USA - Drawings and Watercolor Paintings

Title : Wink Materials : Stamp,xerox transfer,pencil,ink Date : 2015 Dimensions : 8×9″ COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which she’s...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

This artwork "Winter Landscape " c.1930 is a watercolor by noted American artist Raphael Senseman, 1870-1966 It is signed at the lower left corner by the artist. The artwork size is ...

Damien Hirst "Shark" Sketch of the famous shark of Damien Hirst and signed by the artist, Ink on paper. 20,5 x 29 in Frame included

Intricate and layered two-part composition by notable collage artist Graham Moody (American, b. 19XX). Two vertical panels are composed primarily of handwritten musical scores and notations, mounted on maps. Layered atop the sheet music art sections of technical illustrations, topographic maps, magazine cutouts, and books. Exhibited: “Two Decades of Collage” - Morris Graves Museum of Art - Eureka, California Each piece is signed and dated "Moody 1990" in the lower right. Titled "From Grief" and "I Cannot Measure" in the lower left of each piece. Each piece measures: 25.75"H x 11"W Graham Moody (American, b.1948) studied art history and political science at Humboldt State University, graduating in 1980. While maintaining a career as an artist, Moody also worked as the Art Program Director for Pelican Bay State Prison, bringing art instruction to incarcerated individuals. Moody lives and works in Eureka, California. Moody’s artwork is held in various collections, including: Hewlett Packard Corporation - Palo Alto, California Fresno Museum of Art - Fresno, California Morris Graves Museum of Art - Eureka, California Boston Edison - Boston, Massachusetts Intertael Books - Amsterdam, Holland Kintetsu - Nara, Japan Sun Bank - Jacksonville, Florida Yokohama Royal Park Hotel - Yokohama, Japan Four Seasons Hotel - Las Vegas, Nevada Ontogeny - Potomac, Maryland Fidelity Investments - Boston, Massachusetts New Saint Andrews College - Moscow, Idaho Ken Houldsworth Financial Planner - Arcata, California Bank of America World Headquarters - San Francisco, California Kaiser Permanente Hyatt Regency Hotel Chicago, Illinois Hyatt Hotel - New York, New York La Playa Beach Resort - Naples, Florida Stanford University Hospital - Palo Alto, California Selected Exhibitions: “Two Decades of Collage” - Morris Graves Museum of Art - Eureka, California “Celebration of the Arts” - Robert Allen Fine Art - San Francisco, California Butters Gallery - Portland, Oregon Art LA - Los Angeles, California The Allrich Gallery - San Francisco, California Theatres d'Ermont - Val d'Oise, France Galerie Kunsthaar - Amsterdam, Nederlands Galerie Yurn - Paris, France Galerie Tagliana - Auvers-sur-Oise, France Humboldt Cultural Center - Eureka, California Group Shows: Humboldt Arts Council - Eureka, California “Collecting Ourselves: Works from the Permanent Collection” - Morris Graves Museum of Art - Eureka, California “Persistence: Collage” - Butters Gallery - Portland, Oregon Exposition 'Alcools' - Galerie L'Autre - Paris, France Exposition 'Ars Longa...

Adonna Khare is an America artist mainly focused on carbon pencil on paper drawings. She received her Masters of Fine Art from California State University Long Beach. Her work has been collected by prestigious public and private collections throughout the world. In 2012 she won the world's largest art competition ArtPrize, competing against over 1500 artists from all around the world. She has been featured in the Los Angeles Time, NPR, The Huffington Post, Daily Mail, Juxtapoz Magazine...

Colorful abstract watercolor of imaginative shapes in a tropical setting with botanical landscape elements by Claire Wolf Krantz (American, b. 1938). Signed "Claire Wolf Krantz" lower right. Titled "Spires" lower center. Dated "11/18/77" and numbered "II" in a series lower left. Peach colored mat and bronze tone metal frame. Image, 14"H x 14"L. Kranz is an artist and art critic living in Chicago, she uses fictional and real elements in her works. She is known for mixed media works layering photograph...

Unexpected materials, found and manufactured, perch precariously on torn edges and bifurcated sheets of large paper. Here, fluid calligraphic lines are posed against the veracity of ...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

For your hockey enthusiast! A ca. 1950s, pastel & charcoal on paper drawing of a hockey game by artist Francis Chapin. Artwork size: 9" x 12". Matted to: 14" x 18". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Agostino Ferrari was born in Milan on 9 November 1938. He commenced his career as as professional artist in 1959. In 1961 he held his first one-man show at the Galleria Pater, in Mil...

Eve Nethercott, American (1925 - 2015) - Two Trees (P2.38), Year: 1958, Medium: Watercolor on Paper, Image Size: 14 x 21 inches, Size: 15 x 22 in. (38.1 x 55.88 cm), Descript...

Edith Isaac-Rose "Pastel Landscape in Blues 2" c.1960 Pastel on paper 17"x15" unframed Unsigned Edith Isaac-Rose (1929-2018) Born in Chicago in 1929, and neé Ganansky-Teitelbaum, she graduated from The Art Institute of Chicago in 1951 and moved to New York in 1959 where she lived ever since. Taking as her professional name her parents’ first names, Edith was a prolific artist working first as an abstract expressionist then turning in the 1980s to figurative, political work consisting of drawings, paintings, and embroideries which she called “Daily Rage”. She had been represented by the Phyllis Kind Gallery and her work is in the Hirshhorn Museum as well as numerous private collections. Edith, along with her partner of 35 years, Bea Kreloff, (1925-2016), founded Art Workshop International in 1981 where they held art and writing workshops in Assisi, Italy, Monhegan Island, Maine, and Puerto Escondido, Mexico. Edith was a resident at the Westbeth Artist Housing in Greenwich Village and was actively involved with the anti-war movement, gay liberation...

Hand drawn op art painting by contemporary artist Austin Magruder. The work features abstract, geometric tessellations that create a mesmerizing pattern. Signed and dated in the fron...

Interior design paintings. The artwork was done with acrylic, watercolor and white felt pen on black watercolor paper 360g. The works are 11,5 by 16,5 inches in size, framed (black) ...

Eve Nethercott, American (1925 - 2015) - Lilies (44), Year: circa 1958, Medium: Watercolor, Size: 15 in. x 11 in. (38.1 cm x 27.94 cm), Description: Set against a minimal white...

'Midtown' 2012, is by Frederic Choisel. From a series of large scale urban-scape drawings in mixed media. Atwork is 60 x 42 inches: Mixed media includes graphite, charcoal, ink, past...

"Snowy Owl" is an original piece by Nayan and Venus made from watercolor on layered hand-cut paper. This piece measuures 11.75”h x 9.5”w x 1"d framed, and is...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Estate...

Martin Friedman (1896-1981). Two Nude Figures, ca. 1960. Charcoal on paper, image measures 17 x 22.5 inches; 24 x 30 in original custom chestnut frame ...

Interior design paintings. The ladscape was done with alcohol ink in yellow,orange,red,blue,green,pink color on Yupo paper. The work is 22 by 28 inches in siz...

"Isadora Duncan Dancing #3" is an original ink and watercolor piece on cream paper by Abraham Walkowitz. The artist signed the piece in the lower center. The drawing depicts Isadora ...

Signed by artist "M. O'KEEFE 2013" at lower right. Media is graphite on clay-coated panel. Overall dimensions including the frame are 18 x 15 inches.

Watercolor and salt on cold press paper Black crow portrait with blue highlights on gold yellow background Hand-signed by artist Framing available Certifica...

Sarah Alexander's "Turbulence", a dramatic abstract 30 x 40 inch watercolor, ink, and charcoal drawing on watercolor canvas explores movement and weightlessness with creamy yellows, ...

This piece is an abstract botanical work on paper featuring hues of blue, tan, pink, green and white in a simple white box frame behind UV Plexiglas. Frame dimensions are 50.75 by 36...

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

Original TV Guide Illustration Caricature Esther Williams John Raitt Dinah Shore. Published December 25, 1957 in TV Guide as an editorial to promote the Di...

Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA Antonio Petruccelli (1907 – 1994) Army Wedding New Yorker cover proposal, c. 1939 11 1/2 X 8 inches ...

Eve Nethercott, American (1925 - 2015) - View from Docks (P2.50), Year: 1947, Medium: Watercolor on Paper, Size: 7 x 9.5 in. (17.78 x 24.13 cm), Description: Eve Nethercott's...

Cartoon art is the original Conceptual Art. Renowned British Illustrator Smilby (Francis Wilford Smith) conceptualizes a Playboy cartoon so good that no caption is needed. The exist...

Interior design paintings. The works were done with india ink in beige, black and white color on Yupo paper. The works are 11 by 14 inches in size, framed black or gold with a styren...

Shape 19 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, geometric art, acrylic on 300gsm archival paper. Abstract shape innovated by the artist. Orange on white. Min...

Hyman Bloom "Still Life with Flies" Frame: 18" X 16" Image: 9.25" X 8.25" Hand signed with his monogram initials Provenance: bears exhibition label from Fuller Museum of Art Hyman B...

Eve Nethercott, American (1925 - 2015) - Vermont (P4.29), Year: circa 1959, Medium: Watercolor on Paper, Size: 14 x 21 in. (35.56 x 53.34 cm), Description: Leading up to the ...

Wheeler Williams (American, 1897-1972) Untitled (Study of Three Graces), 1947 Pencil on paper 9 1/4 x 12 1/4 in. Signed lower right: Wheeler Williams, 1947 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with...

In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. W...

"Rainy Day - Near Paris, France" is a watercolor on Canson Aquarelle French cold press watercolor paper. The price does not include a frame. The overall paper size is 6 x 9 inches. In addition to being one of America’s foremost illustrators, Bart Forbes creates paintings and watercolors for himself. This private and very personal work, is painted from his mind’s eye. Forbes’ oil paintings express a time of day or a mood through his use of color, texture, and composition. Forbes moved to Dallas in 1967, after completing graduate study at the Art Center College of Design in Los Angeles, following his BFA in art from The University of North Carolina at Chapel Hill. Forbes was the official artist for the 1988 Olympic Games in Seoul, Korea. His public works include the cover of Time Magazine; 19 commemorative stamps for the US Postal Service, including the Ronald Reagan stamp; and official artworks for the Kentucky Derby, Indianapolis 500...

Vintage French watercolor and ink fashion sketch of a simple dress jacket in grey and white by haute couture designer Serge Matta, circa 1960...

Eve Nethercott, American (1925 - 2015) - Winter Farm Landscape (P3.30), Year: circa 1960, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Overl...

'Amaryllis Study no. 1' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and s...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

Mother Goose is a French fairy tale and later of English nursery rhyme. In this illustration, we see an oversized Goose in a yellow bonnet elevated on a step and engaging with an attentively curious young girl and young boy. Large vases of flowers frame them. Titled in pencil center bottom: "Goosey, Goosey Gander. Where do you wander? Signed Margaret Evans Price...

Hawaiian Tropical Beach and Mountains - Watercolor on Paper 1960 Idyllic watercolor of a tropical beach by unknown artist "Molale" (20th Century). The v...

Magnificent landscape watercolor of a waterfall spilling over large river rocks by Alexandre René Véron (1826-1897), circa 1870. Signed lower right. Original one-of-a-kind antique w...

This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a contemporary white wood shadowbox frame. Organizing the composition is a moon motif. This series was created by Antonio Puri during an artist's residency in Australia. Can be displayed in any orientation. This piece works especially well when paired with "Rhythm Hut #17", listed separately. Antonio Puri was born in Chandigarh, Punjab, India and raised in the Himalayas around Buddhist monks before studying at the Academy of Art in San Francisco, Coe College, and the University of Iowa. He established his studio in Philadelphia where he practiced for many years before relocating to Bogotá, Colombia. During this time, Puri completed several artist residencies all over the world, including in New York, Hungary, Bulgaria, Colombia, South Africa, Serbia, Mauritius, India, Denmark, Trinidad and Tobago, and Romania. Puri’s range of geographical and cultural experiences are embedded in his work, where he commonly explores the relationships between his eastern and western cultural connections. Puri has exhibited his work all over the world, including at the Museo de Arte del Tolima in Colombia; Sundaram Tagore Gallery Singapore; Government Museum and Art Gallery Chandigarh, India; Art Depot, Austria; La Cometa Gallery, Bogota; Museo Casa Conde Rul, Mexico; The Guild, NY; Nu Art...

Eve Nethercott, American (1925 - 2015) - Rocky Seascape (P1.14), Year: 1957, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Looking out onto t...

MARK DI SUVERO Abstract Expressionist drawing with artist signed COA, ca. 1963 Pen and black ink and brush and black ink wash on paper. Hand signed on the front. Framed, with separa...

Artist: Emilia Castañeda (Spanish, 1943-) Title: "Nude in Negligee" *Signed by Castaneda in pencil lower right Circa: 1980 Medium: Original Pen & Ink and Watercolor Drawing on wove paper Framing: Recently framed in a contemporary gold moulding from Spain and double matting from Holland. All archival Framed size: 23.75" x 20" Image size: 12.25" x 8.5" Condition: In excellent condition Biography: Emilia Castañeda Martínez (born 7 November 1943) is a Spanish painter. She was born in Madrid, but moved to Barcelona with her family as a child. She began training in 1956 at the academy of the painter Víctor Esteban Ripaux and at Escola de la Llotja in 1959 and Escuela Massana in 1969. By the 70s she had finished her studies and became a professional painter. Her works focus on the nude, generally placed in an abstract and dreamlike background that include objects that offer clues to the story told by the central figures. Her work has been compared with that of modernists such as Gustav Klimt, Anglada Camarasa...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

Abstract graphite drawing on paper in vintage pewter frame 5.75 x 4.5 inches This abstract figurative graphite drawing on paper was inspired by academic...

Provenance: Atelier of the artist Notes: Studio stamp on the verso of this important, early work by Gromaire. Over the years there has been an ever-widening interest in the work o...

This beautifully executed drawing fits squarely within Twitchell’s broader body of mural-related works. He is celebrated for meticulously crafted preliminary drawings that serve as b...

John Wood (b. 1945, Utah) is a Bay Area artist who currently resides in Emeryville, CA. He received his BFA in painting from the University of Utah in 1971, and an MFA from the Cranb...

Softly-toned watercolor abstract painting by English artist Spe, featuring a variety of purple, fuchsia, and pink hues with pressings of leaves and flowers. Displayed on a white mat ...

Interior design paintings. The work is made with alcoholic ink in pink, grey - blue color on Yupo paper. It is 11 by 14 inches in size, framed (gold) with styrene face on a double m...

Acquired by American Legacy Fine Arts directly from the artist Exhibited The Imaginary, Carnegie Art Museum, Oxnard, California, March 10 – May 19, 2019 Framed 20.25" x 16.25" x 1....

Study of Hands Graphite on paper 6.75 x 6 inches (17.1. x 15.2 cm) This work is offered by ClampArt in New York City.