USA - Still-life Prints

Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XLIX George Brookshaw, also known as G. Brown, was a notable Englis...

Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XII George Brookshaw, also known as G. Brown, was a notable English...

Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XXXVIII George Brookshaw, also known as G. Brown, was a notable Eng...

C Print Photograph, signed on reverse available as 20"x30" edition of 5 This is from Stephen Mallon's series, "American Reclamation" which captures the abstract beauty within...

This serene Mid-Century Modernist Mezzotint Still Life by Tomoe Yokoi originates from the United States, Circa 1970. This quiet scene depicts a still life on a round table with a da...

This gorgeous and subtle still life print by Laurent Schkolnyk, realized in France during the latter half of the 20th Century. The work features an arrangement of objects on a plane, presumably a table. Fabric, appearing to be drapes in a sumptuous copper hue, gathers the right edge of the composition next to a perfume bottle with a bulbous base that tapers to a elegantly attenuated neck in a vibrant lime green hue with stylized foliate detailing in azure. The perfume bottle also offers an umber hued atomizer. Moving from right to left, there is a half circular bowl with an abstracted white...

La Paire Amarette by Judith Rothchild - 2001 Judith Rothchild is an American born artist, having grown up in Boston, Massachusetts. She now lives in the Lang...

Chinese Lanterns by Judith Rothchild - 2001 Judith Rothchild is an American born artist, having grown up in Boston, Massachusetts. She now lives in the Languedoc region of France, w...

Black Berries by Judith Rothchild - 23/100 Judith Rothchild is an American born artist, having grown up in Boston, Massachusetts. She now lives in the Languedoc region of France, wh...

Sevillian Bowl by Judith Rothchild - 2001 Judith Rothchild is an American born artist, having grown up in Boston, Massachusetts. She now lives in the Languedoc region of France, wh...

Chrysanthemums by Judith Rothchild - 40/100 Judith Rothchild is an American born artist, having grown up in Boston, Massachusetts. She now lives in the Languedoc region of France, w...

This beautiful modernist aquatint etching was realized by the esteemed Indian artist Kaiko Moti, circa 1975. It offers an abstracted and stylized tree branch (presumably that of a Ch...

Archival digital print

Digital art and photography on inkjet print.

Artist: Charles Bell Title: The Viking Year: 1994 Medium: Silkscreen on Bristol Rag Museum Board, Signed and numbered in pencil Edition: 2/50 Image: 24 x 34...

Forager Series: 18042, 11/2016, Print by Lisa Stefanelli, 2016 Additional information: Medium: Digital aided material printed on aluminum with floating mount Dimensions: 36 × 36 in ...

Forager Series: 18042, 9/2016, Print by Lisa Stefanelli, 2016 Additional information: Medium: Digital aided material printed on aluminum with floating mount Dimensions: 24 × 77 in E...

Forager Series : 18042, 1/2017, Print by Lisa Stefanelli, 2017 Additional information: Medium: Digital aided material printed on aluminum with floating mount Dimensions: 24 x 40 in ...

Included in the artist’s early, renowned Delights suite, Wayne Thiebaud created Banana Splits in 1964 as an original etching, the artwork hand-signed, titled, dated and numbered in p...

Created by Donald Sultan in 2024, Blue Poppies is an archival pigment print on fine art paper measuring 42 x 57 in. (107 x 145 cm), unframed. The artwork is hand-signed in pencil, ti...

Created by Donald Sultan in 2024, Yellow Poppies is an archival pigment print on fine art paper measuring 42 x 57 in. (107 x 145 cm), unframed. The artwork is hand-signed in pencil, ...

Created by Donald Sultan in 2024, Green Poppies is an archival pigment print on fine art paper measuring 42 x 57 in. (107 x 145 cm), unframed. The artwork is hand-signed in pencil, t...

Created by Donald Sultan in 2024, Red Poppies is an archival pigment print on fine art paper measuring 42 x 57 in. (107 x 145 cm), unframed. The artwork is hand-signed in pencil, tit...

Jasper Johns (American, b. 1930) Souvenir I, 1972 Lithograph in Colors on Angoumois a la Main Paper Hand-signed Lower Right Numbered 20/63 and Stamped Lower Left 38.5 x 29.5 inches 3...

M (ULAE 113), 1972 Jasper Johns (American, b. 1930) Lithograph in Colors on Angoumois a la Main Paper Hand Signed and Dated Lower Right Numbered 56/67 Lower Left 38.5 x 29 inches 39....

Created by Donald Sultan in 2024, Seven Silvers is an original screenprint in colors with enamel inks, flocking, and tar-like texture on Rising 4-ply museum board. Measuring 58 x 58 ...

Created by Donald Sultan in 2024, Seven Blues is an original screenprint in colors with enamel inks, flocking, and tar-like texture on Rising 4-ply museum board. Measuring 58 x 58 in...

Cake Shop, woodblock print by Clifton Karhu, red, yellow, black, framed, Japan hand signed and numbered

Koshihata Snow, woodblock print by Clifton Karhu, white, Japan, framed, signed 1975 hand signed and numbered

Shoji, woodblock print by Clifton Karhu, round, framed, brown, white, yellow framed woodblock print hand signed and numbered by the artist

Roy Lichtenstein Apple and Lemon, 1983 is an excellent example of the artist’s later work. Lichtenstein largely abandoned his famous comic strip pan...

BAZURTO is an original hand drawn lithograph by renowned Colombian woman artist Ana Mercedes Hoyos, (b.1942-2014) printed using traditional hand lithography techniques on archival printmaking paper, 100% acid free. Hoyos' colorful lithograph, Bazurto, is a creative combination of a female figure and still-life composition depicting a seated brown skinned woman beside a bowl of fresh fruit - green avocados, yellow bananas, brown coconuts and tropical green leaves. Ana Mercedes Hoyos is most known and recognized for her explosive use of color and rhythm in expressing the culture of the Afro-Colombian community. Her work is part of major Museums as well as important private collections throughout the world. Print size - 30.5 x 29 inches, unframed, excellent condition, hand signed in pencil by Ana Mercedes Hoyos Ana Mercedes Hoyos (29 September 1942 – 5 September 2014) was a Colombian painter...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

El Anatsui Variation I (B), 2014 Pigment print with hand collage and copper wire 23 x 30.2 inches (58.4 x 76.8 cm) Edition of 16

Brown Cottonwood, 2005 By Andrew Millner (American, b. 1967) Lightjet Print Mounted on UV Plex Signed Lower Right Unframed: 87" x 44" Framed: 88" x 45" Andrew Millner is a visual artist based in St. Louis, MO. His work investigates the relationship between art and nature, the natural and the made. Millner received a BFA from University of Michigan, in Painting and Sculpture. He has had more than 56 group exhibitions since 1987 and over 15 solo exhibitions at institutions including Miller Yezerski Gallery, Boston, Massachusetts; Ellen Miller Gallery, Boston, Massachusetts; CCA, Santa Fe, New Mexico; Tria Gallery, New York City, New York; Richard Levy Gallery, Albuquerque, New Mexico; David Floria Gallery, Aspen, Colorado; Contemporary Museum St. Louis, St. Louis, Missouri. "I started drawing on the computer in 2005. Previous to that, most of my work had been about finding lines in nature; the contours of leaves, the ripples on rivers, the edges of overlapping hills. Although I was using traditional art materials, I prepared the canvases with slicker and slicker surfaces so that the lines wouldn’t soak into the background but sit on top, preserving the nuances of my hand. I thought of the drawings as photographic, in the diaristic sense of recording moments of time. I enjoyed the easy correspondence of the endless novelty of line in these natural forms and the endless variety of line created by my hand. I couldn’t draw the same leaf twice so my subject and process were well matched. I had the idea to draw every leaf of a tree, but I struggled with the scale and complexity of the subject. How does one bring a tree indoors? How can one see the whole tree and its individual parts simultaneously? I tried traditional strategies and materials but the results were unsatisfactory. I wondered if it would be possible to make the drawing on a computer. Since everything… music, photos, movies & books were being digitized, what about drawing? I wasn’t interested in something computer-generated, but sought to “dumb down” the computer and use it as a repository for simple line drawings. In the program I use, Adobe Illustrator, lines are called “paths”… an apt name since the line exists at no set scale or color. Only later do I assign the attributes of color and thickness. Taking my laptop outdoors, I drew my first tree “en plein air.” Using a digital tablet and pen, I drew simple contours of the leaves and branches. Having these drawings remain in digital form rather than in physical form, opened up interesting possibilities and enabled me to tackle the complexity of a tree in intriguing ways. My lines were free and separate from the background and from each other. I drew the branches individually and then later, I could cobble them together to reconstitute the whole tree. On the screen, I could zoom in and out and draw at different scales simultaneously. I could zoom out to draw a simple contour of the entire trunk and then zoom in to draw the smallest leaf with equal effort. I drew in layers so that as the drawings accumulated I could turn layers “off” so that they wouldn’t obscure subsequent layers. These two novelties, drawing at different scales simultaneously and making parts of the drawing invisible to allow for work on top or behind previous drawings, allowed for the accumulation of hundreds of simple outlines to create a dizzying visual complexity. Subsequent trees I drew from photographs. I would take hundreds of close-ups of a tree from a single point of view and then stitch all of these close ups together on the computer. Sometimes I photographed the same tree in the summer and then in the fall after it lost its leaves. This allowed me to see and draw all of the branches and limbs unadorned and unobscured. I would draw the tree twice, with and without leaves, merging the two drawings into one document. In this way, the drawings comprise and compress great spans of looking over vast time frames and seemingly contradictory close-up and distant points of view. My digital drawings have been outputted in different ways… mostly as photographs printed directly from the digital file or as archival inkjet prints. The results defy easy categorization. Are they drawings, prints, or camera-less photographs...

Technical Information: Andy Warhol Flowers, FS II.67 1970 Screenprint 36 x 36 in. Edition of 250 Signed and stamped number on verso

Included in the artist’s early, renown Delights suite, Wayne Thiebaud created Olives in 1964 as an original etching, the artwork hand-signed, titled, dated and numbered in pencil. T...

This artwork titled "Some of the 48 Tulips" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbe...

This artwork titled "Sunrise Dahlia" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbered 64/...

TECHNICAL INFORMATION: Andy Warhol Dollar Sign, FS II.277 1982 Screenprint on Lenox Museum Board 19 3/4 x 15 5/8 in. 48/60 - Each Piece is Unique Pencil signed and numbered Conditi...

This silkscreen with enamel inks and flocking on 2-ply museum board was created by the artist in 2012. Signed, dated and numbered in pencil, from the edition of 50.

Technical Information: James Rosenquist While the Earth Revolves at Night 1982 Pastel and pencil on paper 36 1/2 x 72 1/4 in. Unique Signed, dated, and titled Additional Technical ...

Wayne Thiebaud Dark Gumball Machine, 1964/ 2017 Hard ground and soft ground etching 18h x 12w in

Limited Edition of 5000

The set consists of -------(1)10 1/2 inch dinner plate (1) 8 1/4 inch side plate (1) 9 1/8 inch Large soup bowl and (1) 4 inch high x 3 1/4 inch wide mug. Each piece has the signature of Andy Warhol...

Holiday Print Jonas Wood 9-color screenprint on Rising Museum Board 10.5 x 8" 2018 edition of 250 signed

TECHNICAL INFORMATION Jasper Johns Target with Plaster Casts (Black & White) 1980-1989 Drypoint etching and aquatint 31 1/8 x 24 1/8 in. AP IV/XVI Pencil...

TECHNICAL INFORMATION Alexander Calder Acier du Constructeur, 1965 Lithograph 21 7/16 × 29 3/8 in 54.5 × 74.6 cm Edition of 75 Condition: This work is in excellent condition

TECHNICAL INFORMATION Alex Katz Yellow Flags 3 2020 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 33 x 22 in. Edition of 15...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Kazuhisa Honda (b. 1948) "Lemon Tree" c. 1980s Mezzotint Signed Lower Right Numbered Lower Left 81/250 Site Size: approx. 8 x 5 inches Framed Size: approx...

Best known for his paintings of cakes, pies, pastries, and toys, Wayne Thiebaud hadn’t planned on becoming a visual artist. He apprenticed as a cartoonist at Walt Disney studios and ...

Signed, dated, and numbered in pencil.

Tom Wesselmann, (1931-2004) "Still Life" (Stilleben) 1988 Porcelain with Polychrome Ed. 169/299 Porcelain Size: approx. 13 x 14 inches Overall Size: approx. 18 3/4 x 20 inches Foun...

6-color screen print on Coventry rag paper 15.75 x 10 inches Edition of 300 Signed, dated and numbered on recto in pencil In originally packing and never removed.

This silkscreen with enamel inks and flocking on 2-ply museum board was created by the artist in 2012. Signed, dated and numbered in pencil, from the edition of 50.

Cyanotype (Edition of 12) Signed, titled, dated, and numbered on label, verso This artwork is offered by ClampArt, located in New York City. John Dugdale has received world acclaim...

C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works collect...