Europe

French school late 18th Century Portrait of a young man oil on metal 10.2 x 7.7 cm Framed under glass : 24.4 x 21.8 cm This small portrait painting, quite original in its technique...

Title: "The Elegance of the White Stork" Description: This exquisite hand-colored copperplate engraving, hailing from the late 18th century, captures the serene grace of the White s...

The oval amethyst intaglio, depicting Apollo standing full length beside a column, with bow and arrow drawn, mounted in silver and gold, ring size 7 length 1.9cm, width 1.6cm Weight:...

Antique Italian painting from the end of the 18th century. Non-coeval wood and plaster frame, from the 19th century, finely carved, lacquered and gilded. Artwork oil on canvas depict...

An original engraved portrait of James II, King of England. The style of the engraving and the attire of the individual are consistent with late 17th-century fashion, aligning with James II's reign from 1685 to 1688. The text beneath the image indicates that it was published as part of the same historical work by Rapin de Thoyras, and this specific print was made from an original picture painted by Sir Godfrey Kneller, a leading portrait painter of that time. The engraving was published as the act directs on August 1st, 1789, showing that it was also intended to be protected under copyright law. This inscription indicates that the portrait of James II, King of England, was originally painted by Godfrey Kneller (referred to as G. Kneller Pinx, with "Pinx" being an abbreviation for "pinxit," Latin for "painted by") and engraved by John Goldar (referred to as Goldar Sculp, with "Sculp" being short for "sculpsit," Latin for "engraved by"). James II of England, who was also James VII of Scotland, was born on October 14, 1633, and reigned from 1685 until he was deposed in the Glorious Revolution...

The print depicts Stonehenge, an iconic prehistoric monument located in Wiltshire, England. The image is a south view of Stonehenge, featuring a detailed etching and engraving of t...

Original antique and hand-colored engraving of people of the Chippewa tribe in American. The upper part of the print says, "Engraved for BANKES's New System of GEOGRAPHY Published b...

Beautiful and rare example of late 18th century Italian master blacksmith craftsmanship, this antique studded safe with typical all-around hobnails and great wrought iron details, is...

This unique cabinet, with its architectural shape and relief protrusions, is a true gem of Flamenco design. Precision-crafted in ebony and ebonized wood, and adorned with exquisite i...

Complete with Candle Sticks and Reading Rail  From our Writing Box collection, we are pleased to offer this Georgian Military Campaign Mahogany Writing Box...

Louis XVI chest of drawers in nutwood shellac hand polished Original Louis XVI (also: Louis-seize), France around 1780 Dimensions: Width: 77 cm Height: 77 cm Depth: 43 cm.

This is an authentic engraved portrait of Mary, Queen of Scots. Mary was one of the most fascinating and tragic figures in Scottish and English history. She became queen consort in...

Ca. middle/late 18th. century ring, 14K Rose Gold band with a 'Giardinetto' (small garden) openwork crown with Silver and Yellow Gold top. Array of foiled back natural Emerald, natur...

The image is an original engraved portrait of William Cecil, Lord Burleigh. William Cecil, 1st Baron Burghley, was a prominent statesman of the Tudor period in England and one of Q...

This 1727 oak trunk is of magnificent craftsmanship, showcasing intricate carvings and exquisite attention to detail. Crafted from solid oak, the trunk is sturdy and substantial, ref...

Beautiful late 18th century of the period Directoire Italian antique armchair in solid walnut wood. The armchair is very elegant. The backrest decorated with a carved in wood is beau...

Splendid pastel portrait on paper, mounted on a canvas board and framed in an antique pine wood frame carved and gilded with gold leaf. The glass covering the painting is also an aut...

Antique charming country table from northern Sweden. The table is a rare and unique table with a drawer, from the late 1700s. This is made in a trestle model which is the oldest type...

Vienna Porcelain Coffee or Mokka Cup and Saucer with floral decoration. Product of the Vienna Porcelain Manufactory (German: Kaiserlich privilegierte Porcellain Fabrique), a porcela...

Newton and Winsor Artists Easel Mid-century solid wood artists easel made in London, England by Newton and Winsor, a company with a long-standing reputation for its artists materials...

Antique map titled 'Supplément pour les Isles Antilles (..)'. Original old map of the Virgin Islands, with insets of Barbuda, St. Kits, Antigua, Dominica, St. Lucia, Barbados, St. Vi...

A fine French late 18th century Klismos bench, of great colour and desirable generous proportions. Stamped G.Jacob. France, circa 1795. Why we like it A handsome, timeless desig...

Georgian crowned heart ring from turn of the century 18th/19th century, circa 1780 – 1810. Making this ring some 240 years old! Decorated w...

Step into the lavish world of French craftsmanship with our meticulously preserved 1780-1800's Gilt Wood Mirror. This exquisite piece encapsulates the opulence and sophistication of ...

Vienna Porcelain Coffee or Mokka pot with floral decoration and Rococo ornaments on the lid and handle. Product of the Vienna Porcelain Manufactory (German: Kaiserlich privilegiert...

This is a superb antique Scottish George III flame mahogany serpentine sideboard with ebonized high-lights , circa 1780 in date. The sideboard has a shaped top with a raised galler...

One of the most elegant exemple of Baltic-style large Palace Chandelier. Fountains crystal falls respond harmoniously to fire gilt bronze leaves and graceful cobalt blue central vase...

Heading : Worcester porcelain blue scale leaf dish Date : c1775 Period : George III Marks : Pseudo fret square Origin : Worcester, England Colour : Polychrome Pattern : Blue scale m...

A fine example of an 18th-century botanical engraving. Created by Carlo Antonini between 1777 and 1790, it showcases a detailed depiction of a flower in full bloom. The illustration is highly detailed, with individual petals, stamens, and shading rendered with precision, indicating a high level of craftsmanship and attention to detail that was characteristic of botanical illustrations of the period. The image is likely part of a larger work, perhaps a botanical compendium or study, which would have been used for both scientific study and artistic appreciation. The text at the bottom of the print, "Rarone Antico nel Foro di Nerva," analysed: The phrase "Rosone Antico nel Foro di Nerva" could potentially be translated as "Ancient Rosette in the Forum of Nerva." Breaking down the phrase: - "Rosone" typically refers to a "rose window," a large circular window with mullions and tracery radiating in a form suggestive of a rose, commonly found in Gothic architecture. However, in this context, without the surrounding content, it might refer to a specific design or feature that is described as "antique" or ancient. - "Antico" means "ancient" or "antique," indicating that the item or feature referred to as "Rosone" is of historical significance or from a past era. - "Foro di Nerva" refers to the Forum of Nerva, which is one of the Imperial Forums in Rome. Therefore, the phrase seems to describe an ancient or historically significant rosette (or possibly a design or feature similar to a rose window) located in the Forum of Nerva. This might be referencing a specific architectural detail or decorative element that was part of the forum's structure or adornment. For a detailed analysis or historical context, you would typically need to consult historical texts, architectural studies, or archaeological reports related to the Forum of Nerva. The style of the print suggests that it was created using engraving techniques that involve incising a design onto a hard surface (like a copper plate), which was then inked and used to produce the image on paper. This method allowed for reproductions of the design and was commonly used for scientific illustrations because it could capture intricate details with great accuracy. Such prints would have been important in the 18th century for the dissemination of botanical knowledge, contributing to the fields of botany, horticulture, and medicine. They also reflect the Enlightenment's value on reason and empirical evidence, where plants were not only appreciated for their beauty but also studied for their structure and utility. Carlo Antonini's notable work includes a series of 85 etchings that were published in Rome in 1780, dedicated to Count Stanislao Potocki. This collection, titled "Serie di LXXXV disegni in varie grandezze composti dal celebre pittore Salvator Rosa publicati ed incisi da Carlo Antonini," consists of reproductions of Salvator Rosa's 'Figurine' series and other prints. It includes various pieces like a title-page with a coat of arms, a dedication, a preface, and several other individual works ranging from small prints to larger ones, such as depictions of mythical and historical scenes. The etchings were printed in sanguine ink, indicative of the period's artistic preferences for printmaking. These works are an example of Antonini's precision in reproducing another artist's work and are recognized for their faithfulness to Rosa's original designs. Additionally, Antonini is associated with other works such as the "Manuale di varj ornamenti componenti la serie de' vasi antichi," a collection that includes designs and engravings of ancient vases, and prints dedicated to the Duomo Di Orvieto. Another significant piece is his engraving titled "Prospetto degli Orti Farnesiani sul Monte Palatino," which was created in collaboration with Francesco Panini...

This superb British Old Master portrait is by noted artist Lemuel Francis Abbott. Painted circa 1790, the composition is a half-length standing portrait of a gentleman gazing to his ...

Ref: 126571 Pair of Delft tin glaze garlic neck vases. Holland Circa 1790 Measurements: H: 28.5cm (11.2") W: 12cm (4.7")

An engraved portrait of Edward VI, who was King of England and Ireland from 1547 until his death in 1553. Edward was the son of Henry VIII and his third wife, Jane Seymour, and he ...

Pocket Globe Nicholas Lane London, post 1779 The globe is contained in its original case, which is covered in leather. The sphere measures 2.75 in (6.9 cm) whereas the case measure...

The image is an original engraved portrait, depicting King Edward IV of England. This engraving was created for "Harrington’s Edition of Rapin’s History of England." The text below...

A large 18th century or earlier statuary marble head of Venus, goddess of Love. Life-size and beautifully carved with superb detail to her hair & face. Probably Italian and an early ...

A Lovely English Antique Foldout Tea Table, Georgian Period circa 1790s. The table, made from mahogany and structurally very strong, boasts additional storage underneath. The table...

An extremely elegant, superb quality pair of George III period armchairs or elbow chairs. Six side chairs en-suite are available separately. English, circa 1780 Why we like them: Wo...

The image is an original antique architectural print, specifically a rosette, which is a round, stylized flower design, commonly used in architectural decoration. The print is titled "Rosone preso da Frammenti Antichi T.2. plate 41", indicating that it is the 41st plate from volume 2 of a work that deals with designs taken from ancient fragments. This particular print was created by Carlo Antonini between 1777 and 1790, as part of an art print set...

An exceptional, fine and impressive antique Georgian English sterling silver locking tea caddy; an addition to our silver teaware collection. This exceptional antique George III sterling silver locking tea caddy has a navette, paneled shaped form. The body of this silver tea caddy box is embellished with bands of bright cut engraved volute spiraling leaf ornamentation on a matte background to the upper and lower portions; these bands flank a plain undulating bordered panel. The ornamentation to the surface of the caddy alternates with panels of concave vertical fluted decoration. This antique Georgian tea caddy is retains the original hallmarked flush hinged covers; the flush hinge indicates the fine quality of this piece. The cover is embellished with further bright cut engraved undulating borders accented with bud motifs, in addition to simplified borders paralleling the domed paneled portion; the domed portions reflects the incurved shape of the body. This impressive cover is surmounted with a cast sterling silver urn style finial, in the Classic Adams style. The caddy retains the original fitted fully working lock and functional key. This sterling silver tea caddy is a highly desirable shape and style. Condition: This Georgian silver tea caddy...

This image is an original architectural print depicting a rosette, a decorative motif fashioned after a stylized rose, commonly found in ...

An attractive figured walnut Dutch chest with fine marquetry inlay of birds and flowers; most Dutch chests we have had previously had bombay fronts and often ball and claw feet but I...

Unique Swedish folk-art bowl in a very unusual boat like shape. This wooden bowl is large and wide with date “1782” underneath along with a set of initials. An unusual detail is the ...

Original antique engraving of a Comparative Anatomy of Primate Skulls Description: This detailed print by Carl Johann Georg Reuss, an illustrious illustrator, features a striking il...

Heading : Worcester blue scale leaf dish Date : c1775 Period : George III Marks : Worcester pseudo fret square Origin : Worcester, England Colour : Polychrome, blue ground Pattern ...

This image is an engraved portrait of Mr. Rapin de Thoyras, created for Harrington's edition of "Rapin's History of England." The individual in the portrait is Paul de Rapin, Lord ...

This original antique print is labeled "Rosone Antico nell'Arco degli Argentari," which can be translated as "Ancient Rosette in the Arch of the Silversmiths." The phrase "Rosone An...

18th century Italian neoclassical carved, lacquered and gilded wood dresser attributed to Francesco Bolgiè (1752?-1834). The fine and elegant commode is made of finely carved, lacquered and gilded wood. It presents several stylistic and material elements characteristic of the wooden works and of the furniture present in the Piedmont area, between the end of the 18th century and the beginning of the 19th century. The richness of the ornaments, the gold leaf, the iconographic program and the significant level of cabinet making that characterizes this furniture are testimony of a wealthy client and the valuable work of a sculptor at the service of noble and royal families. Stylistically can be attributed to the famous italian sculptor Francesco Bolgiè (1752-1834). The front of the furniture and the two side are characterized by a complex decorative architecture. Two horizontal perimeter bands show gilded carved geometric patterns and palmettes on a blue lacquered backdrop. The low frame, in the centre and on the front, has a half-moon element inside which is finely carved a lion with two cupids and laurel branches. Near the corners, at the top, are carved a female faces, while at the bottom are some bees. The fretwork of the vertical bands draws strings that support a bunch of grapes with vine leaves. The side walls are lacquered in ochre yellow and, at the centre, a frame with acanthus leaves outlines a lacquered space in the tones of the ancient rose violaceous, with in the centre an ornate leaf with fine girali. On the four sides of this frame four large golden flowers harmonize the together. The front, similar in composition, has a yellow ochre background, internal frame with palmettes and four flowers. The large internal space, lacquered in antique pink, shows in the center a woman’s fece with a composition of grapes and wheat ears; from the face depart fine phytomorphic girals with racemes, bunches of grapes and vine leaves. The nozzle of the original lock, placed on the front of the cabinet and on top, is in gilded bronze, chiselled with ribbon motif. The front panel opens downwards. The interior of the cabinet, entirely lacquered in red, has a shelf and therefore two compartments. The red color cinnabar deliberately recalls the characteristic Chinese lacquer, at the time much loved for the decorations to cineseria furniture. The special folding lock system, which allows the opening and closing of the front door, is the original one. The commode rests on four conical wood legs witch are carved with acanthus leaves and small ramage, gilded and lacquered. The top of the furniture is in grey marble bardiglio valdieri, lithotype that had great success in Piedmont, in the north of Italy, since the middle of the 18th century. On it were usually exposed bronzes, candlesticks, watches and sculptures. The sculpted subjects refer to a precise iconographic programme. The female head is identifiable in Ceres, Mother Terra, which in classical iconography is depicted with the head surrounded by a sert of wheat ears and a cluster of grapes. Ceres or Demeter in Greek, sister of Zeus, in Greek mythology is the goddess of fertility, the guardian of crops, protector of agriculture and wheat, constant nurse of youth and of the green earth, author of the cycle of seasons, life and death, protector of marriage and sacred laws. The representation of Ceres, and its meaning, are linked to bees, symbol of virtue and chastity, allegory of Mother Earth, rebirth, mercy and justice. Just as the leaves of the vine and its fruits: in many cultures, from Greco-Roman to Christianity, the vine is a symbol of well-being, fruitfulness and blessing; it represents an abundant life and the joy that flows from it; it reflects the desire for fertility and beauty. It is also a sign of devotion to the fruits of the spirit and protection from evil. Fullness, wisdom, youth, maturation, prosperity are all images associated with the vine. Sacrifice, faith and good will are the qualities required for the vine to bear fruit. The inverted bezel shows the iconographic image of Amor Vincit...

Set of 4 cups and saucers with decoration of gilt flower sprays and blue border by the Kaiserlich priviglierte Porzellan Fabrique in Vienna. It was founded in 1718 and continued unti...

O/3265 - Pair of antique French andirons, rare because with adjustable supports for skewers: beautiful, functional, rare, with a good price.

An engraved portrait of Edward I, also known as Edward Longshanks and the Hammer of the Scots, who was King of England from 1272 to 1307. The text beneath t...

An engraved portrait of Henry IV, King of England. Henry IV was the first English monarch from the Lancastrian branch of the Plantagenets and came to power after deposing his cousin Richard II in 1399. His reign was marked by the start of the 15-year civil strife known as the Wars of the Roses, numerous rebellions, and efforts to consolidate his power and legitimize his somewhat tenuous claim to the throne. The text mentions that the portrait is based on a picture at Hampton Court, which is a royal palace in the London Borough of Richmond upon Thames. Published as the act directs on June 18th, 1787, this engraving is part of the collection for "Harrington's Edition of Rapin's History of England." Henry IV's reign is notable for the rebellion led by the famous knight Henry Percy...

Large Swedish Burl Birch Bowl cirka 1780-1830s The old repairs on this bowl adds to the character and beauty of this piece. Traces of original paint remains. Made out of birch tre...

A white poodle, sitting upright on its hind legs. Oil on canvas in a giltwood frame, bearing a plaque 'Henry Bernard Chalon 1770-1849'. Canvas size: 33 x 26cm In frame: 45 x 37cm Provenance: Phillips sale, London, 24 November 1998, lot 140. David Messum, London One of the more important painters of his time, Chalon was the son of Jan Chalon, a Dutch musician and engraver from Amsterdam (1749-95), and 'Jackey' Barnard, the daughter of Sir John Barnard, a financier, London merchant, Lord Mayor and M.P. (1722-61). Chalon studied at the Royal Academy schools and married a sister of the artist James Ward. Their daughter Maria A. Chalon became a miniaturist. Chalon became estranged from his wife and James Ward tried, unsuccessfuly, to damage his career. Chalon had considerable success as a painter and in 1795 was appointed animal painter to the Duchess of York...

English Fox Hunting Scene English School, 18th century oil painting on metal, framed painting size: 15.75 x 19.75 inches framed: 22 x 26 inches condition: very good and presentable p...

An original antique engraved portrait from Harrington's edition of "Rapin's History of England." The text identifies the subject as Edward the VI, King of England, France, and Irel...

This is a simple very well made Georgian desk. Made from solid mahogany and as far as I can tell totally original. The drawers all run smooth and close flush. The overall condition i...

A small French Directoire mahogany cylinder desk, with brass detailing throughout. The roll top hiding a witing slope with a tooled leather top and two drawers. Above, a marble galle...

This elegant engraving from the late 18th century features a rosette, an ornamental design resembling a stylized rose, which has been a recurring motif in architectural design throug...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The plate is dedicated to "Chass...

"Rosone Antico nel Tempio di Giove Statore." A breakdown of the title: - "Rosone" typically refers to an architectural term for a rose window, which is a circular window with a dec...