Dallas Vases

Emile Galle Mold Blown Blue Clematis Glase Vase. Circa: 1910 Nancy, France A fine Galle blown-out glass vase, Clematis pattern, in strong blue colors. Signed in cameo, Galle. Heigh...

Tiffany Studios Favrile Tall Tel El Amarna Iridescent Footed Vase. Tel-el-Amarna vase New York, USA, c. 1911-12 Hand-blown Favrile glass Dimensions: 10 Inches Height X 4.5 Inch Diame...

Tiffany Studios Favrile Iridescent and Bronze Trumpet vase USA, New York. circa. 1920 Hand-blown Favrile glass, patinated bronze Height: 14.75 Inches X 6.5 Inch Diameter (37 × 17 cm...

Tiffany Studios Tall Favrile Ribbed and Applied Decorated Vase Ribbed with applied favrile glass strands encircling and forming button snail corbochons on the body. New York, USA, ...

–Ceramiques impressionistes & Gres Art Nouveau. Olivier Fanica et Gerard Boue. 2005 Massin Editeur.- Théodore Lefront (1835-1893) was a leading maker of decorative ceramic pieces du...

During the 17th through 19th centuries, highly skilled artisans in Savona, Italy, produced beautiful tin-glazed earthenware known as maiolica (majolica). These blue and white lidded vases with serpentine handles, from circa 1800, are such an example. Early Savona offerings were painted cobalt blue on a white background, as seen on these vases. Because the scenes depicted on the main bodies are distinct, they are considered a near pair, although their dimensions do not vary. Both illustrations contain country houses surrounded by tall trees and fronted by vegetation emerging from rocky terrain. In each scene, people can be seen in front of the houses, with one having two citizens and the other having four. One of the renderings is bordered by roundels at the top and by a leafy vine at the bottom; the other vase does not have any surrounding motifs. The sides opposite the pastoral images are distinct as well: the one with the borders has curled vines surrounding the Savona Lighthouse (a production mark of studios from this region), while the other vase has the lighthouse above a pair of small foliate margents. Both vases have domed, removable lids with a conical finial emerging from a painted sunburst. Curled leaves have been painted along the circumference above a solid blue ring. The two curvaceous handles are each comprised of a pair of snakes bound with a ribbon. Our blue and white lidded Savona vases...

The LUNA Vase features intricate, hand-carved motifs of the heavens, interpreted through a geometric lens. Its round porcelain body is evocative of the full moon, with an intentional...

An ancient vessel carved from a very hard stone using a simple drill and was most likely used for the storage of ointment or liquids. The small lug handles allowed the vessel to be s...

An impressive object entirely shaped and finished by hand, it reveals very different glaze treatments inside and out. While expertly worked to achieve a scalloped edge and channeled ...

Emile Gallé Art Nouveau Acid etched and cameo three color glass vase. Rose flowers are window pained and let delicate lights waves through in a translucent effect, This is a rather l...

This elegant pair of antique faience vases was crafted by the Faïencerie de Gien in France circa 1920 and is marked “Gien France décoré à la main” on the base. Hand-painted in rich c...

PRESENTING a BEAUTIFUL and mint, Mid Century Lalique Bagatelle Vase with original box. Made by the famous ‘Lalique’ factory in France circa 198...

Galle Cameo Glass Anemone Vase, circa 1900 Art Nouveau Marks: Gallé Height: 9.5 inches (24.1 cm) Diameter: 4.5 Condition: Vase features red and pink anemones over a white to yellow...

Loetz For Boudon And Klur Gilt Metal Monted Glass Vase. A highly sought after vase culminating the zenith of Loetz and the Art Nouveau design. Czech Republic Circa 1900 Rubin Ruby Papillon Decor Metal mount with indistinct impressed marks for Boudon and Klur Height: 10.5 Inches x 8 Inches wide x 5 Inches deep Condition: Very good with wear commensurate of age and use with some loss to gilt, The Loetz glassworks existed in Klostermuhle, Austria, for just over a hundred years, starting from 1840. But its heyday was during the life-time of Max Ritter Von Spaun, grandson of the original Johann Loetz who had founded the company. Von Spaun took over the company in 1879 and ran it until 1908, a year before his death. He was assisted by Eduard Prochaska, his technical specialist, and together they invented, designed and produced a whole series of wonderful new types of glass, taking out several patents and winning awards at all the major world exhibitions during the 1890's and the first years of the new century. The Loetz company were amongst the leaders in Art Nouveau design and expecially in irridescent art glass. "Papillon" glass, like the vase on the left, is sometimes known today as "oil spot" glass. Another favourite Loetz colouring was irridized glass with pulled trails called "Phenomenon" glass. There were irridized vases with ribbons of metallic colours winding over the surface, and many spectacular designs with applied trails of beautiful colours, or simply pulled out of the body of the glass to form handles or decoration. About 1900 the company started collaborating with outside designers, and some great artists designed pieces for Lotz, notably Joseph Hofmann, Koloman Moser, Maria Kirchner, and Hofstatter. In 1908 Loetz was taken over by Max Von Spaun's son, also called Max, and although it struggled financially (going through bankruptcy in 1911 and again in 1931) there were several great designers whose work was produced by Loetz during those years and through the art deco period. These included Adolf Beckert...

Inspired by vessels of antiquity, these vases features ornamentation that evokes friezes found on architecture of ancient Egypt. Crafted and finished by hand, the object has been wor...

Delving into the elemental marks of Egyptian hieroglyphics, these vases use original characters to adorn an object inspired by vessels of antiquity. Formed of natural clay and glaz...

These elegant colorful Famille Rose vases were created in China circa 1950. Standing tall, the large vessels feature a flared rim and tapered body. Each body is adorned with vibrant ...

Pair Antique Chinese Hand-Painted Porcelain Bud Vases are brilliantly painted to an amazingly realistic degree of artistry, depicting various species of garden plants and flowers. P...

Decorate a shelf or console table with this elegant pair of antique Delft vases. Crafted in Holland circa 1920, both urns are round in sha...

Decorate a table or a console with this colorful antique porcelain vase. Crafted in China circa 1950, the important Family Verte vessel is round in shape decorated with a wide neck a...

Large ceramic pot.    

Presenting a gorgeous Nippon Art Nouveau style butterfly vase. Fully marked on base for having been made and hand decorated in Japanese Macau. This h...

Pair 19th Century Cloissone vases is an extraordinary example of the breed, displaying its well-preserved, rich coloration and exhibiting a large format design theme celebrating the ...

Very large blue translucent Mid Century Modern Murano glass vase. Attributed to Simone Cenedese, Murano, Italy, 1980s. The blue Murano glass is thick and heavy. The Murano glass is f...

A pair of French Louis XVI style bronze mounted cut crystal urns

Bohemian style vases colored cobalt blue, made from art glass with intricate carvings. With pictures of bears.

Decorate a backyard or a patio with this elegant pair of classical Roman antique urns. Crafted in France circa 1850, each vase stands on a square base with pedestal over a gadrooned ...

Tiffany Studios By Louis Comfort Tiffany Gold Favrile Iridescent Art Nouveau Trumpet Vase. This is the one you want to have for your collection in the classic trumpet from in amazing...

This piece is a part of Brendan Bass’s one-of-a-kind collection, Le Monde. French for “The World”, the Le Monde collection is made up of rare and hard to find pieces curated by Brend...

Decorate a mantel or a console with this important pair of porcelain and bronze Sèvres urns. Created in Paris, France, circa 1870, each impressive vase sits on a square bronze base w...

A beautiful set of five blue and white Delft vases, this faience collection was hand-painted in Holland, circa 1900. The three bulbous vases are lidded, each with a finial depicting a rampant lion with a ball in its forepaws. Beneath the lion is a mottled background (on the front side only), with a foliate and floral margent. Each vase has the same scene painted on the front of the main body: a couple walking through a field surrounded by flowers. The opposite side has a floral rinceaux above a foliate branch. Painted in a similar fashion, the two concave vases are without lids. The side opposite from the cartouche of the couple has floral margents. All five vases have canted corners on the base. Inspired by Italian majolica, the faience produced in 16th century Holland...

Brilliantly faceted and richly colored, this mid-20th century Bohemian crystal vase exemplifies the bold artistry of cut-to-clear glasswork. Crafted circa 1950–1970, the piece featur...

A monumental ceramic vase with iridescent glaze in an elongated bulbous shape by the legendary French ceramist Pierre Clement Massier (1845-1917). Massier is widely considered as...

Large bulbous ceramic vase in Sange de Beuf glaze with green bullseye abstract detail. This vase makes for a beautiful statement piece standing alone or can serve as a supporting rol...

This colorful antique Italian Majolica vase dates to the 1800s. This type of pottery was first produced during the Italian Renaissance, and it often depicted historical and mythologi...

Decorate a shelf or console table with this elegant pair of antique Delft vases with cattle motifs. Crafted in Holland circa 1880, the round vases ...

Tall Emile Galle Art Nouveau Botanical Carved Cameo Vase Carved and acid etched multilayered glass Circa 1900 Art Nouveau Signed: “Galle” Height: 15.75 Inches Diameter: 3.75 Inches C...

Emile Galle scenic wheel carved and acid etched cameo vase. A beautiful and tall cameo vase by Galle. The 18 - 1/2” tall vase has a background of muted yellow glass near the base, which progresses to blue/gray at mid-vase, and then peach towards the top. Brown, cameo cut trees are generously displayed across the body of the vase, with the addition of a boat in the lake. Signed "Galle". Dimensions: 18 - 1/2” x 10” x 8”. Condition: Very good Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At the age of sixteen he went to work for the family business as an assistant to his father, making floral designs and emblems for both faience and glass. In his spare time he became an accomplished botanist, studying with D.A. Godron, the director of the Botanical Gardens of Nancy and author of the leading textbooks on French flora. He collected plants from the region and from as far away as Italy and Switzerland. He also took courses in painting and drawing, and made numerous drawings of plants, flowers, animals and insects, which became subjects of decoration. At the age of sixteen he finished the Lycée in Nancy and went to Weimar in Germany from 1862–1866 to continue his studies in philosophy, botany, sculpture and drawing. In 1866, to prepare himself to inherit the family business, he went to work as an apprentice at the glass factory of Burgun and Schwerer in Meisenthal, and made a serious study of the chemistry of glass production. Some of his early glass and faience works for the family factory at Saint-Clémont were displayed at the 1867 Paris Universal Exposition. In early 1870 he designed a complete set of dishware with a rustic animal designs for the family enterprise. During this time he became acquainted with the painter, sculptor and engraver Victor Prouvé, an artist of the romantic "troubadour" style, who became his future collaborator in the Nancy School. He enlisted for military service in the Franco-Prussian War in 1870, then was demobilised after the disastrous French defeat in 1871 and the French loss to Germany of much of the province of Lorraine, including Meisenthal where he had done his apprenticeship. Thereafter the Cross of Lorraine, the patriotic symbol of the region, became part of his signature on many of his works of art. After his demobilization Gallé went to London, where he represented his father at an exhibition of the arts of France, then to Paris, where he remained for several months, visiting the Louvre and Cluny Museum, studying examples of ancient Egyptian art, Roman glassware and ceramics, and especially early Islamic enamelled...

Decorative pair of Delft blue porcelain lidded vases. Beautiful floral pattern in gorgeous shades of blue. A fabulous accessory!!

19th century Hand-Hammered Brass Double-Handled Pot was the product of a talented metalsmith, and features an interesting design with equally interesting embellishments! The ovoid op...

A large and decorative Chinese green-glazed pottery hu vase. Han dynasty (206 BC - 220 AD). The compressed globular body encircled by eight mystical beasts of monkeys, Rabbits, de...

Decorate a table or a buffet with this colorful baluster vase. Created in China circa 1980, the vase features floral motifs in the cloisonné technique (decorative work in which ename...

Vintage Italian Murano frosted glass vase. This vase showcases the mastery of hand-blown techniques and the ethereal beauty of satin finishes...

Tiffany Studios By Louis Comfort Tiffany Art Nouveau Blue Favrile Floriform Glass Vase. A classic and must for the most discerning Tiffany glass collector. This vase has the rarer sh...

Vibrant and finely detailed, this mid-century Bohemian cut-to-clear crystal compote showcases the exceptional artistry of Czech glassmakers. The striking emerald green overlay is exp...

Tiffany Studios by Louis Comfort Tiffany Large Red and Gold Iridescent Floriform Glass Vase. This is a rare form and red color that will be a must addition to the discerning Tiffany ...

Carl-Harry Stalhane (1920-1990) was a Swedish ceramic artist who worked for the Rörstrand porcelain works in Lidköping. He trained as a painter in Stockholm and as a sculptor in Pari...

Tall Early Gallé Fire-Polished Cameo Glass Solifleur Vase, circa 1900 Signed: In Japonism script “gallé” Height: 12.4 inches (31.5 cm) Tall vase with pe...

Vivid colors, hand-painted in the Renaissance style, enhance this large maiolica pot from the 1800’s. Maiolica is tin-glazed pottery from Italy that has been decorated over a white background. This pot is considered an istoriato, which is to say that the pot has been decorated with figures, rather than strictly geometric patterns or floral designs. The maiolica does incorporate floral and foliate motifs, with white flowers that have yellow centers surrounded by blue rings. There are also yellow flowers that are depicted in various stages of nyctinasty (the closing of flowers during the night). The flora is all connected by a series of green and yellow curled leaves. Behind the vegetation is a dark blue background. There are two portraits inside large yellow cartouches that are painted in the middle of the pot. The first is a bearded man, dressed in a light brown tunic...

Loetz Pampas Glass And Metal Mounted Vase Czech Republic Circa 1900 Unmarked Height: 7.5 Inches, handle to handle 8.25 Inches Condition: Very good with wear commensurate of age and use with some loss to gilt, The Loetz glassworks existed in Klostermuhle, Austria, for just over a hundred years, starting from 1840. But its heyday was during the life-time of Max Ritter Von Spaun, grandson of the original Johann Loetz who had founded the company. Von Spaun took over the company in 1879 and ran it until 1908, a year before his death. He was assisted by Eduard Prochaska, his technical specialist, and together they invented, designed and produced a whole series of wonderful new types of glass, taking out several patents and winning awards at all the major world exhibitions during the 1890's and the first years of the new century. The Loetz company were amongst the leaders in Art Nouveau design and expecially in irridescent art glass. "Papillon" glass, like the vase on the left, is sometimes known today as "oil spot" glass. Another favourite Loetz colouring was irridized glass with pulled trails called "Phenomenon" glass. There were irridized vases with ribbons of metallic colours winding over the surface, and many spectacular designs with applied trails of beautiful colours, or simply pulled out of the body of the glass to form handles or decoration. About 1900 the company started collaborating with outside designers, and some great artists designed pieces for Lotz, notably Joseph Hofmann, Koloman Moser, Maria Kirchner, and Hofstatter. In 1908 Loetz was taken over by Max Von Spaun's son, also called Max, and although it struggled financially (going through bankruptcy in 1911 and again in 1931) there were several great designers whose work was produced by Loetz during those years and through the art deco period. These included Adolf Beckert...

Decorate a table or a buffet with this colorful baluster vase. Created in China circa 1980, the vase features floral and leaf motifs in the cloisonné technique (decorative work in wh...

Pair Antique Cloissone vases is an extraordinary example of the breed, displaying its well-preserved, rich coloration and exhibiting a large format d...

Emile Gallé Cameo Glass Leaves and Pods Vase, circa 1900 Marks: Gallé Height: 15.25 inches (38.7 cm) Width: 6.5 Inches Depth: 5 Inches Condition: Tall vase of colorless glass overlaid in peach, chartreuse and green acid-etched with cascading branches of maple leaves and seed pods. In overall very good condition. Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé...

This exquisite Bagatelle vase by Lalique France is a celebrated example of the Maison’s elegant Art Deco-inspired crystal work. Designed with remarkable artistry, the vase features a...

The Brendan Bass Estate Collection is an homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which the...

Great detail in this signed ceramic vase with a glazed white ceramic and detailed with cut and formed ceramic ornamentation around upper portion. Well executed.

Emile Galle Tall vase with maple branches France, c. 1907-1907 Wheel carved and Acid-etched Cameo Glass Vase Height: 21.5 Inches X 8 Inch diameter (55 × 20 cm) Condition: Very Good...

Pair Antique Chinese Hand-Painted Vases are truly a product of exceptionally skilled artisans! Thrown on a larger scale, the graceful form of each porcelain urn is centuries if not ...

Delving into the elemental marks of Egyptian hieroglyphics, these vases use original characters to adorn an object inspired by vessels of antiquity. Formed of natural clay and glazed...

Decorate a dining table or buffet with this elegant crystal vase. Crafted in France, circa 1970, the large luxurious cut glass vessel is decorated throughout with geometric motifs. T...