Spain - Dining Room Tables

French Provincial style dining room table with black ebonized legs Handmade with solid wood.  

Italian round table designed and produced by L.A. Studio. Made of white, black and grey marble finished with brass details. Made in Italy. Our main target is customer satisfaction,...

Mid-century dining table design influenced by Carlo Mollino. Made of solid wood structure. Top fixed to a central axis in which are to flown legs, finished brass details, Italy, 1950...

Dining table ''Olbia'' designed by Luisa and Ico Parisi and edited by MIM (Mobili Italiani Moderni). Whit wood top and curved supports ending on black feet.  

French Provincial style dining room table with black ebonized legs Handmade with solid wood.  

Italian pietra dura stone inlay rectangular 6-seat dining tablet top with geometric decorations hand crafted with blue lapis lazules and different se...

19th century Spanish door with iron nails turned into a table.

Italian Pietra Dura round tabletop with Florentine mosaic inlay decorations executed using blue lapis lazuli, turquoise and other semiprecious stones...

Rectangular Swedish dining table made of teak wood.

Square Italian pietre dure technique handmade classical mosaic tabletop with blue lapis lazuli, green malachite and other semiprecious stone and marble inlays.   

Vintage walnut top and white pedestal legs dining room table.   

Mesa rectangular de piedras duras decorada con malaquita con escudo en el centro.

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

Round table with solid walnut openwork four doble stands connected by a strut, nickel plated metal hardware, top with star shape mahogany palm veneer, French polish. Design: Ico Par...

Wrought iron set of patio dining table and chairs Pine top with beautiful patina.

Dining table with rectangular board in one piece made of carved walnut wood inspired by old examples of English origin in its simple and elegant lines. The six legs are united in the...

Round Italian Pietre Dure inlay marble tabletop with lapis lazuli border and flower bouquet using colorful and semiprecious stones.  

Classical Italian style 8-seat rectangular dining table top. Geometric pattern inlay using white Carrara marble on red sandstone.

Rectangular Italian pietra dura technique handmade classical mosaic 12-seat dining tabletop with blue lapis lazuli, green malachite, turquoise and othe...

Walnut wood, with wrought iron fasteners and one piece board. Baroque style lira leg table, entirely made of walnut, with carved profile legs and rectangula...

Antonia Astori "Cidonio" dining table, chromed metal, glass, mirror, Italy, circa 1960. This Postmodern centre table with chromed foot features a circular glass top and a brush...

Adjustable Extension Dinning Table designed by Pierre Guariche. Manufactured by Meurop (France) around 1950. Bent and painted iron frame, wood table top. In good original condition, with minor wear consistent with age and use, preserving a nice patina. Guariche Pierre...

Spanish, 1980s bamboo glass dining table with smoked glass tabletop. Thick and strong bamboo stalks give ample support for a dark smoked glass tabletop.

1970s Spanish black Formica and bamboo table base.

Table with solomonic leg. Walnut wood, metal. 20th century. Rectangular board table ready made of carved walnut wood with legs and decorated chambranas...

New dining table for indoor and outdoor in white iron structure with wood top.

New extendable dining table for indoor and outdoor with wood top and iron structure. You can choose the color, the color structure and the...

New extendable dining table for indoor and outdoor with wood top and iron structure. You can choose the color, the color structure and t...

New extendable dining table for indoor and outdoor with wood top and iron structure. You can choose the color, the color structure and t...

Italian red sandstone tabletop with white marble geometric inlays.

Rectangular mahogany table with eight legs ending in small metal wheels. It has a system of "endless screw" under the board that allows its extension to reach six meters. The legs h...

The four legs joined together by straight "chambranas" and fixed to the board with chambranas do not present remarkable decorative elements, but a series of metal fittings that allow...

Dining table with two-piece header board on legs with Solomonic turning and chamfer attached to it with curved wrought iron fasteners, following Baroque models" Size: 219 x 96 x 82....

Sergio Rodrigues (1927-2014) Round dining table model “Stella” Manufactured by Oca Brazil, 1956 Jacaranda wood, brass, iron Measurements 122 cm diameter x 73 height cm 48 in diamet...

Important table, black steel legs with adjustable polished solid brass feet, original formica on top. Design: Sergio Mazza for Domus Competition 1956, Italy, 1956. Bibliography: Dom...

Dining table from the Medinaceli Palace in Madrid built in 1864. It is composed by an imposing Arabescato marble top and a base composed of two legs in the shape of polyhedric columns made in stone and decorated with plant...

T69 table designed in 1963 by Osvaldo Borsani and Eugenio Gerli for Tecno, Italy. Lacquered aluminium and polished steel base with teak wood top.

Dining table produced by Cabos, Spain in late 1960's. Walnut veneered wood.

Original dining table model Reale design by Carlo Mollino and edited by Zanotta composed with glass top and black lacquered cherry solid wood base, I...

Sam Chermayeff Dining table From the series “Beasts” Produced in exclusive for SIDE GALLERY Manufactured by ERTL und ZULL Berlin, 2021 Galvanized steel, high polished steel Co...

Vintage 1950s Spanish Castilian dining table with drawers.