Phoenix - Figurative Sculptures

Beautifully cast deco Austrian bronze titled: “Indian Brave on Charging Horse.” Sitz on a marble plinth. The figure has a cold painted buckskin colored shirt and pant. Signed on base...

Beautiful bronze by N.Y./Connecticut artist Harriet Frishmuth (1880-1980). It depicts a graceful nude, Frishmuth’s best subject, and is titled “Cre...

Erte Original Bronze Sculpture - Beautiful Female Figure. Ed: 375. Published by Chalk & Vermillion, 1988. The work is in mint condition. Title: “Stranded.” Measures: 20"h x...

Francisco Zuniga bronze sculpture. Seated female. Edition: 5. #467 in the Zuniga catalog raisonne. Titled: "Juchiteca Sentada". Measures: 8 7/8" H x 10 1/4" L x 10 5/8" W (not including the 1 ½" wood plinth). Signed Zuniga and numbered 111/V. Created 1965. A Letter of Authenticity issued by the Zuniga foundation (and son Ariel Zuniga...

Edith Baretto Parsons (1878-1956) pair of lost-wax cast patinated bronze dog sculptures. The seated pup is signed in the cast “E.B. Parsons” and cold stamped Gorham Co. OFFW. It measures 5 3/4"high x 6 7/8"long x 2 1/2"wide. The leaping pup is signed in the cast “E.B. Parsons,” dated 1911 and cold stamped B. Zoppo Foundry, N.Y. It measures 6 1/2"high x 6 3/4"long x 2 ½"wide. These are part of Parsons' series of playful terrier dogs and are highly desirable. They are in excellent condition with no damage. Born in Virginia, Edith Parsons studied at the Art Students League in New York with John Twachtman, Daniel Chester French...

Fascinating Large Italian Glass Sculpture - Face with Red Eye. Incised signature on the base - Giuliano Tosi. Created by the famous Italian glassmaker circa 1970's - 1980's. The work measures 19 ½ inches high and 11 inches across at the widest point. It is in excellent condition with no damage and is quite an eye-catching objet d'art. Master Giuliano Tosi, born in 1942, hails from a lineage steeped in glassmaking tradition dating back to 1483. His journey with glass began at the tender age of 12, under the tutelage of Master Albino Carrara. Recognizing Tosi's burgeoning mastery, Carrara gifted him his corteo, an essential glass-cutting tool, symbolizing a rite of passage and an honor Tosi cherishes to this day. Tosi's expertise extends beyond traditional techniques, evident in his introduction of the external sbruffi technique in furnaces, a method enhancing color vibrancy and variation. His works have graced galleries worldwide, including Milan's Fashion District, Chicago, New York, and the Museum of Contemporary Art in Los Angeles, marking him as a significant figure in Murano's glass history over the past six decades. His talent for creating art glass pieces has attracted commissions from luminaries such as the Pope, Julia Roberts, Michael Douglas, and Victoria Adams...

Zuniga bronze, edition: 3. #472 catalog raisonne: "Madre Reclinada con Rebozo". Measures: 5 3/4" H x 12" L x 8" W not including the wood plinth. Signed Zuniga and dated 1964. "Letter of Authenticity", issued by the Zuniga foundation (and son Ariel Zuniga...

Astounding painting and carving on wood panel by the “Hound of Heaven” artist Robert Gammell. Created 1947. This beautiful work features rich color, gold accents and incredible detail. Signed lower right “R.H. Ives Gammell” and dated ‘47. The subject comes from the imagination of the artist and is titled “Lady of the Seven Sorrows.” The work measures 34 1/2"h x 11 1/4"w and is considered to be one of the artist’s “Puppy Panels.” The ornate frame measures 38 1/2"h x 15 1/2"w x 1 1/4"d. The weight is 9 ½ pounds. A label is attached to the verso listing the work as being an entry for the 1967 Grand National Show with the American Artists Professional League in New York. This detailed and beautiful painting is a work to be treasured. More Information Robert Hale Ives Gammell: After completing his major allegorical sequence, the Hound of Heaven, Gammell felt compelled to revisit certain themes and figurative compositions in later years. His original plan was to display the smaller panels, or "Puppy Panels" as he affectionately called them, between the larger Hound panels. Robert Hale Ives Gammell (1893-1981) was a prolific professional painter working in Boston, Provincetown, and Williamstown, Massachusetts. During the sixty-five years of his career, Gammell painted murals, portraits, landscapes, and still lifes, but the pieces which excited him most were the allegorical works drawn from his imagination. In his diary Gammell wrote that he was “fascinated by the drama of man in his relationship to the forces of the universe and of his own nature.” Over the years he experimented using ancient myths and rituals as well as contemporary symbols in his attempts to articulate images of man’s terror, wonder and yearning in the face of a century of upheaval. Excerpt from Elizabeth Ives Hunter, the God-daughter of R. H. Ives Gammell and the daughter of his assistant, Theodore W. J. Valsam. R. H. Ives Gammell believed in the practice and standards of art should rest on the Gold standard established by the 19th-century French system of learning, as practiced by the Ecole des Beaux-Arts and Academie Julian of Paris. His personal mission was to follow that tradition, so he established his own Studio working with a handful of students at a time. His book ‘Twilight of Painting’ would help define a way back to those lofty goals for future artists, reflecting the uncompromising levels of quality that he embraced, and maintained. Robert Hale Ives Gammell was born to wealth in Providence, Rhode Island and spent the majority of his artistic life in Boston at the Fenway Studios and in Williamstown, MA, where he died in 1981. In 1910, Gammell studied briefly with William C. Loring and Wm. Sergeant Kendall before training in 1913 at Boston's Museum School with Philip Hale, F.W. Benson and Edmund C. Tarbell for a few months. Gammell then went to Provincetown, MA to study with Charles Hawthorn and then to the Academie Julian in Paris and the Academie Baschet until the end of 1914. He was tremendously influenced by the teachings of Tarbell and the work of Joseph DeCamp and William M. Paxton. He was so influenced by the Boston School he vowed to hand down their teaching traditions to generations of students and he did exactly that. Some of the painters who are "Gammellites" are Samuel Rose, Thomas R. Dunlay, Robert Cormier, Richard Lack, Gary Hoffman, Stephen Gjerston, Robert Douglas Hunter, David Lowrey, David Curtis...

Francisco Zuniga bronze sculpture, Nude Lying Down. Edition: 3. #377 in the Zuniga catalog raisonne. Titled: "Desnudo Acostado". Measures: 6 7/8" H x 18" L x 19" W not including the...

Allan Houser Native American Bronze Modernist Sculpture created 1978. Beautiful, large Allan Houser bronze - female figure titled "Waiting." The...

Wonderful historic boultos by New Mexico artist Jose Aragon (1796-1850) Titled: “Jesus de Nazarino.” Painted wood, gesso and polychrome. Measures: 20 3/4"h x 9 ½”w x 5"d. In wonde...

Ena Rottenberg (1893-1952) art glass sculpture titled "Modell.” Made in Czechoslovakia. Marked “Rottenberg” 13" H. This piece was awarded the Grand Prix at the World’s Fair Paris, 19...

Pierre Emmanuel Guerin, (American, NY, NY born France, 1833-1911). Large PE Guerin foundry bronze casting of Mercury. Measures 36"h x 11"w x 8" across. Rests on a decorative bronze...

Well done bronze by Polish/Israeli artist Richard Shiloh (1946-2012). Title: Dancer on the Bar. Created circa: 1970's - 1980's. Measures: 13 1/2"h x 7"w. Edition size 5 of 8. The work is in excellent condition with no damage. The signature, edition size and foundry mark are seen on the base. Richard Shiloh is an internationally recognized Israeli figural...

Wonderful sculpture of two figures by Native American artist Allan Houser (1914-1994). The work is in excellent condition and measures 19 1/2"h x 12"w x 9"deep. His signature is seen...

Bronze by Eugene Marioton (1857-1933) French Artist. “Fascinator” (Snake Charmer), created late 19th century Sculpture measures 20 1/2" H x 9" L x 9 1/2" W. Siot Decauville Foundry -...

Alfredo Barbini beautiful bullicante Murano glass double fish figurine with bowl. This sculptural centerpiece is 24 inches tall and features a double Sommerso amber and green layer with hundreds of controlled glass bubbles throughout. It sits on a controlled bubble green charger...

Frank Vittor (1888-1966) important bronze of mother and child. Signed by the artist “F. Vittor” and dated 1915. Also bears the foundry mark. Measures 12 1/2"h x 12 ½”w x 9"long. Bronze rests on a 1 ½ inch marble plinth. Artist born in Italy, studied with Rodin. The foundry is the National Art bronze works. The bronze was converted to a lamp at one point, and still bears a threaded tube projecting from the lower base approximately ½ inch. Frank Vittor (January, 6, 1888 - January 24, 1968) was an Italian immigrant to the United States who became famous as a sculptor. Vittor was born in Mozzato, Como, a suburb of Milan, Italy. He studied art in Milan at the Academy of Beres and then traveled to Paris, France to study under Auguste Rodin. When Vittor was 18, in 1906, U.S. architect Stanford White brought Vittor to New York to work on his staff. White, who had designed Madison Square Garden II, was murdered at a performance at The Garden two weeks after Vittor arrived. The youth, having little money and knowing very limited English, decided to stay in America and soon opened an art studio. He met his future wife, Ade Mae Humphreys, a resident of Pittsburgh, and made the move to her home town. Aviator Charles Lindbergh's first solo trans-Atlantic 3,600-mile (5,800 km) flight between Long Island, New York and Paris, France was immortalized in bronze by Vittor with a 50-foot-tall (15 m) sculpture showing a winged youth spanning the Statue of Liberty and the Eiffel Tower. Congress approved the expenditure in 1928, and the work was completed in 1929. Perhaps no work by Vittor created as much controversy and media coverage as did his nude statue of Henrietta Leaver, Miss America 1935. Though Leaver posed for Vittor, she did so in a bathing suit, accompanied by her grandmother. Upon first viewing the life-size 5-foot 5-inch plaster statue Leaver was shocked that it was a nude and demanded her representation be draped or veiled. Vittor did not agree and called in art experts to judge the work and all agreed it should stay as it had been created. Leaver did not back down and demanded people her own age review The American Venus, as it had originally been called. Unfortunately for Leaver her 60 peers, many of whom were art students, agreed it should remain unveiled. Though the strong disagreement between the two eventually did subside, Leaver, Vittor and the statue resurfaced five decades later in recaps of controversial Miss America mishaps. Baseball player Honus Wagner, one of the first five players inducted into the Hall of Fame, was memorialized by Vittor in a 17-foot-tall (5.2 m) bronze statue, originally on display near the Pittsburgh Pirates Forbes Field. It was moved to Three Rivers Stadium and, when that stadium was imploded in 1971, the statue was relocated to PNC Park.[6] In 1958, one of Vittor's greatest works, a 50-foot-tall (15 m) granite base and bronze statue of Christopher Columbus, was unveiled in Pittsburgh's Schenley Park. Shortly after the statue was placed, the bronze plaque at the base was stolen by vandals. The Sons of Columbus USA desire to replace the plaque with the original wording; however, there exists no record of what Vittor had written regarding Columbus. Charles Lindbergh was the recipient of a second work of art created by Vittor. The artist and sculptor designed a commemorative stamp picturing the pilot and his plane, the Spirit of St. Louis. Walter F. Brown, the U.S. Postmaster General, authorized a 175th anniversary commemorative "Battle of Braddock" 2-cent stamp to be designed by Vittor. The artwork he created featured a likeness of Colonel George Washington with the inscription "Battle of Braddock's Field, 1755-1930. In 1936 the U.S. Congress authorized minting a half-dollar coin to commemorate the 75th anniversary of the American Civil War. Vittor was the person selected to design the coin. The obverse depicts the profile of two soldiers, one from the North and one from the South and the reverse holds a symbol of the battle placed between the combatant's shields. The coins were distributed through the Pennsylvania State Commission for Gettysburg. Throughout Pittsburgh and the surrounding communities there exist more than 50 statues and fountains, as well as numerous other works, including a dozen historical panels on County bridges...

Wood sculpture by Nat Werner of a woman with arms outstretched. Measures 10" H x 4" W x 4" L. In excellent condition with no damage. The signature "Werner" is seen on the lower front...

Excellent bronze of boy and rabbit measuring 15 1/4"H x 5 1/2"W x 5"L. By Massachusetts/New Mexico/New York artist Warren Wheelock (1880-1960). The work...

Cast aluminium nude sculpture by architect and artist Paolo Soleri (1910-2013). Soleri is well known for his experimental community, Arcosanti, just north of Phoenix where his cast w...

Terracotta sculpture by Bernhard Sopher (Syrian/American 1877-1949). Clay figure of mother and child. Signed on the lower back: B. Sopher. Measures: 7 1/2" H x 7" W x 5" L. In excell...

Antoine-Louis Barye (1796-1875.) Bronze maribou stork and snake with rich brown patina, signed “Barye” on the embankment. Antique edition cast marked F. Barbedienne Fondeur (caster.)...

Bronze angel sculpture by architect and artist Paolo Soleri (1910-2013). Soleri is well-known for his experimental Community, Arcosanti, just n...

This wonderful bronze by Antonio de Fillipo (1900-1993) depicts the regal Great Dane. It bears a warm, satiny patina and is in excellent condition. The dog stands 10" high x 13" long...

Large handblown double fish form on a single base with gold fleck throughout. Pink, purple, blue and grey tones are seen. Created in the manner of Barbini and Seguso. Measures: 11 ...

Donal Hord bronze sculpture, 1927. “Dying Warriors” Sits on a 2" wooden plinth. In excellent condition. Inscribed “D.H.” underneath the bronze on the plinth. Measures 11"H x 10"W x ...

paper pulp, wood Denise Yaghmourian’s material based sensibility results in works that reference Feminism, Minimalism, Post-Minimalism, the Pattern and Decoration movement, as well...