New Jersey - Paintings

Winter Stream An oil painting on canvas by award winning contemporary artist Michael Budden that showcases a winter stream caught by the light. The image measures 16 x 20 and 21.5 x ...

Interior design paintings. The work was done with alcohol ink in blue color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a styrene face on a mat bo...

Mark Kanovich original terracotta painting on wood. In good condition measures 26x23

Mark Kanovich original terracotta painting on wood. In good condition measures 31x30.

Winter Flatiron, Madison Square Park oil/canvas panel image 8 x 10 unframed, 14.5 x 16.38 framed ARTIST'S STATEMENT I have been in the art business as an artist and dealer since the ...

Oil painting on canvas In good condition Measures 16x14

Winter Woodland Interior IV oil/canvas panel 12 x 9 image unframed, 18.5 x 15.5 framed. A beautiful little winter study of light and shadow falling across this scene of trees and sno...

Afternoon Transitions oil/canvas 14 x 18 unframed, 19.5 x 23.5 framed Afternoon Transitions is an oil painting on canvas by award winning contemporary artist Michael Budden that show...

Moonlight Marsh oil/panel 8 x 10 unframed 13.75 x 15.5 framed, is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a beautiful view ...

"Leaving Orange Pt. 1" (2020) by Francesca Reyes Oil painting on wood panel, urban skyscape, sunrise or sunset Figurative Art / Representations of Architecture / Cityscapes and City Scenes / Dark Colors Small scale vertical contemporary landscape, cityscape. Moody color tones of a Philadelphia...

Clouds & Cars is an impressionistic landscape plein air oil painting on canvas panel that showcases a beautiful early summer scene featuring a train that ran near my first home I ow...

Winter Farm II oil/canvas panel 6 x 8 image unframe, 9.63 x 11.63 framed I enjoy playing with light in my paintings and creating a mood while trying to push the range of color using ...

This is a Peter graham original painting on canvas in good condition frame has some minor damage. Frame is 66x90x6. Buyer must cover all shipping expenses.

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Clarence Raymond Johnson (1894 - 1981). Clarence Johnson was an important New Hope School Impressionist painter who was active from 1917 until 1935. Born in Ohio, Johnson began his studies at the Columbus Art School. He then came to the Pennsylvania Academy of the Fine Arts where he studied under Daniel Garber, Emil Carlsen, and Cecilia Beaux...

Evening Light 8 x 10 unframed, 13.13 x 15 framed Evening Light is a beautiful impressionistic winter landscape snow scene that shows the view behind my studio. The painting is on a ...

Magical Moment oil/canvas 18 x 24 image unframed, 23.5 x 29.13 framed Here is a beautiful winter scene I made up from my imagination as a holiday type of image. It includes a farm wi...

A beautiful seascape painting by contemporary artist Paul Bachem. oil on canvas on panel 11 x 14 unframed, 17.18 x 20 framed The painting has been restored to look like the original...

Winter Patterns oil/linen 18 x 24 unframed, 24.38 x 30.5x1 framed Winter Patterns is an oil painting on linen by award winning contemporary artist Michael Budden that showcases a win...

Empire Evening Image is 16 x 12 unframed, 22.5 x 18.5 framed. An oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautiful nocturne in N...

Vermont Hills oil/panel 8x10 unframed, 11.5 x 13.5 framed Salmagundi Club Auction 2003 with auction label I purchased this painting in 2003 at the Salmagundi Club Auction and have ow...

Beach Day III oil/panel image 8 x 10 unframed, 14.5 x 16.5 framed is an oil painting on panel by award winning contemporary artist Michael Budden that showcases a beach full of summ...

The thrill of traversing the beautiful spring countryside rushes color to their cheeks, tightens their calves, lowers their heels and steadies their hands as they ready for the hunt. The horn is sounded, the hounds begin chase and the riders reassure their horse while urging them forward. The scent of the fox, the chase, the jumping across the creeks and over downed branches has come to an end for another equestrian hunt shared with the other highly regarded club members. They walk their horses for a while as the horses and hounds cool down and the riders are waiting on brandy to mellow out the day's excitement. With pristine riding gear intact they let their minds wander to both family and club hunts and events of times gone by. Artist Joseph Sundwall...

Above Cartier's Corner oil/panel image 14 x 18 unframed, 21.75 x 25.75 framed, is an oil painting on canvas panel by award winning contemporary artist Michael Budden. Cartier is alo...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Gershon Benjamin (1899 – 1985). An American Modernist of portraits, landscapes, still lifes, and urban scene...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Martha Walter (1875-1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists. In 1909, Walter won the Mary Smith Prize from the Academy for a portrait she had painted while in Europe. At the onset of World War I, Martha returned home and began painting plein-air subjects, such as Ellis Island, the fishing village of Gloucester, scenes of cheerful children, and the quintessential American beach scenes which have brought her national acclaim. Throughout her life, Walter continued to travel with great regularity capturing in oil and watercolor a wealth of landscapes and cultures across the globe. Martha lived a charmed life...

This piece makes an amazing gift for any art lover! This year give a stylish, collectible gift they will remember and cherish for many years. We also offer the option at checkout to...

Richmond Burton’s works are known for their kaleidoscopic color, undulating patterns, and lyrical handling of expressionistic mark making. His Visceral, seductive, and organic compos...

Nature's mystery displays itself exquisitely in this contemporary impressionist morning meadow resplendent with wildflowers. The pinks and magentas, shades of greens and blues and bl...

Smith studied at the School of Industrial Art in Philadelphia under Edward Warwick. In 1935 she was asked by the Art Institute of Chicago to loan her painting, "Repose" to the forty...

Spring Sheep oil/panel 6 x 8 unframed, 12 3/8 x 14 1/4 framed is an impressionistic landscape oil painting on canvas panel that showcases a beautiful early spring farm scene near my...

This Blue Dog work consists of a mostly pink with yellow background. There are 2 blue leafless trees and a single portrait sized face of a white and black dog (Tiffany). The dog ha...

North Park, Kendall oil/canvas laid to panel image 9 x 12 Purchased from the artist in 2003. This is a beautiful plein air painting done in North Park, Kendall. This is one of three ...

When the grain and tall grass are blowing in the wind, and the sunshine penetrates down to their roots leaving a warm, golden hue, it is the onset of fall. This contemporary interpr...

Known for it's timeless charm, the quaint Cotswolds of England are what dreams are made of. Snows Hills exemplifies the warm and inviting feeling of the surrounding landscape resplendent with aging shrubs, mellowed stone, worn pathway as does this Barbizon influenced impressionist original oil painting. by legendary artist John Phillip Osborne...

This is an oil painting on board in good condition. Measures 12x10. In good condition

How wonder filled it is to witness the natural beauty of a sunrise over the ocean on one of those blessed early summer mornings. You feel the ocean amidst while luxuriating in the d...

Original mixed media on paper by Peter max . In good condition . Comes with coa. Measures 23x22

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

An oil painting on panel by award winning contemporary artist Michael Budden that showcases a single sail boat on a subtle grey day at the beach with clearing skies created in an imp...

Winter Forrest Interior is an oil painting on canvas by award winning contemporary artist Michael Budden in an impressionistic realism style. The image measures 8n x 10 unframed and ...

Winter On Fifth Avenue, St Patrick's, is an oil painting on linen by award winning contemporary artist Michael Budden that showcases the bustling life on Fifth Avenue in NYC above t...

Sandu Lieberman Original Oil Painting On Canvas “Mother and Daughter”. In good condition. Measures 31x27 . Some minor frame damage

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Leandro Velasco Original Oil Painting On Canvas “girl friends”. In good condition measures 64x50.

Chocolate Cheesecake acrylic/panel 6x8 unframed, 11.5 x 13.5 framed An acrylic painting on canvas by award winning contemporary artist Michael Budden that showcases a chocolate chees...

this is an original painting by villard as known as Charles levier. measures 38x23

"Carmine" (2023), by Brittany Williams, based in the Finger Lakes region of NY state Figurative portrait painting, pop portraiture, street art, stre...

Jim’s of Lambertville is proud to offer this artwork by: Robert Spencer (1879 - 1931) One of the rarest and most important artists among the New Hope School, Robert Spencer was bo...

Set amongst the acres and acres of rolling blue cypress and kelly green colored hills and fields is the morning pasture where the dairy cows graze, feed and produce milk for the folk...

Shape 29 (2019) by Ryan Park of Shapes Only. Abstract geometric art, acrylic on 300gsm archival paper. Abstract green shape innovated by the artist. Fr...

Mixed-Media / Stickers / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Resin / Drawing / Representations of Everyday Objects / Figurative Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Sticker Painting" is an incredible and unique resin coated pop surrealist painting featuring well over 70 gel pen drawings on sticker paper affixed to a wood panel painted in oil and acrylic paint. Among the illustration images are a panoply of pop culture references from the Eastern, Western, Northern and Southern hemispheres -- birds and other animals, landscapes, UFOs, food items, nineties-era pornography, vehicles, yin yang symbols, skulls, daggers, a Teenage Mutant Ninja Turtle...

This is an oil painting on canvas in good condition . Measures 31x51 signed front right.

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Heading south from Rome you turn off of the Amalfi Coast and continue towards the famed turquoise waters of Capri. That it where you first encounter the strikingly beautiful, famed ...

An oil painting on canvas by award winning contemporary artist Michael Budden that showcases the Bucks County Uhlerstown Lock in winter. The image measures 20 x 24 and 27.5 x 31 fram...

Evening Retreat Egret is an oil painting on Masonite panel by award winning contemporary artist Michael Budden that showcases a beautifully lit sundown and an egret catching the ligh...

Dimanche Cote d'Azur, Sunday on the French Riviera, is forever bathing in glowing sunlight, reflecting the sun's golden rays throughout her storied landscape and azure blue waters. It is indeed one of Europe's most adored waterfronts. Artist Dmitri Wright, Director of the Weir Farm National Historic Site Art Academy, where he teaches art in addition to teaching painting at the venerable Florence Griswold Museum, both of Connecticut, punctuates this contemporary oil painting with impasto paint, highlighting the joy to behold relaxing along the renowned French coastline. Wright studied art at Cooper Union, the Brooklyn Museum Art School and the Newark School of Fine and Industrial Art. His work has been exhibited at three museums among other notable venues. In 2008 Wright taught a series of painting classes at a private estate in Cap d'Antibes, one of the most exclusive spots on the Riviera...