Manhattan - More Prints

Allan Kaprow was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. He helped to develop the "Environment" a...

Alexander Kosolapov Malevich, 1990 silkscreen on paper 22x30 inches Edition of 100 signed and numbered

ROBERT COTTINGHAM HI FI, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM Drinks, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009...

ROBERT COTTINGHAM Champagne, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2...

ROBERT COTTINGHAM Fox, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM Hi, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' an...

ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...

A familiar and iconic motif by the artist, this color woodcut was created by Jim Dine in 1996, is hand-signed in pencil and numbered. Measuring 26 1/8 x 19 ½ inches (66.4 x 49.5 cm...

A color intaglio created by the artist in 2012, this original etching is hand-signed, dated and numbered in pencil, measures 21 x 16 in. (53.3 x 40.6 cm), unframed and is from the ed...

Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss. The artist created PS III -...

This 17-color screen print was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75.

This iconic lithograph in colors with cold stamping and high gloss varnish was created in 2011 by Takashi Murakami. Hand-signed in ink, numbered and ...

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring.

This 17-color screen print was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring 33 x 42 in., unframed.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring 33 x 42 in., unframed.

This offset lithograph in colors with cold-stamping was created in 2013. From the hand-signed and numbered edition of 300 measuring 19 3/4 x 19 3/4 in. (50 x 50 cm.), unframed.

An iconic image by the master of Surrealism, Rene Magritte. L ‘Art de Vivre, created as an original etching and aquatint in colors in 1968, is stamp-signed and hand-numbered in penc...

This screenprint was created by the artist in 1991. Signed in pencil and numbered from the edition of 80 measuring 29 x 34 in. (73.7 x 86.4 cm.). Published by The Metropolitan Museu...

A fun and familiar image created by Keith Haring as an original lithograph in colors in 1988, International Volunteer Day was commissioned by the United Nations on its 40th anniversa...

All Points (Black State), 2010 three color lithograph 12 × 14 in 30.5 × 35.6 cm

Subtractive Sonica Whispers