Paintings on Sale

"And this is How it Feels When a Good Day Comes" is a stunning oil painting of an elegant tree with lush beautiful lemons. The background is silver leaf and has a rich feeling. Arti...

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 30 by 36 inches overall and 24 by 30 painting alone. In excellent original condition. Handsomely framed in a ...

Impressive early American modernist landscape painting. Watercolor and gouache on paper. Framed. Signed. Image size, 14 by 18 inches.

Nicely painted mid century abstract expressionist oil painting. Great color and composition. Framed. Signed. Oil on canvas.

Nicely painted mid century abstract oil painting. Great color and composition. Framed. Signed.

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 12H by 10L.

Finely painted American modernist landscape by Anthony Toney (1913 - 2004) . Oil on board. Signed. Housed in a great vintage modernist frame.

Nicely painted Italian seascape painting. Oil on board. Nicely framed. Signed.

Striking realistic portrait painting of a semi-nude woman with arrows titled "Marks" by Aaron Nagel. Oil on canvas. Size 46 x 30 inches. Offered unframed. Aaron Nagel is inspired b...

A beautiful oil on canvas painting by French artist, Robert Lebrone. He was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is co...

Nice modernist American school painting. Oil and watercolor and gouache on board. Signed. Framed. Image size, 18L x 23H.

Antique American impressionist portrait oil painting. Oil on canvas. Signed. Framed. Measuring 15 by 19 inches overall and 10.5 by 15 painting alone.

Impressive early American modernist abstract oil painting. Framed. Oil on canvas.

Impressive early American precisionist abstract oil painting by Lad Montgomery. Framed. Oil on canvas. Signed. Image size, 25H by 30L.

Hendrik (Henry) J Glintenkamp (1887 - 1946) Mexican Mountains, 1940 Oil on canvas 32 x 26 inches Signed lower left; signed and dated on the reverse T...

Vintage Israeli American modernist oil painting. Oil on board. Signed. Framed. Measuring 26 by 30 inches overall and 16 by 21 painting alone.

Finely painted and impressive European seascape. Appears to be Greece. Framed. Oil on canvas. Signed. Image size, 18.5H by 21L.

Jimmy Ernst Personal Equation, 1950 Signed and dated lower right Oil on canvas 41 x 39 1/2 inches Provenance: Laurel Gallery, New York Grace Borgenicht Gallery, New York Collection ...

Original oil on canvas painting of the Union Army Calvery in the field by the well known American artist Rofus Fairchild Zogbaum. Signed lower left and dated 1885. Condition is good. Craquelure throughout. Paint is stable. Tiny old repair in middle lower sky (see last photo). The painting is housed in its original gilt wood frame. Overall framed measurements are 20.5 by 30.5 inches. Provenance: A Brooklyn, New York estate. Best known for his masterful and meticulous scenes of military engagements and nineteenth-century life in the American West, Rufus Zogbaum’s circle of acquaintances was wide and diverse. He mingled with naval commodores as well as emerging luminaries in American art, such as Norman Rockwell, his fellow illustrator and neighbor in the art colony of New Rochelle, New York. When the British writer Rudyard Kipling presented a copy of his first collection of short stories, Plain Tales from the Hills (1888), to Robley D. Evans, then captain of the USS Indiana, in 1896, the gift included a tipped-in original gouache painting by Zogbaum, whom Kipling cited in a brief poem on the leaf opposite the book’s title page. Kipling’s inscription and the four-quatrain poem begins: “Zogbaum draws with a pencil, / And I do things with a pen.” Born in Charleston, South Carolina, Rufus Fairchild Zogbaum was the son of Ferdinand Zogbaum and Mary Fairchild. The future artist’s father and his paternal uncle, Rufus Fairchild, were partners in a thriving musical instrument manufacturing and import business, first established in 1845 and then relocated to New York in 1853. Although he initially apprenticed in the family office, Rufus enrolled at the Art Students League, where he studied between 1878 and 1879. After pursuing further instruction at Germany’s University of Heidelberg in 1880, he moved on to Paris. During his two-year stay in the French capital, 1880–1882, he was a pupil of Léon Bonnat, a classical realist whose carefully constructed, emotive paintings of peasant life and religious passion reflected academic precepts of the day. The French master’s influence can be seen in Zogbaum’s oeuvre of highly-detailed, heroic paintings. Upon his return to America, Zogbaum found regular work as an illustrator; between 1883 and 1899, he frequently contributed drawings to popular periodicals like the Saturday Evening Post, North American Review, and Harper’s Monthly, where he eventually earned a staff position. In 1884, he began a run of travels to the western territories, notably Montana. The fruits of these visits were seen in the drawings that accompanied magazine articles informed by the ideals of Manifest Destiny, as well as in finished oil paintings of cowboys...

Larry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...

One of a kind acrylic canvas painting by Linda Coppola.

Antique American regionalist modern landscape oil painting. Oil on canvas, circa 1940. Signed. Displayed in a period modern frame. Image, 30"L x 25"H.

Finely painted Antique American impressionist winter landscape painting. Oil on board. Framed. Image size, 11"L x 15"H.

Antique American abstract expressionist painting. OIl on canvas. Framed. Finely painted with wonderful color palette.

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Incredible early American Hudson River School landscape painting by William Hart (1823 - 1894). Oil on board. Framed. Signed. Measuring 15 by 17 inches overall and image size, 1...

Impressive early American modernist abstract expressionist oil painting. Framed. Oil on canvas board.

An original abstract expressionist oil painting by American female artist Irene Zevon created and dated in 1959. This piece entitled "Musical" is a prime example of Zevon's relation...

Title: Seascape Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

In this contemporary surrealist oil painting by Thomas Broadbent, a bison is depicted standing atop a white upholstered, black gold-gilded chaise lounge. Birch wood branches and sto...

James MacMaster Gray Morning Signed and titled lower left Watercolor on paper 10 1/4 x 14 inches Provenance: Private Collection, New Jersey

Frank Myers Boggs Bateau au Quai (Docked Sailing Vessel at Low Tide) Signed lower left Oil on canvas 15 x 21 1/2 inches Provenance: David Findlay Galleries, New York Charles R. Brown Fine Art, Locust Valley, New York The Impressionist Frank Myers Boggs spent his formative and mature years abroad and in 1923 became a naturalized French citizen. He was born in Springfield, Ohio, but moved as a young boy to New York, where his father was a newspaper executive. The artist began his career at the age of seventeen as a wood engraver for Harper’s, preparing illustrations for Harper’s Weekly and for an American edition of the works of Charles Dickens. It has also been stated that he studied with the portraitist John Barnard Whittaker (1836–1926). After working at Niblo’s Garden in New York with a scene painter named Vauglin, Boggs went to Paris to study scene painting. On his arrival there in 1876, he was unable to find anyone to instruct him in this field and instead entered the École des Beaux-Arts. Realizing that Boggs was not well suited to painting figurative subjects, his teacher Jean-Léon Gérôme (1824–1904) advised him to try some outdoor landscapes. Between 1877 and 1881, he concentrated on marine...

An exciting watercolor of a New York City street scene done in 1974. The fast brushwork is noted with much attention directed to abstracting the depiction. Freiman's execution of thi...

Antique American impressionist flower still life oil painting. Oil on canvas, circa 1920. Signed. Image size 20L x 16H. Housed in a period giltwood frame.

Antique American impressionist oil painting of a New York River Valley by George A. Renouard (1885 - 1954). Oil on canvas, circa 1920. Signed on verso...

Modernist artist studio scene. Framed. Oil and watercolor on paper. Signed. Image size, 22.5H by 17.5L.

Emanuel Oberhauser (Austrian 1854 - 1919) “Mermaids, Neptune and Sea Water Nymphs” An Exceptional Oil on Canvas Painting painted circa 1885. Mas...

Antique American modernist signed portrait oil painting by Sidney Gross (1921 - 1969). Oil on canvas. Signed.

Incredible early American realist still life by John F. Francis (1808 - 1886). Oil on canvas. Incredible detail and masterfully painted. Museum provenance. Unsigned. Measuring 2...

Antique impressionist painting of a coastal seascape. Oil on canvas, circa 1900. Signed illegibly. Framed. Image size, 18L x 12H.

Very nicely painted antique American impressionist beach scene painting. Oil on board. Signed. Handsomely framed in a giltwood impressionist molding. Ready to hang excellent cond...

Antique American modernist framed oil painting. Oil on board. No signature found. Framed. Image size, 13L x 12H.

Striking realistic portrait painting of a semi-nude woman with arrows titled "Marks" by Aaron Nagel. Oil on canvas. Size 46 x 30 inches. Offered unframed. Aaron Nagel is inspired b...

An oil painting of the South Ferry touching down in Sag Harbor at night. A pickup truck leads the line of cars exiting the ferry from Shelter Island. Headl...

Finely painted American modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 22H by 28L.

American modernist abstract expressionist oil painting. Oil on board. Housed in a period modernist frame. Image size, 12L x 16H. Attributed to Margaret Crawford.

Pierre Marie Brisson is a French painter known for his Iconographic style. His work appropriates the forms, concepts, and imagery of art history. Spanning from prehistoric art to Roc...

A charming depiction of Washington Square Park with figures in the snow. A cozy impressionistic street scene with colors of cobalts, red, and burnt sienna's. An iconic street scene w...

Very impressive modernist landscape by Larry Horowitz (Born 1956). Oil on canvas. Signed. Framed. Artist Bio: Larry Horowitz is an American landscape painter, focused especi...

Very well executed tonalist work of a sunset over Amsterdam Harbor in Holland by the well known American artist, George McCord. Signed lower right with A.N.A following the signature which stands for Associate of the National Academy. Circa 1890. Condition is good. The painting is oil on canvas (relined) and is housed in an semi-antique style gold ornate frame. Frame is in very good condition. Overall framed measurements are 30 by 35 inches. Provenance: A Sarasota, Florida estate. GEORGE HERBERT McCORD (1848-1909) Born on August 1, 1848 in Manhattan, New York, George Herbert McCord was considered a central figure of the second generation Hudson River painters. While McCord described himself as mostly self-taught, he attended the Hudson River Institute and the Claverack Academy in New York. He also spent time studying in the studios of Samuel Morse...

Vintage American modernist abstract oil painting. Oil on canvas. Signed.

Title: On The Way Home Medium: Oil on canvas Size: 20 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Antique American impressionist landscape oil painting. Oil on board. Stamped verso. Framed.

Circa 1930 American school winter impressionist landscape painting. Oil on board. Framed. Signed verso. Image size, 16 by 20 inches.

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 15H by 19L.

Impressive early American modernist central park, new york city oil painting. Framed. Oil on canvasboard . Image size, 18H by 24L.

Anne Siems has created this artwork by painting and drawing over an archival print on thick 100% cotton fiber paper. All archival materials. Unframed size: 8.5x11 inches Frame size: 15x12x1 inch ANNE SIEMS (b. 1965, Germany) Artist Statement I was born in Berlin, Germany. From 1969 to 1971 I lived near Buenos Aires, Argentina. My first extended stay in the US was as an exchange student in 1986. Then in 1991, after finishing my MFA in Berlin, I moved to Seattle, WA. My work has moved from semi-abstract, room-filling plant and insect drawings...

Part of a series inspired adventures in Phuket, Thailand.