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Item Ships From: Maine
RAM - PROFILE
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. RAM. Tahir 86. Woodcut., 1969. Trial Proof aside from the Edition of 100. Signed, Titled, dated and inscrbed :Trial Proof, all in pencil. 21 x 4 3/4 (image),24 ...
Category

1960s Maine - Animal Prints

Materials

Woodcut

BROWN TROUT
By Neil Welliver
Located in Portland, ME
Welliver, Neil. BROWN TROUT. Etching and aquatint, 1978. Edition of 50. Signed and numbered 16/50, and signed in pencil. 26 1/2 x 36 13/16 inches (sheet). ...
Category

1970s Maine - Animal Prints

Materials

Etching, Aquatint

THE CAT
By Will Barnet
Located in Portland, ME
Barnet, Will. THE CAT. Szoke 120, Cole 117, Johnson 100. Color Lithograph, 1956. Edition of 12, titled and signed in pencil. Printed on Rives paper by Barnet. Estate of the artist v...
Category

1950s Maine - Animal Prints

Materials

Lithograph

RAM
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdosvsky, Jacques. RAM. Tahir 370. Etching, 1979. Edition of 150. Signed, Titled, dated and numbered 59/100, all in pencil. 16 3/4 x 23 inches In excellent condition. Framed.
Category

1970s Maine - Animal Prints

Materials

Etching

NOAH'S ARK
By Mervin Jules
Located in Portland, ME
Jules, Mervyn (American 1912-1994). NOAH'S ARK. Color screenprint, not dated, but mid-20th Century. Signed in the matrix and in pencil in the margin, and also, with Jules's copyright...
Category

Mid-20th Century Maine - Animal Prints

Materials

Screen

WINTER WILDFOWLING
By Frank Benson
Located in Portland, ME
Benson, Frank. WINTER WILDFOWLING. Etching, 1927. Paff 265. Edition of 150. Signed in pencil, lowwer left. 11 7/8 x 9 7/8 inches (plate), 14 1/2 x 12 1/2 inches (sheet). Printed on W...
Category

1920s Maine - Animal Prints

Materials

Etching

JACK SNIPE
By Roland Clark
Located in Portland, ME
Clark, Roland (American 1874-1957). JACK SNIPE. Etching, 1928. Edition of 70. Signed in pencil. 8 1/2 x 12 inches. In excellent condition.
Category

1920s American Realist Maine - Animal Prints

Materials

Etching

JACK SNIPE
$680 Sale Price
20% Off
SEEING NEW YORK
By John Sloan
Located in Portland, ME
Sloan, John. SEEING NEW YORK. M.188. Etching, 1917. Signed, titled, and inscribed "100 Prrofs," all in pencil. Edition of 100, of which only 85 were printed. The image is of live ch...
Category

1910s Maine - Animal Prints

Materials

Etching

L'Ecuyere
By Massimo Campigli, 1895-1971
Located in Wiscasett, ME
MASSIMO CAMPIGLI 1895-1971 Florenz 1895-1971 St. Tropez (Italian) Title: L'Ecuyere, 1954 Technique: Original Hand Signed and Dated Lithograph in Colours on BFK Rives Wove Paper Th...
Category

1950s Futurist Maine - Animal Prints

Materials

Lithograph

MALARDS
Located in Portland, ME
Harvey, Florence D. MALLARDS. Etching 6 3/4 x 5 in. Titled and signed in pencil.
Category

Mid-20th Century Maine - Animal Prints

Materials

Etching

FLYING DOG
By Robert A. Birmelin
Located in Portland, ME
Birmelin, Robert. FLYING DOG. Etching, not dated. Edition of 12. Signed in pencil and numbered and titled. 8 7/8 x 8 7/8 inches (image), 12 5/8 x 18 1/8 inches (sheet). In excellent ...
Category

Mid-20th Century Maine - Animal Prints

Materials

Etching

EVENING FLIGHT
By Roland Clark
Located in Portland, ME
Clark, Roland. EVENING FLIGHT. Derrydale 11. Etching and drypoint, 1929. Edition of 75. Signed in pencil. 12 x 15 inches. In excellent condition.
Category

1920s Maine - Animal Prints

Materials

Drypoint, Etching

LEOPARDENJAGD (LEOPARD HUNT)
By Norbertine Bresslern-Roth
Located in Portland, ME
Bresslern-Roth, Norbertine (Austrian, 1891-1978). LEOPARDENJAGD (LEOPARD HUNT). Linoleum cut in colors, 1927. Signed, titled and inscribed "Handdruck" (ha...
Category

1920s Maine - Animal Prints

Materials

Linocut

CAT
By Louise Nevelson
Located in Portland, ME
Nevelson, Louise. CAT. Baro 80. Etching and drypoint, 1965/6. Edition of 40 (There were also three Trial Proofs and four Artist's Proofs). Signed and numbered in pencil. 17 1/2 x 11 1/2 inches (plate), (sheet). The edition was printed at the Hollander Graphic...
Category

1960s Maine - Animal Prints

Materials

Drypoint, Etching

THE COMMON BUZZARD
By Peter Mazel
Located in Portland, ME
(Mazell, Peter). THE COMMON BUZZARD after Charles Collins. Engraving with hand-coloring, c. 1766. A plate from The British Zoology, London 1777. Titled in the plate, top, and with th...
Category

1760s Maine - Animal Prints

Materials

Engraving

THE ONE THAT GOT AWAY
By John D. Muench
Located in Portland, ME
Muench, John (American, 1914-1993). THE ONE THAT GOT AWAY. Color Lithograph, not dated. Edition of 25. Signed, titles and numbered, all in pencil...
Category

Mid-20th Century Maine - Animal Prints

Materials

Lithograph

THE PORTRAITURE OF LAMPREY
By Richard Houston
Located in Portland, ME
Houston, Richard. THE PORTRAITURE OF LAMPREY. Engraving with hand-coloring, 1755, by Houston after the painting by James Seymour. 11 3/4 x 13 7/8 inches, plus full margins. In excell...
Category

Mid-18th Century Maine - Animal Prints

Materials

Engraving

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2010s Maine - Animal Prints

Materials

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Swimmers
$6,209
H 23.63 in W 29.93 in
1990
Located in New York, NY
Rebecca Warren 1990 2007 Lithographic print on MDF, with pom-pom, cotton thread, wood shaving, twig, and wood chip 16 x 9 x 3 inches; 41 x 23 x 8 cm Edi...
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Early 2000s Contemporary Maine - Animal Prints

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1990
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$3,000
H 16 in W 9 in D 3 in
Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
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1980s Modern Maine - Animal Prints

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Leonor Fini - Cats - Original Etching
Leonor Fini - Cats - Original Etching
$1,431
H 17.33 in W 11.03 in D 0.04 in
Heads or Tails - Signed Silkscreen Blue Dog Print
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of 4 frames, 1 each blue, pink, fuchsia and green. Each frame contains the head of a blue dog all with soulful yellow eyes. This pop art animal original...
Category

Early 2000s Pop Art Maine - Animal Prints

Materials

Screen

Truly Rudy - Signed Silkscreen Print
By George Rodrigue
Located in Mount Laurel, NJ
Artist: George Rodrigue Title: Blue Dog “Truly Rudy” Medium: Silkscreen Date: 2000 Edition: Artist Proof Dimensions: 20" X 16" Description: Signed &...
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Early 2000s Pop Art Maine - Animal Prints

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Blue Dog "Shades of the 50's Blue" Print Signed Numbered Artwork
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of 1 blue dog on a dark blue background with painted white eyeglasses donning a white tie with painted blue eyeglasses. Th...
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1990s Pop Art Maine - Animal Prints

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A Chorus Line of Flowers - Signed Silkscreen Print Blue Dog
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of 2 Blue dogs, each on a separate background, one red and one black with a strand of yellow flowers strewn across both dogs. All the dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “A Chorus Line...
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1990s Pop Art Maine - Animal Prints

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Screen

Boogie Bear - Black - Signed Silkscreen Print - Blue Dog
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of a single blue bear with a red nose on a black background. The bear has soulful yellow eyes. This pop art animal original silkscreen print on paper is ...
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1990s Pop Art Maine - Animal Prints

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Don't Like Bein' Blue White - Signed Silkscreen Blue Dog Print
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of 2 dogs on a white background; a red dog in the foreground and a blue dog behind and to the left of a black tree in the background. Both dogs have soul...
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1990s Pop Art Maine - Animal Prints

Materials

Screen

Louisiana Blue Dog Man - Signed Silkscreen Blue Dog Print
By George Rodrigue
Located in Mount Laurel, NJ
This Blue Dog work consists of 2 dogs and a pink antique automobile. One dog is in the foreground and the other is beside the car. Both dogs have ...
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Haystack
By Thomas Hart Benton
Located in London, GB
A fine impression of this very popular image with full margins (smaller on top and bottom) published by Associated American Artists.
Category

1930s American Modern Maine - Animal Prints

Materials

Lithograph

Haystack
Haystack
$4,368
H 19 in W 21.25 in D 1.5 in
Birds - XXI century, Figurative print, Black and white, Animals
By Anna Mikke
Located in Warsaw, PL
Limited edition, 8/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...
Category

2010s Other Art Style Maine - Animal Prints

Materials

Paper, Etching

Previously Available Items
PEOPLE WATCHERS
Located in Portland, ME
Robi (Elvin Robichaud), Al (American, 1922-2007). PEOPLE WATCHERS. Linocut in colors, 1960s. 5 x 9 inches, plus margins. Edition of 35, numbered 27/35, titled and signed "Robi" in pe...
Category

1960s Maine - Animal Prints

Materials

Linocut

PEOPLE WATCHERS
H 9 in W 12 in D 1 in
Hommage a Manolete
By Óscar Domínguez
Located in Wiscasett, ME
OSCAR DOMINGUEZ 1906-1957 Hommage a Manolete, 1955 This is an original and signed and numbered lithograph in colors on BFK Rives vellum paper. Thi...
Category

1950s Surrealist Maine - Animal Prints

Materials

Lithograph

"Goose and Teal, " etching, Frank Benson, in collections of Met, MFA, Smithsonian
By Frank Benson
Located in Wiscasset, ME
Born in Salem, Massachusetts, American Impressionist Frank Benson studied at the Museum of Fine Arts in Boston under Otto Grundmann and at the Academie Julian with Gustave Boulanger and Jules Lefebvre. Benson was a founding member of the American Academy of Arts and Letters, Guild of Boston Artists and the ‘Ten American Painters,’ a prestigious group of early impressionists. In 1900, Benson purchased a farm and studio on North Haven Island off the coast of Maine. It was there that his style became increasingly impressionistic. Benson is credited with being known as one of the outstanding 20th-century wildlife printmakers. Benson was a member of the Boston Art Club, National Academy of Design, Society of American Artists and Guild of Boston Artists. He exhibited at the World’s Columbian Exposition in Chicago...
Category

Early 20th Century American Impressionist Maine - Animal Prints

Materials

Etching

OWL AND INSECT
Located in Portland, ME
Kent,William (American, 1919-2007). OWL AND INSECT. Slate Print, 1963. From an edition of 20, printed in 1963 (the total edition with later printings is about 65. 8 11/16 x 21 3/8 (i...
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1960s Maine - Animal Prints

Materials

Woodcut

WADERS
By Frank Benson
Located in Portland, ME
Benson, Frank (American, 1862-1951). WADERS. Paff 298. Drypoint, printed on wove paper, 1930. Edition of 150. Signed in pencil. 7 x 12 inches, 176 x 304 mm. Provenance: Descended wit...
Category

1930s Maine - Animal Prints

Materials

Drypoint

BOAR
By Leonard Baskin
Located in Portland, ME
Baskin, Leonard. STAG. FO'S 306. Wood Engraving, 1957. Illustration for Flaubert's St. Julien the Hospitaller. 3 1/4 x 3 1/8 inches, 82 x 77 mm. In excellent condition.
Category

1950s Maine - Animal Prints

Materials

Woodcut

BOAR
H 16 in W 20 in
BOAR
By Leonard Baskin
Located in Portland, ME
Baskin, Leonard. BOAR. FO'S 304. Wood Engraving, 1957. Illustration for Flaubert's St. Julien the Hospitaller. 2 5/8 x 5 3/4 inches, 67 x 147 mm. (image) on a larger sheet. In excell...
Category

1950s Maine - Animal Prints

Materials

Woodcut

BOAR
H 16 in W 20 in
CANVASBACKS - THE EVENING FLIGHT
Located in Portland, ME
Darling, J. N. (Ding). (Amercan, 1876-1962) CANVASBACKS - THE EVENING FLIGHT. Etching and Aquatint in shades of blue/black, 1930. Edition size not st ated...
Category

1930s Maine - Animal Prints

Materials

Etching, Aquatint

FLOCK OF LAMBS
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. FLOCK OF LAMBS. Linocut, 1975. Edition of 150. Signed, titled, dated and numbered 108/150, all in pencil. 19 x 22 inches (image) on a larger sheet. A small well ...
Category

1970s Maine - Animal Prints

Materials

Linocut

RAM AND EWES
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. RAM AND EWES. T.230. Woodcut, 1976. Edition of 150. Signed, titled, numbered and dated, all in pencil. 13 x 15 inches (imahe), 16 x 18 1/2 inches (sheet), matted...
Category

1970s Maine - Animal Prints

Materials

Woodcut

SALMON
By Neil Welliver
Located in Portland, ME
Welliver, Neil. SALMON. Handcolored etching, 1977. Edition of 40, printed on cream colored Arches paper. Signed and numbered 37/40 in pencil. Published by Brooke Alexander, NY. 21 3/...
Category

1970s Maine - Animal Prints

Materials

Etching

YELLOWLEGS IN SUNLIGHT
By Frank Benson
Located in Portland, ME
Benson, Frank. YELLOWLEGS IN SUNLIGHT. Paff 285. Drypoint, 1928. Published state, Edition of 150. Printed on laid paper watermarked "England." Provenance, the family of the artist. 9...
Category

1920s Maine - Animal Prints

Materials

Drypoint

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