Plant Figurative Drawings and Watercolors

Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...

Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...

Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...

This artwork "Landscape with House" is a watercolor by noted California artist Earl Thollander, 1923-2001. It is signed at the lower right corner by th...

Frank Nelson Wilcox (American, 1887–1964) Beaver Pond near Longs Peak, Rocky Mountain National Park, Colorado, c. 1950 Watercolor on Paper 19 x 24 inches 21 x 26 inches framed Frank...

L'Ile des Oiseaux by Paulémile Pissarro (1884-1972) Watercolour and charcoal on paper 23 x 31 cm (9 x 12 ¹/₄ inches) Signed lower right, Paulémile Pissarro Provenance Private collec...

This drawing is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living be...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

PRICE IS FOR EACH FRAMED PRINT. Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parce...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Gouache and pencil on paper Unique work Hand-signed and entitled lower right by the artist

PRICE IS FOR EACH FRAMED ITEM. MORE EXAMPLES AVAILABLE Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, present...

Clara Deike (American, 1881-1964) Cactus (Mexico), 1930 Watercolor on paper Signed lower right, titled and dated on label verso 15.25 x 13.25 inches 25 x 22.5 inches, framed A gradu...

This drawing is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living be...

Watercolor on heavy paper realized by Carlo Ravagnan in 1960s. Hand signed lower left. Excellent condition.

Untitled is an drawing realized by Ben Shahn (Kovno 1898-New York 1969) Pen drawing on paper applied on canvas. Hand-signed lower right: Ben Shahn. Some light folds and discoloring...

A charming and stylized depiction of a day at the Central Park Zoo. with World War Two uniformed visitors front and center. Sea lions put on a show in front of a packed audience. The...

Watercolor on heavy paper realized by Carlo Ravagnan in 1963. Hand signed lower left. Dated on rear. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, di...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Watercolor on heavy paper realized by Carlo Ravagnan in 1968. Hand signed lower left. Dated on rear. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, di...

Margot Glass's graphite drawing on black heavyweight paper transforms delicate dandelions into luminous, ghost-like forms. Each fine line is meticulously drawn, creating a richly det...

Beaches in Cap Skiring No.1 is a unique oil pencil on cardboard, glued on wooden frame drawing by contemporary artist Calo Carratalá, dimensions are 80 × 139 × 4 cm (31.5 × 54.7 × 1....

Watercolor on heavy paper realized by Carlo Ravagnan in 1969. Hand signed and dated lower left. Signed also on rear. Excellent condition. Carlo Ravagnan was born in Udine on Septe...

Original drawing on paper. Hand signed and dated by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.

'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...

This artwork titled "Lily" c.1990, is a watercolor on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed at the lower right corner by the artist. The artwork (image) size is 10 x 28 inches, framed size is 17.25 x 35.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

The artwork is in simple black wood frames behind glass. The full signature is on the back of the drawing. Hanna Banaszczyk is a graduate of the Faculty of Painting and Drawing at ...

The artwork is in simple black frames behind plexi. The full signature is on the back of the drawing Hanna Banaszczyk is a graduate of the Faculty of Painting and Drawing at the Un...

Frank Nelson Wilcox (American, 1887-1964) Cows by Woodland Pond, Toledo, Ohio, c. 1920 Watercolor and graphite on board Signed lower right 22 x 30 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

This artwork "Landscape" is a watercolor on heavy rag paper by noted Arkansas artist Bruce Roy Anderson, 1907-1985. It is signed at the lower left corner ...

Remains (Body in the Field 14), 2022 oil on paper 16 17/32 h x 11 13/16 w in. 42 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism ...

'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...

'Butterfly & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 5 1/8 x 3 1/8 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...

Gouache on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State Academy of...

This artwork "Landscape with Trail" c.1980 is a watercolor on paper by noted American artist Gerald F. Brommer, 1927-2020. It is signed at the lower right corner by the artist. The a...

"Meeting Place" (2024) by Mo Myra is a watercolor painting on paper that depicts a landscape with tall trees and a river running through it. Mo Myra, born in 1990, is a Connecticut-...

Fontainebleau #15 is an India ink and salt on paper drawing by the French contemporary artist Yann Bagot, dimensions are 70 × 100 cm (27.6 × 39.4 in). The artwork is signed, sold un...

[CHINESE EXPORT WATERCOLOURS ON PITH PAPER]. A Group of 10 Flowers and Butterflies. mid to late nineteeenth century. A fine group of Chines...

This pencil drawing by the German artist Ernst Ludwig Kirchner is stamped at the lower left corner, verso with the artist's estate stamp (Lugt 1570b) and inscribed in black ink “B Dr...

Plant Pot by Bernard Labbe (French mid 20th century) original gouache on artist paper size: 12.5 x 19.5 inches condition: very good and ready to be enjo...

"Possibilities of a New Day" (2023) by Mo Myra is a watercolor painting on paper that depicts a landscape. Mo Myra, born in 1990, is a Connecticut-based artist celebrated for her pl...

Beautiful monotype of various couples sketches with background of leaves by American artist Kismine Varner, 1990. Original artwork on paper displayed on a white mat with a gold b...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Unframed. Katherine Curci began this series of charcoal drawings, premiered in This...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Framed. Katherine Curci began this series of charcoal drawings, premiered in This L...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The artwork "SOMETHING ELSE #2" uses materi...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

This artwork "Winter Landscape" 1975, is a watercolor on paper by Latvian artist Paul Duskins, 1928-1996. It is signed and dated at the lower right corner by the artist. The artwork ...

Remains (Body in the Field 15), 2022 oil on paper (signed on reverse) 16 17/32 H x 11 13/16 W in. 42 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human bo...

Contemporary watercolor and tempera painting on paper by Polish artist Wlodzimierz Karczmarzyk. The title is 'Above all- pines'. Main colour is green. Artwork's style is sketch-like ...

Work : Original Watercolor Painting, Unique Work. Handmade artwork. Ready to Hang. Medium : Watercolor on Archival Fine Art paper Artist : Deniz Bayav Subject : Im_mortelle (Title) ...

Beatriz Vidal, 'Untitled (Conference of the Birds)', gouache and watercolor, 1998. Signed and dated in the image, lower right. A meticulously r...

Landscape is a drawing realized by Joseph Colin in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft exp...

This artwork "Landscape with Houses" c.1970 is a watercolor on Arches paper by California artist Robert Holdeman, 1912-1994. It is hand signed at the l...

Still Life is a modern artwork realized by Leo Guida in the 1970s. Felt Pen drawing on paper. Good condition. Leo Guida has been able to weave a productive interview on art and th...

Landscape is an original drawing in China ink on paper realized in 1949 by Renzo Vespignani. Hand-signed on the lower left and date. Applied on a Passepartout: 21 x 15.5 cm. Very...

This drawing by Frank Girard is created with Gouache, Chinese ink and wash drawing on 180g/m2 neutral white paper. It is not framed. Through drawings, th...

Saint Moreil is a original pencil drawing on paper, realized around 1960s by the French artist André Roland Brudieux (1921-1999). Monogrammed in pencil "AB“ on the lower margin at t...