New in Chairs on Sale

Set of eight fully restored, 1960s rosewood dining chairs by Kai Kristiansen for Schous Møbelfabrik with custom upholstery. The chairs have Kai Kristiansens typical light and elegan...

Set of six fully restored, 1960s rosewood dining chairs by Kai Kristiansen for Schous Møbelfabrik. The chairs have Kai Kristiansens typical light and elegant design that make them fit in easily where you want them in your home - a design that was so uniqe that his colleague the famous designer Hans J. Wegner characterized model 42 as beautiful from all angles when the chair with it´s unique backrest swivel function was revealed in 1956. The chairs are in very good condition as they have been fully restored, sanded by hand and refinished by our experienced workshop to insure that they are in very good condition with only minimal signs of age and use and will be reupholstered without additional cost in fabric of your choice from "Kvadrat" / standard leathers from "Sorensen Leather" or for additional price luxury leathers (Elegance, Vegetal, Rustic, Pure and Royal Nubuck). Kai Kristiansen was one of the last pupils of the famous architect Kaare Klint who founded modern Danish design and laid the foundation for the "Danish Modern" style. During the years 1958-78 Kristiansen worked in his business in Aarhus owned jointly by himself and furniture maker Illum Wikkelsø (1919-99). Kristiansens works met their most intense demand during a few decades from 1950, then production of them was discontinued. However, several of them are now being produced again by the Japanese furniture producer Miyazaki Chair...

A set of four dining room chairs, model 31, designed by the renowned Danish designer Kai Kristiansen around the 1960s. These exquisite chairs are crafted with rosewood frames by Scho...

Set of twelve fully restored, 1960s rosewood dining chairs by Kai Kristiansen for Schous Møbelfabrik. The chairs have Kai Kristiansens typical light and elegant design that make them fit in easily where you want them in your home - a design that was so uniqe that his colleague the famous designer Hans J. Wegner characterized model 42 as beautiful from all angles when the chair with it´s unique backrest swivel function was revealed in 1956. The chairs are in very good condition as they have been fully restored, sanded by hand and refinished by our experienced workshop to insure that they are in very good condition with only minimal signs of age and use and will be reupholstered without additional cost in fabric of your choice from "Kvadrat" / standard leathers from "Sorensen Leather" or for additional price luxury leathers (Elegance, Vegetal, Rustic, Pure and Royal Nubuck). Kai Kristiansen was one of the last pupils of the famous architect Kaare Klint who founded modern Danish design and laid the foundation for the "Danish Modern" style. During the years 1958-78 Kristiansen worked in his business in Aarhus owned jointly by himself and furniture maker Illum Wikkelsø (1919-99). Kristiansens works met their most intense demand during a few decades from 1950, then production of them was discontinued. However, several of them are now being produced again by the Japanese furniture producer Miyazaki Chair...

Set of 10 model 42 rosewood dining chairs with adjustable backrest by Kai Kristiansen for Schous Møbelfabrik. The chairs have Kai Kristiansens typical light and elegant design that ...

Pina Chair Menízia is a high-end chair with a simple yet sophisticated silhouette. Designed to offer the utmost comfort and make a statement in any living space, Pina Chair Menízi...

The Invicta dining chair is a unique piece, and the impressive design with just one leg in the back, in solid wood, will make the dining room a so...

Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Set of 6 1970s Bamboo Cane Back & Rattan Dining or Game Chairs with Swivel & Rolling by FICKS REED. Incl...

Kai Kristiansen Model 42 dining chairs, 1956. Set of 6 dining chairs produced by Skovman Andersen for the Illum Bolighus department store in Copenhagen. Refinished rosewood fra...

Vintage pencil reed pod chair in the Crespi style. Comes with a white cushion that could easily be updated. Can be picked up for free from my Bay ...

Available now, this beautiful pair of Brazilian Modern armchairs are made of ebonized Pau Marfim hardwood & white leather in buttone style. The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two. For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro. This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment. Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth. In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism. A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu. Literature: • Arquitetura e Decoracao, no. 12, Jul-Aug 1955 • Tenreiro book...

Joaquim Tenreiro, Leve armchairs (light) - 1960s. Manufactured by Tenreiro Móveis e Decorações. Metal frame, armrests in Jacaradá. Metal shows signs of a...