Drawing Figurative Drawings and Watercolors

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. A cabinet-sized, Post-Impressionist figural drawing of a young woman smoking a pip...

Nudes is an original Pencil drawing on paper. Realized in the mid-20th Century. Mint Conditions. The artwork id depicted through soft strokes in a well-balanced compositions.

Dancer is a drawing made by Simone Vaulpré during the 20th century. Pencil on paper. Good condition.

ANTONI JANUSZ PASTWA (b. 1944) Graduated from Academy of Fine Arts in Warsaw at the Faculty of Sculpture. Obtained his diploma in 1970. Between 1974-1981 he was an assistant at profe...

Contemporary figurative watercolor on paper painting by Polish artist living in Belgium Hanna Ilczyszyn. Artwork depicts woman laying on a ground in a swimsuit. It evokes hot summer ...

Figure is an original black marker drawing on ivory-colored paper realized by Leo Guida the 1970s. The state of preservation of the artwork is good. Not signed.

Figure is an original red china ink drawing on ivory-colorated cardboard by Herta Hausmann (1916-?). In excellent conditions: As good as new. This is an original drawing representi...

Duomo di Bovino (Secolo XIV) is an Artwork realized by the Italian Artist Aurelio Mistruzzi in 1905. Pencil Drawing on paper. Good conditions. Aurelio Mistruzzi (1880-1960) studie...

Lily is an Artwork realized by the Italian Artist Aurelio Mistruzzi in 1905. Pencil Drawing on paper . Good conditions. Aurelio Mistruzzi (1880-1960) studied at the Udine Art Scho...

Moulin Rouge is an original drawing in China ink on paper realized by an unknown artist of the XX century. The State of preservation is very goo...

Le Bois is an Original China Ink Drawing realized by Charles Dufresne (1876-1938). The artwork is in good condition on a yellowed paper, included a white cardboard passpartout (51x35 cm). Hand-signed by the artist on the lower right corner. Georges-Charles Dufresne (23 November 1876, Millemont - 8 August 1938, La Seyne-sur-Mer) was a French painter, engraver, sculptor and decorator. He was more attracted to painting, however, and began making pastels at Café-chantants and circuses and guinguettes, in the manner of Toulouse-Lautrec. His first exhibition came at the Salon of the Société Nationale des Beaux-Arts in 1903. Following that, he and his close friend, the American engraver Herbert Lespinasse...

Gustave Poetzsch (1870-1950) Manner of Vermeer : Young Girl with a Bowl Original charcoals and pencil drawing Stamp of the Estate auction sale on the back On grey tinted vellum 32 ...

Boat is an original Pen Drawing realized by an unknown artist in mid-20th Century. Good condition, no signature.

Femme allongée is a superb original charcoal drawing on paper, realized by an unknown French artist in the end of XX century. A beautiful and sensual woman is laying down on a bed a...

Musicians is an original drawing in pencil on paper, realized by an Anonymous artist of The early XX century. The State of preservation is good. The artwork represents a joyful sce...

Suzanne LALIQUE Roman man : Antique Greek costume Original Carbon Pencil Drawing Signed with the stamp of atelier on the back On vellum 37.5 x 2...

Relax is a Pencil Drawing realized by Angelina Beloff (1884-1969) in 1930s. Good condition included a white carddboard passpartout (35x49 cm). Hand s...

Georges CONRAD (1874-1936) Elegant Woman Seen in Cafe de la Paix (Paris) Original pencil and color pencils drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x ...

Christopher Ganz Apollo and Daphne From Bernini Sculpture, Galleria Borghese, Rome, 2014 Colored pens & chalk 11h x 7.50w in 27.94h x 19.05w cm Frame: 16.25h x 14.25w in CG0004 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching, Invitational Print Portfolio Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3 Contemporary American Realism: Fort Wayne Museum of Art 2012 National Biennial, Fort Wayne, IN, Aug.11-Oct. 28 32nd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 13 – May 23 Juror: Ladislav Hanka, internationally exhibiting printmaker International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April 20-23 Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2 Ann Nathan Gallery, Chicago 2011 Prints U.S.A. 2011 – National Juried Exhibition Springfield Art Museum, Missouri, Nov. 18 – Jan. 8 Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum International expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery space, April 14-17 2010 Contemporary American Realism: Fort Wayne Museum of Art 2010 National Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted Cultural Baggage, Invitational Print Portfolio Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct. 13-16 Art Chicago: International Fair of Contemporary and Modern Art Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2 30th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 16 – May 26 Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH 2009 Are you looking at me? Invitational Print Portfolio Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19 Art Chicago: International Fair of Contemporary and Modern Art Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4 Identification Please, Invitational Print Portfolio Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National Conference, Columbia College, Chicago, March 25 – 29 Boston Printmakers 2009 North American Print Biennial – National juried printmaking exhibition Juror: Rebecca Waddell, Curator of Prints at the New York Public Library Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30 22nd Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19 Juror: Professor of printmaking at the University of Wisconsin - Parkside Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted 28th Annual National Print Exhibition at Artlink - National Juried Exhibition 2008 Artlink Gallery, Fort Wayne, IN, April 11 – May 21 Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and Curator of Prints and Drawing, Art Institute of Chicago “No Danger” - Invitational Portfolio Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond International Airport as part of the Southern Graphics Council National Conference Virginia Commonwealth University, Richmond, VA, March 26 – April 26 21st Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21 Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine Arts, Ohio University 2007 Singularities – Invitational group exhibit Joan Resnikoff Gallery, Roxbury Community College, Boston, MA Nov. 2 – Dec. 17 Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational international printmaking exchange exhibition School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong, China, Nov. 1 – Nov. 16 27th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley State University Boston Printmakers 2007 North American Print Biennial – National juried printmaking exhibition Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1 Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck, Professor of Art, University of Dallas A Mammalian Future? - Invitational Portfolio Intaglio print Jonas Ark displayed at Southern Graphics Council National Conference University of Wisconsin-Madison, University of Wisconsin-Madison, April 5 – 9 Paper in Particular - National Juried works on paper exhibition Larson Gallery, Columbia College, Columbia, MO, Feb. 5 - March 5; two pieces accepted. Juror: David Morrison, Professor of Printmaking, Herron School of Art and Design, Indianapolis, IN 19th Parkside National SmallPrint Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.15 - Feb. 16 Juror: Rudy Pozzatti, Professor Emeritus, Indiana University - Bloomington 2005 18th Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.14 - Feb. 22 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska-Lincoln 2004 Exchange! A Survey of International and National Exchange Print Portfolios Visual and Performing Arts Center, Main Gallery, Purdue University, Feb. 1 - 15 Juror: Kathryn Reeves, P rofessor of Art, Purdue University 2003 23rd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 16 - July 2, 2003 Border to Border – National Juried Drawing Exhibition Trahern Gallery, Austin Peay State University, Clarksville, TN, March 3 - 30 Juror: Jim Cantrell, independent studio artist, Bardstown, KY On/Of Paper – National Juried Exhibition Clyde Snook Gallery, Adams State College, Alamosa, CO, March 3 - April 11 Juror: Dale Leys, Professor of Drawing, Murray State University, Murray, KY Emerging Artists 2003 – National Juried Exhibition Limner Gallery, New York, NY, Feb.12 – March 1 Jurors: Tim Slowinski...

Signed lower right, 'E Gatechair' for Eileen Stigall Gatechair (American, 1916- 2010) and dated, lower left, October 1986. Born in Chicago, Illinois, Eileen Stigall attended the Un...

Georges CONRAD (1874-1936) Nineteenth-century Coachman Original India ink and pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good co...

Lovers is a drawing in mixed media on ivory paper realized in 1940 ca. by an Anonymous artist of the 20th century. In very good conditions except for some small holes on the margins...

Georges CONRAD (1874-1936) Study of female nude and a couple Original pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good condition, paper...

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Georges CONRAD (1874-1936) Naked woman facing a little devil Original pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good condition, paper...

Georges CONRAD (1874-1936) French woman with Japanese inspired gown Original pencil drawing Signed by stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good condition, pap...

Tsuguharu Foujita 1886-1968 Japanese-French Portrait of a Mother and Child Signed “Foujita / Paris” (lower left) Ink and watercolor on paper An artistic luminary well ahead of his time, Tsuguharu Foujita burst onto the international art scene in the early 20th century as one of the most important artists in early Japanese modernism...

Signed lower left, 'E. Bischoff' for Elmer Nelson Bischoff (American, 1916-1991) and dated ''64'". Previously with: Felix Landau Gallery, Los Angeles, California Hackett Freedman Gallery, San Francisco, California Framed Dimensions: 21.75 H x 18.5 W x .75 D Inches This work is accompanied by a First edition volume of 'Elmer Bischoff: The Ethics of Paint' by Susan Landauer & Bill Berkson, University of California Press, 2001. A key figure in the California Bay Area abstract and figurative movement following World War II, Elmer Bischoff graduated in 1939 from the University of California. As an art student there, he had been strongly influenced by Margaret Peterson...

A piece of a whimsical alphabet that consists of 29 letters. Original work. Fineliner on paper. Inspired by a famous Villa Borghese park in Rome

ANTONI JANUSZ PASTWA (b. 1944) Graduated from Academy of Fine Arts in Warsaw at the Faculty of Sculpture. Obtained his diploma in 1970. Between 1974-1981 he was an assistant at profe...

Baja la mascara is a contemporary artwork realized by Sandra Vásquez de la Horra in 2014. Pencil on waxed paper. Hand signed on the back. ...

Rosy ANDREASI-VERDIER (1934-2015) Mode drawing : Three Colorful Dresses Original gouache and watercolor drawing Bears the "Rosy Andreasi Verdier&q...

Rosy ANDREASI-VERDIER (1934-2015) Mode drawing : Three Elegant Cutters Original ink and watercolor drawing Bears the "Rosy Andreasi Verdier" Archives stamp bottom left On vellum 42 ...

[Mode Drawing] From Tutti studios - Mid season dress Original ink and felt pen drawing on drawing paper 29.7 x 21 cm (c. 12 x 8in) c. 1978 INFORMATION : Located Rue du Renard in Pa...

ALBERT RUTHERSTON, RWS (1881-1953) Page for the Emperor – Costume Design for Androcles and the Lion Variously inscribed: “Androcles”/No.28/ Two Pages for The Emperor/ Mr Alfree/Mr Bugh/King Watercolour, pen and ink and gold paint Framed 25 by 19 cm., 9 ¾ by 7 ½ in. (frame size 43 by 36 cm., 17 by 14 ¼ in.) Provenance: By descent in the family of the artist. Exhibited: London, Sally Hunter Fine Art, Albert Rutherston – Drawings, Theatre Designs & other Treasures, 2016, no.75. The present work is a costume design for a page in Androcles and the Lion, a play in two acts by George Bernard. Rutherston designed the set and costumes for the 1913 premier production performed at St James’s Theatre, London and produced by Harley Granville-Barker. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke Hall...

Jon Reading Color pastels on paper 25 x 18 inches (63.5 x 45.7 cm) This work is offered by CLAMP in New York City.

'Infanta La Danza de la Muerte no. 1' features the face of a young woman with flora motif (top) and series of birds and flora motif (bottom) representing lif...

Gorilla is a Pencil and watercolor Drawing realized by Mino Maccari (1924-1989) in the 1970s. Hand-signed on the lower margin. Good conditions with some folding. Mino Maccari (Si...

Pat Douthwaite (Scottish, 1939 – 2002) Seated Man Charcoal on paper Indistinctly inscribed, signed and dated ‘Douthwaite 71’ (lower right) 25.1/2 x 18.1...

Figure of Woman is an original China Ink and watercolour realized by Mayo in 1950s. Good condition on a white paper. Signature on the lower right corner. Antoine MAYO (1905-1990) ...

Ada Peacock, American - Ven Dedoras-de-Chica, Medium: Watercolor and Graphite on Paper, signed and titled in pencil, Image Size: 9.5 x 17 inches, Size: 14.25 x 20 in. (36.2 x 50.8 ...

The Tower is an original artwork realized by Paul Louis Alexandre Wallet. Pencil on paper. Good conditions. The artwork represents the tower of a castle. The pencil stroke is very...

Leopold Survage (French / Finnish 1879- 1968) Les danseuses Signed and dated ‘Survage / 31’ (lower right) Pencil on paper 10.1/2 x 8.5/8 in. (27 x 22.2 cm...

Weeping Willow is a drawing in pencil and pastel on paper artwork realized by an anonymous artist of the XX century. Good conditions, aged. Margins have some cutaways. Included the...

Satiric Figures is an original china ink drawing on paper, realized by Eugene le Poittevin (Paris 1806-1870) French artist in the 19th century. Good general conditions, and aged mar...

The Nude  is a drawing, realized in  Mid 20th Century,  by the French post-impressionist painter and illustrator Louis André Berthommé Saint-André (1905-1977).  Black and white penc...

Two Sketched Portraits  is a drawing on paper, realized around the Sixties by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989).  China ink (fountain pen)...

This artwork "Two Monkeys) is an original ink drawing on thick Bristol paper by American artist Lynn Gertenbach, b.1940. It is hand signed at the lower rig...

Seated Figure is a drawing, presumably the study of another original artwork, realized by Aimé Millet (1819-1891), a renowned French sculptor. The artwork...

AGNIESZKA ZAKRZEWSKA (born in 1974) Agnieszka Zakrzewska graduated from the Faculties of Painting and Graphic Arts of the Academy of Fine Arts in Warsaw. She paints, makes illustrati...

A truly lovely nude by noted 20th-century New Orleans artist and extraordinary draftsman Charles Richards, whose work does not come up for sale often enough here in New Orleans. Sorr...

Self portrait is a beautiful pen drawing on paper, realized in 1993 by the French artist  Pierre Lagénie (1938-2020). Hand-signed and dedicated on the lower right margin. The work ...

Rochelle is an original artwork in pencil realized by Maxime Juan in 1944. Hand-signed on the lower right and dated, titled on the lower left "Rochelle". The state of preservation i...

Architecture is an original drawing in pen on creamy squared paper realized by Gabriele Galantara (1865-1937) in 1910s. In good conditions. This is an original drawing representin...

The Artist at Her Easel - Figurative Drawing in Pen on Paper Stylized figurative drawing by unknown artist "Ting" (20th Century). A woman is seated on a workbench, drawing on a larg...

"Portrait" is an original drawing in pencil on paper, realized by Marie Louise Lenoir (1883-?) The state of preservation of the artwork is very good. Sheet dimension:19.4 x13 cm. T...

Nude is an drawing realized by the French artist Paul Garin (Nice, 1898-1963) in the 1950s . Pencil on paper, Hand Signed on back. Black-ink stamp on the lower right corner: " Cathe...

Louis Tinayre (1861-1942) An encampment of journalists in Chambéry, signed and titled lower left "Campement de journalistes à Chambéry" Ink on paper In quite good condition, a a visible vertical fold in the centre, some stains and foxings 21 x 29 cm Framed : 33.7 x 45.5 cm Louis Tinayre's background and adventurous life obviously inform this humorous and detailed scene. He demonstrates a remarkable sense of observation, capturing this scene of extraordinary life like a journalistic illustrator. A contributor, to whom I'd like to express my sincere thanks, sheds important light on the nature of this scene. It appears that this drawing is the draft for an illustration published in “Le Monde illustré” of August 4, 1888 (page 77), to accompany the article “Épilogue du voyage présidentiel” (Epilogue to the presidential trip) - president Sadi Carnot- en Savoie et en Dauphiné (p. 74), which ends with: “As a picturesque note, we enclose an improvised journalists' dormitory in Chambéry, where our colleagues deeply regretted the comfort of the special train”. As a quasi-ethnographic observer, Tinayre's interest lies in the journalists' camp, which he turns into a tender, comical scene. We understand him better when we know that he may have been similarly fascinated by the territories of Madagascar, the North Pole or the Far West that he painted and drew. Louis Tinayre was born on 14 March 1861 in Neuilly-sur-Seine. His mother, Victoire Tinayre, was a teacher and a member of the International Workers' Association. Louis was the son of a Communard couple. His father, Jean Joseph, known as Jules Tinayre (Issoire 1821 - Paris 1871) was shot during the Bloody Week. His mother, Victoire Tinayre, fled with her children. Louis was the first to be sent to Hungary, and the rest of the family (including his brother Julien) joined him there later. He studied Fine Arts at the Hungarian University of Fine Arts in Budapest. Returning to Paris in 1880 (after the amnesty), Louis Tinayre assiduously frequented Le Chat noir, where he met the positivists and Adèle Jacomet (Buenos Aires 1867-1946), whom he married in 1888. He became an animal painter and press illustrator and was sent by Le Monde Illustré to cover the second expedition to Madagascar (then under French protectorate) in 1895. He stayed there, fascinated, for six months and produced numerous drawings and photographs. Back in France, he created eight 5 x 4 meters dioramas presented at the National and Colonial Exhibition in Rouen in 1896. He returned to Madagascar in 1898 to prepare the creation of a giant panorama representing the surrender of Antananarivo in 1895. The Malagasy pavilion at the 1900 Universal Exhibition in Paris allowed him to admire the dioramas (on the ground floor) and the panorama (on the first floor). On his second trip, Tinayre took a Lumière cinematograph with him to document the daily life of the Malagasy people, no doubt to facilitate the design of the vast panorama. These short films were donated to the Cinémathèque française in 2009 by his grandson, Alain Tinayre. One of the admirers of Tinayre's drawings, watercolours, paintings and photographs at the Universal Exhibition was Prince Albert I of Monaco: from 1901 onwards, Tinayre accompanied him on his hunts, painting scenes in North Africa, Russia, the Far West (Wyoming) and the North Pole. Tinayre, the official painter of the Prince's scientific expeditions, left his name to a glacier. Together with the painter Alexandre Jean-Baptiste Brun, he painted the four murals in the large amphitheatre of the Oceanographic Institute in Paris. Louis Tinayre painted the figures while Alexandre Brun...