New Jersey - Paintings

Above Cartier's Corner oil/panel image 14 x 18 unframed, 21.75 x 25.75 framed, is an oil painting on canvas panel by award winning contemporary artist Michael Budden. Cartier is alo...

Durr's Flowers is a plein air oil painting on canvas panel that showcases the beautiful light of an early spring day with a view of a flowering field near my studio. Plein air paint...

The Captains House is a beautiful oil painting on panel by award winning contemporary artist Michael Budden that showcases the John Havens Sawyer House, 1835 located in Mystic Ct. I...

Harold E. Larsen Original Painting On Canvas Large. In good condition measures 77x47. Buyer must pickup or arrange shipping

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Beautiful young lady in a Paris Park, signed, Original Frame, listed size includes the frame.

Evening Retreat Egret is an oil painting on Masonite panel by award winning contemporary artist Michael Budden that showcases a beautifully lit sundown and an egret catching the ligh...

Leandro Velasco Original Oil Painting On Canvas “girl friends”. In good condition measures 64x50.

There is on only one Brooklyn, NYC and it is the chic and trendy corner of New York City. Access to the endless excitement is to enter the gritty subcultures and, yes, read the gra...

Oil painting on canvas in good condition. 2 small patches Image: 17 3/4 x 11 1/2 inches Overall: 22 1/2 x 16 1/2 inches

This is an original painting by Jean Gaston Mantel. Overall: 37 by 13 1/4 inches sight: 35 by 11 inches Weight Condition painting with overall good condition, frame with some c...

"Door #30 (Bright)" (2018) by Francesca Reyes Original oil & acrylic wood panel; measures 8" H x 6" W x 1" D From the artist's door series, depicting doors that she has photographed ...

While the dory, Virdescent, gently rocks by the stone pier overlooking the coral formations, you allow the sun's lullaby to calm your nerves and ready you for the highlight of your d...

A homestead with seemingly endless fields of flowers in an eternal spring has been the fantasy of not only the legendary French Impressionists but of humanity. This original contemporary landscape comes alive as the sun washed flowers, with their alluring combination of yellow, pink, red, blues and greens, grab your attention and nurtures your appreciation of nature's beauty at hand. Polish American artist Eugene Maziarz adds a gentle stillness but with a hint of a breeze to his French impressionist oil painting using...

Summer Play, Sailboats and the Jetty 6 x 8 unframed, 9.75 x 11.75 framed Summer Play is a study oil painting on canvas by award winning contemporary artist Michael Budden that showca...

Winter Wonderland oil/canvas 14 x 18 unframed An oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautifully backlit winter woodland inter...

with Edwin A Ulrich Museum of Art label to verso Measurements Frame: 46 1/2 by 50 1/4 inches Weight 11 lbs Condition with stain to upper right, some areas of vertical cracking to ...

Summer Pasture, Cows is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a beautiful summer view of a meadow with a group of cows an...

Gustaf Fredrik Rydberg (Swedish, 1835-1933), Landscape, Oil on Canvas,. In good condition measures 32x24

Shadow & Light oil/panel 8x12 unframed, 11.75 x 15.75 framed Shadow & Light is a beautiful impressionistic landscape study oil painting for the larger piece also listed that I did b...

Moonlight Marsh oil/panel 8 x 10 unframed 13.75 x 15.5 framed, is an oil painting on canvas panel by award winning contemporary artist Michael Budden, that showcases a beautiful view...

L. Stephano Oil on canvas Some ware on the frame Picture is in good condition Frame: 44 x 32 Picture: 35 x 23.5

This is an Edward Stratton Holloway original oil on board “Philadelphia”. Signed . Condition of the painting is okay frame is very old and has lots of wear. Frames measures 22x16

This is an original oil on board painting signed. overall good condition , board: 16 by 20 inches, overall: 24 7/8 by 20 3/4 inches

Beautiful Light II, Venice oil/panel 6 x 8 unframed, 12.5 x 14.5 framed Beautiful Light II, Venice is an oil painting on panel by award winning contemporary artist Michael Budden tha...

Ms De Pinna was part of the Provincetown modernist art movement and was a student of legendary artist/teacher Hans Hoffman. Vivian (Foster) De Pinna was a su...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

A textured "Cosmic Abstraction " that we attributed to Yeffe Kimball. While the work is unsigned the technique used with the blistering paint closely resembles her work. A dynamic mi...

Enrique Ortiz original oil painting on board “Madonna”. In good condition measures 25x21

How wonder filled it is to witness the natural beauty of a sunrise over the ocean on one of those blessed early summer mornings. You feel the ocean amidst while luxuriating in the d...

Oil, acrylic, and mixed media on canvas

This is an Ernest Schmitz (1859-1917), Postillon, Bavarian Postman, Oil on Board. Measures 17x16. In great condition

walter whitcomb thompson original painting on canvas. Measures 34x30 in good condition

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

5th Avenue Winter, St Thomas Church is an oil painting on canvas panel by award winning contemporary artist Michael Budden. 5th Avenue is obviously a favorite spot to hit while vis...

As the southern Rhone Valley grapes from the lush Vaucluse Vineyards of western Provence in the south of France ripen you find yourself blinking your eyes at the iconic vineyards, farms and estates actually surrounding you. Your mouth thirsts for a lunch of gruyere, ham, bagette and a glass of Chateau Neuf du...

In excellent condition measures 62x62x4 Oil on canvas In my opinion one of the artist best pieces

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

This Blue Dog work consists of a mostly pink with yellow background. There are 2 blue leafless trees and a single portrait sized face of a white and black dog (Tiffany). The dog ha...

Adding dimension to a long allee of cypress trees and the spring shadows they cast is the endless quest to select the ideal path to follow. Artist Blanche McAlister Harris...

There are fields of gold where fanciful rolling hills abound, and mystical clouds carry you off into dreams where the twilight twinkles! This contemporary impressionist autumn landscape is reminiscent of a magic carpet ride empowered with the sheer pleasure of gliding off into a peaceful state of nirvana! Artist Barry DeBaun...

This is an Vanessa Bell (English, 1871-1961), Boy in Garden, Oil on Canvas Sight: 19 3/8 by 23 3/8 inches Frame: 31 1/2 by 27 1/2 inches Weight 7 1/2 lbs Condition overall good ...

Michael Stoffa (American,1923-2001) (Rockport, MA) "Still LIfe with Oranges" Oil on Panel, signed lower right Painting: approximately 8” x 16” The painting needs to be cleaned and ...

Evening Lights Wolman Rink Central Park is an oil painting on canvas panel by award winning contemporary artist Michael Budden. Rockefeller Center is obviously a favorite spot to hi...

Mystical Phantom is an oil painting study on canvas panel by award winning contemporary artist Michael Budden. It is a "play" on "drama" that is unfolding as theater goers pass on a...

Early Spring oil/panel 10 x 8 unframed, 15 x 10 framed Early Spring is an oil painting on canvas panel that showcases the beautiful light of an early Spring day among flowering trees...

Under a captivating aquamarine blue sky dotted with sumptuous white clouds, the northern sunlight graces Honfleur, France while blessing the generations of artists who have migrated...

This Blue Dog work consists of a red background with 3 animals, 1 each Boogie Bear, Dudley the dog and Blue Dog. All the animals have soulful yellow eyes and there is a bright yello...

Shape 29 (2019) by Ryan Park of Shapes Only. Abstract geometric art, acrylic on 300gsm archival paper. Abstract green shape innovated by the artist. Fr...

A pretty baroque-style painting.

Flower Fields oil/panel 8x12 unframed, 15.5 x 17.5 framed An oil painting on canvas that showcases the beautiful light of a summer day shinning on a field of flowers near my studio. ...

Charles P Gruppe 1860-1940 Harvest Time, Farm Scene with Cow oil panel 8x10 unframed, 11.5 x 13.5 framed Colors are fresh and vibrant as the painting was recently cleaned by Penns...

Female nude by George John Illian (1894-1932), American exhibited at the Salmagundi Club Annual Exhibition. George John Illian born in 1894 and was largely inspired by the 1900s and ...

This is an Robert W. Wood Original Oil Painting 1941. Measures 34x28. Condition report painting has some damage. Small hole on top, hole that’s been repaired in the center. Minor scr...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in white with sizes 16 by 20 in. Mila Akopova...

Early Evening Light oil/panel 8x10 unframed, 13.5 x 15.5 framed Early Evening Light is a beautiful impressionistic landscape oil painting that I did on location near my studio in 201...

An oil painting on canvas by award winning contemporary artist Michael Budden that showcases the Bucks County Uhlerstown Lock in winter. The image measures 20 x 24 and 27.5 x 31 fram...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Martha Walter (1875-1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists. In 1909, Walter won the Mary Smith Prize from the Academy for a portrait she had painted while in Europe. At the onset of World War I, Martha returned home and began painting plein-air subjects, such as Ellis Island, the fishing village of Gloucester, scenes of cheerful children, and the quintessential American beach scenes which have brought her national acclaim. Throughout her life, Walter continued to travel with great regularity capturing in oil and watercolor a wealth of landscapes and cultures across the globe. Martha lived a charmed life...

Mark Kanovich original terracotta painting on wood. In good condition measures 31x30.

Whether dreaming of sailing off into the setting sun or just enveloping yourself in the magical turquoise colored waters of the ocean and aquamarine sky as you walk through the beach crowd with the sandy beach tickling your toes, a sense of serenity envelops you. The sounds of the lapping surf in this original impressionist figurative marine landscape will rest your weary soul as you chat with old friends and new friends nearby. This seascape in oil paint will afford you a return to those lazy hazy crazy days of summer at will! Born and raised in Italy, now living and painting in New York, artist Bart DeCeglie studied his craft at both Pratt Institute and the Phoenix School of Art and Design before returning to Pratt Institute as an adjunct professor. A very popular artist...