Europe

An exceptional, fine and impressive antique Charles I English sterling silver seal-top spoon; an addition to our 17th century silver flatware collection This exceptional antique Charles I sterling seal top spoon* has a pear-shaped bowl to a faceted stem. The rounded bowl of this impressive antique silver spoon is plain and unembellished, apart from the feature assay mark. The faceted stem terminates with a knopped circular seal matrix...

Wir bieten einen wunderschönen Barock Sekretär aus Nussholz zum Verkauf an. Der Sekretär verfügt über drei große Schubladen im unteren Bereich und verschiedene kleine Verstaumöglichk...

Very old and interesting engraving of the Eighty Years' War. The Battle of Jodoigne (or the Battle of the River Gete), which was a clash that occurred on October 20, 1568, during th...

Antique Map - Gallia is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercoloring. Good conditions with slight ...

Peloponnesvs is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercoloring. Good conditions with slight foxing. ...

A platinum ring with a large open flower or coral anemone pavé set brilliant cut diamonds (app. 1.5 carat G-H, VS in total) with a star of brilliant cut sapphires (app. 4.95 carat in...

Antique Italian painting from the second half of the 17th century. Artwork oil on canvas depicting the mythological subject Rape of Europa of excellent pictorial quality. Painting of...

Extremely decorative and large oil painting from the 17th century. Restored in places.   Signed and dated Simon Peter Tileman 1658 fecit 'lower right Dimensions without frame. From Wikipedia, the free encyclopedia: Simon Peter Tilemann (1601, Lemgo – 1668, Vienna), was a German Baroque painter who was active Bremen, Kassel and Italy. According to Houbraken he first learned to paint flowers and he had a daughter who could paint flowers in watercolors. He was a good landscape painter who spent many years in Italy, but later switched to portrait painting and who painted the portrait of Ferdinand...

Workshop of Jan Brueghel the Younger (1601-1678) & Hendrick van Balen (Antwerp, 1575 – 1632) 17th century Antwerp School The Virgin and Child ...

This item expresses a specific rawness. There is no need for precise execution or the desire to appear sophisticated. It is simple, self-evident, and direct. It is made out of basic ...

Map of Isle de France by D. de Templeux, ca. 1650, Hand-Colored and Decorative This richly detailed antique map titled *Le Gouvernement de L'Isle de France* was engraved by Daniel d...

This study presents a typical Roman countryside landscape: an ancient mausoleum in front of which a cart is passing by followed by two peasants. If the technique (a pen drawing on graphite lines, completed with a wash of brown and grey inks) and the signature inevitably evoke the art of Lorrain, we find on the verso of this drawing additional evidences that lead us to consider this unpublished drawing as a work by the master. The motif of the mausoleum has been taken up in pen on the verso in a technique that can be found in several other drawings by Lorrain. There is also a study of three characters, which can be considered as preparatory to Lorrain’s painting entitled The Port of Ostia with the Embarkation of Saint Paula, leading us to claim this attribution with a dating of around 1639. 1. Claude Lorrain or the perfection of classical landscape in Rome in the 17th century Claude Gellée was born in 1600 in Chamagne in Lorraine. Orphaned at the age of twelve, he spent a year with his brother in Freiburg, where the latter was a woodcarver. Claude Gellée then probably arrived in Rome in 1613, where he joined the workshop of Agostino Tassi (1580 - 1644) in 1617. Between 1619 and 1620 he studied for two years in Naples in the workshop of Goffredi Wals (who was himself a former pupil of Tassi). In 1625 he returned to Lorraine for two years where he worked alongside Claude Deruet. He then returned to Rome, a city he never left for the rest of his life (except for short trips to the surrounding countryside). From 1627 to 1650 he lived in Via Margutta. From 1635 onwards he became a renowned painter and commissions started to pour in. Considered during his lifetime as the most accomplished of the classical landscape painters, his reputation never faded. Between 1629 and 1635 Le Lorrain often went to the Roman countryside to draw with his friend Joachim von Sandrart (1606 - 1686). He became a member of the Academy of Saint Luke in 1633, while being closely acquainted with the Bentvueghels, this guild which brought together the young Nordic painters active in Rome. In 1643 he joined the Congregation of the Virtuosi. In 1650 he moved to Via Paolina where he lived until his death. Little is known of his intimate life. He seems to have had a daughter, Agnes, from an ancillary love affair. In 1657/ 1658 she moved in with him. Stricken with gout in 1663, he died in 1682. 2. Description of the drawing; the technique of nature studies Two peasants are walking behind a horse-drawn cart on a road that winds through ancient tombs. While a rectangular tomb with a columned facade can be seen in the distance, the cart passes an important ancient building. It has a circular shape and its partially ruined façade is decorated with columns. The start of a second floor can...

Wall or ceiling lamp made in 1959 by Arredoluce Monza based on a design by Giò Ponti. Some 24 lamps were commissioned, including 6 5-pointed Stars, Six Small Suns, Six Large Suns and...

We are delighted to offer for sale this stunning Charles I 1630 solid oak hall or refectory table from Plaish hall Church Stretton Shropshire A very good looking and well made refectory or hall table, it has a triple plank top with cleated ends, moulded frieze above turned and square section legs joined by peripheral stretchers The table came from the Collection of Plaish Hall, Church Stretton, Shropshire which was the Property of Mrs Roy Merley and Family. Plaish Hall is a stunning Grade I listed Tudor house, standing in beautiful gardens and grounds and surrounded by the unspoilt countryside of South Shropshire. It is believed to be the first brick built house in Shropshire in the 1580s, (although parts of an earlier stone house were incorporated), at a time when the great majority of buildings in the parish of Cardington were timber framed. Of special note are the chimneys of Plaish Hall which are thought to have been based on those at Hampton Court, they are considered to be the finest in the West Midlands. From the early 1980s and over a period of 35 years Plaish Hall was initially meticulously restored and then maintained, its glorious Tudor style gardens were also reinstated. Judge Sir William Leighton Plaish Hall was re-built for Judge Sir William Leighton who on his death in 1607 left land to endow church repairs at St James’s, Cardington, as well as the sum of £50 for the making of his tomb in the chancel. In his notes on the History of the Church and Parish of Cardington, G B H Bishop...

A STRIKING, MUSEUM QUALITY, BAROQUE, PORTUGUESE BRAZILIAN, ROSEWOOD & VINHÁTICO CONTADOR OR CABINET ON STAND WITH BRASS MOUNTS - Masterpiece of carved ornament, with tremidos or flut...

Mare Pacificum is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercolorang. Good conditions with slight foxing...

Archipelagus Septentrionalis is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas...

Here Gaspard Dughet offers us an idyllic vision of the Roman countryside. The stages follow one another in a perfectly structured composition, revealing here a lake, there travellers walking along, gradually leading our eye to the blue horizon. But behind its classical composition, this landscape is particularly interesting because of three anthropomorphic details that the artist has hidden, opening the way to a radically different interpretation... 1. Gaspard Dughet, a landscape artist in the light of Poussin Gaspard Dughet was born on June 4th, 1615 in Rome where his father, of French origin, was a pastry cook. He was probably named Gaspard in honour of his godfather Baron Gaspard de Morant, who was, or may have been, his father's employer. His older sister Jeanne married the painter Nicolas Poussin (1594 - 1655) on September 1st, 1630. The young Gaspard was apprenticed with his brother-in-law at the beginning of 1631, which led his entourage to name him Gaspard Poussin. The first preserved works of the painter date from the years 1633-1634 and were painted in Poussin’s studio. Around 1635, Gaspard Dughet became emancipated and began to frequent the Bamboccianti circle. In 1636, he became friends with the painter Jean Miel (1599 - 1656), but also with Pier Francesco Mola (1612 - 1666) and Pietro da Cortona (1596 - 1669). This was also the time of his first trips throughout Italy. The painter, although of French origin, appears never to have visited France. In 1646 he settled permanently in Rome. A recognized painter with a solid book of orders, he remained faithful to landscape painting throughout his life, alternating between cabinet paintings and large decorative commissions, using both oil and fresco. Nailed to his bed by rheumatic fever at the age of 58, he died on May 25, 1675. 2. Discovering an idealized landscape Beyond a relatively dark foreground that takes us into the landscape, we discover a vast bluish horizon: a plateau surrounded by deep ravines advances to the right, overhanging an expanse of water that sparkles below. A road winds through a mountainous mass as if leading us to the fortress that crowns it; another town appears in the distance at the foot of three conical mountains. The composition is rigorous, mineral, and structured by geometric volumes. The various stages in the landscape lead one to the next attracting the eye towards the horizon located in the middle of the canvas. The general impression is that of a welcoming and serene nature. In many places the paint layer has shrunk, or become transparent, revealing the dark red preparation with which the canvas was covered and accentuating the contrasts. Human presence is limited to three jack players, leaning against a mound in the foreground. Their long garments, which may evoke Roman togas, contribute to the timelessness of the scene. Close examination of the canvas reveals two other travellers on the path winding between the rocks. Made tiny by the distance, their introduction in the middle register, typical of Dughet's art, lengthens the perspective. While it is difficult to date the work of a painter who devoted his entire life to the representation of landscapes, it is certain that this painting is a work from his later years. The trees that occupied the foreground of his youthful compositions have been relegated to the sides, a stretch of water separates us from the arid mountains counterbalanced by two trees represented on the opposite bank. The introduction of this stretch of water in the middle of the landscape betrays the influence of the Bolognese and in particular of the Dominiquin (1581 - 1641) A number of similarities with a drawing in the British Museum might suggest a date around 1656-1657, since, according to Marie-Nicole Boisclair , it has been compared with the Prado's Landscape with the Repentant Magdalene, painted at that period. 3. Three amazing anthropomorphic details While some late Renaissance landscapes offer a radical double reading, allowing one to see both a face or a human body behind the representation of a landscape, it seems interesting to us to hypothesize that Gaspard Dughet had fun here by slipping in a few details that, taken in isolation, evoke human or animal figures. We will give three examples, looking closely at a cloud, the trunk of a broken tree and the top of a cliff. The main cloud could thus evoke a Christ-like face or that of an antique god...

- Particularly fine example with deep cushion and geometric mouldings. - Atmospheric piece with character - Secret drawers add intrigue A rare mid-17th century oak and cedar spi...

History and Style The 17th-century studded leather carriage case represents a timeless piece of history. Used in centuries past as a trunk on carriages, today it adds a touch of vint...

Rare, mid-17th century, Tortoishell, small, cushion framed, mirror with the original plate & back, length 14 ½” height 16”, depth 2½” The tortoishell is striking and was highly prize...

Antique 17th-Century Map of Shaangxi Province, China – "Xensi" by Blaeu, Featuring Decorative Cartouches Description: This exquisite 17th-century map of Shaangxi Province, historically known as Xensi Province, is an exceptional work by Johannes Blaeu, one of the most celebrated mapmakers of the Dutch Golden Age. Originally published in Blaeu's groundbreaking 'Novus Atlas Sinensis', this map is a masterful blend of geography and artistry. Blaeu's atlas was created in collaboration with Martino Martini, a Jesuit missionary whose insights into China provided European audiences with unprecedented geographical accuracy. The map meticulously charts Shaangxi's mountains, rivers, mines, cities, and towns, with names rendered in Latin. It also features a detailed section of the Great Wall of China, a symbol of the region's historical significance. The artistry of this map is further enhanced by its elaborate cartouches. At the top, a Chinese warrior is beautifully illustrated, while the lower-left corner displays a deer, possibly a reference to the elusive Pere David deer...

Antique map titled 'Sclavonia, Croatia, Bosnia cum Dalmatiae Parte'. Old map of the Eastern Balkans with the geographical & political divisions of Dalmatia, Croatia, Slavonia, Bosnia, Serbia, etc. The map details the course of the Danube, Sauus, and Drauus Rivers. Originates from the 1633 German edition of the Mercator-Hondius Atlas Major, published by Henricus Hondius and Jan Jansson under the title: 'Atlas: das ist Abbildung der gantzen Welt, mit allen darin begriffenen Laendern und Provintzen: sonderlich von Teutschland, Franckreich, Niderland, Ost und West Indien: mit Beschreibung der selben.' Artists and Engravers: Gerard Mercator (1512 - 1594) originally a student of philosophy was one of the most renowned cosmographers and geographers of the 16th century, as well as an accomplished scientific instrument maker. He is most famous for introducing Mercators Projection, a system which allowed navigators to plot the same constant compass bearing on a flat map...

Fine 17th century table with two extensions coming from Switzerland This uncommun extension table has a very beautiful base with Fine carvings and t...

Rare Spanish Rent table beautifully made with panelled detailing inside the open back where the tennant or client would sit to pay their dues. Characteristic, richly coloured and p...

An early 17th century, Flemish, Malines, ebonized and alabaster cabinet with removable sliding sides revealing secret drawers 12” long. The ebonized top with two carved alabaster ...

This finely executed drawing in pen and wash is typical of the work of Leonaert Bramer, one of the most fascinating yet little-known artists of 17th-century Holland. In a nocturnal ...

Decorative pair of framed panels featuring authentic 17th-century Spanish Talavera tiles. These beautifully preserved tiles showcase the rich ceramic tr...

by Roberto Sambonet design in the 1956 for Sambonet Italy. elegant oval shell shape to serve and cook fish in stainless steel with all document and box, first edition with the extens...

Moroccan Water Jug – Ochre Moroccan Water Jug – Ochre. Hand-made in Morocco. The glass is mouth blown and available in a beautiful ochre colour. Due to the a...

Danish ceramic “Marselis” vase bowl serie designed by Nils Thorsson for Royal Copenaghen, 1950s Please note that the item is original of the period and this shows normal signs of ...

Title: Antique 17th-Century Map of Guangxi Province, China – "Qvangsii" by Blaeu, Richly Illustrated and Colored Description: This fascinating 17th-century map of Guangxi Province, historically referred to as "Qvangsii," was crafted by Johannes Blaeu and published in 1655 as part of the *Novus Atlas Sinensis*. Blaeu’s atlas, created in collaboration with Jesuit missionary Martino Martini, introduced European audiences to the geography of China in an unprecedented way. Guangxi Province, known for its striking karst landscapes and important historical trade routes, is depicted here in remarkable detail. The map highlights the province’s topography, including mountain ranges, rivers, and towns, all meticulously engraved and labeled in Latin. It also captures key trade connections and cultural significance, as Guangxi historically served as a bridge between China and Southeast Asia. The decorative cartouche at the top left is adorned with figures in traditional Chinese costumes, symbolizing the cultural richness of the region and adding artistic elegance to the map. This map was engraved using the copperplate technique, known for its ability to produce fine, detailed lines. The hand-coloring further enhances the visual impact, clearly distinguishing territorial divisions and natural features. Blaeu’s reputation for both accuracy and artistry is evident in this piece, making it a collector’s item of historical and aesthetic significance. Guangxi Province, historically referred to as "Qvangsii," is renowned for its breathtaking natural beauty, unique karst landscapes, and cultural diversity. It is famous for its dramatic limestone formations, verdant hills, and picturesque rivers, making it one of the most visually striking regions in China. Guangxi has historically been a significant trade corridor between China and Southeast Asia, contributing to its cultural and economic importance. It is also home to various ethnic minority groups, including the Zhuang, Miao, and Dong, whose traditions and festivals enrich the region's cultural tapestry. Important places in Guangxi include Guilin, known for its iconic karst mountains and the Li River, which has inspired poets and artists for centuries. Yangshuo, a town near Guilin, is celebrated for its stunning natural scenery and outdoor activities. Nanning, the provincial capital, is an important economic and cultural hub. The Longji Rice Terraces, also known as the Dragon’s Backbone, are an engineering marvel and a popular tourist destination. Beihai, a coastal city, is known for its silver beaches and maritime trade history. Keywords for this map include 17th-century China map, Guangxi Province, Qvangsii map, antique Chinese maps...

Map of Le Maine by H. Hondius, 1633, Hand-Colored, Decorative and Historic This rare and beautifully executed antique map titled 'Le Maine' was published in 1633 by Henricus Hondius...

Ceramic scandinavian vase serie “Marselis” designed by Danish artist Nils Thorsson for Royal Copenaghen, Denmark 1950s Please note that the item is original of the period and this...

Antique map titled 'Typus Frisiae Orientalis.' Map of East Friesland and the area around Emden and Norden. Large inset map of the mouth of the Amasis River. The map is decorated with a large title cartouche and two large coats of arms...

Black chalk and white highlights on paper (originally washed in blue) Monogrammed and dated 1630 on the right This drawing, executed in black chalk and enhanced with white brushwor...

- Rare small, low 24" high Bologna rent table with sliding top - Stunning, finely figured 1.5inch, 4cm thick, original sliding top - Characteristic Bologna turnings and ornamentat...

1654 Nicolas Sanson Map of Southern India and Southeast Asia - Partie Meridionale de L'Inde This 1654 map by Nicolas Sanson, titled "Partie Meridionale de L'Inde en deux Presqu'Is...

17th-Century Antique Map of Fujian Province, China – "Fokien" by Blaeu, with Decorative Cartouches Description: This stunning 17th-century map of Fujian Province, historically ref...

Antique 17th-Century Map of Shanxi Province, China – "Xansi" by Blaeu, with Artistic Cartouches Description: This beautifully engraved map of Shanxi Province, historically referred to as "Xansi," was created by Johannes Blaeu in 1655 as part of his renowned *Novus Atlas Sinensis*. This atlas was the first comprehensive Western collection focused on Chinese geography, produced with the guidance of Jesuit missionary Martino Martini. Blaeu’s attention to detail and artistic flair are evident in this representation of Shanxi, highlighting mountains, rivers, cities, towns, and key geographic features. The Great Wall of China, an iconic landmark, is also depicted. The map includes decorative cartouches that enhance its aesthetic appeal. The upper-left corner features the map's title framed in an ornate design, while the lower-right corner showcases a seated figure in traditional Chinese attire alongside a small globe, symbolizing the merging of European cartographic expertise and Chinese knowledge. Each city and geographic feature is labeled in Latin, making it a fascinating historical artifact of cross-cultural exploration. This map was crafted using the copperplate engraving technique, prized for its ability to produce fine, precise details. It is further embellished with hand-coloring, which brings the landscape and decorative elements to life. Blaeu’s maps are highly regarded for their accuracy, artistry, and historical significance, making this piece a valuable collectible. Shanxi Province, historically referred to as "Xansi," is renowned for its historical significance, natural landscapes, and rich cultural heritage. The region has been a crucial center of Chinese history and culture for centuries. Its name, meaning "West of the Mountains," refers to its location west of the Taihang Mountains. Shanxi has long been known for its coal resources, which have made it an important economic hub in modern times. Important places in Shanxi include Pingyao, a UNESCO World Heritage Site known for its well-preserved ancient city walls and traditional Chinese architecture. The Yungang Grottoes, near Datong, are another UNESCO site, famous for their intricate Buddhist carvings and statues. Mount Wutai, one of China’s Four Sacred Buddhist Mountains, is a significant religious site that attracts pilgrims and tourists alike. Taiyuan, the provincial capital, is known for its historical sites, including the Jinci Temple. Shanxi is also known for its role in the early development of Chinese banking, particularly during the Ming and Qing Dynasties. Keywords include antique map of Shanxi, Xansi map, Pingyao, Yungang Grottoes, Mount Wutai, 17th-century China map...

Title: 17th-Century Antique Map of Jiangxi Province, China – "Kiangsi" by Blaeu, Detailed and Vibrantly Colored Description: This detailed 17th-century map of Jiangxi Province, historically referred to as "Kiangsi," was created by Johannes Blaeu and published in 1655 as part of the *Novus Atlas Sinensis*. Jiangxi, located in southeastern China, is known for its cultural heritage, scenic landscapes, and significant contributions to Chinese history. The map meticulously charts Jiangxi’s geography, including mountain ranges, rivers, and cities, with place names rendered in Latin. Poyang Lake, one of the largest freshwater lakes in China, is prominently depicted, emphasizing the region’s ecological and economic importance. The map also highlights key cities such as Nanchang, the provincial capital, which has long been a cultural and political center, and Jingdezhen, globally famous as the center of Chinese porcelain production. The decorative cartouche in the lower-right corner features traditional Chinese figures, adding cultural depth to the map. Blaeu’s craftsmanship is evident in the precise copperplate engraving and the vibrant hand-coloring, which enhances the boundaries and natural features, making this map both a functional document and a work of art. Condition: Nearly excellent. Sharp impression with vivid hand-coloring. Wide margins with minor age-toning appropriate for its age. Framing Tips: Use a neutral double mat and an ornate gilt or dark wood frame to highlight the map’s historical and artistic value. UV-protective glass is recommended to preserve the hand-coloring and intricate details. Jiangxi, historically referred to as "Kiangsi," is famous for its rich cultural history, stunning landscapes, and economic contributions. It has been a key region for porcelain production, with Jingdezhen renowned as the "Porcelain Capital" of the world. Poyang Lake, featured prominently on the map, is vital for fishing, transportation, and its ecological significance. The province’s location along the Gan River has historically made it an important transportation corridor. Nanchang, the provincial capital, is noted for its historical landmarks and political significance in modern Chinese history. Keywords include: antique map of Jiangxi, Kiangsi map, Poyang Lake, Jingdezhen porcelain, 17th-century China map...

The map titled "Ducatus olim Episcopatus Bremensis et ostiorum Albis et Visurgis Fluviorum novissima Descriptio" by Johannes Janssonius provides a rich historical and geographical il...

17th-Century Antique Map of Henan Province, China – "Honan" by Blaeu, with Detailed Cartography and Artistic Cartouches Description: This exceptional 17th-century map of Henan Province, historically referred to as "Honan," was created by Johannes Blaeu and published in 1655 as part of the *Novus Atlas Sinensis*. Henan, located in central China, is known as the cradle of Chinese...

Circa 1659 Johannes Blaeu Map: Ducatus Silesiae Ligniciensis, Legnica Region This hand-colored map from circa 1659 by Johannes Blaeu, titled "Ducatus Silesiae Ligniciensis," depicts the region centered around Legnica (Lignitz) in southwestern Poland. It extends to include the cities of Lublin, Jawor, and Lwówek Śląski. The map features decorative elements such as a title cartouche adorned with a putto, garlands of fruit, and birds, and a distance scale cartouche that includes a hunter with his dogs. This map is dedicated to Georgius Rodulfus, the Duke of Silesia, by Ionas Scultetus, reflecting the map's historical context and noble patronage. It includes Spanish text on the verso, indicating publication between 1659 and 1672. Measuring 20.9 inches wide by 16.3 inches high, the map is in excellent condition with a sharp impression, full contemporary color, and a large watermark of the god Atlas. Minor details include a bit of printer's ink residue at the right and slight marginal soiling. Keywords: - Johannes Blaeu map - Silesia historical map - Legnica (Lignitz) map - 17th-century Poland map...

Antique landscape with figures from the 17th century. Oil on canvas painting depicting a splendid Flemish landscape that frames a famous episode of the New Testament, the appearance ...

Flemish painting from the first half of the 17th century. Oil on canvas artwork depicting a religious subject of great charm, Saint Jerome in his study. He lived between the fourth a...

This captivating 17th-century map titled "Zeilan ou Ceilon Isle" (Ceylon/Sri Lanka) was engraved by Petrus Kaerius (van den Keere) and published in Mercator's "Atlas Minor," edited b...

Circa 1659 Willem Blaeu Map: Southwestern Switzerland with Geneva & Lakes This detailed map from circa 1659 by Willem Blaeu, titled "Das Wiflispurgergow," highlights the southwestern region of Switzerland. It features significant landmarks such as Geneva, Lake Geneva (Lacus Lemannus), Lake Neuchatel, Lake Biel, Bern, Freiburg, and Lake Thuner. Based on the work of Gerard Mercator, this map is published with Spanish text on the verso, dating from the period between 1659 and 1672. Measuring 19.9 inches wide by 15.1 inches high, the map is rendered in full contemporary color on a bright sheet that bears a large watermark of the god Atlas. The condition is excellent, with a sharp impression, short centerfold separations at the top and bottom margins, and an archivally repaired tear in the right margin. Keywords: - Willem Blaeu map - Gerard Mercator - 17th-century Switzerland map...

Antique map titled 'Presqu'Isle de l'Inde deca le Gange (..)'. Old map showing the southern part of India, including the northern part of Sri Lanka. With inset map of Southern India (Malabar). This map covers the subcontinent from the Bay of Bengal and the Gulf of Cambay to Ceylon. The Mogul Empire can be found in the north. Further south...

This is an antique map of Nürnberg, titled "Territorium Norimbergense," created by Johannes Janssonius and published between 1645 and 1658. It is a copperplate engraving printed on p...

Antique map of France titled 'Territorium Metense'. Old map focusing on the wine region surrounding Metz, in the Moselle region of France. This map originates from 'Atlas Novus, ...

Keith Murray Moonstone Vase, by Wedgwood, Model Number 3802 Circa 1935 An Earthenware, "moonstone" glaze, globe vase with circular undulating ridged de...

Antique print titled 'Serpens Marinus Mari Norvegico - Serpens Marinus flavi coloris Maris Suedici Aldro - Scolopendra Marina aldro - Scolopendra Marina amethystini Coloris - Serpens Americana Indicus'. Old print of various sea snakes. This print originates from 'Historiae Naturalis De Piscibus Et Cetis Libri V' by J. Johnston. Artists and Engravers: Published by M. Merian. John Johnston (or Johnstone, 1603-1675) was a descendant of a Scottish family...

Antique print of various mammals; porcupine, capybara, otter, monkey etc. This print originates from 'Historiae Naturalis De Piscibus Et Cetis Libri V' by John Johnston, published by Matthias Merian in 1657. Artists and Engravers: John Johnston (or Johnstone, 1603-1675) was a descendant of a Scottish family...

Antique map titled 'Bourbonois - Borbonium Ducatus'. Old map of the Bourbonnais region of France. Bourbonnais was a historic province in the centre of France that corresponds to ...

"1638 Plancius Detailed Map of Sri Lanka with Decorative Cartouches" This beautifully detailed map of Sri Lanka, titled "Ins. Ceilan," was engraved by P. Plancius from a design by C...

Etching on laid paper realized in 1631 ca. Signed in the plate. Good impression with margins around the plate. Diffused foxin on sheet. Ref. Hollstein 20.  Good condition.

Description of the print: This is a detailed and symbolic line engraving from 1638, portraying Johannes Henisius (Johann Heins), a distinguished physician, philosopher, and poet lau...

Circa 1659 Blaeu Family Map: Glogau and the Odra River Valley, Silesia This hand-colored map from circa 1659 by the Blaeu Family, titled "Ducatus Silesiae Glogani Vera Delineatio," provides a detailed view of the Odra River valley in western Poland, centered around the city of Glogau. The map, based on the work of Silesian cartographer Jonas Scultetus, is oriented with north to the left. It intricately details forests, rivers, lakes, and numerous small villages. A large decorative title cartouche features an ornate coat of arms and a key to the map's symbols. The bottom right includes a finely crafted scale of miles cartouche, adorned with calipers and a pair of falcons. Published between 1659 and 1672, the map has Spanish text on the verso. Measuring 19.9 inches wide by 16.4 inches high, it is in good condition with full contemporary color on a bright sheet, a watermark of the god Atlas, some marginal soiling, and a few short tears along the edges. Keywords: - Blaeu Family map - Silesia historical map - Glogau map - Odra River valley - 17th-century Poland map - Jonas Scultetus - Decorative cartouches - Historical cartography - Antique maps of Poland...

1634 Mercator/Jansson Map: Eastern Austria with Vienna, Hand-Colored This hand-colored map from 1634, titled "Austria Archiducatus," by Mercator and Jansson, depicts the eastern reg...