USA - Abstract Prints

Lyonel Feininger, 'Masken (Masks)' also 'Carnival Masks', woodcut, 1920, proofs only. Prasse W193. Signed and titled in pencil. Annotated '1973', the artist’s inventory number. A fin...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 149, published by Aimé Maeght, Éditeur...

This artwork titled "Innocence" from the suite, Pleni Luna, 1974, is an original color lithograph on watermarked Arches paper by Cuban artist Wilfredo Lam, 1902-1982. It is hand sig...

Harlequin by Victor Vasarely, Hungarian (1908–1997) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 78/250 Image Size: 25.75 x 16 inches Size: 30.5 x 19.75 in....

Framed and ready to hang print insert by Christopher Wool for W Magazine. With gatefold creases as issued.

Fritz Glarner Tondo 1964 Original Color Reproduction on Velin d'Arches after painting Size: 10x7.375in Signed in the stone Edition: 2,000 Annotated verso Publisher: Mourlot, Paris Pr...

A very good, richly-inked impression of this color screenprint on Japon nacré. The deluxe, Roman numeral edition of 60 on Japon nacré, aside from the regular edition of 100. Signed a...

Four color process print on vélin paper. Paper size: 10.75 x 18.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George C...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From XXe siècle, Hommage à Georges Rouault, 1971. Published and printed under the direction of...

Signed and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. He has decided against...

Maurice Esteve Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Printer: Mour...

Artist: Damien Hirst Title: Norcamphor from “40 Woodcut Spots" Year: 2011 Medium: Woodcut on 410gsm Somerset White Paper Edition: 43/55; signed (recto) and numbered (verso) in penci...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el Jardin de Miro (Number 4) Year: 1975 Medium: Lithograph, signed in the plate Edition: 1500...

Joan Miró La Mélodie Acide - 11 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good Condition, with centerfold, as issued. Notes: From folio, Miró 1959-1960, 1961. Published by Pierre M...

Frank Stella Frank Stella, Royal Academy of Arts (Hand Signed), 2000 Offset Lithograph poster on thin Boldly hand signed and dated by Frank Stella in ink on the front 29 3/4 x 20 inches Unframed Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery This Frank Stella poster...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

A very good, richly-inked impression of this Drypoint and aquatint printed in gray and black on cream wove paper. Signed, dated and numbered 20/150 by Dali. Printed by Robbe, Paris. ...

Alan Shields Untitled mixed media geometric abstraction collage, ca. 1979 Etching and aquatint in colors with collage Pencil signed and numbered 15...

Glenn Ligon Lincoln Center Festival (Hand signed, inscribed and dated), 2004 Offset lithograph on wove paper LARGE: 41 1/2 inches (vertical) × 32 inches (horizontal) (Ships in a tube...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

Henry Miller (American, 1891-1980) Dream of Spring, circa 1966 Color lithograph on wove paper Signed and titled, annotated 'Artist's Proof' (Aside from the edition of 200) Image: 14i...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 135-136, 1962-1963. Publish...

Original Absolut Vodka Absolument vintage exhibition poster. Archival linen backed invery good condition, ready to frame. Like most Warhol artwork, this is very vibrant and colorful. This 1994 poster was used for the exposition of contemporary artists at Galerie Lauvigne in Paris. Andy Warhol...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Several parallel beams of grey, white, and black come flying in from every corner of this screenprint to meet in a knot in the center. This print by Paul Arthur Jansen is signed and ...

Evelyn B. Johnson was an American Optical artist. Her work specialized in striking geometric abstract forms in bright colors whose shading mimics the effects of neon lighting. These ...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 127, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

A very good impression of this scarce lithograph on Arches buff paper. Signed, dated and numbered 17/60 in pencil by de Kooning. Printed by Hollander's Workshop, Inc., New York. Co-p...

Charles Quest, 'Work Bench', 1949, wood engraving, edition 40. Signed, dated and numbered 9/40 in pencil. Titled and annotated 'wood engraving 1949' in pencil, in the artist’s hand, lower right margin. A fine, richly-inked impression, on off-white wove Japan, with full margins (1 3/4 to 2 inches), in excellent condition. Matted to museum standards, unframed. ABOUT THE ARTIST Charles Quest, a successful artist, and fine art instructor, worked in a variety of mediums including mosaic, stained glass, mural painting, and sculpture, but remains best known as a printmaker. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929, and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium which he apparently learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting a lot of critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’ were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’ and the print ‘Still Life with Vise’, was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in the Graphic Arts Division of the Smithsonian's National Museum (now known as the American History Museum). This one-man exhibition was a remarkable achievement for Quest, who had been working in the medium for only about ten years. In the press release for the show, Kainen praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had also won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. Charles Quest retired from teaching in 1971 and made relatively few prints in his later years, as the rigors of the medium were too demanding. He moved to Tryon, North Carolina, with his wife Dorothy, an artist and portrait painter, and remained active as a painter until his death in 1993. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted the interest of Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for the University's collection. In 1990 Georgetown University Library's Special Collections Division became the grateful recipient of a large body of Quest's work including prints, drawings, paintings, sculpture, and stained glass, as well as his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...

Nicole Dikon lives and works between Oahu and Mississippi. Her work spans various media and practices, including woodcut printmaking, writing poetry, making artist books, installing ...

Artist: Yaacov Agam Title: Message of Peace Year: 1988 Medium: Silkscreen, signed and numbered in pencil Edition: 300 Paper Size: 40 x 31 inches

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From volume, Derrière le miroir, N° 125-126, 1961. Published by Aimé Maeght, Éditeu...

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Alexander Calder (American, 1898-1976) Signed: Calder (Lower, Right) “Four Great Pyramids”, 1970 Lithograph in Colors on Arches Paper Sheet Size: 30” x 43” Numbered: Hand signed and ...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Stratosphere' STRA...

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This exhibition poster/mailer was created for a 1976 exhibition of Fred Sandback's work held at Brook Alexander, Inc. and The John Weber Gallery. The piece serves as both an advertis...

Laura Moriarty's Ex Uno Plures 8 is a multicolored encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting laye...

large scale framed photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' ...

"Colors in Space II" (SF-95) Signed Printer's Proof Lithograph on Archival Paper Bright and playful abstract composition by Sam Francis (American, 1923-1994). Splashes of yellow, or...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacre aux Pap...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

This image is a bold and dynamic reflection on unity, cultural identity, and the power of human connection. Love is Our Language invites us to embrace positivity and inclusivity, two...

Linocut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°4, Christmas 1938. Published and printed under the dire...

Pablo Picasso (after) "Sylvette De Profil Gauche" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 329/500 lower left From the estate of...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Color offset lithograph. Signed and dated in felt-tip pen and pink ink, lower right. Published by Tony Shafrazi Gallery, New York.

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

A beautiful abstracted landscape, mixed media print and painting, in soft pastel hues by California artist Katherine Chang Liu (American, 20th-century). Signed and dated "Katherine C...

This is a signature color-field composition with multiple thin colored stripes created by Gene Davis. Gene Davis (American, 1920-1985) Screenprint Black Watch I, II and III, 1974 ...

Untitled (M.250) from the Album 19 suite is a lithograph on paper, image size 20 x 26.5 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower ri...

La Pique (The Pike) Lithograph, 1950 Original lithograph drawn with chalk and "frottage textures" transferred to stone, 1950. Unsigned printer's proof Inscribed on the verso in Mourl...

Mary Weatherford The Robot, 2018 Spit bite aquatint on gampi paper chine collé 35 1/4 x 28 1/2 in (89.5 x 72.4 cm) Edition of 25