USA - Abstract Prints

Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 138, published by Aimé Maeght, Éditeur, Paris; printed by Éditions ...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 118, published by Aimé Maeght, Éditeur, Paris; printed by Éditions ...

Large format photograph of Brutalist architecture in south of Italy ( Sicily ) Modica (2020) by Frank Schott 60 x 40 inches / 152 cm x 101cm signed edition of 1 40 x 27 inches /...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 138, published by Aimé Maeght, Éditeur, Paris; printed by Éditions ...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition with centerfold, as issued. Notes: From Derrière le miroir, N° 138, published by Aimé Maeght, Éditeur, ...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition with centerfold, as issued. Notes: From Derrière le miroir, N° 101-102-103, published by Aimé Maeght, É...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 135-136, published by Aimé Maeght, Éditeur, Paris; printed by Éditi...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 154, published by Aimé Maeght, Éditeur, Paris; printed by Éditions ...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition with centerfold, as issued. Notes: From Derrière le miroir, N° 101-102-103, published by Aimé Maeght, É...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition with centerfold, as issued. Notes: From Derrière le miroir, N° 60-61, published by Aimé Maeght, Éditeur...

Joan Miro (Spanish, 1893-1983) Hand-signed Lithograph in colors on Arches wove Sheet: 13.5 x 10.25 96/150

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition with trifold, as issued. Notes: From Derrière le miroir, N° 50, published by Aimé Maeght, Éditeur, Pari...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 16) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition with centerfold, as issued. Notes: From Derrière le miroir, N° 77-78, published by Aimé Maeght, Éditeur...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 101-102-103, published by Aimé Maeght, Éditeur, Paris; printed by É...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition with centerfold, as issued. Notes: From Derrière le miroir, N° 154, published by Aimé Maeght, Éditeur, ...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 135-136, published by Aimé Maeght, Éditeur, Paris; printed by Éditi...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition with centerfold, as issued. Notes: From Derrière le miroir, N° 138, published by Aimé Maeght, Éditeur, ...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 154, published by Aimé Maeght, Éditeur, Paris; printed by Éditions ...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 118, published by Aimé Maeght, Éditeur, Paris; printed by Éditions ...

Stephen Powers Everything is Shit Except You Love, ca. 2012 Three color screenprint on 335 GSM Coventry rag paper Hand signed and numbered 16/100 by the artist on the front 12 × 12 i...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition with centerfold, as issued. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition with centerfold, as issued. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 101-102-103, published by Aimé Maeght, Éditeur, Paris; printed by É...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 94-95, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 77-78, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition with centerfold, as issued. Notes: From Derrière le miroir, N° 60-61, published by Aimé Maeght, Éditeur...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 118, published by Aimé Maeght, Éditeur, Paris; printed by Éditions ...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 118, published by Aimé Maeght, Éditeur, Paris; printed by Éditions ...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 154, published by Aimé Maeght, Éditeur, Paris; printed by Éditions ...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 60-61, published by Aimé Maeght, Éditeur, Paris; printed by Édition...

Original Vintage Henri Matisse Exhibition Poster, The Tate Gallery, 1953 "The Sculpture of Matisse and Three Paintings with Studies, 9 January - 22 February 1953, The Tate Gallery" ...

Franz Kline Franz Kline Juillet-Août-Septembre 1964, original vintage poster, 1964 Extremely scarce European offset lithograph exhibition poster Limited Edition of 500 (unnumbered) 2...

Screen Print in colors on Museum Board, Edition of 100 Signed and Dated Provenance: Artist Studio Private Collection. CA Private Collection, NY

Keith Haring Rain Dance 1985: RARE original 1980s Keith Haring illustrated poster announcement for a legendary Keith Haring UNICEF benefit party at Larry Levan’s Paradise Garage in 1985. An event organized & curated by Keith Haring; with cohosts including Jean-Michel Basquiat, Andy Warhol, Roy Lichtenstein & more. A event organized by Haring on behalf of UNICEF’s African Emergency Relief Fund. Beautifully combines Haring’s trademark kinetic figures set amidst a standout blue and black color-way. Rare. Medium: Offset lithograph in colors on smooth wove paper. 1985. Dimensions: 8.5 x 11 inches (folded open). Fair overall vintage condition. Minor wear to center fold-line; minor separation to the mid far-left edge; surface loss lower left. Otherwise well-preserved. Printed signature, ‘Keith Haring 1985’ on lower right from a scarce edition of unknown. Looks fantastic framed. More on Keith Haring Rain Dance: Curated and organized by Keith Haring, Rain Dance was a 1985 benefit for UNICEF’s African Emergency Relief Fund. Participating artists famously included: Jean-Michel Basquiat, Larry Levan, Fred Brathwaite, Christo, Francesco Clemente, George Condo, Crash, Futura 2000, Jenny Holzer, John Lennon, Roy Lichtenstein, Robert Mapplethorpe, Brice Marden, Robert Morris, Yoko Ono, Lee Quiñones, Robert Rauschenberg, Kenny Scharf, Julian Schnabel, Richard Serra, Cindy Sherman, Tseng Kwong Chi, and Andy Warhol. _ Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk. Haring’s bold public art attracted the attention of several galleries, and, by the early 1980s, he was painting Neo-Pop works and large murals full time. In an effort to make his art widely accessible, Haring opened the Pop Shop in 1986 in downtown New York, selling commercial items adorned with his signature, cartoonish imagery. Haring combined graffiti, hip-hop, and urban aesthetics, frequently depicting animals, figures, commercial icons, sexual imagery, and childlike motifs in pieces that were both playful and concerned with social issues. His work became increasingly confrontational following his 1987 diagnosis of AIDS. Haring resolved to work harder than ever in his remaining years, creating pieces with a fervent speed and devoting his art to social action in addition to his personal expression. In 1989, he established the Keith Haring Foundation, whose goal is to promote art programs and public spaces for children, and to raise awareness about AIDS. Haring died on February 16, 1990 in New York at the age of 31. In addition to hundreds of exhibitions held during his lifetime, Haring has been the subject of numerous retrospectives in New York, San Francisco, Paris, Tokyo, Los Angeles and Berlin since his death. Related Categories: Keith Haring posters. Keith Haring activist poster. Keith Haring Dancers. Street art. Graffiti. 1980s. Keith Haring Larry Levan. Keith Haring Paradise Garage...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Screen Print in colors on Museum Board, Edition of 100 Signed and Dated Provenance: Artist Studio Private Collection, CA Private Collection, NY

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon B...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Dennis Oppenheim Stars Missoula Montana, 1979 Lithograph on Arches cover paper Hand signed and dated on the front, Edition 81/150 41 × 30 inches (ships rolled in a tube measuring 35...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Artist: Gene Davis (American, 1920-1985) Title: "Homage to Barnett Newman" *Signed and dated by Davis in pencil lower right Year: 1979 Medium: Original Screenprint on unbranded soft-...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Roy Lichtenstein "Go for Baroque" poster (hand signed and inscribed by Roy Lichtenstein), 1994 Color offset lithograph on wove paper (hand signed and inscribed to Lichtenstein's esta...

Vintage French lithograph of a large abstract bird in flight over a small gathering of onlookers below by artist Paul Guiramand, 1965. Original a...