New York City - Portrait Prints

Susan Kiefer Rex Woodcut on paper Year: 2000 Size: 27x22in COA provided Ref.: 924802-1663 Framed woodcut print. A nude male figure in an armchair with striped and patterned backgrou...

Ben Shahn Silkscreen inspired by Old Testament Psalm 57, 1967 Silkscreen on Japon paper Hand signed and numbered 255/300 by the artist on the front, with a copy of the provenance let...

Chuck Close Recent Paintings (Hand Signed by Chuck Close), 2000 Large Illustrated Glossy Exhibition Catalogue with French folded flaps Hand signed by Chuck Close in black marker on the title page 14 1/4 x 11 3/5 x 3/10 inches Unframed This oversized illustrated softcover exhibition catalogue with stiff wraps is boldly signed by Chuck Close in black marker on the illustrated title page - which can be removed, and framed itself as a print. The catalogue itself has 40 pages and is lavishly illustrated with large full color reproductions. It is very scarce when hand signed by the artist. Chuck Close signed...

It's clear to me that that baby carriage is so beautifully drawn that it could be re-constructed from here if necessary. Without really knowing anything about Lucile Haynes I'm sure...

Mr. Brainwash Obama Superman, 2009 Offset Lithograph Poster Plate signed on lower right front 36 × 24 inches Unframed This Mr. Brainwash poster on gloss stock paper with a semi gloss...

This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary protagonist dressed in a white suit. His face is obscured by a mass of hair, tangles of which seem to grow from the sleeves, pant legs, and from beneath the jacket. Dine's notes are written on the image: at his feet reading "WHITE BOOTS" and "White Vinyl Suit" alongside the jacket. On the left edge of the image handwritten text reads "DORIAN GRAY AT OPIUM DEN". In Oscar Wilde's novel Dorian Gray keeps opium in an ornate box in his home, and frequents sites of consumption on the East side of London: “There were opium dens where one could buy oblivion, dens of horror where the memory of old sins could be destroyed by the madness of sins that were new”. An opium den is where Sybil's brother James discovers Dorian. The brother attempts to capture the man he believes is responsible for the death of his sister. Dorian flees to his home, ultimately slashing the portrait that has kept him young for so long. Etching by Jim Dine from one of his most important artist’s books – completely designed and illustrated by Dine. Study for the Rings on Dorian Gray’s Hand from “The Picture of Dorian Gray...

Robert Longo Tenth Anniversary Benefit for the Kitchen, 1981 Color silkscreen on wove paper Pencil signed, dated and numbered from the edition of 119/300 on the front 28 x 18 inches ...

Mel Ramos Batman and Robin (Hand signed Postcard), ca. 1991 Offset Lithograph on Card Hand signed by the artist on the lower front Held in original v...

Jim Dine The Robert Fraser Gallery Print, 1965 Lithograph on wove paper (Deluxe hand signed limited edition) Hand signed and numbered 75/100 in graphite by Jim Dine lower right front 31 3/4 × 20 1/4 inches Unframed This cool Jim Dine lithograph was published on the occasion of his historic London exhibition at the Robert Fraser Gallery in June 1965. This work is hand signed and numbered by the artist from the limited edition of 100 - Deluxe signed limited edition (apart from the poster edition which was unsigned). In late 1966, after showing Dine’s works, the Fraser Gallery was served a summons under an antiquated vagrancy law that prohibited the public display of “obscene” material. As a statement issued by the gallery at that time indicated, 21 of Dine’s drawings, “some of them showing various parts of the human body, were seized by the police,” along with copies of the exhibition’s catalog. A court later ruled the exhibition, but not the confiscated artworks, to have been indecent and charged Fraser a fine. A 2015 article in Hypoallergic recounts how Robert Fraser, referring to the British government’s heavy-handedness, sent a telegram to Dine in the U.S. It stated, “REGINA VERSUS VAGINA. LOVE, ROBERT.” Eton-educated Robert Fraser - known as "Groovy Bob" (the title of a later biography on him) was the son of a wealthy financier (his father was a trustee of the Tate Gallery) who set his son up as a gallerist in the heart of London. Fraser would become known as one of the top dealers and promoters of Pop Art in London during the Swinging Sixties...

Work by Alicia Wiencek (Mrs. Edward Fiene) is generally extremely scarce. This print comes up from time to time and was made an actual edition (of 8) at a time when many artists didn...

Marina Abramović The Cleaner, 2017 Offset Lithograph poster from this European exhibition 39 2/5 × 27 3/5 inches Unframed and unsigned About The Cleaner project - courtesy of the Louisiana Museum Marina Abramović has inscribed herself in the history of art as one of the pioneers of body and performance art, and since the 1970s – with her own body and energy as her primary material – she has developed one of contemporary art’s most radical and uncompromising practices. Abramović is best known for physically and mentally demanding performance works that are often transgressive and revolve around the body, gender, energy, time, pain, presence, and identity. Her performances range from powerful, violent, and risky actions to quieter exchanges of energy and meetings with the audience. And especially in recent years, we the audience have increasingly become key players in her works. The exhibition at Louisiana comprised more than 100 works and spans more than five decades – from early concept sketches, paintings and sound works to presentations of the artist’s performances – including her collaboration with former partner Ulay. Reperformances of an early work formed part of the exhibition as well. Marina Abramović – The Cleaner was developed in dialogue with the artist and organized by Moderna Museet, Stockholm, in collaboration with Louisiana Museum of Modern Art, Henie Onstad Kunstsenter and Bundeskunsthalle, Bonn. The performance part...

Chuck Close Chuck Close Recent Works (Hand Signed), 1993 Large Illustrated Exhibition Catalogue Boldly hand signed in black marker on the title page by the artist Published by PACE Gallery, New York 14 3/10 x 12 inches Unframed This oversized illustrated softcover exhibition catalogue with stiff wraps is boldly signed by Chuck Close in black marker on the title page. The catalogue itself has 44 pages and is lavishly illustrated with large full color reproductions. It is extremely scarce when hand signed by the artist. Chuck Close signed...

From the 8-piece portfolio "After Noon" by Richard Lindner. This series of bright Pop Art prints each depicted a figure in profile in Lindner's signature style. This piece comes from...

Julio Le Parc Jeux Enquête - Choisissez vos Ennemis, 1970-2014 Screenprint on wove paper Hand signed, dated and numbered 46/50 in graphite by the artist on the front Published by Ser...

This portrait of two philosophers in conversation is a rare figurative work from Mark Tobey, one of the founders of the American Mystical school of pa...

Helen Frankenthaler Hand signed and inscribed photograph, ca. 1987 Photograph printed on offset lithograph Hand signed and inscribed by Helen Frankenthaler on the front Frame Include...

Larry Rivers Homage to Vladimir Ilyich Lenin, signed and inscribed to Arthur Gold and Robert (Bobby) Fizdale, 1973 Lithograph and Screenprint on Paper Hand signed and inscribed on lo...

The full title really should be ...And So I Give Your The Next President of the United States. The scene is the Republican Convention, in Philadelphia, in 1948. There are so many fas...

Seymour Chwast Greta Garbo, 1989 Silkscreen on Rives BFK Hand-signed and numbered 36/200 by artist on the front 44 x 30 inches Unframed This large, dazzling multi color silkscreen is...

Billy Name Films of Andy Warhol, Whitney Museum of American Art (Hand Signed by Billy Name), 1988 Offset Lithograph Very rare vintage poster - hand signed by Billy Name on the front. Frame Included Very rare vintage poster - when hand signed by Warhol...

KAWS Kaws Tokyo First mini poster, 2001 Offset lithograph poster 11 3/4 × 8 1/4 inches Unframed; unsigned In 1996, Brian Donnelly, now known by his moniker...

"Castro was on the cover of 'Cigar Aficionado'. I painted his head and torso really fast, and it stayed like that for nearly 2 years until Keely fell in love with it. Then later we t...

Howard Kanovitz Looking at Me (Signed twice with heart drawing and inscription), 1981 Color Lithograph on Wove Paper Pencil signed and annotated Artist Proof (AP) by artist on the front. Ink signed and Inscribed on the back Original vintage frame included with inscription on the back This impressive, playful color lithograph by the photo/hyper realist pioneer and beloved teacher Howard Kanovitz is a prime example of Kanovitz shift to using pastels starting in the 1970s "with the goal of creating work as fully realized as any painting". Hand signed by the artist on the recto and verso (front and back). On the back of this work is an original heart drawing with a lovely inscription that reads as follows: For Earle & Camilla Love Howard Christmas 1981 P.S. The title of this is: "Looking at Me" Unique proof This work was gifted by Howard Kanovitz to the legendary art world figures Earl and Camilla McGrath. (Camilla died in 2007. and Earl died in 2016 at the age of 84.) McGrath was a Hollywood script writer turned Atlantic Records music executive turned blue chip art gallery owner. His wife, Camilla Pecci-Blunt McGrath was an Italian countess whose family were art patrons of the European Avante Garde. In remembering Earl McGrath...

David Hockney New Work With A Camera (Hand Signed), 1983 Offset Lithograph Poster Hand signed by the artist on lower right front 39 × 24 1/2 inches Unframed This offset lithograph p...

Peter Saul Politics, 1985 Color lithograph on wove paper Hand signed, numbered X/X (apart from the regular edition of 25), and dated on the front Frame Included: matted and framed in...

Joe Tilson Transparency, 1970 Color silkscreen Signed and numbered 166 from the edition of 500 in pencil in upper margin Frame Included: held in the original vintage wood frame A lov...

Clarté by Mark Tobey is a characteristically delicate, abstract composition of swirling green and black curls. The gentle movement of his mark-making suggests a natural form such as ...

Alex Katz was drawn to the Mourlot Studios for their exactitude and their tireless efforts in collaborations with artists to produce the best representations of the artist's vision. ...

Pure Evil AKA Charles Uzzell Edwards is an artist who depicts celebrity likenesses in his street-art style as a way to explore the dark side of celebrity worship. Many of his paintin...

Text - Two poems from his sketchbook Screenprint & Limited Edition of 50 On 100% cotton rag pH neutral, acid-free 250 gsm (90lb) paper using high-end water-based acrylic ink. Hand...

Robert Morris Robert Morris: Labyrinths--Voice--Blind Time (The Castelli-Sonnabend Poster), 1974 Offset lithograph poster Vintage metal frame Incl...

Kerry James Marshall MOCA LA Street Banner (Museum of Contemporary Art, Los Angeles), 2017 Silkscreen on Vinyl 95 × 34 inches Unframed This large, banner is amazing and super dramati...

Sonar Love 2023 Archival pigment print 30 x 24 inches edition of 20 Skasi’s work arises from the belief that we inhabit the final romantic era before humanity's inevitable expansion...

The Thinker 2023 Archival pigment print 16 x 20 inches edition of 20 Skasi’s work arises from the belief that we inhabit the final romantic era before humanity's inevitable expansio...

Gang 2020 Archival pigment print 20 x 16 inches edition of 20 Skasi’s work arises from the belief that we inhabit the final romantic era before humanity's inevitable expansion into ...

Alma Thomas III, 2020 monotype, unique print from a series of IV 26 3/4 x 20 in. (68 x 50.8 cm) Coinciding with the current presentation of recent paintin...

A depiction of Adam and Eve, at the beginning of creation. The snake with an apple can be seen slithering over Eve’s shoulder, enticing her to take a bite. How it All Began Richard ...

Sandra Chevrier is an artist who combines disparate pop art elements to create a commentary on celebrity worship and consumption. Marilyn Monroe is notoriously a figure who has been ...

Patti Smith Voice Choices (hand signed by Patti Smith) from the Gotham Book Mart collection, 2001 Offset print broadsheet, hand signed in ink on the cover 14 × 11 inches Unframed This cover, hand signed by Patti Smith, is from "Voice Choices" - a feature of the legendary Village Voice magazine, dated April 2001 - five months before 9/11/2001 when everything changed in the downtown Manhattan scene. A terrific collectible for Patti Smith fans. Provenance is superb as it was acquired from the sale of the collection of Edward Gorey and Gotham Book Mart. The Gotham Book Mart was a famous Midtown Manhattan bookstore and cultural landmark that operated from 1920 to 2007. The business was located first in a small basement space on West 45th Street near the Theater District, then moved to 51 West 47th Street, then spent many years at 41 West 47th Street within the Diamond District in Manhattan, New York City, before finally moving to 16 East 46th Street. Beyond merely selling books, the store virtually played as a literary salon, hosting meetings of the Finnegans Wake Society, the James Joyce Society, poetry and author readings, art exhibits, and more. It was known for its distinctive sign above the door which read, "Wise Men Fish Here" (sign created by artist John Held Jr.). The store specialized in poetry, literature...

After Chuck Close Presidential Inauguration Poster Offset lithograph autographed by Chuck Close to lower center, Edition 396/2013. The Presidential Inau...

Adolph Gottlieb, David Smith, Dorothy Dehner, Edgar Levy, Lucille Corcos and Ether Gottlieb Collaborative Etching With 6 artist (Hand Signed by 3 artist), 1...

A delicate, translucent iteration of David Salle's kaleidescopic layers which are usually painted in large scale. Eyes etched in a liquid ocean of blue and orange aquatint form the ground for a nude woman...

"That One Time I Modeled Lingerie" Printmaking: Photogravure and Aquatint Etching on Paper, Framed Dimensions: 13 x 16in, Framed 22 x 24 x 1in This piece is a Limited Edition of 25, ...

Patti Smith Patti Smith Returns to Ground Zero (Hand Signed by Patti Smith), from the Gotham Book Mart collection, 1998 Magazine on broadsheet (Hand signed in ink by Patti Smith) 14 ...

Text from: Born to Run & Thunder Road (1975) Limited run of 40 editions, hand-printed and signed by the artist. Includes a Certificate of Authenticity. ...

This Pablo Picasso print serves as an excellent example of the artist's unique style and ability to convey deep meaning through seemingly simple portraits. Relying on intense bursts ...

Elizabeth Catlett Freedom or Slavery, (from the Paul Robeson portfolio), 1988 Color lithograph on wove paper Pencil signed, dated and numbered by the artist on the front from the lim...

Mickalene Thomas Portrait de Priscilla Le Petit Chien, 2012 Pigment print on 100% cotton rag paper Edition 148/150 Frame included with official COA affixed to the back Hand numbered from the edition of only 150 with plate signed official Certificate of Authenticity on the verso of the frame. This exquisite print, published in 2012, is based on an original collage made by the artist of her long-haired miniature dachshund (a gift from fellow artist Kehinde Wiley), Priscilla. Highly acclaimed contemporary art star Mickalene Thomas created this collage specifically for children- though adults will appreciate it as well - as will pet lovers! Portrait de Priscilla Petit Chien features Priscilla, Thomas' own dog who frequently attends the artist's photoshoots. This limited edition archival pigment print is printed on cotton rag paper and accompanied by a plate (facsimile) signed and uniquely hand numbered certificate of authenticity. It is matted and comes in a 1"-deep wooden frame with Plexiglas®. Wired for hanging. Edition of 150. This professionally framed limited edition pigment print on 100% cotton rag paper is based on an original collage made by the artist of her long-haired miniature dachshund (a gift from fellow artist Kehinde Wiley), Priscilla. The print is matted and comes in a white wooden frame (16" x 19" x 1") with Plexiglas, wired for hanging. Dimensions: 11" x 14" sheet, 9-1/4" x 12" image. Mickalene Thomas Biography: Mickalene Thomas (b. 1971, Camden, NJ; lives and works in Brooklyn, NY) makes paintings, collages, photography, video, and installations that draw on art history and popular culture to create a contemporary vision of female sexuality, beauty, and power. Blurring the distinction between object and subject, concrete and abstract, real and imaginary, Thomas constructs complex portraits, landscapes, and interiors in order to examine how identity, gender, and sense of self are informed by the ways women are represented in art and popular culture. Rhinestones—the artist’s signature material and a symbol of femininity—serve as an added layer of meaning and a metaphor of artifice. Thomas uses rhinestones to shade and accentuate specific elements of each painting, while subtly confronting our assumptions about what is feminine and what defines women. Thomas has drawn inspiration from multiple artistic periods and cultural influences throughout Western art history, particularly the early modernists such as Jean-Auguste-Dominique Ingres, Pablo Picasso, Henri Matisse, Edouard Manet, and Romare Bearden. She models her figures on the classic poses and abstract settings popularized by these modern masters as a way to reclaim agency for women who have been presented as objects to be desired or subjugated. Though Thomas draws from a number of time periods and genres, her use of pattern and domestic spaces often references various periods throughout the 1960s to the 1980s. This was a time of immense social and political conflict, change, and transformation—the civil rights movement, the black is beautiful movement, and the second wave of feminism—during which many women, particularly African-Americans, rejected and redefined traditional standards of beauty. Thomas received a BFA from the Pratt Institute, Brooklyn, NY, in 2000 and an MFA from Yale University School of Art, New Haven, CT, in 2002. Solo exhibitions of her work have been organized at The Dayton Art Institute, OH (forthcoming, 2018); Henry Art Gallery, Seattle, WA (forthcoming, 2018); Pomona College Museum of Art, Claremont, CA (forthcoming, 2018); Georgia Museum of Art, Athens, GA (forthcoming, 2017); Newcomb Art Museum, Tulane University, New Orleans, LA (2017); Spelman College Museum of Fine Art, Atlanta, GA (2017); Museum of Contemporary Art, Los Angeles (2016); Aspen Art Museum, CO (2016); Aperture Foundation, New York (2016); George Eastman Museum, Rochester, NY (2014); Brooklyn Museum, New York (2012-13); Santa Monica Museum of Art (2012); Institute of Contemporary Art, Boston (2012); Hara Museum of Contemporary Art, Tokyo (2011); and La Conservera Centro de Arte Contemporaneo, Ceuti, Spain (2009). Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL (2017); Constructing Identity: Petrucci Family Foundation Collection of African-American Art, Portland Art Museum, ME (2017); The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris (2016); SHE: International Women Artists, Long Museum, Shanghai (2016); No Man’s Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC (2015); 30 Americans, Corcoran Gallery of Art, Washington, DC (2011), which has traveled extensively around the United States (2011-2017, ongoing); and Americans Now, National Portrait Gallery, Washington, DC (2010). Thomas’ work is in numerous international public and private collections, including The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Fine Arts, Boston; Art Institute of Chicago; MoMA PS1, New York; Brooklyn Museum, New York; Studio Museum in Harlem, New York; Yale University Art Collection, New Haven, CT; and Hara Museum of Contemporary Art, Tokyo. Thomas has been awarded multiple prizes and grants, including the USA Francie Bishop Good & David Horvitz...

Limited run of 50 editions, hand-printed and signed by the artist. On 100% cotton rag pH neutral, acid-free 250 gsm (90lb) paper using high-end water-based acrylic ink. Size: 14 in...

An original print from the Kent Bicentennial poster portfolio published by Lorillard. This side profile of the president is from the Kent Bicentennial Portfolio. Alex Katz is a leadi...

Rendered in profile, Pablo Picasso's portrait of the young Sylvette David is an example of the artist's ability to capture youth and vibrancy even in bl...

Vintage hand signed serigraph. Framed. Image size, 10.5L x 19.75H.

Text from: Stanford Rathbun Lecture in 2017 Limited run of 100 editions, hand-printed and signed by the artist. On 100% cotton rag pH neutral, acid-free 250 gsm (90lb) paper using ...

Text from a stand-up comedy routine Limited run of 45 editions, hand-printed and signed by the artist in Brooklyn, New York 2018 On 100% cotton rag pH neutral, acid-free 250 gsm (9...

Original Self-Portrait Etching by Rembrandt van Rijn (1606-1669) Etching on paper 2 ⅛ x 1 ¾ inches unframed (5.4102 x 4.445 cm) 14 ⅛ x 12 ½ inches framed (35.8902 x 31.75 cm) Description: Rembrandt van Rijn is one of the most celebrated Dutch painters of all time, and rose to prominence in the 17th century for his characteristic use of light and contrast to convey emotion and mood. Much of his artistic practice consisted of history paintings, portraits, and self-portraits, with his rich oil paintings...

Fine art print (200gsm) Enhanced art print paper with a textured, matte finish. 24 x 32

Original Flip-Lenticular Print by Drew Klausner

This vintage exhibition poster features a David Hockney photographic collage. Hockney’s keen eye and uncanny ability to capture his subjects’ individuality is evident in this casual portrait of Gregory Evans walking in Venice, California. Hockney’s longtime friend, one-time manager, and former lover, Evans has served as a longtime model and inspiration to the artist for over 40 years. Here, Gregory dons stylish heeled brown boots and flared blue jeans, with red backpack...