Tri-State Area - Landscape Drawings and Watercolors

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

This contemporary drawing of a hand reaching for a pomegranate in a tree by Zachari Logan is made with colored pencil on Mylar.

This work is accompanied by a letter of opinion from the Milton and Sally Avery Arts Foundation, New York. signed Milton Avery (lower right) Born in Sand...

Warm & Golden (2020), surreal abstract dream-like landscape, skyscape, garden, rainbow, flowers "Warm & Golden" by Shamona Stokes portrays a playful, ...

Lightning My Load (2020), surreal abstract dream-like landscape, sky, skyscape, blue and orange "Lightning My Load" by Shamona Stokes portrays a dream...

Yvonne Jacquette (American, b. 1935) Tokyo Diptych, 1985 Pastel on paper Overall 17 1/4 x 28 1/2 inches Signed lower center Provenance: Carey Ellis Company, Houston, Texas Brooke Alexander, New York Collection of an American Corporation Exhibited: New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986. Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty. Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny. Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...

New Mexico Mountain Scene by Joseph Henry Sharp (1859-1953) Watercolor on paper 15 ¾ x 19 ½ inches unframed (40.005 x 49.53 cm) 23 x 26 ¾ inches framed...

Liquid acrylic on archival paper, framed. "Settle In" (2019) by figurative wildlife artist, Gigi Chen. The square artwork measures 8 inches high by 8 ...

Steven L. Anderson 162 Years, 2015 marker and pen on paper 60 x 60 inches The Tree Rings artworks are made on paper which is torn and reassembled, scratched...

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Farmhouse with Windmill 243 Year: 1949 Medium: Ink on paper, signed Size: 8.5 in. x 11 in. (21.59 cm x 27.94 cm)

Hopeful Spring, 2020, watercolor, oil pastel, green, landscape, fantasy, trees. Hand signed by artist Certificate of Authenticity included Framing available

Gift, 2020, watercolor, oil pastel, pink, orange, ink, fantasy, rabbit. Hand signed by artist Certificate of Authenticity included Framing available

Space Rocks, 2020, watercolor, oil pastel, black, creatures, graphite, fantasy. Hand signed by artist Certificate of Authenticity included Framing available

Watercolor on paper, framed. Dark Night, 2020, watercolor, oil pastel, black, frame, landscape, fantasy, blue, creature. Framed and matted, frame size measures 24" x 35.75" x 1.25" ...

Watercolor on paper, framed. Pond Friend, 2020, watercolor, oil pastel, green, frame, landscape, fantasy, blue, creature. Framed and matted, frame size measures 24" x 35.75" x 1.25" ...

A unique oil monotype by Romare Bearden circa 1980. Reminiscent of the artist’s watercolor paintings, he used thinned oil to produce the crashing waves in bold bright colors. Artist...

Artist: Wayne Thiebaud, American (1920 - ) Title: "Gold Dredger" Sacramento Year: circa 1956 Medium: Watercolor on paper Signature: Signed and titled in pencil Image Size: 9 x 20.5 ...

Ink and watercolor on paper 13.5 x 7.5 inches This artwork is offered by ClampArt, located in New York City. Bill Rice was considered by such luminaries as Rene Ricard to be one of the most important painters of urban life from his generation. Rice’s depictions of inner city gay men...

Ogden Minton Pleissner is known for his landscapes of the American West, as well as images of the Canadian Maritimes and New England. Growing up, Pleissner spent summers in Wyoming w...

Katerina-Papazissi The Fall, 2016 Pasel on paper Her work constructs a universe where the body and nature, as well as inner reality, an inexplicable, overwhelming, material but...

Rembrandt can Rijn (Attr) Ink and brawn wash. Collection stamp of A. Firmin-Didot (1790-1876) on the reverse. Another unrecognized stamp on the reverse. Ex Collection family Frank, Berlin Purchased circa 1900 in Germany. "Dans l'oeuvre-catalogue de Benesch, une petite groupe de dassins, qui sont tres proche dans leur style, ce sont les nos. 836, 839 er peut-etre 832. On trouve dans ces dessins les lignes...

Michael Ricardo Andreev Plasma Flares with Contrails at Dusk 3, 2013 Ink on paper 28 x 50 cm (diptych)

Michael Ricardo Andreev Plasma Flares with Contrails at Dusk 2, 2013 Ink on paper 28 x 50 cm (diptych)

Michael Ricardo Andreev Plasma Flares with Contrails at Dusk 1, 2013 Ink on paper 28 x 50 cm (diptych)

Dimitris Foutris Perhaps in the right track towards the Infinite, 2015 mixed media on paper 69 x 200 cm (diptych)

Panos Familis Black Sky (The Cave Series), 2015 graphite on paper 77 x 112 cm