Europe - Black and White Photography

'Make Up Mirror' Limited Edition V&A Portfolio silver gelatin fibre print. Model in cap and white gloves, London, mid 20th century, John French (1907-66) London, circa 1950 © Vict...

'Cocktail Dress' Limited Edition silver gelatin print selected from V&A Collection. A model wearing a cocktail dress, John French (1907-66), London, 1963 © Victoria and Albert Muse...

'Nina Ricci' Limited Edition silver gelatin print V&A Portfolio A model wearing a Nina Ricci dress, John French (1907-66), London, 1963 © Victoria and Albert Museum, London Beautif...

Our gallery has the exclusive and unique private collection of Bert Stern photos. Exceptional photo by Romy Schneider and Alain Delon. During this ph...

Francis Ford Coppola, 1966 - Jerry Schatzberg (Portrait Photography) Signed on reverse Silver Gelatin Print Printed on 20 x 24 inch paper From an Edition ...

'Sexy Scot' by Bob Haswell British actor Sean Connery lounges on a sofa with a cigarette. He is in London during filming of the thriller ‘Woman of Straw’ with Gina Lollobrigida, 28t...

Henri Cartier-Bresson shaped the field of photography with his lively, candid black-and-white pictures, which embraced documentarian intimacy and poetic dynamism. His concept of the ...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist/estate. The collector receives an additional c...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Vintage Photo. Dean Martin and Pamela Searle in a scene from "Bells are ringing", a romantic comedy-musical film directed by Vincent Minnelli in 1960. Good Conditions.

Tina Turner (1969) - Silver Gelatin Fibre Print (Photo by Jack Robinson/Hulton Archive/Getty Images) 25th November 1969: Studio portrait of rock singer Tina Turner, wearing a dark ...

Tina Turner (1969) - Silver Gelatin Fibre Print (Photo by Jack Robinson/Hulton Archive/Getty Images) 25th November 1969: Studio portrait of rock singer Tina Turner, wearing a dark ...

Josef Sudek Prague : Belvedere Original gelatin silver photograph Hand signed in pencil in the lower right corner (see picture) Printed in the 1960s 40 x 28 cm (c. 15.7 x 11 in) Au...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix at Mason’s Yard, London 1967. Blue smoke. ...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull recording at Decca Studios in London in 1964. A...

'Paul McCartney' SIGNED, LIMITED EDITION Portrait of Paul McCartney. Photograph by Gered Mankowitz of Paul McCartney, Decca Studios, London 1967. All Prints are Signed and Limited Edition Printed later 2020 EXTRA LARGE 40 x 40" inches/ 101 X 101 cm Edition size 50 only 1/50 GERED MANKOWITZ BIOGRAPHY: Gered Mankowitz was born in London, England, on 3rd August 1946. The first of four sons of the late author, playwright and film writer Wolf Mankowitz and his wife, the Jungian psychotherapist Ann Mankowitz. After an education of sorts at several London co-educational “progressive” schools, he left at 15, avoiding all exams and completed his education devoid of any formal qualifications. Having displayed a natural ‘eye’ for photography whilst on a school trip to Holland and having been inspired to take up photography by the actor Peter Sellers, his photographs were seen by the legendary photographer Tom Blau, who offered Gered an apprenticeship at his famous photo agency, Camera Press Ltd., in London. Over a period of several months Gered worked in all the various departments that made up Camera Press, finally moving to the studio and going on various assignments in and around London. In 1962, Gered went to Barbados with his family and began taking photographs professionally, producing a range of work from architectural studies for the island’s top architect to the first Boeing 707 landing at Bridgetown airport for British West Indian Airways. On returning to London, Gered was offered a chance to go to Paris for the collections, working for the fashion photographer Alec Murray. In spite of the glamour and exciting atmosphere, it was clear that this particular area of work was not for him, and on returning to London he went to work for the ‘show-biz’ portraitist, Jeff Vickers. Gered had already photographed the Bristol Old Vic production of the American musical play “Fiorello” and his photos had been used for the front of theatre display when the show transferred to London’s Piccadilly Theatre. This made him the youngest photographer to have his pictures used in this way; so working for Jeff Vickers gave him an opportunity to develop his ‘show-biz’ contacts and to broaden his experience in the studio, taking portraits of many actors and other personalities. During 1963, Gered met and photographed the singing duo Chad and Jeremy, who had just signed with Ember records. One of these photos was used as the cover of the duo’s first album, “Yesterday’s Gone”, and Gered found himself working in the music industry at a time when it desperately needed new, mould breaking images. He began to work with a new generation of producers like John Barry, Shel Talmy and Chris Blackwell photographing artists who were of his own age group and who felt at ease with him in a way that had not been possible with other photographers. At the end of 1963 Gered opened his first studio, at 9 Masons Yard in the heart of London’s West End. On one side was the infamous disco “The Scotch of St.James”, hangout of the pop glitterati of the time, and on the other the art gallery “Indica”, partly financed by The Beatles and where John Lennon met Yoko Ono. Within a few months Gered had already begun to make a name for himself, and he was approached to photograph Marianne Faithful, who had just had a big hit with “As Tears Go By”. Working closely with Marianne he got to know her manager and producer Andrew Loog Oldham. In early 1965, Oldham asked him to photograph the Rolling Stones, who he also managed and produced. This was a major turning point in Gered’s career, because from this first session came the cover for “Out of Our Heads” (U.S. title “December’s Children”), and as a result he was asked by the Stones to go to America with them on their record breaking 1965 autumn tour. During this 9 week (48 city) tour of the U.S. Gered photographed the Stones on stage and off, and got particularly close to Keith and Charlie. There were many adventures as Gered found himself on the road with the greatest Rock band in the world at the peak of their original success. Gered continued working with the Stones as their ‘official’ photographer, producing photos for albums (“Between the Buttons”; “Got Live If You Want It”; “Big Hits”; and several others), press and publicity, taken at home, in the recording studio, on stage and behind the scenes until 1967, when the band broke off with their manager, Oldham. Through the 60’s, Gered continued in the music world working with Oldham at his famous Immediate label, and with many other major artists including Jimi Hendrix, Free, Traffic, The Yardbirds, The Small Faces...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix, London 1967. All Prints are Signed and L...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull recording at Decca Studios in London in 1964. Al...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull, London in 1965. All Prints are Signed and Limi...

'Mick Jagger' SIGNED, LIMITED EDITION Portrait of Mick Jagger. Photograph by Gered Mankowitz of Mick Jagger & Aston Martin DB6, London 1966. All Prints are Signed and Limited Edition Printed later 2020 EXTRA LARGE 40 x 40" inches/ 101 X 101 cm Edition size 50 only GERED MANKOWITZ BIOGRAPHY: Gered Mankowitz was born in London, England, on 3rd August 1946. The first of four sons of the late author, playwright and film writer Wolf Mankowitz and his wife, the Jungian psychotherapist Ann Mankowitz. After an education of sorts at several London co-educational “progressive” schools, he left at 15, avoiding all exams and completed his education devoid of any formal qualifications. Having displayed a natural ‘eye’ for photography whilst on a school trip to Holland and having been inspired to take up photography by the actor Peter Sellers, his photographs were seen by the legendary photographer Tom Blau, who offered Gered an apprenticeship at his famous photo agency, Camera Press Ltd., in London. Over a period of several months Gered worked in all the various departments that made up Camera Press, finally moving to the studio and going on various assignments in and around London. In 1962, Gered went to Barbados with his family and began taking photographs professionally, producing a range of work from architectural studies for the island’s top architect to the first Boeing 707 landing at Bridgetown airport for British West Indian Airways. On returning to London, Gered was offered a chance to go to Paris for the collections, working for the fashion photographer Alec Murray. In spite of the glamour and exciting atmosphere, it was clear that this particular area of work was not for him, and on returning to London he went to work for the ‘show-biz’ portraitist, Jeff Vickers. Gered had already photographed the Bristol Old Vic production of the American musical play “Fiorello” and his photos had been used for the front of theatre display when the show transferred to London’s Piccadilly Theatre. This made him the youngest photographer to have his pictures used in this way; so working for Jeff Vickers gave him an opportunity to develop his ‘show-biz’ contacts and to broaden his experience in the studio, taking portraits of many actors and other personalities. During 1963, Gered met and photographed the singing duo Chad and Jeremy, who had just signed with Ember records. One of these photos was used as the cover of the duo’s first album, “Yesterday’s Gone”, and Gered found himself working in the music industry at a time when it desperately needed new, mould breaking images. He began to work with a new generation of producers like John Barry, Shel Talmy and Chris Blackwell photographing artists who were of his own age group and who felt at ease with him in a way that had not been possible with other photographers. At the end of 1963 Gered opened his first studio, at 9 Masons Yard in the heart of London’s West End. On one side was the infamous disco “The Scotch of St.James”, hangout of the pop glitterati of the time, and on the other the art gallery “Indica”, partly financed by The Beatles and where John Lennon met Yoko Ono. Within a few months Gered had already begun to make a name for himself, and he was approached to photograph Marianne Faithful, who had just had a big hit with “As Tears Go By”. Working closely with Marianne he got to know her manager and producer Andrew Loog Oldham. In early 1965, Oldham asked him to photograph the Rolling Stones, who he also managed and produced. This was a major turning point in Gered’s career, because from this first session came the cover for “Out of Our Heads” (U.S. title “December’s Children”), and as a result he was asked by the Stones to go to America with them on their record breaking 1965 autumn tour. During this 9 week (48 city) tour of the U.S. Gered photographed the Stones on stage and off, and got particularly close to Keith and Charlie. There were many adventures as Gered found himself on the road with the greatest Rock band in the world at the peak of their original success. Gered continued working with the Stones as their ‘official’ photographer, producing photos for albums (“Between the Buttons”; “Got Live If You Want It”; “Big Hits”; and several others), press and publicity, taken at home, in the recording studio, on stage and behind the scenes until 1967, when the band broke off with their manager, Oldham. Through the 60’s, Gered continued in the music world working with Oldham at his famous Immediate label, and with many other major artists including Jimi Hendrix, Free, Traffic, The Yardbirds, The Small Faces...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix, London 1967. More smoke. All Prints are...

And the Crowd went Crazy: Stones Concert, Hyde Park, 1969 - Frank Habicht Signed, inscribed with title and 'London Permissive Sixties', and numbered on photographer's label affixed t...

Part of the Scene, Girl at Rolling Stones Concert, 1969 - Frank Habicht Signed, inscribed with title and 'London Permissive Sixties', and number...

My Heart Leaps up When I Behold, Kings Road, London, 1967 - Frank Habicht Signed, inscribed with title and 'London Permissive Sixties', and numbered on phot...

Hepburn With Dove A contemplative Audrey Hepburn with a dove perched on her shoulder, 1966. Limited to 50 only this size* and signed by Terry O'Neill - this is a collector's piece. ...

Jean Shrimpton, London, Early 1960s -Terry O'Neill (Black and White Photography) Signed and numbered Silver gelatin print, printed later From a limited edition of 50 + 10 APs Photog...

Jean Shrimpton at a Doll's Hospital, London - Terry O'Neill (Black and White) Signed and numbered Silver gelatin print, printed later From an edition of 50 + 10 APs Photographing Th...

Rio de Janeiro, Ministere de Sante, Brazil - René Burri (Black and White) Signed and inscribed with title on reverse Silver gelatin print, printed 2001 16 x...

Boy with Tongue Out Spearing Brass Ring, Luxembourg Garden, Paris Titled, dated and stamped with photographer's credit ink stamp and TIME Inc. copyright ink stamp on reverse Silver ...

'Generation X' SIGNED, LIMITED EDITION 1978 by Gered Mankowitz Silver gelatin print - signed and numbered and stamped on the face of the print in the border below the image. LARGE 20 x 20" inches / 51 x 51 cm Before Billy Idol...

'Generation X' SIGNED, LIMITED EDITION 1978 by Gered Mankowitz Silver gelatin print - signed and numbered and stamped on the face of the print in the border below the image. LARGE 20 x 20" inches / 51 x 51 cm Before Billy Idol...

Think On Air, Paris, 1965 - Melvin Sokolsky (Black and White Photography) Signed On Reverse Archival Pigment Print Printed on 16 X 20 inch paper From an Edition of 25 Melvin Sokolsk...

School Yard Tree, Paris, 1963 - Melvin Sokolsky (Black and White Photography) Signed On Reverse Silver Gelatin Print Printed on 20 X 16 inch paper From an Edition of 25 Melvin Sokol...

In Trees, Paris, 1963 - Melvin Sokolsky (Black and White Photography) Signed On Reverse Archival Pigment Print Printed on 30 X 30 inch paper From an Edition of 25 Melvin Sokolsky (born 1933) is celebrated as an important pioneer of illusory fashion photography. He has worked for Vogue and The New York Times, as well as Harper’s Bazaar, for which he produced the iconic Bubble series...

Bouquet Seine, Paris, 1963 - Melvin Sokolsky (Black and White Photography) Signed On Reverse Archival Pigment Print Printed on 20 X 16 inch paper From an Edition of 25 Melvin Sokolsky (born 1933) is celebrated as an important pioneer of illusory fashion photography. He has worked for Vogue and The New York Times, as well as Harper’s Bazaar, for which he produced the iconic Bubble series...

Bar du Baguette, Paris, 1963 - Melvin Sokolsky (Black and White Photography) Signed On Reverse Archival Pigment Print Printed on 20 X 16 inch paper Melvin Sokolsky (born 1933) is celebrated as an important pioneer of illusory fashion photography. He has worked for Vogue and The New York Times, as well as Harper’s Bazaar, for which he produced the iconic Bubble series...

Time Gentlemen Please: London Stock Exchange - Frank Habicht Signed, inscribed with title and 'London permissive sixties', and numbered on photographer's label, affixed to reverse 16...

No Loss of Face, Earl's Court, London - Frank Habicht Signed, inscribed with title and 'London Permissive Sixties', and numbered on photographer's label affixed to reverse 20 x 16 in...

Bicycle Street - Melvin Sokolsky (Black and White Photography) Signed on photographer's label on reverse of mount Archival pigment print, mounted on aluminium 30 x 30 inches from an ...

On the Seine - Melvin Sokolsky (Black and White Photography) Signed on photographer's label on reverse of mount Archival pigment print, mounted on aluminium 30 x 30 inches from an ed...