Munich - Contemporary Art

This vibrant original painting by Miami based artist, Johanna Boccardo, was created with the meticulous signature style of the artist. The painting boldly displays her chromatic mastery, resulting in a fresh and colorful piece of contemporary art. Layers of color of various media are applied to get a multi-layered and dynamic effect, where cryptic stories and drawings are disguised in the background. "Aura Quartz...

Marquetry and glass. Framed in walnut and lit from the back with a dimmable switch. Marquetry incorporating bird's-eye maple, American walnut, dyed American tulip, figured Anegre and fumed figured eucalyptus veneers amongst others. Back light glass pieces fabricated under Orfeo Quagliata's "Barcode" technique, a fine linear design with schemes of different colors that contrast with the wood. Thin strips of different colored glass are placed next to each other and then fused into a single piece. Collaboration between Woodpop and Studio Orfeo Quagliata...

James Welling Lilac Mist, 2017 Epson 9900 print on Museo silver rag paper Image size: 15.5 x 23.25 inches, Sheet size: 18.5 x 24 inches Edition 20, 5 AP's Signed, titled, and da...

100% silk scarf entirely made in Italy designed by Sergio Mannino Studio. Butterflies pattern, handdrawn Hermes quality. 120 X 120 cm. 47 X 47 in.

Layers of paper and paint make this artwork stand out on it's own. Unsigned.

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #73 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer...

A Very Special Christmas Various artists 1987 first pressing vinyl record A&M Records - SP-3911 Cover art by Keith Haring This 1987 original pressing vinyl record showcases the dis...

Geometric Collage by Artist Heather Borsche Contemporary Art, Whimsical collage by San Diego artist, framed piece with great colors and Postmodern Me...

Olga Suvorova (Russian, b.1966), "Two Girls in The Garden", 1999. Oil on canvas, signed lower left, also signed to verso of canvas. Provenance: Alberti Gallery, London, 2002, where ...

Great original drawing by Robert Loughlin on cardboard. Image of 'the Brute' with cigarette facing to the right. Signed RL on the back. Water stain on bottom right. Over 20 original ...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

A pair of original oil paintings on canvas, from the mid 20th Century. Untitled, (Abstract). Unsigned, artist unknown. Presented in a black metal frames with clip hangers. Measures:...