Medium Drawings and Watercolor Paintings

This landscape painting depicts a rustic Mediterranean countryside scene featuring a rural dwelling nestled among rolling hills and olive trees, with a distinctive tall cypress tree ...

This is an original water color made in 1999. In good condition. Measures 30x25

Title: Mid Century French Study Artist: Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper Size: 25.5 (height) x 19.5 (width) Stamped: Verso Condition: ...

Aubrey Schwartz, American (1928 - 2019) - Vulture, Year: circa 1965, Medium: Watercolor and Ink on Georgian laid paper, signed in pen lower right, Image Size: 22 x 15 inches, Size:...

This artwork "Landscape with House" 1973 is a watercolor on paper by American artist Rachel Bentley, 1894-1991. It is signed and dated at the lower righ...

Lloyd Lozes Goff, American (1918 - 1982) - Westerly, Year: circa 1970, Medium: Watercolor and Ink, Size: 22 in. x 28 in. (55.88 cm x 71.12 cm)

My dear art lover, This semi-abstract vibrant expressive artwork celebrates a summer floral period. This floral artwork named "Summer colorful garden" with its bright vivid colors ...

Artist Interview: Jerianne, can you briefly walk us through your story – how you started and how you got to where you are today. Like most people, I began drawing as a kid, but as a ...

Carl-Henning Pedersen (Denmark, 1913 - 2007) The Blue Earth II, 1971 Watercolor on paper Signed and dated lower right, signed, dated and titled verso 30.5 x 21.5 inches Carl-Henning Pedersen was born in Copenhagen in 1913. At an early age he began taking part in politics, first in the youth association of social democrats and later in the youth association of communists, which better suited his revolutionary activist nature against fascism. In 1933, he attended the public high school of Humblebaek where he met the painter Else Alfelt, who he would marry in 1934 and with whom he would have two daughters. For many years the family divided its time between Copenhagen and the city of Bovbjerg, located on the North Sea, where Carl and Else had a studio. Between 1935 and 1940, Pedersen started to sketch and paint. He exhibited for the first time, together with his wife, in “Kunstnernes Efterårsudstilling” (The Artists' Fall Exhibition) in Copenhagen in 1936. Pedersen associated with the young painters close to abstract movements, and like them, worked under difficult conditions. He went to Paris in 1939, where he encountered the work of Picasso, Matisse and Chagall. Between 1940 and 1945, he contributed to the journal Helhesten. In the same journal, Pedersen published the text "Arte astratta o arte immaginaria," that supplied the most complete and precise definition, up to that point, of the work principles of the young generation of painters, of which he was a part. This definition, in many ways, was close to that which would be the program of the group Cobra. Between 1945 and 1960, the Danish artists went abroad and, along with Dutch and Belgian artists, founded the group Cobra, which was active between 1948 and 1951. During this period in 1948, Pedersen participated in the Biennial of Venice. He exhibited extensively with Cobra in shows such as its first important show which was held at the Stedelijk Museum of Amsterdam in 1949, “International Experimental Art.” Afterwords, Pedersen distanced himself from the group and began to travel frequently. His destinations included Greece, Italy, France, Switzerland, Norway, Lapland, Iceland, Turkey, Nepal, and Jerusalem. He received the Eckersberg Award in 1950 from the Royal Danish Academy of Art. In 1952, he participated in “Contemporary Drawings from 12 Countries, 1945/1952,” an exhibition held at the Toledo Museum of Art in Toledo, Ohio, the exhibition also traveled to other museums in the United States, while in 1955, he took part in the group exhibition “Expressionism 1900/1955,” at the Walker Art Center in Minneapolis (also a traveling exhibition throughout the United States). He participated in the 1952, 1955, 1958, 1961, 1964, and 1967 editions of “The Pittsburgh International Exhibition of Contemporary Painting and Sculpture” at the Museum of Art of the Carnegie Institute in Pittsburgh. The same museum also honored him with solo exhibitions in 1961 and 1968. In 1966, he exhibited at the Solomon R. Guggenheim Museum of New York in the show “European Drawings” that also traveled to Hawaii, Canada, Argentina, and Germany. In 1967, he showed at the “2. Internationale der Zeichnung” in Darmstadt, and then in 1968, he participated in the Premio Marzotto and the “Exhibition of Expressionist Art after 1950” at the Kunstmuseum of Lucerne, which then toured in Romania, Australia, Belgium, and Finland. Pedersen received the medal of Prince Eugen in 1980, and he participated in the exhibition “Danish Artists, Carl-Henning Pedersen, Else Alfelt, Egil Jacobsen...

Seated Male Nude in Charcoal on Paper Figurative piece with a nude male by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The...

China Ink Signed H. Balslaecj (artist unknown from the gallery) and dated 1978 Pastel wooden frame with plexiglas Total size with frame: 75x57x6 cm

By Virginia Conroy Dedini (American, 1922-2006). Titled on exhibition label, 'Sheila' and created circa 1965. Exhibited: Pacific Grove Museum of Natural History, Second Annual Wate...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Charcoal drawing featuring bold contrasts, 1991. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archiva...

A very attractive American Impressionist watercolor & gouache painting, "The Spanish Peaks" Colorado mountain landscape scene, by Charles Partridge Adams (1858-1942), circa 1900. Thi...

Norman Edgar Hubert (British, 1906 – 1985) Geometric abstract in black and white Signed and dated ‘E Hubert 55’ (on the reverse) Gouache on black paper 25.3/8 x 20.3/4 in. (64.3 x 53 cm.) Abstract painter, born Norman Edgar Hubert in Billingshurst, Sussex, and one of the mysterious curiosities of modern British painting. He was at school at Sherborne, and after studying art at University of Reading, 1924–6, was at the Slade School of Fine Art, 1926–9 (gaining a certificate for drawing, 1926–7). Henry Tonks was among his teachers and he shared rooms with William Townsend, in whose journals he appears. Although he socialized with such painters as Geoffrey Tibble, William Coldstream and Rodrigo Moynihan...

This intimate domestic scene depicts a woman in blue sewing in an arts and crafts interior setting, surrounded by the warm details of daily life including a tea service, framed artwo...

Alix Waline is a French artist known for her large-scale, in-situ drawings that blur the line between fine and decorative arts. After studying at the Beaux-Arts de Paris and La Cambr...

Charcoal and pastel on paper Signed and titled (lower right) 51cm × 38cm (63cm × 49cm framed) Cayford, now retired, was a graphic designer and illustrator working in London in the p...

Book of Verses, 1924 Charcoal on paper 29 x 23 inches (73.7 x 58.4 cm) Framed dimensions: 33 3/8 x 27 5/8 inches Signed upper right: Lilian Westcott Hale...

This artwork titled "Market Street, San Francisco" c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he lower right corner by...

This artwork makes part of my small collection of abstract paintings created in various soft neutral earth tones. Main colors of this collection are grey, brown, suede, black, white....

John Koch, American (1909 - 1978) - Interior Bedroom Scene, Year: circa 1970, Medium: Graphite on Paper, signed in pencil lower right, Size: 17 x 11 in. (43.18 x 27.94 cm), Frame ...

French, Mid Century, pastel and crayon portrait of an elegant young lady by Gourdon. Signed and dated bottom left. Trade label to the back board. Presented in period deep 'tray' frame. This seems to be an early work by the artist and hence it carries his name rather than his later more distinctive signature 'Aslan'. Alain Gordon was one of two brothers, his sibling Michel also went on to achieve notable success with his distinctive 'comic' style. Alain Gourdon...

A romantic late 18th century pastel rendered in the manner of Francois Boucher (1703-1770), portraying two lovers tenderly embracing in a moonlit forest. Beside them, their loyal dog...

Elsbeth Rudolff(1861-1945)

"Bright Day", nude, ultramarine tempera on colored paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube. Fast shipping, anywhere in the world, 7 days...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Alfred Birdsey was a renowned English born Bermudian painter. Here are a pair of watercolors representative of his confident loose style and familiar bayscape subjects. Signed in the...

Boldly lined pencil drawing of farm workers harvesting and bailing hay by French artist Jean Baptiste Grancher, circa 1950. Original artwork on paper displayed on a white mat with ...

Portrait in primary blues and yellow of perhaps a Persian man. He is in profile set against a decorative yellow background with floral elements. The work...

A substantial, late 19th century, French School portrait of an elegantly dressed young woman of the court, shown holding her English spaniel in her arms and gazing towards the viewer...

A French art deco pastel portrait by Louis-Jean Beaupuy. The work is signed and dated bottom right. Presented in carved and gilded wood frame. Beaupuy has captured all the charm and...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 24.5 x 18.5 inches Beautifully decorative, mid 20th century French or...

Donna Sdraiata Fondo Blu is an original drawing realized by the Itaian contemporary artist Aurelio Bulzatti in 2010. The drawing is a unique piece pa...

Title: Mid Century French Original Pastel Painting - Coastal View from the Hills Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.25 (height) x...

The picture describes creative people looking for a recipe for happiness. The artist uses impossible figures in the painting that enhance the arsthetic effect. This motive will refresh any interior. High-quality materials were used for work. The gallery guarantees the uniqueness and high quality of this work of art, confirmed by purchasing paintings by Sanne Bleka...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world photographing and sketching houses...

Portrait of an old man done in charcoal by California artist Ralph Edward Joosten (American, 1928-2009). Signed "R. Joosten 82" lower right. Pre...

Magnificent abstract work on paper by Swiss artist Albert Chubac measuring 55.5 x 66.5 x 4 cm

Lyman Kipp Untitled drawing, 1993 Unique Colored Ink Drawing on paper with two deckled edges Hand signed, inscribed and dated by the artist on lower front 26 1/4 × 20 inches Unframed...

Watercolor on heavy paper realized by Carlo Ravagnan in 1960s. Hand signed lower left. Excellent condition.

Watercolor on heavy paper realized by Carlo Ravagnan in 1960s. Hand signed lower left. Excellent condition.

Watercolor on heavy paper mounted on wooden panel, realized by Carlo Ravagnan in 1973. Hand signed lower left. Dated on rear. Very good condition.

Title: Mid Century French Original Pastel Painting of Vibrant Sun-Drenched Orchard Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 18.25 (height)...

Blue Nude. Inspired by Matisse. Part of my "Nude in Interior" series Original, signed. 50x70cm / 20x28in actual size ink, graphite, tempera on pa...

Title: Mid Century French Original Charcoal Portrait of a Seated Woman Artist: Josine Vignon (French 1922-2022) Medium: Charcoal on artist paper Size: 24.25 (height) x 19 (width) ...

Watercolour on handmade paper possibly of a 'Fang' figure applied to Vélin d'Arches paper by French artist La Roche Laffitte. A beautifully observed and detailed study of a Fang figure in muted brown on high quality hand-made paper. An extremely chic and elegant watercolour. This contemporary artist, born in 1943, specialises in watercolour studies on hand-made paper. With his highly detailed and precisely painted studies he invites us into the magical world of cultural objects, flora and fauna. The treasures of nature along with tribal regalia is his main inspiration. All of his work is beautifully observed and executed down to the smallest detail. The Fang are a major ethnic group of Central and West Africa and form part of the population of Gabon, Equatorial Guinea, and Cameroon. They produce monumental anthropomorphic wooden statues, used for ritual purposes, with an aesthetic that was admired from the late nineteenth century onwards by such famous modern artists as Pablo Picasso, Georges Braque, and André Derain. Fang sculptures...

Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive wate...

Richard McLean ‘Cowboy, 1968’ Framed 30 x 27 inches Pencil on paper 27½” x 22½ inches Richard McLean is one of the most highly regarded American photo-realists. His paintings l...

Henry George Keller (American, 1869-1949) Ladies in a Church Yard Watercolor and gouache on paper Signed lower left with monogram 15 x 20 inches 25.5 x 20.25 inches, framed Keller, ...

Title: Mid Century French Original Watercolor of Beg-Meil Beach Scene with Bathers Artist: Josine Vignon (French 1922-2022) Medium: Watercolor on artist paper Size: 18.25 (height)...

Golden Flowers and Blue Oaks - California Rural Landscape in Watercolor on Paper Vibrant landscape by listed California artist Marie Williams (American, 1878-1969). Yellow flowers c...

Andy Warhol (1928-1987) Gem (circa 1980) Original graphite drawing on paper, folded 20.75 x 28.5 in (52.7 x 72.4 cm) Unsigned Authenticated by the Authentication Board of Andy Warh...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 25 x 19 inches Beautifully decorative, mid 20th century French origin...

Joanne Freeman Squares and Strokes (Viridian_16), 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem243) My paintings and drawings incorporate elements found in ar...

Nude in the Afternoon Sun, pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube. Free shipping for item over $ 500 with 1stDibs code FREESHIP. In mat and framed as they were in the February exhibition, for display purposes. "In the Afternoon Sun" is an evocative and skillful piece that captures the interplay between light, shadow, and the human form with remarkable sensitivity. The artist’s use of ultramarine tempera on ochre paper transforms a simple moment—sunlight filtering through a window—into an artwork filled with vitality, sensuality, and rhythm. The subject's upward-reaching gesture, with one arm stretched behind her head, creates an elegant, sinuous line that imbues the piece with energy and a sense of motion. Her relaxed expression contrasts with the dynamism of her pose, creating a balance between activity and repose. The figure’s directness, combined with the slight tilt of her head and the open nature of the pose, draws the viewer in, making her seem both vulnerable and self-assured. The intimacy of the moment is heightened by the interplay of light and shadow. The striped patterns of light and shadow play a leading role, emphasizing the contours and textures of the body. These light effects are not only realistic but also deeply expressive, almost creating an abstract overlay that adds rhythm to the composition. The stripes of sunlight create a sense of dimensionality, as if the viewer is peering into a real scene. The interplay of warm ochre and vibrant ultramarine enhances this layered effect, making the shadows feel alive. The artist’s loose, fluid lines lend the piece a sense of immediacy and spontaneity, suggesting that this is a fleeting, captured moment. The gestural strokes used to delineate the figure and the shadows allow the piece to feel natural and unrestrained. The figure is the undeniable focal point, with the bold ultramarine providing sharp contrast against the warm ochre. The background elements, though faintly suggested, remain unobtrusive, allowing the shadows on the body to take center stage. The work’s focus on sunlight playing across the nude figure evokes a sense of warmth, intimacy, and sensuality. There is a tactile quality to the shadows, as if the viewer can feel the heat of the afternoon sun. The relaxed pose, combined with the tranquil mood of the sunlight, suggests a private moment of reflection or contentment. The piece feels deeply personal yet universally relatable. The emphasis on light and its interaction with the human form recalls the Impressionist movement, particularly the works of artists like Degas and Renoir. However, the gestural modernity of the brushwork gives this piece a contemporary flair. Throughout art history, the relationship between light and the human body has fascinated artists, from Caravaggio's dramatic chiaroscuro to Matisse’s lyrical nudes. This piece situates itself within that rich tradition while bringing a fresh and immediate perspective. "In the Afternoon Sun" is a masterful exploration of the interaction between light, shadow, and the human form, capturing both the physical and emotional warmth of a sunlit afternoon. The artist's ability to balance naturalistic detail with expressive abstraction makes this piece both visually stunning and deeply resonant. It’s a celebration of the human figure in its purest, most natural state—bathed in sunlight and alive with the rhythms of nature. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

"Nude in Blue" Part of my Nude in Interior series. Female nude, ultramarine blue tempera on blue gray paper, inspired by Matisse. 70x50cm / 27.5x1...