Manhattan - Interior Prints

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NY...

MASSIMO LISTRI Reggia di Caserta IV, Italy, 1994 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of 5 Fram...

An American painter, printmaker, and illustrator. His work was featured in "The Masses" and at the Metropolitan Museum of Art and Pennsylvania Academy of the Fine Arts. This wood en...

Dorothea Tanning Voyeurs, 1970 Etching, aquatint and sugar-lift aquatint in colors with hand-coloring on wove paper 11 9/10 × 19 9/10 in 30.2 × 50.5 cm Edition of 60 Hand-signed and...

Seated Figure by Geno (sometimes Genoi) Pettit, made in 1945, is a wonderfully 'moderne' image. The woman is wearing a roman-inspired blouse or dress and is shown against a yellow/green, chartreuse background. There is the feeling she is about to lead an ancient procession at any moment! Pettit and her husband, Guy McCoy...

For a print that's nearly one hundred years old it feels very contemporary. Signed in pencil; titled in lower margin in pencil.

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Paper: 30 x 40 in. / 76.2 x 101.5 cm. Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper. Signed by the artist, dated 70, and numbered 21/100 lower center in red crayon. Printed from the same plates as 'All Alone in the Museum of Modern Art'. While All Alone features dark pools of hand coloring, the lighter image field of Thinking Aloud reveals how Hodgkin used his entire hand to create lines and textures. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive brush marks and fingerprints in this print are an example of the artist’s movement in the late 70s towards pronounced gestures. Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Jane Rogers was born in the artists' colony of Woodstock, New York. Most of her career was spent in New York. Although her dates are most often given as 18...

Albert Abramovitz was working in New York in the 1930s when he made wood engravings of the construction of the Moscow subway. This image, The Wagonette, is a wrenching testament to t...

Sanders was very careful to make sure this subject was at his home at 2020 Grand Avenue in the Bronx. Signed in pencil.

For a print that's nearly one hundred years old it feels very contemporary. Signed and titled in pencil. Besides the etching I think there is some false biting that adds tone here.

Signed and numbered, verso “Artist Studios New York” is an editorial project by Marco Anelli that explores the New York studios of the major protagonists in the contemporary art scene. Artists include: Alex Katz, Alfredo Jaar, Anne Collier, Anthony McCall, Banks Violette, Cecily Brown, Dan Colen, Dana Schutz, Elizabeth Peyton, Francesco Clemente, Glenn Ligon, Jack Pierson, Joan Jonas...

Signed and numbered, verso “Artist Studios New York” is an editorial project by Marco Anelli that explores the New York studios of the major protagonists in the contemporary art scene. Artists include: Alex Katz, Alfredo Jaar, Anne Collier, Anthony McCall, Banks Violette, Cecily Brown, Dan Colen, Dana Schutz, Elizabeth Peyton, Francesco Clemente, Glenn Ligon, Jack Pierson, Joan Jonas...

Column & Socle 2001 Signed, dated, and inscribed “AP” in pencil, recto Polaroid transfer on Rives BFK paper 22 x 15 inches, sheet 7.5 x 9.5 inches, image This work is offered by ...

Dennis Oppenheim Color applications for Chandra (hand signed limited edition), 1977 Color lithograph and photo lithograph on wove paper Signed and dated 1977 in graphite pencil on th...

Jean-Emile Laboureur (1877-1943), Bar en Pennsylvanie, etching, 1914. Signed in pencil lower left and numbered 21/35 lower right [also signed and dated lower in the plate lower left]...

Clearly a scene in France, the Bernard Sanders is showing us a seamstress/lacemaker. She seems to be shaping a traditional coiffe (sometimes 'coif') -- an elaborate headpiece worn b...

Philip Guston at David McKee Gallery (pencil signed by Philip Guston), 1974 Lithograph and offset lithograph poster Signed in graphite pencil under the image 24 1/2 × 20 inches Unframed, unnumbered Rare vintage lithographic poster of 1974 Guston exhibition at David McKee Gallery Signed under the image in graphite pencil by Philip Guston Another hand signed edition is in the permanent collection of Vassar College; otherwise we haven't seen another besides the present work; a true collectors item when hand signed by the artist. Philip Guston Biography Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact. Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters. Born in Montreal, Canada, in 1913 to poor Russian Jewish émigrés, Guston moved with his family to California in 1919. Briefly attending the Otis Art Institute in Los Angeles in 1930, he was otherwise completely self-taught. Guston’s first precocious work, Mother and Child, was completed when he was only seventeen years of age. Influenced by the social and political landscape of the 1930s, his earliest works evoked the stylized forms of Giorgio de Chirico and Pablo Picasso, social realist motifs of the Mexican muralists, and classical properties of Italian Renaissance frescoes of Piero della Francesca and Masaccio that he had seen only in reproduction. Painted in Mexico with another young artist, the huge fresco The Struggle Against War and Fascism drew national attention in the US. Guston’s success continued in the WPA, a Depression-era government program that commissioned American artists to create murals in public buildings. While not widely known today, the young artist’s early experiences as a mural painter allowed a development of narrative and scale that he would draw upon in his late figurative work. In the early 1940s, as the WPA program was ending, Guston found work teaching at universities in the Midwestern United States. In his studio, he was working in oils on easel paintings that were more personal and smaller in scale, focusing on portraits and allegories, like Martial Memory and If This Be Not I. His first solo exhibition in Iowa was well received and, within a few years, he was offered his first solo show in New York City. Guston was awarded a Prix de Rome, allowing him to leave teaching and spend a year in Italy, studying firsthand the Italian masters he loved. By the time he had finished The Tormentors, Guston’s move to abstraction was all but complete. On his return from Italy, he continued dividing his time between the artists’ colony of Woodstock in Upstate New York and New York City, which was then emerging as the center of the postwar art world. He rented a studio on 10th Street, where abstract expressionists Jackson Pollock, Willem de Kooning and Mark Rothko also worked. For Guston, success was never what mattered most. He was already impatient with the language of pure abstraction and experimenting with larger forms, using a limited palette of grays, pinks and blacks. As his forms became still more reduced, he stopped painting altogether and embarked on a series of simplified abstract “pure drawings” in brush or charcoal. At this juncture, Guston removed himself from the art scene in New York, living and working in Woodstock for the remainder of his life. Guston’s move ­was hardly a withdrawal. Freed from the distractions and formal constraints of the art world and the opinions of critics, he was able to experiment with new forms and to engage more deeply with the issues that mattered to him. The 1960s was a period of great social upheaval in the United States, characterized by assassinations and violence, civil rights and anti-war protests. “When the 1960s came along I was feeling split, schizophrenic,” Guston later said. “The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines...

The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his image. For many years he has photographed ...

ABOUT THIS PIECE: Ludwig continues his exploration of his favorite city, Paris with a new series featuring stunning Parisian pools. These public and private spaces display the beauti...

aquatint and embossing on paper. plate 19 3/4 x 13 3/4 in. paper 30 3/4 x 23 in.

Armin Landeck created this drypoint in 1938 in an edition of 100. The image size is 7 13/16 x 5 7/8" and paper size 14 x 12". This piece is signed and dated in pencil in ...

Alan Herman is a native New Yorker who graduated with a BFA from The Philadelphia College of Art, and an MFA from Temple University. After graduation he returned to New York and desi...

Massimo Listri State Hermitage Museum, St. Petersburg, Russia, 2018 40 x 48 inches 100 x 120 cm Edition of 5 47 x 60 inches 120 x 150 cm Edition of ...

Palazzo Ducale Mantova 2017 C print 39.5 x 47.5 inches - edition of 5 47.5 x 59 inches - edition of 5 71 x 88.5 inches - edition of 5 Massimo Listri is a Florence-based photographer...

Armin Landeck made this drypoint in 1936 in an edition of 100. Signed in pencil just under the image in the lower right and inscribed "Ed 100" in the lower left. This pri...

Massimo Listri Palazzo del Quirinale, Sala degli specchi, Rome, Italy, 2015 40 x 47 inches 100 x 120 cm Edition of 5 47 x 59 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 ...

Latteria Rambouillet, Francia 2019 C print 39.5 x 47.5 inches - edition of 5 47.5 x 59 inches - edition of 5 71 x 88.5 inches - edition of 5 Massimo Listri is a Florence-based photographer whose work often presents interiors of great architectural and cultural importance, some open to the public, others not easily accessible. Listri has been described as an extraordinary 'sceneographer', a term more commonly associated with movies and theater. He has photographed ancient castles, villas and palaces, as well as hidden gardens...

The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his image. For many years he has photographed ...

Massimo Listri is a Florence-based photographer whose work often presents interiors of great architectural and cultural importance, some open to the public, others not easily accessi...

Latteria Rambouillet, Francia 2019 C print 39.5 x 47.5 inches - edition of 5 47.5 x 59 inches - edition of 5 71 x 88.5 inches - edition of 5 Massimo Listri is a Florence-based photo...

Geissbuhler, Dominic Karl. Lucia Di Lammermoor/Operahaus, 1989 Off-set, Gessbuhler was trained as a graphic artist with Ernst Keller and Johannes Itten...

Justin Pollmann "Unstuck" 2022 Inkjet Transfer Collage, Monotype 24"x17" Inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s surface ...

The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his image. For many years he has photographed ...

Massimo Listri Torino I (Under Construction), 2005 C print Signed and numbered edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject ma...

Edition of 9. Signature label. Framed work. A prominent French architectural photographer, Jean-Christophe Ballot’s body of work concerns itself with space: be it cities with urb...

MASSIMO LISTRI Sammezanno VII, Tuscany, 2005 Available sizes: 48 x 40 inches 120 x 100 cm Edition of 5 60 x 48 inches 150 x 120 cm Edition of 5 88.5 x 71 inches 225 x 180 cm Edi...

Massimo Listri is a Florence-based photographer whose work often presents interiors of great architectural and cultural importance, some open to the public, others not easily accessi...

The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his image. For many years he has photographed c...

Art Desks by E. Brady Robinson features photographs of the desks and working spaces of artists, curators, art dealers and critics throughout the East Coast...

Church of the Gesu, Chiesa del Gesu, Rome, Italy, 2019 (Churches of Rome) 32x40 inches Edition of 9 Archival Pigment Print UNFRAMED Also available in: 48x60 inches Edition of 5 Arc...

Brice Marden "Attendants, Bears, and Rocks" Matthew Marks Gallery, New York, 2002 Exhibition poster 17 x 22 inches Signed recto Exhibition poster for "Attendants, Bears, and Rocks" ...

MASSIMO LISTRI Palacio da Ega I, Lisbon, Portugal, 2017 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of ...

Massimo Listri Scalone Lorenese, Galleria degli Uffizi, Firenze, Italy, 2009 40 x 47 inches 100 x 120 cm Edition of 5 47 x 59 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180...

Massimo Listri Portrait of Interiors Metropolitan, New York, USA 2013 Unframed 40 x 47 inches 100 x 120 cm Edition of 5 47 x 59 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 1...

Edition of 5 Please ask for framing options The Galleria dell'Accademia di Firenze, or "Gallery of the Academy of Florence", is an art museum in Florence, Italy. It is best known as...

MASSIMO LISTRI Reggia Venaria Reale III, Torino, Italy, 2007 Italian Interiors Photograph 48 x 40 inches 120 x 100 cm Edition of 5 60 x 48 inches 150 x 120 cm Edition of 5 88.5 x ...

MASSIMO LISTRI Museo Correr I, Venezia, 2016 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options availa...

Sean Mellyn King Size Sleeper (Green Eyes), 2013 Pigment print on Hotpress 18.75 x 24 inches Edition of 9 Published by Eminence Grise Editions Printed by A...

Sean Mellyn King Size Sleeper (Black Eyes), 2013 Pigment print on Hotpress 18.75 x 24 inches Edition of 9 Published by Eminence Grise Editions Printed by A...

Alan Herman is a native New Yorker who graduated with a BFA from The Philadelphia College of Art, and an MFA from Temple University. After graduation he returned to New York and desi...

Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...

Palazzo Ducale Mantova 2017 C print 39.5 x 47.5 inches - edition of 5 47.5 x 59 inches - edition of 5 71 x 88.5 inches - edition of 5 Massimo Listri is a Florence-based photographer...

Palazzo Ducale Mantova 2017 C print 39.5 x 47.5 inches - edition of 5  - $13,500 47.5 x 59 inches - edition of 5 - $15,500 71 x 88.5 inches - edition of 5  - $24,500 Massimo Listr...

Uffizi - Scalone Lorenese, Florence 2009 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his i...

Art Desks by E. Brady Robinson features photographs of the desks and working spaces of artists, curators, art dealers and critics throughout the East Coast. This project explores...

MASSIMO LISTRI Massimo Listri - Museo Archeologico I, Naples, Italy (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and num...

MASSIMO LISTRI Massimo Listri - Museo Archeologico II, Naples, Italy (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and nu...