USA - Landscape Photography

28° 14' 20.922'' N, 114° 6' 9.395'' W-8, 2022 From the Mareas series. Cyanotype on 300 gr cotton paper Frame size: 72.3 H x 81.2 W x 5 D cm. Image size: 38 H x 56 W cm. White wood f...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Artist: Stuart Klipper, American (1941 - ) Title: Most North Year: 1981 Medium: C-Print Photograph Size: 12 x 38 in. (30.48 x 96.52 cm) Frame Size: 19.5 x 45.5 inches

Henry Watching Athena Dance (Stay) - featuring Ryan Gosling - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inve...

Stefanie Schneider's Minis In the Range of Light (Wastelands), 2003 Signed and signature brand on verso. Lambda digital Color Photographs based on the Polaroid. Sandwiched in betwee...

Brooklyn Bridge - Henry's Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 250...

Brooklyn Bridge - Henry's Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 250...

Memory Sequence (Stay) - 2006 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2314. No...

Laura Lloyd Yellow Flowers Archival Pigment Print Year: 2024 Visible Size: 17 x 11 inches Framed: 21.4 x 15.4 x 1.5 inches Signed: On Label COA provided *Black frame with standard p...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

Silver gelatin print, printed 1980s; image dimension 15 x 11 5/8 in. (380 x 293 mm), sheet dimension, 15 3/8 x 12 1/8 in. (390 x 309 mm). The verso signed "W. Suschitzky" in black crayon, titled and dated Dundee. 1946". [Michael Omasta, et al. Wolf Suschitzky: Seven Decades of Photography (Vienna: Synema, 2014), ill. p. 188]. A photograph that attests to Suschitzky's keen interest in the social environments of the working class. His worked as a cinematographer brought him to Britain’s coal mining communities, to the steel mills and the workers' housing. "In Dundee I came across the worst slums I had ever seen. When I took this picture I was next to a ten story high tenement building. There was only one toilet on each floor and one cold water tap...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

Legendary photographer Slim Aarons relaxes in a self portrait shot in Athens, near the Acropolis. Slim Aarons said, "I love a solo holiday. It tends to refresh the part of oneself that is most depleted by modern life — patience. "Let me dispel a few myths. You will be lonely. No: you won’t. My solo travels in Paris have brought many perfect hours of being alone but not a moment of loneliness. People who depend on other people are often in hiding from themselves. Two and a quarter million people live in the City of Light: you will see many of them and you will pass them in the street, but when you see Notre Dame after dark and walk home and perhaps stop to have a drink in the Marais, you can feel that the only thing that is missing from your experience is the common dependency on someone to distract your attention. "I’ve had solo pints of Guinness in the pubs of County Kerry and County Cork. I’ve walked across the sage- and juniper-scented maquis of Corsica on a spring day, where you can still find the world of Napoleon’s childhood. More than once I went to the Isle of Iona in the Scottish Hebrides...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

A beautiful black and white photograph of the ship "Balclutha" in dock, with Coit Tower in the background by famed San Francisco photographer Gene Wright (American, 20th Century). Im...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

Hell (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1573. Not mounted. Stefanie Schneid...

Blue Lotus, 2003 is a contemporary color photograph by Japanese artist Tadayuki Naito. Naito created a series on the blue lotus, a flower of peace and hope. The artist’s desire was t...

Basilica di San Giorgio Maggiore, Study 2, Venice, Italy by Michael Kenna is a black and white photograph depicting a dramatic sunset silhouetting the San Giorgio Maggiore church. G...

Jaquelin Carioscia Golden Maze II Archival Pigment Print Year: 2024 Visible Size: 11.5 x 17.5 inches Framed: 15 x 21 x 0.75 inches Signed: On Label COA provided *Ready to hang; fram...

"Le consultant, Paris, France" is a framed photograph (archival dye infused print) on aluminum by David Burdeny, depicting a restaurant and cafe called le consultant. The piece captu...

This late 1970s landscape photograph, captured by society photographer Slim Aarons, features spectators dining in the open air as the horses go by at Baden Baden racecourse, Germany....

This late 1970s landscape photograph, captured by society photographer Slim Aarons, features spectators dining in the open air as the horses go by at Baden Baden racecourse, Germany....

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but h...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers relaxing on a beach in Bermuda. This is an estate stamped and hand numbere...

Brooklyn Bridge 08 (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1570. Not mounted. St...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers relaxing on a beach in Bermuda. This is an estate stamped and hand numbere...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers relaxing on a beach in Bermuda. This is an estate stamped and hand numbere...

Contemporary aerial photograph of industrial truck field Archival digital print, edition of 25 (#253) Image size 23.5 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches ...

"Two Hundred and Seven Sheep, Rakaia Valley, Canterbury, New Zealand" is a limited edition, silver gelatin print. The photograph is signed, numbered, and matted to 20x16 in. Micha...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, August. Th...

Lord Fauntleroy Foggy Evening Walk (Enchanted, Twilight, Mystic) 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 19 x 10 inches Edition: 7 Signed, titled and date...

This mid-1960s aerial seascape photograph, captured by society photographer Slim Aarons, features a high angle view of people swimming next to the ketch 'Traveler II' , Stocking Isla...

This mid-1960s aerial seascape photograph, captured by society photographer Slim Aarons, features a high angle view of people swimming next to the ketch 'Traveler II' , Stocking Isla...

This mid-1960s aerial seascape photograph, captured by society photographer Slim Aarons, features a high angle view of people swimming next to the ketch 'Traveler II' , Stocking Isla...

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features a guest taking a break from the sun at the Marbella Club, Marbella, Spain. This is an esta...

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features a guest taking a break from the sun at the Marbella Club, Marbella, Spain. This is an esta...

'Renée's Dream' no. 6 (Days of Heaven) - 2005 18 x 24 cm, Lumas Edition 99/100. Archival C-Print, based on an expired Polaroid Artist inventory 8085. Signature Label and certificat...

"Pine Tree and Nago Island, Tsuda, Shikoku, Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted t...

Frames that capture the transformation from everyday life into another reality. Images that explore how the future will look. The proposal comes from the contemporary but goes beyond...

Black and white photo of a cat on a gravel road by Peter McArthur (American, b. 1947). In the top portion of the composition, a cat sits in the shadows of a gravel road. The exposure of the photograph perfectly captures the texture of the gravel, the delicate highlights on the cat, and the deep shadows in the background. Signed "Peter McArthur" in the lower right corner. Presented in a white mat. Image size: 9.25"H x 6.25"W Mat size: 16"H x 13"W Peter McArthur (American, b. 1947) is a long time Carmel Valley resident specializing in Black and white landscape photography. He is also one of very few artists in the country that hand make frames for his work from scratch. McArthur has been photographing in black and white since...

A group of colourfully dressed holidaymakers on a yacht, Bermuda, June 1970. (Photo credit Slim Aarons / Getty Images) Estate stamped and hand numbered edition of 150 with certific...

Kaufmann House, Palm Springs Architect: Richard Neutra Kodak digital color print Print size: 20" x 24" (50.80 x 60.96) Image size: 15" x 20" (39.10 x ...

Racetrack by Frank Schott (2011) a highly detailed black & white photograph capturing the mesmerizing night sky above California's desert landscape 32 x 60 inches / 81 x 152cm moun...

Larger size hand-printed photograph than the other two listings of the same name. These iconic Monterey pines can be found all up and down the coast of northern California from San F...

A unique original silver gelatin black and white photography. Blagny France, the War Memorial, April 6, 1926. This photograph features a view of an automobile and a man in front of ...

Silver halide fuji archive print mounted on plexi. Hand signed and numbered lower right by Peter Lik. Artwork size 25.5 x 38.5 inches. Custom framed by Peter Lik studio. Frame s...

Lightning/Cotton Field, limited edition photograph, archival, signed The adrenaline of seeing Mother Nature during some of her finest moments will be ingrained in me forever. It is a humbling experience - and I feel fortunate to have witnessed her power and grandeur over the past 12 years. My experiences are hard to describe in words During this last trip (July 2021) we traveled over 6400 miles in 10 days crossing through 10 different states - all in my quest/passion to photograph these storm systems. But this time the events of the last year made me more aware, opened my eyes wider, and had a different effect on me. The effects of Climate Change have become obvious. The current patterns are changing and they are accelerating faster than anyone realized or predicted. Just over the past decade, the characteristics of the Jet Stream and the Gulf Stream have changed. Pandemics, droughts, devastating heatwaves, wildfires, massive floods, and rising oceans are accelerating. As I sit here in my house in Lone Pine, CA in 103-degree heat I can hardly see the outlines of Lone Pine Peak and Mount Whitney...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

Tilted (Malibu) - 2004 57x56cm, Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist. on Fuji Crystal Archive Paper, matte surface - Vintage Print. Based ...

Plane blue - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4669. Not mounted. ...

This Photograph titled "Mission San Xavier Del Bac, Tucson Arizona" is a gelatin silver print by noted American photographer Huntington Witherill, born ...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

large scale photograph of an epic view of the iconic Hollywood sign and sprawling downtown Los Angeles in the distance HOLLYWOOD by Christian Stoll 40 x 40 inches / 102 x 102cm si...

'Pull up to the Bumper' (Bombay Beach) 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Art...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...