USA - Abstract Prints

Artist: Joan Miro Title: Plate II Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x...

Damien Hirst Doldrums, H13-12, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel 47 3/10 × 35 2/5 × 1/2 in 120.1 × 89.9 × 1.3 cm Hand-signe...

Robert Indiana Pop Art: Selections from the Museum of Modern Art (Hand Signed and Inscribed by Robert Indiana), 1999 Offset lithograph poster on poster board (hand signed, dated and ...

Lithograph on vélin d’Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good Condition. Notes: From the folio, Maravillas con variaciones acrósticas en el Jar...

"Serie 23 no. 14-4" 1971 Serigraph in color Edition 157 of 200 30 x 30 in Julio Le Parc is an Argentinian artist best known for his pioneering works of Kinetic Art. Depicting lab...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Susan Sheehan Gallery (Ellsworth Kelly Posters 1951-2001)" *Signed by Kelly in pencil lowe...

"Animated Formation" Abstract Aquatint Etching Abstract Aquatint Etching by Katherine "Kay" Metz (b. 1932-2018.)This dynamic print by Kay Metz straddles the line between organic and...

Plate I, Le Cocu Magnifique Etching, 1968 From: Le Cocu Magnifique Unsigned as issued in the portfolio The set of 12 etching & aquatints is signed by Picasso on the justification pa...

Hommage by Johnny Friedlaenderm German (1912–1992) Date: circa 1965 Aquatint, signed in pencil Edition of EA Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) Frame Size: 36 x 28.5 inches

ARTIST: Salvador Dali TITLE: Conquest of Cosmos The Last Comer of The Last Planet MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 27.5" x 39.5" YEAR: 1974...

Artist: Julian Stanczak (1928-2017) Title: Continual Year: 1979 Edition: 41/175, plus proofs Medium: Silkscreen on Somerset paper Size: 25 x 25 inches Condition: Good Inscription: Si...

Decorative Rosenthal ceramic plate produced in collaboration with artists Otto Piene from 1973. A modern design in Piene's abstract modernist style. Porcelain plate with box and sign...

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern la...

"Juggler on a Tightrope" Etching in Ink on Paper Playful etching of a performer by Dick Swift (American, 1918-2010). A juggler is show in a cubist style, w...

NEW DECO by the woman artist Robin Morris, is an original handmade limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. NEW ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condion. Notes: From the volume, XXe Siècle, n°10, 1958. Published and printed under the direction of...

Wearing a brightly-colored beret, the woman in this Pablo Picasso print is rendered in hues of blue and teal. Looking to the side, the woman is portrayed from a multitude of angles t...

Salvador Dali (Spain, 1904-1989) 'Teatro Museo Figueras', 1974 Original poster from exhibition of 1974 lithograph on paper 28.6 x 20.5 in. (72.5 x 52 cm.) Unframed Ref: DAL100-203 S...

Damien Hirst Cannizaro H4-4 Diasec-mounted Giclée print on aluminium panel 920 x 1260 MM Edition size: 75 + 5 AP signed and numbered from an edition of 75 verso, published by HENI Editions; sheet: 92 x 126cm Damien Hirst first came to public attention in London in 1988 when he conceived and curated "Freeze," an exhibition in a disused warehouse that showed his work and that of his friends and fellow students at Goldsmiths College. In the nearly quarter of a century since that pivotal show (which would come to define the Young British Artists), Hirst has become one of the most influential artists of his generation. His groundbreaking works include The Physical Impossibility of Death in the Mind of Someone Living (1991), a shark in formaldehyde; Mother and Child Divided (1993) a four-part sculpture of a bisected cow and calf; and For the Love of God (2007), a human skull studded with 8,601 diamonds. In addition to his installations and sculptures, Hirst’s Spot paintings...

Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Robert Vale Faro, 'Kaf With', color lithograph, 1945, edition 15. Signed, dated, titled and numbered '84' and '6/15' in pen, recto. Titled, numbered '#84' and '6/15' and dated '7/22/...

Artist: Marc Chagall (after) Title: Femme au Bouquet Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the edition ...

Andrea Belag Untitled, from the Lehman Brothers Art Collection, 2003 Watercolor monotype on paper Pencil signed and dated on the front Framed Gorgeous ...

Robert Indiana Vintage Stable Gallery exhibition poster (hand signed), 1962 Silkscreen on wove paper Signed in the artist's shorthand signature with a love doodle on the back Unnumbe...

Deadpan Pink - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Heavily textured in hues...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 111, 1958. Published by Aimé Maeght, Éditeur, Paris; pr...

Le Point de Non-Retour, 1969 Signed and numbered in pencil Lithograph in colors on wove paper 20 x 28.25 inches Edition 60 of 100

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...

Adolph Gottlieb (1903-1974). NIGHT GLOW. Etching and aquatint in colors, 1971. Edition of 65. Signed and dated in pencil, numbered 17/65 in pencil. Published and printed by 2RC Edizi...

Antoni Tapies (Spain, 1923-2012) 'Las segovias', 1996 silkscreen on paper 14.2 x 10.2 in. (36 x 26 cm.) Edition of 150 Ref: TAP1205-005-150 Hand-signed by author ____________________...

Artist: Colin Self Title: Power and Beauty-Unique Print No. 2 Year: 1969 Medium: Serigraph, signed and titled in ink Edition: 30 Size: 26 x 41 inches

Yayoi Kusama Offset lithograph poster, 2017 Published by David Zwirner Unframed, with original folds as issued (see photo) Gorgeous Yayoi Kusama offset lithograph poster published b...

"Original Lithograph VI" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts Miro's signature biomorphic abstract s...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, Hesiode, Théogonie, Eaux-fortes de Georges Braque, N° 71-7...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Frank Kleinholz (American 1901-1987) " Boy's Head", Abstract/ Modernist Lithograph, 10 x 6.75, Mid to Late 20th Century Colors: Black and White *In Frame Measurement: 13.75 x 10.50...

Artist: Joan Miro Title: Joan Miro (Plate 3) Portfolio: Joan Miro Medium: Original lithograph Year: 1956 Edition: Unnumbered Framed Size: 16 1/4" x 22 1/4" Sheet Size: 9" x 15" Signa...

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 150 Portfolio: DLM 151-152 Publisher: Maeght Ed...

Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...

The 50th Anniversary of the League of Women Voters Screenprint Poster from 1970, designed by Richard Anuszkiewicz (1930 - 2020) printed in 1969,...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with trifold, as issued. Notes: From Derrière le miroir, N° 50, 1952. Published by Aimé Ma...

A very good impression of this color lithograph on light gray Rives BFK. It is signed, dated and numbered 119/120 in pencil by Brown. Printed and published by Gemini, G.E.L., Los Ang...

In this abstract print by Ray Elman, the artist creates a series of wave-like forms over textual tide charts for an undisclosed area. The Old in and Out Ra...

Ajay Malghan is an American artist and son of immigrant parents from India. His mother was usually found combining cultures at home, and his father, a Materials Scientist and Enginee...

Yaacov Agam (b. 1928) Magic Rainbow II, late 20th century Screenprint in colors on wove paper LXIII/XC (edition 63/90) Signed and numbered in pencil along lower edge 13 x 15...

This first edition screenprint, designed and created by renowned artist Robert Motherwell, was commissioned for the Mostly Mozart Festival presented at the Lincoln Center for the Per...

Linocut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°4, Christmas 1938. Published and printed under the direc...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Joan Miró Lithographs, Volume I, 1972....

Lesley Dill Jubilation (10-308), 2010 Three color lithograph with collage elements on Gold Abaca paper with deckled edges One strand of off-white heavy gauge thread was applied by h...

Andrea Belag Disclosed II, 1989 Color monotype on paper Signed, titled, dated and annotated Monotype on the front Unique Printed and published at Pelavin Editions with copyright vers...

Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...

Joan Miró La Mélodie Acide - 1 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

Vendredi - Plate 10 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Signed, dated and numbered in ink, edition 20...

Tracey Emin One Thousand Drawings By Tracey Emin (Hand signed and inscribed for Nadine), 2009 Hardback monograph with dust jacket (ink signed and inscribed by Tracey Emin) Hand signed, dated and inscribed to Nadine by Tracey Emin 7 × 10 × 2 1/2 inches This is the First Edition of the hardback monograph with dust jacket "One Thousand Drawings" by Tracey Emin - featuring reproductions of 1000 of her drawings. It was hand signed, dated and inscribed in ink to the current owner - our gallery director - at the 2011 Marc Jacobs pop up bookstore in Manhattan. (see attached article for details) Inscription reads: For Nadine Love Tracey Emin 2011 NY X Publisher's Blurb: Tracey Emin has stirred controversy as well as acclaim since she rose to fame as the most highly publicized of the infamous Young British Artists. Though denounced by conservative critics at the outset, Emin’s work has attracted serious critical attention since the early 1990s for being consistently engaging, original, and startlingly direct. Her work has succeeded over the years in many media—from films to appliqués, embroideries, and installations—but it is in her works on paper that the honesty and frankness that have come to characterize her work are most fully realized. Edited by the artist herself from an archive of work stretching back before the beginnings of her career in the late 1980s, A Thousand Drawings is at once a collection of Emin’s works on paper, an exposé of her life as an artist, and a collectible artifact in itself. Many of these works on paper shed light on well-known multimedia pieces, previously studied in Works 1963–2006, published by Rizzoli in 2006. Stripped of the distractions of form and context, her bare and enigmatic drawings are presented on bible-thin paper in a uniquely beautiful slipcased volume, with an introduction by the artist. From considered self-portraits to pen-and-ink drawings and informal studies on lined notebook paper, this remarkable collection is as much a catalogue of Emin’s preoccupations as it is a monument to her raw and evocative talents as an artist. Review “Emin-an artist who is not afraid to wear her heart on her sleeve, or, indeed too embroider it on a blanket-personally chose the pictures for this book, and the delicate sketches are at once a glimpse of the profundity she’s capable of, and a reminder of vulnerability.” ~Nylon Magazine About the Author Tracey Emin was born in London in 1963. Nominated for the Turner Prize in 1999 and chosen to represent Britain at the 52nd Venice Biennale in 2007, Emin is also a member of the Royal Academy of Arts. The author of several books, including Strangeland, her memoir, she contributes regularly to The Independent newspaper and lives and works in London. Publisher ‏ : ‎ Rizzoli; First Edition (July 28, 2009) Language ‏ : ‎ English Hardcover ‏ : ‎ 2016 pages Provenance: Personally inscribed to the present owner (our gallery director) at Bookmarc, NY, a pop up art...