USA - Abstract Prints

SHEPARD FAIREY Bureau of Public Works (on Wood), 2004 Mixed media silkscreen on wood panel. Hand signed and annotated on both the recto and verso. In original handmade artist's frame...

Robert Indiana Colby ART (Sheehan, 80), 1973 Silkscreen in Colors on White Wove Paper Pencil signed and numbered 69/100 on the front with artist's copyright @Robert Indiana lower right front Published by Robert Indiana with copyright; Printed by Seri-Arts, Inc. Vintage metal frame included Classic early 1970s work. There was a time, we are told, when every prestigious collector in Germany would have an edition of Robert Indiana's iconic ART print prominently hanging in their home. This is an uncommon and desirable Robert Indiana piece from the early 1970s. Boldly signed in graphite on the recto (front), numbered and bearing the artist's copyright: @ Robert Indiana 1973...

Niki de Saint Phalle La Robe Rouge (Ulm-Chenivesse 48), 1970 Seventeen colored screenprint on Arches vellum paper Pencil signed and numbered 28/115 on the front and titled on the back by Niki de Saint Phalle, with artist's inventory number 29 1/2 × 22 inches Unframed This work is pencil signed and numbered 28/115. The back of the print, from the portfolio Nana Power, is titled in pencil " Rouge Robe" by Niki de Saint Phalle herself, but it is also known as "Nana Power: The Serpent". Bibliography: Catalogue Raisonne: Ulm-Chenivesse 48 Published Editions Essellier, Liechtenstein, printed by Michel Caza About Niki de Saint Phalle: Born 1930 in Neuilly-sur-Seine, France, Niki de Saint Phalle moved to the USA in 1933 and spent her childhood and youth in New York City. In 1952, Saint Phalle moved back to Paris and became immersed in French and ex-patriate artistic communities. Her 1961 exhibition Feu à Volonté (Fire at Will), organized by art critic and cultural philosopher Pierre Restany at Galerie J, Paris, Saint Phalle showed for the first time her iconic Shooting Paintings...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Richard Florsheim created this color lithograph entitled “Thunderheads” in 1972 in an edition of 50 pieces. Published by Associated American Artists and printed by Mourlot Press, Par...

A very good impression of this lithograph by Motherwell. Initialed and numbered 40/150 by the artist in pencil. Printed by Tyler Graphics Ltd., New York, with the blind stamp lower r...

Artist: Joan Miro Title: Plate I from Espriu-Miro Series: From the series Espriu-Miró, which contains 8 engravings printed on Gvarro paper with the publisher's stamp. Date: 1971 Med...

"Fifty Years Later" - Linocut Print on Paper 1/10 A silhouetted image of a person's profile dropping their ballot into a voting box. The simple shapes, t...

Artist: Damien Hirst Title: 'FRUITFUL' (LARGE) H8-1 Year: 2020 Medium: Laminated Giclée print on aluminium composite panel Edition: 1928; digitally signed and numbered on publisher'...

Artist: Peter Alexander (1939) Title: San Blas IV Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed...

Marcel Janco, was a Romanian and Israeli visual artist, architect and art theorist. He was the co-inventor of Dadaism and a leading exponent of Constructivism in Eastern Europe. In...

Frank Stella Merce Cunningham & Dance Company Latin American Tour, 1968 Lithograph on paper affixed to black paper board © 1968 Frank Stella on the front 27 × 48 inches x .75 inches ...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...

Yayoi Kusama Offset lithograph poster, 2017 Published by David Zwirner Unframed, with original folds as issued (see photo) Gorgeous Yayoi Kusama offset lithograph poster published by David Zwirner Gallery for a 2018 exhibition. It has natural folds as it was folded in a square, but is otherwise in excellent condition and the folds will frame out This print originally accompanied the monograph "Yayoi Kusama: Festival of Life," published to accompany an exhibition held at David Zwirner, New York, 2017. It was printed in a limited, but unknown edition and has since sold out Yayoi Kusama Biography Yayoi Kusama's work has transcended two of the most important art movements of the second half of the twentieth century: Pop art and Minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes. Born in 1929 in Matsumoto, Japan, Kusama’s work has been featured widely in both solo and group presentations. She presented her first solo show in her native Japan in 1952. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking and influential happenings, events, and exhibitions. Her work gained renewed widespread recognition in the late 1980s following a number of international solo exhibitions, including shows at the Center for International Contemporary Arts, New York, and the Museum of Modern Art, Oxford, both of which took place in 1989. She represented Japan in 1993 at the 45th Venice Biennale, to much critical acclaim. In 1998, the Los Angeles County Museum of Art and the Museum of Modern Art, New York, co-organized Love Forever: Yayoi Kusama, 1958–1968, which toured to the Walker Art Center, Minneapolis (1998-1999), and Museum of Contemporary Art, Tokyo (1999). More recently, in 2011 to 2012, her work was the subject of a large-scale retrospective that traveled to the Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Georges Pompidou, Paris; Tate Modern, London; and the Whitney Museum of American Art, New York. From 2012 through 2015, three major museum solo presentations of the artist’s work simultaneously traveled to major museums throughout Japan, Asia, and Central and South America. In 2015, the Louisiana Museum of Modern Art in Humlebæk, Denmark, organized a comprehensive overview of Kusama’s practice that traveled to Henie-Onstad Kunstsenter, Høvikodden, Norway; Moderna Museet, Stockholm; and Helsinki Art Museum. In 2017-2019, a major survey of the artist’s work, Infinity Mirrors, was presented at the Hirshhorn Museum and Sculpture Garden, Washington, DC; Seattle Art Museum; The Broad, Los Angeles; Art Gallery of Ontario, Toronto; The Cleveland Museum of Art, Ohio; and the High Museum of Art, Atlanta, Georgia. Yayoi Kusama: Life Is the Heart of the Rainbow, which marked the first large-scale exhibition of Kusama’s work presented in Southeast Asia, opened at the National Gallery of Singapore in 2017 and traveled to the Queensland Art Gallery Gallery of Modern Art in Brisbane, Australia and the Museum of Modern and Contemporary Art in Nusantara, Jakarta. In 2019, All About Love Speaks Forever, an exhibition "tailor-made" specifically for the Fosun Foundation, Shanghai included more than 40 works by the artist. A comprehensive retrospective of the artist’s work was on view at Gropius Bau, Berlin in 2021, and traveled to the Tel Aviv Museum of Art in 2022. KUSAMA: Cosmic Nature...

A very good impression of this color photolithograph with strong colors on Magnani Pescia paper. Signed and numbered 101/150 in pencil by Fontana. Printed by Le Arte Grafiche Pardini...

Leaning against the curved railing of the balcony, the model in this print is depicted through a series of shapes and forms of varying colors layered over one another. A typical exam...

Color woodcut on Japan paper. Signed, numbered 1/30 and inscribed by the artist.

Willibrord Haas Arches and Stripes (Bögen und Streifen) (Post-war Abstraction, Joseph Beuys, German painter) Color Etching Year: 1986 Size: 15.4×19.3 on 25.4×31.3in Edition: 30 Si...

Prefab77 (British, 20th c.) Heavy Crown Archival pigment print on luxuriant 300gsm Somerset art paper Edition of 100 Signed in plate lower left. Signed by artist in white ink with em...

Paul Levy (American, b. 1944) An established designer and illustrator, Paul M. Levy was born in Brooklyn, New York, in 1944. He received his B.S. in Industrial Design from the University of Cincinnati, Ohio in 1968, returning later to do independent study there. He also did independent study at Pratt Institute, Brooklyn, New York, in 1969 and received an M.F.A. in Sculpture and Printmaking from Ohio University, Athens. From 1964 through 1971 he worked for design firms in Ohio, New York and California. From 1971 through 1973 he taught at the University of Cincinnati and Ohio University, Athens. He has exhibited in galleries, museums and art groups. In 1971 he was one of a number of artists who created enormous outdoor murals in a Cincinnati project called "Urban Walls." His graphic designs and illustrations for such firms as Container Corporation of America have appeared in publications such as Fortune, Business Week...

A very good impression of this extremely scarce color screenprint on Arches. Signed and numbered 22/25 in pencil by de Kooning. Printed by Ives-Sillman, New Haven, with the blind sta...

Untitled Color lithograph, 1966 Unsigned as issued From:Derriere le Miroir, Volume 156 Large unsigned edition Printed by Mourlot, Paris Published by Aime Maeght, Paris Condition: Usu...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 134/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlboro...

geometric composition.original engraving abstract painting. VIRTUAL FRAMED Pijuan, Joan (Barcelona, 1931-2005). Joan Hernández Pijuan formed between Barcelona and Paris. It has the ...

"NEW INTERNATIONAL ECONOMIC ORDER" is a brightly colored serigraph by the American artist/sculptor Chaim Gross printed in 16 colors including shades of yellow, blue, purple, salmon p...

The work is a Lithograph, not numbered, but signed and dated by the artist, Piero Dorazio. The print has an intense color field with a strong linear element being composed of quadril...

Anish Kapoor Anish Kapoor (Hand signed and inscribed to Nadine by Anish Kapoor), 1998 Hardback monograph (Hand signed and inscribed to Nadine by Anish Kapoor) Hand signed and inscri...

Mary Heilmann To Be Someone (hand signed and inscribed "Love from Mary Heilmann"), 2007 Hardback monograph with dust jacket (hand signed and inscribed by Mary Heilmann) Warmly signed...

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an...

Creator: (after) Alexander Calder (Artist) Signed: Signed in the plate lower right “Moon and Spheres, 1970” Lithograph in Colors on high-gloss card stock paper Sheet Size: approximat...

VARIOUS ARTISTS AUFBRUCH AUS MOSKAU MOCKBA - PORTFOLIO OF TWENTY (20) ORIGINAL LIMITED EDITION SIGNED GRAPHICS, 1990 20 Limited edition, hand signed and numbered Screenprints, unfram...

Untitled (M.254) from the Album 19 suite is a lithograph on paper, image size 20 x 26.25 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower r...

Jaume Xifra (Spain, 1937-2014) 'Garde d´austerlitz - 5', 1977 lithograph, collage on paper 30 x 22.1 in. (76 x 56 cm.) ID: XIF1345-001-000 Unframed Hand-signed by author

George Condo Conversations (Plate 3), 2011 Unsigned Offset lithograph on paper 10-3/4 x 9-1/4 inches (27.3 x 23.5 cm) (sheet) Ed. 400

Artist: Alexander Calder Title: Papoose Medium: Color Lithograph Year: 1969 Dimensions: 28 x 43 in Signed "Calder" lower right. Numbered 9/75 Published by Maeght, Paris Condition: Ex...

"La Comedie Humaine VIII" Lithograph in Color on Thick Wove Paper After The Original. The plates executed under the direct supervision of Pablo Picasso. First edition, 1954. Printed ...

Alexander Calder (American, 1898-1976) “Untitled, 1947” (from Le Surrealisme) Signed in the plate, lower left Lithograph in Colors on Wove Paper Sheet Size: 9 7/16 x 8" (24 x 20.3 cm...

Andrea Belag New Moon, 1990 Monotype on Wove Paper 42 × 30 inches Hand signed and dated on the front Published by Pelavin Editions, with blind stamp recto Unique Unframed Lovely cont...

A very good impression of this color lithograph on Waterleaf white wove paper. One of 25 Roman numeral impressions, aside from the Arabic numeral edition of 100. Signed and numbered ...

Artist: Jasper Johns (American, 1930-) Title: "Untitled (Cross Hatch)" Series: Jasper Johns Screenprints *Unsigned edition Year: 1977 Medium: Original Scre...

Last Book of Life. Richard Nixon’s view of Chou En Lai’s chopsticks Photograph etchings Printed on Stonehedge black paper Hand signed, and numbered, by Levine in red pencil along t...

PERLE FINE Untitled Etching 13.25 x 10.75 inches

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 151-152 Publisher: Maeght ...

'Raw Earth' Iris with Silver Leaf is a silkscreen print on paper created in 2023 by Marc Quinn. This signed print is an exclusive Edition of 50, signed by the Artist on front, numbe...

Hand signed and numbered edition of 25. 16 x 36" sheet size without frame. “Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nine plates and one linocut. It has been printed in an edition of 25, plus proofs, on white Rives BFK paper 16 x 36” with chine collé of various papers. (No, it’s not upside down) Born 1964 in New York where he still currently resides and works alongside his partner the ceramist Kathy Butterly. Son of the photographer Rudy Burckhardt and painter Yvonne Jacquette, Tom Burckhardt was 1986, BFA, State University of New York, Purchase, NY 1992–1993, Skowhegan School of Painting and Sculpture, ME 1996, Marie Walsh Sharpe Art Foundation Studio Grant 1997, New York Foundation for the Arts, Painting Grant 1997 Pollock-Krasner Foundation Grant 2002 George Hitchcock Award, National Academy of Arts 2003, Richard & Hinda Rosenthal Foundation Award, American Academy 2005, AICA Best Show of an Emerging or Underknown Artist 2005 Pollock-Krasner Foundation Grant 2006 Best Installation, Best of Houston, the Houston Press 2009 Guggenheim Foundation Grant 2010, New York Foundation for the Arts Drawing/Print Grant 2010 Joan Mitchell Foundation Grant Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He uses lushly colored and patterned images from all kinds of sources that bounce between abstraction and representation. Images come from tool catalogs, paper and fabric patterns, funhouse painting, architectural details, stripes, dots and squiggles. It is as if Burckhardt is a cartoonist merrily channeling Ellsworth Kelly, Paul Feeley, Robert Therrien, and Myron Stout, among others. Like Red Grooms, for whom he worked as an assistant, Burckhardt ransacks his influences yet ends up with something unmistakably his own. His work bears the influence of is a synthesis of many things: the tribal-influenced abstract painting of Steve Wheeler...

1 pint from the Lithographe III suite. unsigned.

Robert Smithson Movie Treatment for Spiral Jetty, Dwan Gallery Poster, 1970 Offset lithograph poster 38 × 22 inches Unframed Rare, historic poster feature...

Victor Vasarely: 1906-1997. Well listed Hungarian French artist with auction results for a single print over $100,000. He is considered the grandfather of the op art movement. Size d...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue and green palette and captures a landscape scene with lush foliag...

A superb impression of this color aquatint and lift-ground etching on German Etching paper. Signed and numbered 22/50 in pencil by Motherwell. Printed by Catherine Mosley in the arti...

Artist: Jack Brusca, American (1939 - 1993) Title: Galaxy Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 24 inches Size: 27 in. x 26...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

Unique monoprint from Collision Transit Study suite. Medium: encaustic collagraph monoprint Year: 2011 Image Size: 11 x 9 inches Elise Wagner painter, printmaker, and teacher, is a ...

Gerhard Richter Untitled Abstract Picture (one plate) - Artist Authorized, 2002 Limited Edition Artist Authorized Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition...

Gerhard Richter Abstract Painting (one plate) - artist authorized, 2002 Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins. (Artist Authorized) Not signed, edition of 3433 12 1/2 × 16 1/2 inches Unframed This striking limited edition color plate, printed on GardaMatt Art 250 GSM paper with full margins, was published on the occasion of the major twin Richter exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting), and it depicts Richters 1999 Oil on Aluminum abstract picture, catalogue raisonne reference, 858-6. This print is unframed, unnumbered and in excellent condition. More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue and green palette with warm yellow accents. The artist captures a...

Artist: Jack Brusca, American (1939 - 1993) Title: Star Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 24 inches Size: 27 in. x 26 i...