1910s Figurative Drawings and Watercolors

Georges CONRAD (1874-1936) Moulin Rouge Dancer Original pencil and color pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c....

La Libia is an original drawing in China ink, watercolor and white lead on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This is an original dra...

The Flight is an original drawing in pencil and pen on paper by Gabriele Galantara (1865-1937). In good conditions except for some diffused foxings and some small holes. Sheet dime...

Il Kaiser is an original drawing in China ink, watercolor and white lead on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This artwotk presents ...

The prison is an original drawing in China ink and white lead on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This artwotk presents on the back...

Medium: Charcoal Drawing Signature: Signed Lower Right Framed 40.00" x 32.00" Bad glare in photos taken. Piece is in perfect condition. Please let me know if you would like to see a...

Studies for a Female Standing Nude is an original artwork realized by the french artist Ginsbourg in 1918. Original red pencil and pencil on paper. Hand-...

Invitation with sketch is an original invitation of the early 20th Century with an original sketch in china ink on it. Good condition except for dor the bein fold on the middle and ...

Giolitti is a Modern Artwork realized by Gabriele Galantara (Montelupone, 1865 - Rome, 1937) in 1905 ca. Original pen drawing on paper. Mint conditions. Giolitti is a very inte...

Walt Lauderback like Dean Cornwell represents the pinnacle of the Golden Age of American Illustration. Based on the signature, this watercolor of a family with dog on boat appears ...

Bridge on the River is a beautiful drawing in pencil and charcoal realized by the French painter Emile-Louis Minet in 1919. The state of preservation is very good, except for a small...

Figures is a drawing in pencil and pastel on paper realized by Anonymous Artist of the 20th Century. In good condition, except for small folding. The artwork represents three figur...

Collection of girl portrait studies that are signed and dated by the artist. The papers are not framed. The dimensions are of the larger work, the small...

Woman's Figure is an original pencil and pastel drawing realized by D. Ginsbourg in 1916. Hand-signed by the artist on the lower right corner of the brown paper. Another pen and wa...

Georges CONRAD (1874-1936) Study of female nude and a couple Original pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good condition, paper...

The apparition is an original artwork realized in 1918 and signed and dated "Hinault 1918" Black and white china ink, watercolor and biacca drawing .Hand signed Hinault and dated on...

Sketch for a Nude is an original artwork realized by Jean Dreyfus-Stern in the 1920s. Pencil and red pencil on paper. Hand-signed in pencil by the artist on the lower right margi...

Jean-Jacques Berne-Bellecour (1874-1939) A North African Horseman in the forest, Watercolor on paper signed and dated 1915 lower right, 32 x 27.5 cm In a modern frame : 53 x 48 cm ...

A Hole in the Water is an original drawing in pen on cardboard realized in 1910 ca. by Gabriele Galantara (1865-1937). In good conditions. The original drawing represents the satir...

Medium: Watercolor on Paper Signature: Signed Lower Left Cover illustration for Life magazine's January 10, 1918 issue, with the caption, "Souvenirs for...

Woman on a Patio Pastel on paper, c. 1915 Unsigned Provenance: Gift of the artist to his wife, Mary Hess Buehr By decent to the artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art Thomas French Fine Art Ronald C. Sloter, Columbus, Ohio Columbus College of Art and Design (de-accessed) Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibition at the North Franklin Street Gallery. One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy, AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Medium: Pastel on Paper Signature: Signed and Dated Lower Left

Satiric Scene For l’Asino is an original drawing in pencil and pen on cardboard realized in 1910 ca. by Gabriele Galantara. The state of preservation of the artwork is good. The a...

Modern School is an original drawing in China ink and watercolor on cardboard, realized by Gabriele Galantara in 1910s. Titled on the lower left in Italian. With the description wr...

Lucien Victor Guirand de Scevola (1871-1950) Portrait of Marie-Thérèse Piérat in Les Marionnettes, 1910 Pencil on paper, signed, dated and annotated lower ...

Medium: Ink and Graphite on Paper Signature: Signed Lower Left

Nude Sketch is an original artwork realized by Michel Simonidy in the first years of the XX Century. China ink on paper. Passepartout is included (cm 19 x 26). Mint conditions. ...

Medium: Ink and Watercolor on Paper Signature: Signed Lower Right Contact for exact dimensions. LITERATURE: Charles Kingsley, The Water-Babies, New York, 1916, illustrated Edwar...

Medium: Ink and Watercolor on Paper Signature: Signed Lower Right Contact for exact dimensions. Charles Kingsley, The Water-Babies, New York, 1916, illustrated Edward D. Nudelman,...

Porta Pia is an original drawing in pen and white on cardboard by Gabriele Galantara (1865-1937). In good conditions except for some diffused foxings. Sheet dimension: 30.5 x 20.5 ...

Medium: Charcoal on Board Signature: Signed Lower Right

Signature: Signed Lower Right Illustration for the Saturday Evening Post 3/25/1916.

Signed Lower Left

French school early 20th century  View of the Grosbois castle and a portrait study. Black ink, black ink wash and watercolor on paper Signed lower right (indistinct, see photo) 27 x ...

Georges CONRAD (1874-1936) Tribute to Degas Ballerina : Sitting female nude Original India ink and pencil drawing Signed with the stamp of atelier On...

Image dimensions: 16,5x8,5 cm. The Discussion is an original artwork realized by Rivalta, in 1914. The state of preservation is good, except for some small holes on the back. Hand-...

NORMAN AULT 1880 – 1950 ANIGHT MY SHALLOP Pencil & watercolour, signed & dated 1913 Image size: 10 ¼ x 7 ½ inches (26 x 19 cm) This watercolour was used as an an illustration in Mar...

An fine period watercolor, dated 1910, an illustration by Charles Edmund Brock (English, 1870-1938). This, from a novel by William Makepeace Thackeray, "The Newcomes, Memoirs of the Most Respectable Family." The novel was published in 1855. Below this image are two characters from "The Newcomes, Chapter XI". Presented in a rustic giltwood frame. Signed "C.E. Brock" and dated "1910" lower left. Image size, 10"H x 7.5"W. Charles Edmund Brock was a widely published English painter, line artist and book illustrator, who signed most of his work C. E. Brock. He received his first book commission at the age of 20. He became very successful, and illustrated books for authors such as Jonathan Swift, William Thackeray, Jane Austen, Charles Dickens, and George Eliot. Brock also contributed pieces to several magazines such as The Quiver, The Strand, and Pearsons...

Georges CONRAD (1874-1936) French Woman with a Officer Original India ink and pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good co...

Signature: Signed Upper Right Christmas Greetings from the Class of 1912 U S N A (United States Nava Academy) "Inscribed: To Ruth Pennington Sutton C Coles Phillips" Oct 20t...

Signed Lower Left Likely an illustration for a Gerlach Barklow Yard Long Calendar, circa 1915

Georges CONRAD (1874-1936) Naked woman facing a little devil Original pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good condition, paper...

Deux Baigneuses is an original artwork realized by Michel Simonidy in the first years of the XX Century. Pencil on paper. Passepartout included (cm 26.5 x 19). Mint conditions. V...

Signature: Signed Lower Right Cover Illustration for Elias Tobenkin's 'Witte Arrives'. The story of a family of Jewish immigrants, especially of the youngest, Emil, who works his wa...

Georges CONRAD (1874-1936) Secretary in the Subway Original pencil and color pencils drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good conditio...

Georges CONRAD (1874-1936) Morning moments Original India ink drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good condition, paper lightly y...

Muskateer 28th Foot (Gloucestershire Regiment) 1746 in Watercolor on Paper A beautiful watercolor of a British Musketeer of the 28th (North Gloucestershire) Regiment of Foot, in full uniform standing with poise and readiness by English artist Clarence F. Bretherick (b. 1868). Signed lower right. Displayed in a rustic giltwood frame. Image, 12"H x 9"W. In 1892 Bretherick was appointed permanently on the Liverpool Weekly Post as artist to that journal, to be responsible for all illustrations therein. His great specialty was figure drawing, military figure subjects in particular. This particular watercolor is a fine example of his skill as an artist and his fine attention to detail. 28th (North Gloucestershire) Regiment of Foot. The regiment was first raised in 1694 by Colonel Sir John Gibson, the Lieutenant-Governor of Portsmouth, as Sir John Gibson's Regiment of Foot and was posted to Newfoundland to protect the colony there. They saw action in Flanders during the War of the Austrian Succession...

Gaudier-Brzeska, Henri. UNTITILED - WOMAN CARRYING A BAG. Drawing, Ink on paper, undated. Initialed/monogrammed in pencil, lower center. This monogram is a known form which Gaudier ...

Moses on Mount Sinai by LÉON BAKST (1866-1924) Gouache on paper 66 x 48 cm (26 x 18 ⁷/₈ inches) Signed lower right, Bakst 1913 Provenance Phillips London,...

Georges CONRAD (1874-1936) Nineteenth-century Coachman Original India ink and pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good co...

Georges CONRAD (1874-1936) French woman with Japanese inspired gown Original pencil drawing Signed by stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good condition, pap...

A rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...

Medium: Pen and Ink on Paper Dimensions; 19.50" x 13.25" Signature: Signed Lower Center

Bather Sketch is an original artwork realized by Michel Simonidy in the first years of the XX Century. China ink on cardboard. The mark of the artist appears both on the back and o...

China Town San Francisco 1896 - Watercolor on Paper A vintage watercolor by Theodore Ernest Langguth (German-American, 1861-1952). Presented in a rustic giltwood frame. Signed "T. Langguth" lower right. Watercolor circa 1920-30. Image: 12.5"H x 8.5"W. Painted from the photograph by Arnold Genthe...

WILLIAM SHACKLETON, NEAC (1872-1933) Sorting the Catch – Study for The Mackerel Nets Oil on paper, unframed 32 by 46.5 cm., 12 ½ by 18 ¼ in. (mou...

Sketches for female nudes is an original artwork realized by Jean Dreyfus-Stern in 1916. Pencil of paper. Hand-signed in pencil by the artist on the lower margin. Dated in pencil...