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Item Ships From: Maine
RAM - PROFILE
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. RAM. Tahir 86. Woodcut., 1969. Trial Proof aside from the Edition of 100. Signed, Titled, dated and inscrbed :Trial Proof, all in pencil. 21 x 4 3/4 (image),24 ...
Category
1960s Maine - Animal Prints
Materials
Woodcut
BROWN TROUT
By Neil Welliver
Located in Portland, ME
Welliver, Neil. BROWN TROUT. Etching and aquatint, 1978. Edition of 50. Signed and numbered 16/50, and signed in pencil. 26 1/2 x 36 13/16 inches (sheet). ...
Category
1970s Maine - Animal Prints
Materials
Etching, Aquatint
THE CAT
By Will Barnet
Located in Portland, ME
Barnet, Will. THE CAT. Szoke 120, Cole 117, Johnson 100. Color Lithograph, 1956. Edition of 12, titled and signed in pencil. Printed on Rives paper by Barnet. Estate of the artist v...
Category
1950s Maine - Animal Prints
Materials
Lithograph
$5,500
RAM
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdosvsky, Jacques. RAM. Tahir 370. Etching, 1979. Edition of 150.
Signed, Titled, dated and numbered 59/100, all in pencil. 16 3/4 x 23 inches In excellent
condition. Framed.
Category
1970s Maine - Animal Prints
Materials
Etching
NOAH'S ARK
By Mervin Jules
Located in Portland, ME
Jules, Mervyn (American 1912-1994). NOAH'S ARK. Color screenprint, not dated, but mid-20th Century. Signed in the matrix and in pencil in the margin, and also, with Jules's copyright...
Category
Mid-20th Century Maine - Animal Prints
Materials
Screen
WINTER WILDFOWLING
By Frank Benson
Located in Portland, ME
Benson, Frank. WINTER WILDFOWLING. Etching, 1927. Paff 265. Edition of 150. Signed in pencil, lowwer left. 11 7/8 x 9 7/8 inches (plate), 14 1/2 x 12 1/2 inches (sheet). Printed on W...
Category
1920s Maine - Animal Prints
Materials
Etching
JACK SNIPE
By Roland Clark
Located in Portland, ME
Clark, Roland (American 1874-1957). JACK SNIPE. Etching, 1928. Edition of 70. Signed in pencil. 8 1/2 x 12 inches. In excellent condition.
Category
1920s American Realist Maine - Animal Prints
Materials
Etching
$680 Sale Price
20% Off
SEEING NEW YORK
By John Sloan
Located in Portland, ME
Sloan, John. SEEING NEW YORK. M.188. Etching, 1917. Signed, titled, and inscribed "100 Prrofs," all in pencil. Edition of 100, of which only 85 were printed.
The image is of live ch...
Category
1910s Maine - Animal Prints
Materials
Etching
L'Ecuyere
By Massimo Campigli, 1895-1971
Located in Wiscasett, ME
MASSIMO CAMPIGLI 1895-1971 Florenz 1895-1971 St. Tropez (Italian)
Title: L'Ecuyere, 1954 Technique: Original Hand Signed and Dated Lithograph in Colours on BFK Rives Wove Paper Th...
Category
1950s Futurist Maine - Animal Prints
Materials
Lithograph
MALARDS
Located in Portland, ME
Harvey, Florence D. MALLARDS. Etching 6 3/4 x 5 in. Titled and signed in pencil.
Category
Mid-20th Century Maine - Animal Prints
Materials
Etching
FLYING DOG
By Robert A. Birmelin
Located in Portland, ME
Birmelin, Robert. FLYING DOG. Etching, not dated. Edition of 12. Signed in pencil and numbered and titled. 8 7/8 x 8 7/8 inches (image), 12 5/8 x 18 1/8 inches (sheet). In excellent ...
Category
Mid-20th Century Maine - Animal Prints
Materials
Etching
EVENING FLIGHT
By Roland Clark
Located in Portland, ME
Clark, Roland. EVENING FLIGHT. Derrydale 11. Etching and drypoint, 1929. Edition of 75. Signed in pencil. 12 x 15 inches. In excellent condition.
Category
1920s Maine - Animal Prints
Materials
Drypoint, Etching
LEOPARDENJAGD (LEOPARD HUNT)
By Norbertine Bresslern-Roth
Located in Portland, ME
Bresslern-Roth, Norbertine (Austrian, 1891-1978). LEOPARDENJAGD (LEOPARD HUNT). Linoleum cut in colors, 1927. Signed, titled and inscribed "Handdruck" (ha...
Category
1920s Maine - Animal Prints
Materials
Linocut
CAT
By Louise Nevelson
Located in Portland, ME
Nevelson, Louise. CAT. Baro 80. Etching and drypoint, 1965/6. Edition of 40 (There were also three Trial Proofs and four Artist's Proofs). Signed and numbered in pencil. 17 1/2 x 11 1/2 inches (plate), (sheet). The edition was printed at the Hollander Graphic...
Category
1960s Maine - Animal Prints
Materials
Drypoint, Etching
$4,200
THE COMMON BUZZARD
By Peter Mazel
Located in Portland, ME
(Mazell, Peter). THE COMMON BUZZARD after Charles Collins. Engraving with hand-coloring, c. 1766. A plate from The British Zoology, London 1777. Titled in the plate, top, and with th...
Category
1760s Maine - Animal Prints
Materials
Engraving
THE ONE THAT GOT AWAY
By John D. Muench
Located in Portland, ME
Muench, John (American, 1914-1993). THE ONE THAT GOT AWAY. Color Lithograph, not dated. Edition of 25. Signed, titles and numbered, all in pencil...
Category
Mid-20th Century Maine - Animal Prints
Materials
Lithograph
THE PORTRAITURE OF LAMPREY
By Richard Houston
Located in Portland, ME
Houston, Richard. THE PORTRAITURE OF LAMPREY. Engraving with hand-coloring, 1755, by Houston after the painting by James Seymour. 11 3/4 x 13 7/8 inches, plus full margins. In excell...
Category
Mid-18th Century Maine - Animal Prints
Materials
Engraving
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Category
2010s Maine - Animal Prints
Materials
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1990
Located in New York, NY
Rebecca Warren
1990
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Lithographic print on MDF, with pom-pom, cotton thread, wood shaving, twig, and wood chip
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Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
1980s Modern Maine - Animal Prints
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Heads or Tails - Signed Silkscreen Blue Dog Print
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of 4 frames, 1 each blue, pink, fuchsia and green. Each frame contains the head of a blue dog all with soulful yellow eyes. This pop art animal original...
Category
Early 2000s Pop Art Maine - Animal Prints
Materials
Screen
Truly Rudy - Signed Silkscreen Print
By George Rodrigue
Located in Mount Laurel, NJ
Artist: George Rodrigue
Title: Blue Dog “Truly Rudy”
Medium: Silkscreen
Date: 2000
Edition: Artist Proof
Dimensions: 20" X 16"
Description: Signed &...
Category
Early 2000s Pop Art Maine - Animal Prints
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Screen
Blue Dog "Shades of the 50's Blue" Print Signed Numbered Artwork
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of 1 blue dog on a dark blue background with painted white eyeglasses donning a white tie with painted blue eyeglasses. Th...
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1990s Pop Art Maine - Animal Prints
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$6,995
H 27 in W 21 in D 1 in
A Chorus Line of Flowers - Signed Silkscreen Print Blue Dog
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of 2 Blue dogs, each on a separate background, one red and one black with a strand of yellow flowers strewn across both dogs. All the dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist.
Artist: George Rodrigue
Title: Blue Dog “A Chorus Line...
Category
1990s Pop Art Maine - Animal Prints
Materials
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$6,495
H 23 in W 33 in D 1 in
Boogie Bear - Black - Signed Silkscreen Print - Blue Dog
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of a single blue bear with a red nose on a black background. The bear has soulful yellow eyes. This pop art animal original silkscreen print on paper is ...
Category
1990s Pop Art Maine - Animal Prints
Materials
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$5,495
H 29 in W 23 in D 1 in
Don't Like Bein' Blue White - Signed Silkscreen Blue Dog Print
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of 2 dogs on a white background; a red dog in the foreground and a blue dog behind and to the left of a black tree in the background. Both dogs have soul...
Category
1990s Pop Art Maine - Animal Prints
Materials
Screen
$6,995
H 16 in W 23 in D 1 in
Louisiana Blue Dog Man - Signed Silkscreen Blue Dog Print
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of 2 dogs and a pink antique automobile. One dog is in the foreground and the other is beside the car. Both dogs have ...
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Early 2000s Pop Art Maine - Animal Prints
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H 20 in W 33 in D 1 in
Haystack
By Thomas Hart Benton
Located in London, GB
A fine impression of this very popular image with full margins (smaller on top and bottom) published by Associated American Artists.
Category
1930s American Modern Maine - Animal Prints
Materials
Lithograph
Birds - XXI century, Figurative print, Black and white, Animals
By Anna Mikke
Located in Warsaw, PL
Limited edition, 8/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...
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H 4.73 in W 10.04 in
Previously Available Items
PEOPLE WATCHERS
Located in Portland, ME
Robi (Elvin Robichaud), Al (American, 1922-2007). PEOPLE WATCHERS. Linocut in colors, 1960s. 5 x 9 inches, plus margins. Edition of 35, numbered 27/35, titled and signed "Robi" in pe...
Category
1960s Maine - Animal Prints
Materials
Linocut
Hommage a Manolete
By Óscar Domínguez
Located in Wiscasett, ME
OSCAR DOMINGUEZ 1906-1957 Hommage a Manolete, 1955
This is an original and signed and numbered lithograph in colors on BFK Rives vellum paper. Thi...
Category
1950s Surrealist Maine - Animal Prints
Materials
Lithograph
"Goose and Teal, " etching, Frank Benson, in collections of Met, MFA, Smithsonian
By Frank Benson
Located in Wiscasset, ME
Born in Salem, Massachusetts, American Impressionist Frank Benson studied at the Museum of Fine Arts in Boston under Otto Grundmann and at the Academie Julian with Gustave Boulanger and Jules Lefebvre. Benson was a founding member of the American Academy of Arts and Letters, Guild of Boston Artists and the ‘Ten American Painters,’ a prestigious group of early impressionists. In 1900, Benson purchased a farm and studio on North Haven Island off the coast of Maine. It was there that his style became increasingly impressionistic. Benson is credited with being known as one of the outstanding 20th-century wildlife printmakers.
Benson was a member of the Boston Art Club, National Academy of Design, Society of American Artists and Guild of Boston Artists. He exhibited at the World’s Columbian Exposition in Chicago...
Category
Early 20th Century American Impressionist Maine - Animal Prints
Materials
Etching
OWL AND INSECT
Located in Portland, ME
Kent,William (American, 1919-2007). OWL AND INSECT. Slate Print, 1963. From an edition of 20, printed in 1963 (the total edition with later printings is about 65. 8 11/16 x 21 3/8 (i...
Category
1960s Maine - Animal Prints
Materials
Woodcut
WADERS
By Frank Benson
Located in Portland, ME
Benson, Frank (American, 1862-1951). WADERS. Paff 298. Drypoint, printed on wove paper, 1930. Edition of 150. Signed in pencil. 7 x 12 inches, 176 x 304 mm. Provenance: Descended wit...
Category
1930s Maine - Animal Prints
Materials
Drypoint
BOAR
By Leonard Baskin
Located in Portland, ME
Baskin, Leonard. STAG. FO'S 306. Wood Engraving, 1957. Illustration for Flaubert's St. Julien the Hospitaller. 3 1/4 x 3 1/8 inches, 82 x 77 mm. In excellent condition.
Category
1950s Maine - Animal Prints
Materials
Woodcut
BOAR
By Leonard Baskin
Located in Portland, ME
Baskin, Leonard. BOAR. FO'S 304. Wood Engraving, 1957. Illustration for Flaubert's St. Julien the Hospitaller. 2 5/8 x 5 3/4 inches, 67 x 147 mm. (image) on a larger sheet. In excell...
Category
1950s Maine - Animal Prints
Materials
Woodcut
CANVASBACKS - THE EVENING FLIGHT
Located in Portland, ME
Darling, J. N. (Ding). (Amercan, 1876-1962) CANVASBACKS - THE EVENING FLIGHT. Etching and Aquatint in shades of blue/black, 1930. Edition size not st ated...
Category
1930s Maine - Animal Prints
Materials
Etching, Aquatint
FLOCK OF LAMBS
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. FLOCK OF LAMBS. Linocut, 1975. Edition of 150. Signed, titled, dated and numbered 108/150, all in pencil. 19 x 22 inches (image) on a larger sheet. A small well ...
Category
1970s Maine - Animal Prints
Materials
Linocut
RAM AND EWES
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. RAM AND EWES. T.230. Woodcut, 1976. Edition of 150. Signed, titled, numbered and dated, all in pencil. 13 x 15 inches (imahe), 16 x 18 1/2 inches (sheet), matted...
Category
1970s Maine - Animal Prints
Materials
Woodcut
SALMON
By Neil Welliver
Located in Portland, ME
Welliver, Neil. SALMON. Handcolored etching, 1977. Edition of 40, printed on cream colored Arches paper. Signed and numbered 37/40 in pencil. Published by Brooke Alexander, NY. 21 3/...
Category
1970s Maine - Animal Prints
Materials
Etching
YELLOWLEGS IN SUNLIGHT
By Frank Benson
Located in Portland, ME
Benson, Frank. YELLOWLEGS IN SUNLIGHT. Paff 285. Drypoint, 1928. Published state, Edition of 150. Printed on laid paper watermarked "England." Provenance, the family of the artist. 9...
Category
1920s Maine - Animal Prints
Materials
Drypoint