Houston - Paintings

The five basic precepts or codes for Buddhists to follow in daily life are reaffirmed in this artwork. Artwork Details: Apichai Piromrak "Five Precepts" 1994 Signed Limited Editi...

Artwork Details: Apichai Piromrak "Buddha 3" 1994 Signed Lithograph on Handmade Paper Edition 8/8 25 x 21 Inches

Artwork Details: Apichai Piromrak "Buddha 2" 1994 Signed Lithograph on Handmade Paper Edition 6/8 25 x 21 Inches

Buddhists believe in making merit in this life to build Karma for a better future life. The wheel reminds us of the inevitable cycle of birth, death and rebirth. Artwork Details: ...

Within the universe through our spiritual relationships, we can create a better world. Artwork Details: Paramat Lueng-On "Black Hole" 1998 Rich Gold and Acrylic on Canvas 35 x 43 I...

Our lips can express a thousand emotions. Use them wisely to create a better world. Artwork Details: Paramat Lueng-On "Big Mouth" 2000 Rich Gold and Acrylic on Canvas 43 x 43 Inches

Human desire for togetherness, acknowledged by Lord Buddha. Artwork Details: Paramat Lueng-On "Look On" 1999 Rich Gold and Acrylic on Canvas 43 x 43 Inches

Ever-turning, life's inevitable cycle of birth and death, reminds us of the rising and falling of all things. Artwork Details: Parinya Tantisuk "Cycle" 1996 Acrylic, Gold and Silv...

Similar to Nine Forms (Red), Nine Forms (Blue) relates to good feelings. This painting refers to the love and respect the Thai people have for their King. Artwork Details: Parinya ...

The color red and the odd numbers of one, three, five and nine are all considered lucky by many Asians. By presenting these nine triangular forms on red, Parinya communicates good fe...

Similar to Nine Forms (Red), Nine Forms (White) relates to good feelings and purity that is attained by living a spiritual life. Artwork Details: Parinya Tantisuk "Nine Forms (Whit...

Contrasting streams of purple in the background and red patch in the foreground highlight this semi-abstract work. The waves of smoke depict the extinguishing of desire. According to...

The burning of desire and the subsequent extinction of the flames leads to purification of the soul. Artwork Details: Tawatchai Somkong "Season of the Brilliant Purple Sky" 1998 ...

This large oil painting on canvas, rendered in Tobreluts’s trademark geometric abstract style, is an abstracted depiction of the Greek tale of Amazonomachy - which translates to “amazon battle...

"Amphibious Dollar" is an artwork which truly exemplifies the precision and craftsmanship that Olga Tobreluts brings to her practice. Pain-stakingly rendered by hand in her iconic ge...

"Heart 2" is an artwork which truly exemplifies the precision and craftsmanship that Olga Tobreluts brings to her practice. Pain-stakingly rendered by hand in her iconic geometric ab...

"Heart" is an artwork which truly exemplifies the precision and craftsmanship that Olga Tobreluts brings to her practice. Pain-stakingly rendered by hand in her iconic geometric abst...

Bearing the same name as Michelangelo’s famous marble sculpture, this enormous painting on canvas portrays the body of Jesus - post-crucifixion - as ...

In this oil painting on canvas, Tobreluts takes a softer approach to her trademark geometric abstract style. The geometric forms begin to express a more organic character - bending a...

In this painting, Tobreluts takes a softer approach to her trademark geometric abstract technique. The geometric forms begin to express a more organic character - bending and falling...

This painting on canvas demonstrates Tobreluts’s range of technique. Departing from the robust geometric abstract style that characterizes so many of her paintings, this work is dist...

This oil painting on canvas demonstrates Tobreluts’ range of technique. Departing from the robust geometric abstract style that characterizes so many of her oil paintings, this artwo...

While this work may stray from the diverse range of color and textures that usually dominate Wray’s canvases, one can see how Wray’s compulsion towards exploration drives him to inco...

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression. I...

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression, whil...

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression. I...

This work, although understated in comparison to other works of Wrays, reflects the abstract expressionist’s devotion to freedom of expression, both in form and color, and his intere...

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression. I...

Thick layers of paint foster an unctuousness commonly found in Dick Wray’s work. The treatment of the medium reflects a tendency toward impulse, whimsy, and vigorous expression. I...

Here the boundary between line and form seems blurred. While still spontaneous in application, Wray’s treatment of the paint suggests an oscillation between sudden and more deliberat...

While this work may stray from the diverse range of color and textures that usually dominate Wray’s canvases, one can see how the quick and emotive treatment of the paint still captu...

Encouraged by spontaneity, this work uses line and texture to invigorate the painting’s picture plane in a way that is sudden and playful. In 1958, Wray embarked on a trip to Europe...

While this work may stray from the diverse range of color and textures that usually dominate Wray’s canvases, one can see how the quick and emotive treatment of the paint still captu...

Encouraged by spontaneity, this work uses texture and saturated color to invigorate the painting’s picture plane in a way that is rugged and playful. Born in Houston, Texas in 1933...

The creation of this work was featured in Mountain Dew’s “Do the Dew” ad campaign in 2018. This monumental piece aptly captures Ushio’s unrelenting energy...

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings, which are made by dipping a pair of custom made boxing gloves into paint and unleashing his fists onto swathes of un-stretched canvas. Ushio works in several mediums including painting, printmaking, drawing and sculpture. In 1960 Ushio helped found the Neo-Dadaism Organizers. Their mission: deviate from any conventional form of art. Akin to European Dadaists, who’s art sought to reveal the customary and often repressive conventions of logical order and rationality, the Neo-Dadaism Organizers embodied a similar ethos. This can chiefly be seen in akushon, meaning “action”, which is the practice of emphasizing the human body as an artistic medium. For Ushio, this sensibility is encapsulated in what has become his personal trinity “be speedy, beautiful, and rhythmical.” Ushio's bright and frequently oversized work has exhibited at prestigious institutions internationally, including the Hara Museum of Contemporary Art; Centre Georges Pompidou; the Guggenheim Museum, New York; the Japan Society, New York; the National Museum of Modern Art, Tokyo; the Museum of Contemporary Art, Los Angeles; the Metropolitan Museum of Art, Busan; the Dallas Museum of Art and the Tate Modern, among others. His work was included in International Pop, a landmark exhibition at the Walker Art Center that chronicles the global emergence of Pop art from the 1950s through the early 1970. In addition to an extensive exhibition history, Ushio has also been a prolific performer — demonstrating the process of his boxing paintings live and in-person at various institutions. A selection of these performances include the National Museum of Art, Osaka; Museum of Contemporary Art, Tokyo; Austria Museum of Applied Art, Vienna; Busan Art Museum, South Korea; Musée d’Art Contemporain, Lyon; The State University of New York at Potsdam; J. Paul Getty Museum, Los Angeles; Dallas Museum of Art; and Carlton University, Ottawa. Ushio Shinohara "Trapeze Artists...

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Toky...

While decidedly abstract in execution, this lively painting demonstrates a tendency for even abstract imagery to resemble content we’re already familiar with. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings...

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Toky...

This precious work that is dedicated to Long’s first wife, Connie, who passed away from cancer, is an acrylic painting on canvas encapsulated in a custom, hand-made, plaster frame - characteristic of many classic Long works... Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Dear" 1989 Acrylic on Canvas with Painted Plaster Frame...

This work features an acrylic painting on canvas suspended between two wooden planks. The treatment of the painting appears visceral and rambunctious - congested with abstract and sy...

This work consists of an acrylic painting on canvas laid in a handmade frame of plaster and pine. The imagery of the painting, as implied by the title and crucifix near the center of...

This three-dimensional work incorporates an acrylic painting on canvas laid in a handmade red frame, adorned with scorched wooden planks, a stylized plaster heart, and an ice pick. The painting is a monochromatic depiction of icebergs protruding from the surface of water. While the imagery of the painting speaks to the visible outcome of artistic production, the frame and its adornments implore the viewer to consider the requisite materials necessary for creative actualization. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Passion" 2012 Acrylic Paint, Wood Elements...

This work is a poignant metaphorical representation of the American social climate in which Long was raised, educated, and experienced. Bert L. Long Jr., was self-taught artist, was...

This work is an intense and colorful acrylic painting on canvas. All content remains entirely non-objective, emphasizing color and movement as the primary aspects of this wild and energetic composition. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "The History of Painting...

This work resembles a colorful abstraction of a terrarium inhabited by geometric and organic forms alike. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew ...

This work was one of Long’s earliest compositions as an artist. Even earlier in his artistic career, Long was interested in exploring the intersection of various media, branching out into new innovative spaces. This work demonstrates the technique and forms at play that have since germinated into Long’s signature style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Untitled" 1977 Acrylic and Paper Collage on Canvas...

This work was one of Long’s earliest compositions as an artist. Even earlier in his artistic career, Long was interested in exploring the intersection of various media, branching out into new innovative spaces. This work demonstrates the technique and forms at play that have since germinated into Long’s signature style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Untitled" 1977 Acrylic and Paper Collage on Canvas...

This work was one of Long’s earliest compositions as an artist. Even earlier in his artistic career, Long was interested in exploring the intersection of various media, branching out into new innovative spaces. This work demonstrates the technique and forms at play that have since germinated into Long’s signature style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Untitled" 1977 Acrylic and Paper Collage on Canvas...

This work was one of Long’s earliest compositions as an artist. Even earlier in his artistic career, Long was interested in exploring the intersection of various media, branching out into new innovative spaces. This work demonstrates the technique and forms at play that have since germinated into Long’s signature style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Untitled" 1978 Acrylic and Paper Collage on Canvas...

This painting typifies the beginning of Long’s artistic journey. Having just recently entered the artistic arena at the time of its conception, this work demonstrates the technique a...

This painting uses a triadic color scheme, giving a strong sense of visual contrast, while the subject matter alludes to notions of psychedelic materials. Bert L. Long Jr., was self...

"Love and War," a collaborative series between Bert Long Jr. and Jesse Lott, features loosely human forms painted in a manner that suggests humanity’s proce...

This work bears striking achromatic depiction of a face, contrasted by a vibrant and colorful section of watermelon. The simplicity and levity of the watermelon helps offset the emot...

This stunning and monumental painting exemplifies Ushio’s ability to temper the raw energy he brings to the canvas with an innate understanding of formal composition. This work truly demonstrates Ushio’s capacity to balance his wild enthusiasm with thoughtful design. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings...

Energetic, vibrant, and provocative, Guzman’s work is a fusion of pop and street art. An ensemble of collage and paint on panel, this work examines the commodification of sex appeal ...

"Saudi" discusses man’s modern romance with the oil industry, technology, and capitalism. In his Oil series, Guzman intimates toward the crudeness of industrial domination of nature ...

Robert Motherwell's "The Red and Black No.52" is an abstract collage that incorporates oil based etching ink, pasted papers, and aquatint on paper. The piece was created between the ...