South Carolina

English copper engraved hand colored map of the North Eastern United States matted under glass in a gilt frame, Early 19th Century. Drawn and Engraved for Thomson's New General Atlas...

1970’s lucite in a blue finish with woven seagrass laid in a spiral design. Each coaster measures: 4.5” diameter x .25” tall Holder measures: 7” long x 3.25” deep x 3.25” tall

This West Indies center table has an English influence. This piece is published in " West Indian Antique Furniture of the Lesser Antilles...

Vintage Wedding basket from Philippines in great shape. This item was purchased from the estate of a woman who taught in Philippines for a numbe...

Vintage John Dickenson Style Draped Rope Drinks Side Table, Lacquered Fiberglass Offered for sale is a winter-white lacquered fiberglass "rope" drinks pedestal in the style of John...

Vintage cherry paper 16 inch globe by Replogle Globes Inc. and wooden stand on casters. The globe lights up to two different degrees of illumination. The last two photos show the glo...

Pair of American mahogany drop-leaf pedestal card tables with turned bulbous centered columns, acanthus carved scroll work saber legs, and terminating on original brass decorative fi...

English camphor wood five-drawer military campaign chest with the original recessed brasses, key hole escutcheons, brass corner mounts, and terminating on the original bracket feet, ...

English Regency mahogany tilt-top circular center table with a carved molded edge, supported by a vase form bulbous ringed pedestal, original brass locking mechanism, and resting on ...

Possibly by Stiffel but, it’s unmarked. Lamp is in great shape. I didn’t notice any dents and no discoloration. It’s in overall very good condition and includes a lamp shade. Height...

Masterful American Sheraton mahogany hinged top serpentine card table with figured cross banded tulip wood, birch and satinwood inlays, outset corners, and terminating on the original bulbous reeded turned tapered legs, Early 19th Century. Attributed to John and Thomas Seymour...

Pair of Chinese porcelain decorative painted foliage garden seats with flanking dragons, exotic birds, exterior bead work, and circular fret work, Early 19th century. Each seat measu...

Caribbean mahogany center table with carved reeded bulbous pedestal, scrolled floral motif, and ending on lions paw feet with original brass casters. ( Barbados ) Early 19th century

An elegant nineteenth-century set of eighteen George III solid mahogany carved dining chairs with a shell-carved crest rail, with a pierced carv...

American carved wood and painted bench with grape vine motif, one board seat, scrolled arms, spindle carvings, and ending on turned painted legs. Fancy Furniture...

English Regency set of eight mahogany dining room chairs with scrolled crest rails and arms, rectangular splat backs, barley t...

This excellent brutalist sculpture has 4 verdigris color flowers and torch cut bronze leaves that all sit on a solid piece of quartz. Circa 1970’s. Styled after John Steck, not sig...

This is a spectacular antique American Federal New England period highly figured mahogany and satin birch Flap-top serpentine Games or Card Table in the manner of the workshop of Joh...

Pair of French cast iron painted garden torchieres with flanking standing cherubs, foliage gadrooned urns, central lily fluted columns with cat tails, and resting on circular gadroon...

American Federal mahogany pillar and scroll mantel clock with a broken arch pediment, three urn wood finials, flanking ringed columns, hinged glass d...

Fritz Eichenberg, 'The Wolf and the Little Kids' from the suite 'Fables with a Twist', wood engraving, 1975-76, artist's proof apart from the edition of c. 50. Signed, titled, and annotated 'Artist’s Proof' in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (7/8 to 1 1/2 inches), in excellent condition. Complete with vellum folder with descriptive text in red and black linotype. Printed by master printer Harold McGrath at The Gehenna Press, Northampton, MA. Image size 13 15/16 x 12 1/8 inches (354 x 308 mm); sheet size 16 1/2 x 14 inches (419 x 356 mm). Archivally sleeved, unmatted. Collection: Harvard Museums. ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

Italian flame / crotch mahogany wall mirror with flanking ebonized columns, gilt capitals, arched cartouche and resting on a carved molded rectangular block edge. Mirror retains the ...

A 19th century Regency mahogany and cane rocking chair from St. Croix, circa 1820, featuring scroll arms, paw feet and handwoven caning.

Set of 2 Vintage Bauscher Weiden Bavaria Germany White Bud Vase Designed For Pan Am White porcelain. Each vase measures 4 3/4" tall x 3 3/4" in diamete...

American Regency mahogany bookcase with a carved molded edge cornice, upper flanking hinged doors with original glass revealing three interior adjustable shelves, original locks with...

Pair of American brass ball top ribbed andirons with turned bulbous faceted plinths, scalloped skirts, spurred legs, and terminating on ball feet. Boston, Circa 1800.

This PAIR of superb Antique English period Geo. III "Old Sheffield Plate" Rococo style candlesticks are finely made with crisp mounts featuring shells and floral motifs as well as ma...

English Regency bronze and etched grapevine blown glass hanging bell jar hall lantern, Early 19th Century

American mahogany bow front sideboard with a single drawer , flanking cabinets, lower case compartment & terminating on turned bulbous legs . Mid-Atlantic . Early 19th Century.

English mahogany breakfront with carved dental molding cornice, four upper case glass doors with arched serpentine mullions, adjustable interior shelving, flanking lower case oval in...

One of the earliest Antique English Mason's ironstone imari decor Sauce Tureens, in the highly collected "oyster pattern" but more generally known as an imari decor. This tureen is ...

Pair of Leon Rosen for Pace Brass Mounted Cube Side/Drinks Tables USA, circa 1970s A rare find is a pair of Leon Rosen Pace Brass Mounted Cube Side/Drinks Tables, with the brass mou...

Rare and Fine Palatial Size Antique English early 19th century Spode Hand Painted Ironstone "Peacock & Peony" Pattern Platter. This pattern was adapted by Spode in the earliest part of the 19th century after a Chinese Export pattern of very similar color and design (originally from the late 18th century). Please note the extraordinary vibrant colors of the peacock as well as the flowers and fabulous border. This pattern, Spode's no. 2118, was originated in 1814 (when it was completely painted by hand) and bears the very first Spode Stoneware mark which is a "Chinese chop...

Fabulous 19th century English Regency convex looking glass with girandole arms. This amazing girandole mirror has the British Royal Crown on the pediment and a tudor rose on the pend...

Broyhill "Ming Dynasty" Premier Collection buffet server / bar. This beautiful piece features a solid wood frame of dark stained maple with olive ash burlwood insets surrounded by bo...

American fire place mantel made of poplar with Greek key motif and carved corner sunburst supported by turned column legs. All original . Early 19th ...

Fabulous quality rare and important antique English George III inlaid flame mahogany Gentleman's Dressing Table or Beau Brummel. This table...

Pair of French brass decorative andirons with flanking cherubs holding scrolls, intertwined banded dolphins, and resting on the original curvature brass and iron rear legs with match...

1960s Articulated Brass Floor Lamp Signed Koch & Lowy

The cast body of cylindrical form rising to a flaring rim, engraved with incised ring turned detail to the exterior, interior and underside, sided by twin open handles together with ...

French gilt carved wood and gesso foliage cartouche wall mirror with an egg and dart exterior border, flanking acanthus carved corners, and interior bead work. Early 19th century. Mi...

Fritz Eichenberg, 'A Visit to the King of the Waters' from the suite 'The Adventurous Simplicissimus', wood engraving, 1977, artist's proof apart from the edition of 50. Signed in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 inches), in excellent condition. Image size 14 x 12 inches (356 x 305 mm); sheet size 17 1/2 x 15 inches (445 x 381 mm). Archivally sleeved, unmatted. ABOUT THIS WORK 'Simplicius Simplicissimus' (German: Der abenteuerliche Simplicissimus Teutsch) is a picaresque novel of the lower Baroque style, written in five books by Hans Jakob Christoffel von Grimmelshausen published in 1668, with the sequel Continuatio appearing in 1669. The novel is told from the perspective of its protagonist Simplicius, a rogue or picaro typical of the picaresque novel, as he traverses the tumultuous world of the Holy Roman Empire during the Thirty Years' War. Raised by a peasant family, he is separated from his home by foraging dragoons. He is adopted by a hermit living in the forest, who teaches him to read and introduces him to religion. The hermit also gives Simplicius his name because he is so simple that he does not know his own name. After the death of the hermit, Simplicius must fend for himself. He is conscripted at a young age into service and, from there, embarks on years of foraging, military triumph, wealth, prostitution, disease, bourgeois domestic life, and travels to Russia, France, and an alternate world inhabited by mermen. The novel ends with Simplicius turning to a life of hermitage, denouncing the world as corrupt. ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

Pair of English Sheffield acanthus foliage gadrooned wine / champagne coolers with flanking fluted side handles, original interior inserts, and resting on acanthus scrolled feet, Ea...

American Mahogany elegant corner cupboard with a centered urn scrolled inlaid pediment, original upper flanking glass hinged doors, fitted interior butterfly shelving, single centere...

Perfectly imperfect elegant pair of 19th-century French Regency style fauteuils with an intricately carved gilt wood frame with ornate detailing in beautiful craftsmanship with lavi...

Pair of vintage 1970s etageres / cabinets with a spotlight in the top and two glass shelves below the light. Behind the double doors are two shelves. The...

American mahogany Classical carved four poster bed with molded edge tester, flanking swan necks headboard, acanthus carved bulbous post, origina...

American Federal figured mahogany two-drawer stand with carved molded edge top, original gilt floral ringed brasses, interior locks, and resting on turned bulbous pineapple legs...

Italian marble statue of standing lady with cloak terminating on circular plinth, Early 19th century.

Two toned wicker rattan woven basket that has the original plastic lining. Can be used as a wastebasket or to hold a potted plant or even to use for storage. The weaving is in great ...

This English set of eight classical Regency saber leg chairs are crafted out solid Cuban mahogany, The backs are unusually carved with a palmetto tree splat. The exceptionally craved chairs have a beautiful reeded scroll top crest rail with reeding framing a crotched mahogany center, with reeded bold scrolled arms finishing in rosettes going down to reeded saber legs and having drop in seats. This Classic set of eight Regency dining chairs...

Pair of English Regency King wood and foliage vine brass inlaid hinged card tables with central brass inlaid foliage medallions, baize interiors for playing cards, flanking foliage inlaid corners, brass string inlaid skirts, gadrooned ringed foliage pedestals, and resting on cock spur...

Pair of American mahogany pencil and bulbous post twin tester beds with original carved scrolled headboards, brass escutcheons, and side rails. Fits S...

American Sheraton cherry table with a one board top, two scalloped drop leaves consisting of one board, triangular interior supports, and terminating on acanthus carved legs with the...

Enchanting Chinoiserie English Chippendale giltwood overmantel mirror. The Chippendale mirror is all craved giltwood with an open Center Cartouche flanked by a pair of HO HO Birds pe...

English Georgian Chinroserie bow front tortoise shell tea caddy with a hinged tiered lid, Chinese landscape mother of pearl inlays with flanking pagodas, fences, & foliage trees, central paktong plaque and escutcheon, bone fitted interior border with two lidded tortoiseshell foil lined compartments, and resting on the original four bone ball...

Notable Cuban Empire Mahogany caned sofa, circa 1820, featuring Flame Mahogany veneers and opposing Eagle carvings. The center crest of this Caribbean Settee has a Pineapple motif flanked by Regal Bird Heads clasping drapery from their beaks rest on a Mahogany Cresting Wave framing a hand-cane back. This West Indies settee...

American Regency Mahogany linen press with a carved molded edge swan neck cornice, central brass urn adorned with swan filigree ormolu, decorative foliage medallions, flanking upper ...

American cast iron copying press with a circular three spoke cork screw wheel, flanking scrolled support arms, pressure plate, and resting on the original r...

American neoclassical mahogany hinged two-drawer work table with canted corners, original lion head brasses, fitted interior compartments, diamond escutcheon, turned bulbous ringed p...