France - Furniture

Small, oval Charles X box in mother-of-pearl and gilded bronze with a flower-shaped key. The lid has a white nacre plate and is decorated with a central medallion that displays color...

Rare pendulum called "au negre" represents a sailor with glass eyes, leaning against a bale of cotton and smoking his pipe, a rope in his hand. We find around him the attributes of m...

Very large sculpted bronze vase with a polyglobular body resting on a base decorated with a Greek frieze. The whole is decorated with chimeras, dragons, birds of prey and phnixes ami...

Louis XV style bronze Letter Openers,the facesare decorated with foliage and crosspieces, original condition

Patinated bronze allegorical group featuring three putti on a cliff strewed with wheat. Two of them are playing the drum and the bagpipe whereas the third one is dancing. He is weari...

Great female statue of Judith in bronze with brown patina and white marble from Carrara. This young woman holds in her hands, stretched over his head, a scimitar in its scabbard, re...

Patinated bronze statue of a "Seated young woman taking off her shoes" by artist Malvina Brach. The female figure is seated on a rock, her hair pulled up into a coiled bun revealing ...

" Important Bronze Sculpture by Louis Grégoire, 19th Century. " Bronze sculpture with two figures, representing two young women conversing, bronze with golden patina, signed Louis G...

Buddha sitting in Bhumisparsa mùdra (or earth witness mudra ) Buddha calls the goddess of the earth to testify that he has definitively overcome the fears and temptations sent by Mar...

Paul de Pignol studied at the Ecole Nationale Supérieure des Beaux-Arts. He lives and works in Paris, and continues the exploration of bodies, moving from the myth of matrix feminini...

Object of crab with bronze: A very precious object made before the second world war, when bronze was rare to find. There are a signature 'N' on the bottom of this crab in red. -Deta...

A magnificent hand painted miniature on ivory, it is signed by the artist and dates from the first third of the 19th century, enhanced by a very pretty bronze frame bearing the signa...

French Art Deco table lamp with nickeled bronze for the base and glass lampshade from Degué, 1930. The particularity of the lamp is the shape of the glass, designed like a flower a...

Pear and Arrow Decanter from "the lost arrows of William Tell" by Hilton McConnico for Daum. Signed Daum.

The bronze incense box or ashtray is designed with a patterned removable top. The motif used here, a repetition of lines and voids, has been developed by Reda Amalou and is used in s...

Bowl or cup parrots and flowers made with porcelain. Hand painted porcelain. Details handmade in solid bronze.

Art Nouveau Guimard chandelier with bronze nickel finish and dark blue glass.

French Art Deco table lamp by Degué from 1930. Special model with base in marble, bronze in silver and gold and big glass lampshade. In the middle there is the decor of a bird with a...

Pierre Ghattaz, based in Beirut, is the maker of this organic piece of bronze.

Bronze sculpture with brown patina L'accolade featuring two hugging horses and a dog on a naturalist base highlighted with flowers. The dog is barking at the horses. The group rests on a gilt bronze fluted base...

Arare smokeroom lamp lighter allowing to light 3 cigars at the same time  thanks to 3 golden brass spikes and the bronze oil lamp located in the center. ...

sculpture lamp with bronze face decoration with 3 patinas circa 1960/1970

Very large wall lamp in the same style as its caryatid model created around 1950 by the designer and sculptor Felix Agostini. Wall lamp of the art deco period in solid bronze. Shade ...

Bowl Gotham gold in polished stainless steel in gold finish. Also available in nickel finish.

Beautiful French Art Deco bronze figure of a Dancer, by Joseph Emmanuel Descomps Cormier in a standing pose, with arms outstretched holding a drapery, signed "J.E. Descomps" on base,...

Pair of tables in golden bronze with 2 trays in black glasses , amounts deco vegetal, in the style of Maison Jansen. Circa 1970. Good condition Length : 50 cm Width : 37 cm Height :...

Imposing Art Deco chandelier from the 1930s, signed J. Coduré, a Lyon silversmith of the period. Gilded bronze structure (the chandelier is quite heavy) with a central frieze featuri...

Bowl pin ceramic in black finish. Handmade enamelled ceramic with pin details and with hand-painted trim with liquid pure gold. Also available in bowl pin ceramic in white finish. Also available in vase pin...

French Art Deco chandelier created by Genet & Michon circa 1930. The chandelier presenting a square shape, really atypical with on the side flowers decoration and on the bottom gl...

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Europe, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

A French Art Nouveau bronze Vide-Poche Centerpiece Depicting a Naiad resting by a shell on a rock Signed Auguste Moreau on the rock Three patinas Circa 1900 Auguste Moreau (1834-1...

" Bronze sculpture, Julius Caesar, 19th century. " Bronze bust of Julius Caesar, 19th century antique, Napoleon III period. h: 47cm, l: 30cm, p: 20cm

César BALDACCINI, known as "César" (1921-1998) : "Bursted heart", 1986 Patinated bronze proof. Signed 'César'. Mention of the BOCQUEL foundry and numbering of the edition 758/1500. ...

" Important Pair of Cassolettes in the Louis XV Style, 19th Century. " Pair of patinated bronze cassolettes, marble base, Louis XV style, Napoleon III period, large decoration, Lion...

Series of 12 teaspoons in vermeil (silver plated with gold), from Saint Médard goldsmiths in France, in its original case. Note a delicate foliage decoration on the spoons. Each spoo...

Rare ice buckets in crystal and silver plate bronze probably by baccarat Champagne or wine sealsin crystal and bronze with a cylinder inside to put a bottle on the represents a magni...

Art Nouveau Bronze chandelier with nickel patinated finish and glass tubes.

Art Nouveau Bronze Hector Guimard Chandelier with nickel finish and dark blue pate de verre.     

The "Peanut" mirror created for the Salon Révélations in June 2023 in collaboration with Atelier Roma. Its peanut shape is ideal for holding two faces and works very well above a double washbasin...

Pair of chandelier in crystal and bronze 12 lights, six all around, 3 inside on the top ,3 inside bottom, look the video its much better this pair of chandelier are very elegant and...

1970s mirror by Maison Jansen Brass with golden leaf lacquered wood.  

Unique bronze coupe by Rick Owens 2007 Dimensions: L 20 x W 20 cm Materials: Bronze Rick Owens is a California-born fashion and furniture has developed a unique style that he d...

Cast bronze mirror with a surrealist shape. Model signed and numbered. Limited edition of 25 copies of a model created in the 1970's by the sculptor Victor Roman.

Magnificent Russian six lights chandelier dating from the end of the 18th century. The decorative elements of this chandelier are reminiscent of those that were made in St. Petersbur...

Mid-century large bronze lantern pendant, Louis XV style. It has 5 cut glass panels with a cut star motif and beautifully decorated bronze. The lantern is in very good condition, ...

Magnificent brule parfum in porcelain sevres style ,ormolu bronze with cherub on each side ,the top is finish by a pine seedin porcelain.This pieces is in original condition

Anna Stein, Bronze scuptures Bronze and crystal rock – unique pieces. France circa 1980

A very nice clock in bronze made by F.BARBEDIENNE louis XVI style of very high quality the dial of the clock is in enamel, and its remarkably executed by one the best bronziers of ...

Exceptional Art Deco sculpture/lamp by Max Le Verrier (1891-1973) representing a monkey under an umbrella. It is titled La Pluie "The Rain" or Le Singe au Parapluie "Monkey with an U...

Art deco bronze with double patina, mercury gilding and silver. Representing 3 swallows on a pond. Signed M Buzelin and Gauthier estr Paris for the founder. In very good shape. Heig...

Minoru Kano abstract bronze, signed and dated. Beautiful exemple of his abstract works. Kanō Minoru 嘉野稔 (1930 Tokyo - 2007 Paris) is a Post-War Japanese abstract sculptor. Lise Co...

Very unusual with a deep blue sky in the background and wonderful colors, this antique Limoges set for 12 people is made with the finest quality Li...

A pair of 19th century Louis XVI style carved and chased gilt bronze pikes-cierges, mounted as lamp bases. The fluted baluster base is punctuated by small cushions at mid-height, and...

Mirror gilded bronze regency and "rocaille", decorated with scrolls, shells and foliage.

Large tall pair of pink with gold leaf Murano glass and brass wall lights lightning pannel lamps sconces. Contemporary work from a small artisanal italian design workshop. In the moo...

Cloisonné table lamp on bronze China circa 1880 Original a vase it has been rewired as a table lamp around 1900, with its original ceramic lamp holder ...

Height without/with lampshade : 168/185 cm (66,1 / 72,8 in.) ; Base : 43 x 43 cm (16,9 x 16,9 in.) Beautiful pair of neo-Greek floor lamps in bronze with double patina, composed of cylindrical lamps, decorated on the body with a rotating frieze representing women dressed in the Antique style weaving and spinning, surmounted by lampshades with cut sides in red pleated silk with golden braid. They are placed on pedestals from which hang thin chains attached to the slender shaft decorated with stylized leaves and flowers, resting on a tripod base decorated with large palmettes and ending in lion’s paws. The stylistic repertoire used here, composed in particular of palmettes, masks, and nymphs, evokes Greek Antiquity, as does the reuse of forms of furniture and objects such as tripods and antique vases. The rediscovery in the 18th century of the archaeological remains of Pompeii and Herculaneum allowed artists of all disciplines to draw inspiration from Antiquity while reinterpreting it. This trend did not fade and, in the 19th century, many personalities fitted out their interiors with neo-Greek furniture, as was the case for the Maison Pompéienne built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoleon, or Empress Eugénie who bought from the Maison Barbedienne pedestals inspired by antique tripods. Related work : Pedestal model presented by Maison Barbedienne at the Universal Exhibition in Paris in 1855. On this occasion, Empress Eugénie bought it for her bathroom in the Château de Saint-Cloud. This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoir in the palaces of Compiègne and Fontainebleau. (see photo attached) Photo showing a floor lamp similar to ours in Empress Eugénie’s bedroom in the Château de Compiègne (Oise), in Architecture intérieure et Décoration en France des...

A very ornate French antique ewer urn with a gleaming, red ceramic jug body and gilt bronze foot and trimmings, dating from the beginning of the 20th century ...