together to form a cultural pattern. A dark blue background brings the image to the forefront of this vintage original poster. Every year on May 24th all Slavic countries commemorate Saints Cyril...

Buddy’s Truck Stop John Baeder, American (1938) Date: 1979 Etching on Arches, signed, numbered and dated in pencil Edition of AP Image Size: 15.25 x 23.75 inches Size: 21 x 30 in. (5...

Patrick Rubinstein is a French contemporary artist, born in 1960 in Paris. He belongs to the movement of Op Art and Kinetic art. He is the inventor of the movement Kinetic Pop Art,...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

Naghi Nagashian (Iran b. 1948), "Gold & Brown Composition" Edition 92/100, Abstract Lithograph signed and numbered in Pencil, 20.50 x 17, Late 20th Century, 1964 Colors: Gold, Yello...

This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Astronomia Comparativa in qua Planetarum Primaria Phaenomena" (Co...

P. Serkin Perestroika 1988 Lithograph Unknown edition 25.75 x 19.25 inches

Abstract, large scale earth toned red, black, taupe and grey scene with dynamic lines, shapes and hand painted brushstroke texture. This dramatic Howard Hodgkin work is ideal for dis...

Claes Oldenburg (after) Stars : A Farce for Objects (Cat. Raisonne Ref: 29, Axsom & Platzker, 1997), 1963 Letterpress poster in 1 colour over stock offset lithograph "rainbow roll" in 3 colours on paper, mounted on wood board Unsigned and unnumbered, as issued Published in an unknown edition size 28 × 22 inches x 1 inch Published by Washington Gallery of Modern Art; Printed by Globe Poster...

Original ‘Fiesta Mayor Badalona” vintage travel poster. Conservation linen backed and ready to frame. Very good condition full lithograph A bright and vibrant travel poster that ...

Original linen-backed ‘FLYING TIGERS - A legend in air cargo;, aviation vintage poster for sale. This poster is part of The Smithsonian National Air...

Artist: Joan Miro Title: Plate III Portfolio: Lithographe III Medium: Lithograph Date: 1977 Edition: Unnumbered Frame Size: 19 5/8" x 16 3/4" Sheet Size: 13" x 10" Signature: Unsigne...

Lopez created her haunting landscape in an edition of 95 at Tamarind Institute. It is a four color-lithograph on white Revere silk paper. Collaborating Printer: Valpuri Remling. "O...

LITHOGRAPHS Greenwich Village NYC by the American photorealist artist John Baeder is a limited edition mezzotint printed using hand printmaking techniques on archival, cream colored ...

A very good, richly-inked impression of this large color aquatint, etching and carborundum. An "hors commerce" impression, aside from the edition of 75. Signed and inscribed "H.C." i...

This artwork titled "HAnnukah" from the suite "The Seven Festivals" 1981, is an original colors serigraph on Arches paper by noted Israeli artist David Sharir,b. 1938. It is hand sig...

Lynda Benglis Untitled, 1995 Letterpress on Somerset Paper Edition 91/100 Pencil signed and numbered from the edition of 100, top recto. Framed Measurements: Sheet: 6 inches by 6 inc...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Great Jewish Bride (B340), Year: 1878 (of original 1635), Medium: Heliogravure, Size: 8.75 x 6.5 in. (2...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Mardochee mene en triomphe, Year: 1873, Medium: Heliogravure, Size: 9.25 x 12 in. (23.5 x 30.48 cm), Printer:...

Naghi Nagashian (Iran b. 1948), "Black & White Woodcut Composition" Edition 55/100, Abstract Woodcut signed and numbered in Pencil, 20.50 x 17, Late 20th Century, 1965 Colors: Blac...

Digital art print on Lex Jet, 170 gram Satin Stock paper Blue abstract geometric kaleidoscope pattern made as abstractions of the artist's hand painted GLYPHS series Hand-signed by...

Artist: Joan Miro Title: Plate V Portfolio: Lithographe III Medium: Lithograph Date: 1977 Edition: Unnumbered Frame Size: 19 5/8” x 16 3/4” Sheet Size: 10" x 13" Image Size: 10" x 13...

This is an original 16th century copperplate originally hand-colored engraved map of View of Seravalle, Italy entitled "Seravallum Celeberrimum Marchiae Tarvisiniae in Agro Foro Juliensi Opp. - Seravalli, quam vides, Spectator, iconem, operi huic nostro suis sumptib. . . ." by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Augsberg, Germany in 1575. The map depicts a view of Seravalle, now Vittorio Veneto, in San Marino, Italy, north of Venice, in a topographically accurate bird's-eye view from the south. A water-filled moat is seen to the south of the city walls and farmland to the east. Two men are depicted standing on a hill in the lower right in conversation next to grain sacks and a grazing horse, while a younger man behind them to the right herds a mule carrying presumably pigs. A very colorful and ornate title cartouche is in the upper center and coat-of-arms are in the right and left upper corners. Serravalle lies in an idyllic setting in the foothills and surrounded by orchards. St Mary's Cathedral with its tall bell tower is prominent in the center of the town. The marketplace and town hall with a bell tower in the square are depicted. Houses and shops are around the main square. Serravalle's importance as an agricultural centre is emphasized by the figures in the foreground. In 1337 Serravalle was conquered by the Republic of Venice. In 1866 the town was united with neighbouring Ceneda to form the town of Vittorio Veneto. The following is an English translation of an excerpt from the French description of the city on the back of the map: "Serravalle, a market town renowned for cloth, wine and grain, is in such a beautiful situation that the number of its inhabitants, attracted by the loveliness of the place, has grown so much at times that the wall encircling it has had to be enlarged for the third time. The city with the surrounding town once belonged to the Church in Ceneda as an imperial fief. It subsequently became the seat of the Da Camino family (a princely house that at that time was one of the five most noble in all Italy). Now the city is under the sway of the Venetians but is prudently governed by them. For they send only one city councillor with instructions to ensure that justice prevails and to collect duties. In all else, power lies in the hands of the noble families." This is a translation of the Latin in the title cartouche on the front: "The picture of the town of Serravalle, which you see, viewer, has been contributed to our work entirely at his own expense by Minutius, son of Hieronymus Minutius, a noble gentleman and one renowned for the far-reaching competence of his jurisdiction. We saw him sojourning in Cologne, where he was on business for Gregory XIII; while our good wishes accompany him, we should also like to accompany him on his way with this remembrance, even though it might be against his will, so that even those who have not seen him may learn of his excellence. However, those who do not yet know him will also see his excellence if God the Almighthy does not summon erring souls too soon back to the eternal seat of the Blessed." References: Van der Krogt 4, 4728, State 1; Taschen, Braun and Hogenberg, p.331; Fauser, #14960 This striking hand-colored city view is printed on laid, chain-linked paper with wide margins. The sheet measures 16" high by 21" wide. There is a central vertical fold as issued and French text on the verso, with Latin on the front. There is some discoloration in the upper and right margins which may represent some watercolor paint from the time of the original hand-coloring of the map. There is a small hole to the right of the upper portion of the vertical fold, which is only visible when held up to light and an area of reinforcement on the verso of the lower vertical fold. The map is otherwise in very good to excellent condition. Braun and Hogenberg's 'The Civitates Orbis Terrarum' was the second atlas of maps ever published and the first atlas of cities and towns of the world. It is one of the most important books published in the 16th century. Most of the maps in the atlas were engraved by Franz Hogenberg and the text, with its descriptions of the history and additional factual information of the cities, was written by a team of writers and edited by Georg Braun. The work contained 546 bird-eye views and map views of cities and towns from all over the world. It gave graphic representation of the main features of the illustrated cities and towns, including the buildings and streets. Although the ordinary buildings are stylized, the principal buildings are reproduced from actual drawings created on location. The principal landmarks and streets can still be recognized today. In addition, the maps often include the heraldic arms of the city, the nature of the surrounding countryside, the important rivers, streams and harbors, even depicting stone bridges, wooden pontoons, flat-bottomed ferries, ships and working boats, wharves and jetties, as well as land-based activities, including horsemen, pedestrians, wagons, coaches, and palanquins. Small vignettes are often included which illustrate the trade, occupations and habits of the local inhabitants, such as agriculture, paper-making and textiles, as well as local forms of punishment, such as gibbets, wheels, floggings etc. Large figures dressed in their local costume are often presented out of proportion in the foreground. The aim of the authors was to give as much information as possible in a pleasing visual form. They succeeded in creating maps that were both informative and decorative works of art. The atlas is a wonderful glimpse of life in medieval Europe. Georg Braun (1541-1622) was German Catholic...