New York City - Landscape Prints

Artist: Raymond Loewy, American (1893 - 1986) Title: Hydrofoil Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 300 Image Size: 17 x 24 inches Size: 21 in. x 28 ...

Franz Xavier Habermann, German (1721 - 1796) - Vue de Boston, Year: circa 1750, Medium: Hand colored engraving on laid paper, Image Size: 9.75 x 15.5 inches, Size: 13 x 17.5 in. (3...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...

ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...

This is an enigmatic image. Between the two center/left trees there appears to be a figure, possibly a woman. At the right, seated on a rock, is a man, in robes. Religious images are...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio 7 Year: 1981 Medium: Screenprint and Etching, signed in pencil Edition Size: 65, AP 5 Size: 33.5 x 31 in. (85...

Santoro, "Untitled: Lavender, Blue & Pink Serigraph (Edition 303/350)" Mid-Century Modern Serigraph/ Abstract Geometric Screenprint, Signed in Graphite lower right, marked as an Edit...

Lithograph by Frank Moore Untitled 1996 Signed and numbered Lithograph (Edition of 50) 12 x 9 inches

Ted Jeremenko, Yugoslavian/American (1938 - ) - The River. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, AP 10, Image Size: 20 x 25 inches, Size...

ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs ...

Linda Plotkin, American (1938 - ) - Fine Pigs, Year: circa 1965, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 6/75, Image Size: 7.75 x 10.25 inches, Size:...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Town and Lighthouse. Year: circa 1989, Medium: Screenprint on Arches, signed and numbered in pencil, Edition: C ( 100 ), Image Size: 2...

ABOUT THIS ARTIST: Linda Westin, based in Stockholm, left photography and became a Ph.D. in neuroscience specialized in super-resolution fluorescence microscopy. Then she turned bac...

Ari Gradus, Israeli (1943 - ) - Old New York, Year: 1980, Medium: Lithograph, signed in pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 in. (55.88 cm x 76.2 c...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire II, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in...

Linda Plotkin, American (1938 - ) - Landscape II, Year: circa 1965, Medium: Etching, signed, titled and numbered in pencil, Edition: 18/75, Image Size: 6 x 4.25 inches, Size: 15...

Ari Gradus, Israeli (1943 - ) - On The Lomac, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Size: 22 x 30 in. (55.88 x 76.2 cm), Description: Ari...

Currier & Ives The Great Fire of Boston , 1872 Hand-colored lithograph 7 5/16 x 12 11/16 inches After undertaking apprenticeships in Boston and Philadelphia, Currier set up a print...

Untitled - XIII Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm) Frame Size: 21 x 18 inches

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...

Linda Plotkin, American (1938 - ) - Coburn, Year: circa 1965, Medium: Etching on BFK Rives, signed, titled and numbered in pencil, Edition: 5/45, Image Size: 3.75 x 4.25 inches, ...

Artist: Joan Melnick, American (1942 - ) Title: Morning Star Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 300, AP 35 Paper Size: 25 x 40 in. (63.5 x 101.6 cm)

Refuge Oliviero Masi Italian (1948) Etching, signed and numbered in pencil Edition of 30/99 Image Size: 15.5 x 12.75 inches Size: 27.5 x 20 in. (69.85 x 50.8 cm)

ABOUT THIS PIECE: French artist Ludwig Favre traveled to California to shoot the state's most iconic landscape and architecture. “For my first time in Los Angeles I had the chance to...

Artist: David Preston Title: Something American Medium: Woodcut, signed, numbered, dated, and titled in pencil Image Size: 40 x 30 inches Paper Size: 47 x 32 in. (119.38 x 81.28 cm)

ABOUT THIS ARTIST: Laura Hendricks is a photographic and mixed media artist. She combines her own photo images from different locations and times to create new scenes that are a coll...

Gatja Helgart Rothe, German (1935 - 2008) - Nasciamento, Year: 1986, Medium: Mezzotint, signed, titled and dated in pencil, Image Size: 7.75 x 11.75 inches, Size: 11.75 x 15 in...

From the Crowd portfolio by Wayne Gonzales, this copper plate etching is a fine example of Gonzales' exploration of collective human behavior and the visual impact of crowds. Printed...

JAMES MCNEILL WHISTLER (1834-1903) Limehouse, from Notes lithotint, on cream Japan paper mounted to plate paper (as issued), 1878, Spink, Stratis & Tedesch 7, second state (of three)...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Based in New York, Caitlin McGauley is an artist and illustrator with...

ABOUT THIS ARTIST: Laura Hendricks is a photographic and mixed media artist. She combines her own photo images from different locations and times to create new scenes that are a coll...

Gregory worked mostly in lithography, probably learned at the Art Students League in New York City. However he often drew New England subjects, so this evening Provincetown scene is ...

ABOUT THIS PIECE: French photographer Ludwig Favre recently traveled to Iceland. Favre is know for his soft Palette, interesting crops and large scale photographs. ABOUT THIS ARTIST...

This print by Pablo Picasso is a prime example of the artist's manipulation of perspective and reduction of subjects into simple, flat forms rendered in a geometric and angular fashi...

Vic Herman, American (1919 - 1999) - Little Fisherman from Boca del Rio, Year: circa 1978, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 26 x 15 inc...

Jack Hofflander, American (1920 - 2003) - Balloon Race, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 25, Image Size: 22 x 30 inches, Size: 26...

In this Pablo Picasso print, the artist has depicted a nude figure sitting in a plush chair, slumping forward to rest its elbows on its knees. Lacking any specific detail, this work ...

ABOUT THIS ARTIST: Project: "Look Up" In 2019, ArtStar proposed to ET Projects an opportunity to create fine art, limited edition prints which would capture the memory of our events. We are excited by the prospect of printed imagery keeping alive the joy, camaraderie, and hope experienced under our umbrellas. ET Projects, a 501(c)3, was created in 2018 with the vision to bring communities together through the magic of art and nature. Shoreline Project was the first large scale immersive art experience launched in partnership with the Laguna Art Museum, in Laguna Beach, CA. The second venue was to be Vientienne, Laos, along the edge of the Mekong. Postponed by Covid-19, ET Projects reinvented and in 2020 and launched Project: “Look Up” in partnership with Mt. San Antonio Gardens. The images are of bold, resilient plants, each with a unique story of nature overcoming adversity. Spearheaded by Elizabeth Turk, an artist known primarily as a sculptor of marble, she expanded her portfolio to include public art experiences through ET Projects. A native to Southern California, she is a MacArthur Fellow, an Annalee & Barnett Newman Foundation and Joan Mitchell recipient. Her work has been represented by Hirschl and Adler...

ABOUT THIS ARTIST: Project: "Look Up" In 2019, ArtStar proposed to ET Projects an opportunity to create fine art, limited edition prints which would capture the memory of our events. We are excited by the prospect of printed imagery keeping alive the joy, camaraderie, and hope experienced under our umbrellas. ET Projects, a 501(c)3, was created in 2018 with the vision to bring communities together through the magic of art and nature. Shoreline Project was the first large scale immersive art experience launched in partnership with the Laguna Art Museum, in Laguna Beach, CA. The second venue was to be Vientienne, Laos, along the edge of the Mekong. Postponed by Covid-19, ET Projects reinvented and in 2020 and launched Project: “Look Up” in partnership with Mt. San Antonio Gardens. The images are of bold, resilient plants, each with a unique story of nature overcoming adversity. Spearheaded by Elizabeth Turk, an artist known primarily as a sculptor of marble, she expanded her portfolio to include public art experiences through ET Projects. A native to Southern California, she is a MacArthur Fellow, an Annalee & Barnett Newman Foundation and Joan Mitchell recipient. Her work has been represented by Hirschl and Adler...

ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...

Artist: Alan Turner Title: Pine Cut Down C Year: 1981 Medium: Lithograph, Signed and Numbered in Pencil Edition: 40 Paper Size: 22 x 17 inches [55.88 x 43.18...

Desert II Variation Joseph Grippi, American (1924–2001) Screenprint, signed and numbered in pencil Edition of 33/50 Image Size: 14 x 36.25 inches Size: 16 x 38.25 in. (40.64 x 97.16 cm)

**Framing Included in Listing Price, Free Shipping, and 14-Day Return Policy** Rowan Brook 3 (2013) by Susan Derges. 30 x 19 inches Digital C-Print Edition 4 of 9 Framing is a d...

A Buffalo, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is known for his Arts and Crafts period woodcuts and his later industrial sce...

Jack Hofflander, American (1920 - 2003) - S. Bennington Building, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 23/30, Image Size: 22 x 30.5 inches, ...

Mario Grenville made this print for the publishing program of Associated American Artists. It was issued in 1945 making it a calm antidote to the ending of World War II, although it ...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Harrisville. Year: 1992, Medium: Silkscreen, Signed and numbered in pencil, Edition: 175, Image Size: 11 x 16 inches, Size: 19 x 23 in...

Tall Skinny Trees Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 18/90 Image Size: 14 x 17 inches Frame Size: 22.5 x 25 inches

Antony Gormley Horizon Field (box set of two signed monographs held in slipcase), 2011 Hardback monograph, numbered and each hand signed E...

Ansel Adams and the West, 1979 Offset Lithograph Poster 23 × 36 inches Unframed This offset lithograph poster was created on the occasion of the Ansel Adams exhibition, Ansel Adams and the West, at the Museum of Modern Art in New York from September 8 - October 28, 1979. The photograph featured in this poster is Old Faithful...

Winker is pulling out all the stops to make as stunning a Western Landscape as possible. The sky in this impression is open. There are also impressions with clouds in the sky. Sign...

Ari Gradus, Israeli (1943 - ) - Pigeon Feeder, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 26 x 18 inches, ...

Christian Ludwig Martin worked in Vienna. He was an artist, illustrator, and art teacher. 'Geese' is titled in German, and titled and signed in pencil. It is on a large sheet. While ...

Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...

Scherezade Signed and dated 1999 in pencil, Artists proof printed on 100% cotton rag colorful, harem scene w multiple figures in Arabic palace IMAGE SIZE: 17.5" x 23.5" PAPER SIZE:...

Clinton Hill (1922-2003), lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, he joined the US Navy during World War II and beca...

Mary Faulconer, American (1912 - 2011) - Paris Barge, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 12.5 x 17.5 inches, Size: 22.5 in....

Malinda Beeman Steven's Carnage, from the Art Against AIDS Portfolio, 1988 Lithograph on paper with deckled edges. Hand signed. Numbered. Titled. Printer's and Publisher's Blind Stam...