Skip to main content

Framed Landscape Drawings and Watercolors

to
784
1,113
802
613
235
73
Overall Width
to
Overall Height
to
33
532
1,659
612
57
56
90
130
72
71
76
91
84
81
25
423
314
311
115
87
43
27
15
15
11
8
6
2
1
2,011
739
83
957
484
387
220
217
205
198
182
173
138
130
115
112
111
107
86
70
62
61
60
2,116
2,005
1,202
350
305
51
31
28
20
18
137
1,473
1,316
Frame Included
Jules Noel (1810-1881) Landscape with a manor and a traveler, signed drawing
Located in Paris, FR
Jules Noel (1810-1881) Landscape with a manor and a traveler Signed lower left Pencil on paper 27.5 x 44.5 cm Framed under glass : 43 x 59.5 cm This drawing shows more particularly...
Category

1860s Romantic Landscape Drawings and Watercolors

Materials

Pencil

Dubord Jean. Landscape In A Flower Garden In Autumn - oil on canvas - signed.
Located in PARIS, FR
Excellent condition. Never restored. Dimensions with frame 68 x 78 cm Jean Pierre Dubord was born in Rouen in 1949, and after spending years in the French countryside, he returned t...
Category

Late 20th Century Post-Impressionist Landscape Paintings

Materials

Oil

Jules Noel (1810-1881) Landscape with a fisherman, signed drawing
Located in Paris, FR
Jules Noel (1810-1881) Landscape with a fisherman, Signed lower right Pencil on paper 27.8 x 44 cm Framed under glass : 43 x 59.5 cm We find in this drawing everything that makes...
Category

1860s Romantic Landscape Drawings and Watercolors

Materials

Pencil

Field of Flowers 1, photorealist graphite floral drawing, 2016
Located in New York, NY
Reilly uses a toning technique to endow her graphite works with a smooth, seamless quality. Rather than distinct outlines, her flower petals glide gracefully into the surrounding spa...
Category

2010s Photorealist Landscape Drawings and Watercolors

Materials

Archival Paper, Graphite

Assertive
Located in Salt Lake City, UT
Assertive (2018), 6 x 6 inches (framed size: 7.5 x 7.5 inches), watercolor on gesso on panel by Lindey Carter. $560 Lindey Carter’s delicate watercolor ...
Category

2010s Other Art Style Landscape Paintings

Materials

Gesso, Watercolor, Panel

Fires of Spring in Big Woods
Located in New York, NY
Estate stamp lower right
Category

20th Century American Modern Landscape Drawings and Watercolors

Materials

Watercolor, Pencil

David Cox Jnr. ARWS (1809-1885) -Mid 19th Century Watercolour, A Distant Castle
Located in Corsham, GB
A delightful mid 19th century watercolour by the well listed artist David Cox Jnr. (1809-1885) depicting a rural scene with a castle in the distance. Signed to the lower left in penc...
Category

Mid-19th Century Landscape Drawings and Watercolors

Materials

Watercolor

Fauvist Painting View of Trees in Valley Landscape, Circle of Henri Edmond Cross
Located in Cotignac, FR
Early 20th Century Fauvist painting probably of the South of France. The painting is unsigned but clearly influenced by the works of Henri Edmond Cross, Paul Seurat and his contempor...
Category

Early 20th Century Tonalist Landscape Paintings

Materials

Paper, Watercolor, Gouache

The Angler on Riverscape
By William Bradley Lamond
Located in Hillsborough, NC
Lovely 19th century watercolor painting with an angler in a mountain stream landscape painting, this is signed William Bradley with a place and date on the lower left hand corner. Mists fall over the central mountain rising above the stream with rocks and boulders. A mountain ridge is on the left, and trees above boulders on the right. William radley Lamond was a self taught artist flourishing from mid to late 19th century. This would be a later work by this artist. The attribution is based on the period, the style the landscape subject and signature. The painting is presented in an attractive new wooden frame with fresh glass...
Category

1880s Naturalistic Landscape Drawings and Watercolors

Materials

Watercolor

House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
Located in New York, NY
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA Antonio Petruccelli (1907 – 1994) Mixing Mortar 12 1/2 X 14 3/4 inche...
Category

1930s American Modern Figurative Paintings

Materials

Gouache, Board

A bridge over river Oil on canvas British Inscribed William Marlow
Located in London, GB
William Marlow (1740 - 1815) A bridge over river Oil on canvas  Inscribed, 'William Marlow' to old label verso Provenance: J. Palser & Sons, 27 King Street, London Dimensions: (Fra...
Category

Late 18th Century English School Landscape Paintings

Materials

Oil

Framed Mid 20th Century Pastel, Polgigga
Located in Corsham, GB
This expressive pastel landscape shows fields near Polgigga, Cornwall. This drawing celebrates pattern and colour and offers us a scene that is overrun with nature. The drawing has b...
Category

20th Century Landscape Drawings and Watercolors

Materials

Pastel

Le Pont du Vey by Paulémile Pissarro - Charcoal drawing
Located in London, GB
Le Pont du Vey by Paulémile Pissarro (1884-1972) Charcoal on paper 24.5 x 31.5 cm (9 ⁵/₈ x 12 ³/₈ inches) Signed with Estate stamp lower centre and upper right Executed circa 1940s ...
Category

1940s Post-Impressionist Figurative Drawings and Watercolors

Materials

Paper, Charcoal

Framed 19th Century Watercolour, City of Rouen
Located in Corsham, GB
A fine 19th century watercolour showing figures in the French streets of Rouen. The artist has included many architectural features within the composition, such as a medieval turret and church spire...
Category

19th Century Landscape Drawings and Watercolors

Materials

Watercolor

Original Painting Life Mag Published 1955 Birds Animals Illustration Mid Century
Located in New York, NY
Original Painting Life Mag Published 1953 Birds Animals Illustration Mid Century Antonio Petruccelli (1907 - 1994) The World We Live In Birds of Paradise Life Magazine Illustration ...
Category

1950s American Realist Animal Paintings

Materials

Gouache, Board

Claude Hulke - Signed Early 20th Century Watercolour, Village on the Lake
Located in Corsham, GB
A delightful watercolour study of a small village on the lake, the sleepy village has no sign of life except for one patron who has gone out for an early morning boat trip. Signed to...
Category

Early 20th Century Landscape Drawings and Watercolors

Materials

Watercolor

William Frederick Taunton (1834–1907) - 1870 Watercolour, Cottage On The Lock
Located in Corsham, GB
A charming 19th Century watercolour showing a quaint thatched cottage on a river lock with a distant castle on a hilltop on the hazy horizon. The artist has signed and dated to the l...
Category

Late 19th Century Landscape Drawings and Watercolors

Materials

Watercolor

Framed Late 19th Century Watercolour - Early Morning Errands
Located in Corsham, GB
An interesting late 19th century watercolours study showing an early morning street scene. The artwork has been complete with impressive attention to all architectural details, as we...
Category

Late 19th Century Landscape Drawings and Watercolors

Materials

Watercolor

Wilhelmina Barns-Graham 20th century watercolour of Monreale, Sicily
Located in London, GB
Wilhelmina Barns-Graham (1912-2004) Monreale, Sicily (1955) 48 x 58 cm Pencil and wash on paper Provenance: Barns-Graham Charitable Trust, authentication no 1665. A heady evocation of summer in Sicily, characterised by burnt oranges and yellows. Wilhelmina Barns-Graham, known as Willie, was born in St Andrews, Fife, on 8 June 1912. Her parents were second cousins, and their respective families were well established representatives of minor Scottish gentry from both the east and west of the country. As a child, Barns-Graham showed very early signs of creative ability. It was at school that Wilhelmina decided that she wanted to be an artist, stating later in life that "painting chose me, not I it". After school she set her sights on Edinburgh College of Art where, after some dispute with her father (who was an emotional man prone to uncontrolled anger), she enrolled in 1931. During her time at Edinburgh College, Barns-Graham was taught by tutors including portrait painter David Alison and painter William MacTaggart. Her friends there included the influential Scottish painters Robert MacBryde, Robert Colquhoun...
Category

20th Century Modern Landscape Drawings and Watercolors

Materials

Watercolor, Pencil

Old Bobbin Mill on the Spey
Located in Hillsborough, NC
William Beattie-Brown is a 19th century Scottish artist, and a master landscape painter using tonal color in a naturalistic style. 'Old Bobbin Mill on ...
Category

1880s Naturalistic Landscape Drawings and Watercolors

Materials

Watercolor

Jake Lee "Out for Repairs" Original Watercolor C.1987
Located in San Francisco, CA
Jake Lee "Out for Repairs" Original Watercolor C.1987 Original watercolor on paper Dimensions 19" wide x 13" high The distressed period frame is included...
Category

Late 20th Century Landscape Drawings and Watercolors

Materials

Watercolor

Bedford Park, LUDOVIC-RODO PISSARRO - Watercolour, Town Scene, 20th Century
Located in London, GB
Bedford Park by LUDOVIC-RODO PISSARRO (1878-1952) Watercolour on paper 24.5 x 38 cm (9 ⅝ x 15 inches) Signed, inscribed and dated lower left, Bedford Park 1928 Ludovic Rodo Painted ...
Category

1920s Post-Impressionist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Oil Tanks, Alameda Street, Los Angeles
Located in Los Angeles, CA
Oil Tanks, Alameda Street, Los Angeles, c. 1930-33, watercolor on paper, 14 ¼ x 21 ¼ inches (image), inscribed verso: “watercolor by Ruth Zimmerman 1912 – 1968 / Practice work for sc...
Category

1930s American Modern Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Watercolor Painting by William Zorach, Titled "Redwoods, Yosemite Valley", 1920
Located in New York, NY
William Zorach, 1887-1966 Redwoods, Yosemite Valley, 1920 Watercolor and pencil 15 ¾ x 13 ⅜ inches Signed (at lower right): William Zorach WZorach-7 Provenance: Estate of William Zorach Exhibited: William Zorach, 1887-1996, Sculpture, Drawings and Watercolors, Zabriskie Gallery, New York; Feb. 10 – March 14, 1998. William Zorach was born in Lithuania in 1889, and immigrated to the United States with his family in 1893. Settling in Cleveland with his parents, he worked as a lithographer from 1902- 1908, making enough money to study painting with Henry G. Keller at the School of Art. In 1910, Zorach traveled to Paris to study in La Palette, where he was encouraged to develop his own unique style rather than adhere to traditional teachings. Zorach once said, “I began to be conscious of the various modern influences that were invading the art world…I was disturbed and confused, and yet I felt that I was a very young man entering a new age. The forces creating modern art seemed more alive to me than anything I had known or anything being done in America.” 1 Together with his wife Marguerite, William Zorach produced a number of Cubist- style paintings for the American Armory Show of 1913, and the Forum Exhibition in New York in 1916. Around 1917, Zorach followed the lead of cubist artist Pablo Picasso and began experimenting with wood and stone carvings. By 1922, he devoted himself entirely to sculpture, and like Picasso, became fascinated in “primitive art”—the ritual objects and sculpture pieces of Oceanic, Native American and African tribes. Zorach’s work developed in its use of block-like forms with progressive suppression of detail—drawing elements from sources as disparate as the contemporary cubist and modernist movements, and combining them with forms seen in early African sculpture. Though the forms of his sculpture were often abstract, Zorach primarily focused upon a traditional subject matter, producing such well-known sculptures as Young Girl, now in the Whitney Museum of American Art, and Mother and Child, in the collection of the Metropolitan Museum of Art. Today, William Zorach is known as one of the earliest and most influential American artists dedicated to direct carving. Zorach also made an impression as a teacher and writer, facilitating a major change in the aesthetic philosophy and technique of sculpture in the United States. During the summers from 1913 to 1922, Zorach and his wife Marguerite painted...
Category

1920s Landscape Drawings and Watercolors

Materials

Watercolor, Pencil

Maria Gianni (1873-1956) - Framed Gouache, Gondola on the Lido
Located in Corsham, GB
Venetian landscape, gouache on paper. Well presented in a narrow wooden frame with blue wash. Signed.
Category

Mid-20th Century Landscape Drawings and Watercolors

Materials

Gouache

Percy Thomas RE (1846-1922) - 1893 Watercolour, Winding Country Path
Located in Corsham, GB
A charming rural scene showing figures walking along a winding country path that leads towards a small village. The artist has signed, dated and inscribed to the lower left corner. T...
Category

Late 19th Century Landscape Drawings and Watercolors

Materials

Watercolor

1930s WPA Era Graphite Drawing, American Modern City Scene of Houses on Hill, CO
Located in Denver, CO
Graphite on paper drawing by Charles Ragland Bunnell (1897–1968), circa 1935, featuring a modernist cityscape of houses on a hill in Colorado. This artwork, created during the 1930s ...
Category

1930s American Modern Landscape Drawings and Watercolors

Materials

Graphite

"Horse Cart"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...
Category

Early 20th Century American Impressionist Landscape Drawings and Waterco...

Materials

Paper, Graphite

John Price - 1993 Watercolour, West Dart, Sherberton
Located in Corsham, GB
An attractive watercolour painting by John Price, depicting a landscape river scene with trees in the background. Signed and dated to the lower left-hand corner. Presented in a cream...
Category

1990s Landscape Drawings and Watercolors

Materials

Watercolor

R. Christie Smith - Contemporary Watercolour, Young Cottage Maids
Located in Corsham, GB
A quaint early 20th Century watercolor showing a group of young maids carrying buckets and baskets back to a picturesque thatched cottage. The artist has signed to the lower left and...
Category

21st Century and Contemporary Landscape Drawings and Watercolors

Materials

Watercolor

M. Clarke - Framed 20th Century Pastel, Through the Fields
Located in Corsham, GB
A subtle pastel landscape depicting an overgrown grassy meadow at day break, with lingering low lying fog. The artist has signed to the lower right corner. The picture is well presen...
Category

21st Century and Contemporary Landscape Drawings and Watercolors

Materials

Pastel

Paul Fortis Windswept Trees Original Pastel
Located in San Francisco, CA
Paul Fortis Windswept Trees Original Pastel Pastel dimensions 1.5" wide x 6.5" high The frame measures 18.5" wide x 15" high Signed by the artist Very good vintage condition - L...
Category

Late 20th Century Impressionist Landscape Drawings and Watercolors

Materials

Pastel

Harry Morley - The Romany Camp - 20th Century British watercolour
Located in London, GB
HARRY MORLEY, ARA, RWS (1881-1943) The Romany Camp Signed and dated 1927 Watercolour and bodycolour, framed 36.5 by 52cm., 14 ¼ by 20 ½ in. (frame size 60.5 by 75 cm., 23 ¾ by 29...
Category

Early 20th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

19th Century Romantic school, A Pavilion in a garden, original drawing
Located in Paris, FR
Romantic School, circa 1860 A pavilion in a garden , an animated view Pen and black ink, black ink wash on paper 19.5 x 26.5 cm In good condition, slightly undulating. Framed : 39 x ...
Category

1860s Romantic Landscape Drawings and Watercolors

Materials

Ink

Michael J. Clarke "Mesquite, Nevada" Original Watercolor C.1965
Located in San Francisco, CA
Michael J. Clarke "Mesquite, Nevada" Original Watercolor C.1965 Original Nevada Western Landscape Original watercolor on board Board dimensions 23" wide x 17" high The period fra...
Category

Mid-20th Century Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Sailboats at Dock Watercolor by Carl Broemel Original Arts and Crafts Frame
Located in Buffalo, NY
Original watercolor of sailboats at dock by well listed artist Carl Broemel. This work is stunning with wonderful colors and movement. This piece is also housed in the original hand carved arts and crafts frame. Carl William Broemel...
Category

1940s Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

French Romantic school, View of a citadel, pen and watercolor
Located in Paris, FR
French Romantic school, 19th century View of a citadel Pen and ink, watercolor and heightenings of white gouache on brown paper 18 x 29.5 cm In good condition, some stains and traces...
Category

1850s Romantic Landscape Drawings and Watercolors

Materials

Ink, Watercolor

Vintage "Huck's Pond" Original Watercolor by Tasia C.1976
Located in San Francisco, CA
Vintage "Huck's Pond" Original Watercolor by Tasia C.1976 Nevada City, California artist Tasia A warm Summer day at "Huck's Pond" Watercolor dimensions...
Category

Mid-20th Century Landscape Drawings and Watercolors

Materials

Watercolor

A Northern Vision in Miniature
Located in Stockholm, SE
This exquisitely detailed drawing by Swedish artist Oscar Lycke captures a rustic settlement nestled in the golden highlands of northern Sweden, most likely depicting the traditional...
Category

1910s Impressionist Mixed Media

Materials

Paper, Crayon, Watercolor, Pencil

James Joshua Guthrie - The Sower, Early 20th Century British Watercolour
Located in London, GB
JAMES JOSHUA GUTHRIE (1874-1952) The Sower Signed with monogram l.r., inscribed with title l.c. Watercolour, bodycolour and pen and ink 21 by 15.5 cm., 8 ¼ by 6 in. (frame size 39.5 by 33 cm., 15 ½ by 13 in. Provenanace: Pickford Waller...
Category

Early 1900s Pre-Raphaelite Figurative Drawings and Watercolors

Materials

Watercolor

19th Century french school, Villefranche-sur Mer, the harbour, watercolor
Located in Paris, FR
French School circa 1850 Villefranche sur mer, the Harbour Watercolor on paper 16 x 24 cm In good condition Framed 29 x 38 cm This very fine wat...
Category

1850s Romantic Landscape Drawings and Watercolors

Materials

Watercolor

Vintage french art by Louis Cabat - cottage in Normandy - oil on canvas, signed.
Located in PARIS, FR
A certificate of authenticity from Mr. Michel Rodrigue accompanies the work. Conditions : Good overall Conditions. Older restauration in the upper part under UV light. Canvas relined...
Category

Early 19th Century Realist Landscape Paintings

Materials

Oil

20th century landscape pastel drawing colorful grass path hills sky signed
Located in Milwaukee, WI
'Study for Connecticut at Putney' is an original pastel drawing by American artist Wolf Kahn. The landscape is an exploration of color and light: it is rendered in cool blues and purples with fields of subtle yellow, the pastels treated with the same gesture as Kahn's paintbrush on a canvas. Indeed, this pastel was a study executed en plein air for a painting – the painting now sometimes called 'Bend in the River' – that he later created in the studio. This process of creating studies, selecting the best of the studies, and then recreating them as paintings was typical of Kahn's studio process and makes this pastel a significant example of the artist's creative output. 9 x 11 inches, artwork 15.5 x 18.13 inches, frame Signed 'W. Kahn' lower right Framed to conservation standards using archival materials including 100 percent rag matting. Housed in a gold finish wood moulding. Acquired directly from the artist. Wolf Kahn, the youngest of four siblings, was born into a well-to-do artistic family. His father was the conductor of the Stuttgart Philharmonic Symphony, and his mother came from a family of art collectors.(1) During 1938, Kahn took his first art lessons, but most of his initial drawings were of military or historical events. The next year Kahn was sent to England for safety following the ascendancy of Hitler to power, and in 1940, he immigrated to the United States. In 1942, he entered New York's High School of Music and Art, and while there, he was employed by a commercial art firm doing illustrations. After a stint in the Navy, Kahn entered Hans Hofmann's school, and among his fellow students were Neil Blaine, Jane Freilicher, Allan Kaprow and Larry Rivers. His initial results were done with a dark palette and abstracted forms, and although Hofmann's style of teaching was difficult, Kahn has consistently praised him for teaching him the value of control and understanding.(2) Kahn's first exhibition was a 1951 group show in a loft with several other artists in lower Manhattan. From this impromptu show, a group effort evolved called the Hansa Gallery Cooperative.(3) In 1953, Wolf Kahn had a one-man show at this gallery, which was reviewed by Fairfield Porter, and at this same time bolder, more vivid colors began to appear in his work. By the mid-1950's, on a summer trip to Provincetown, Kahn's paintings indicated a new direction of softening warm colors in the manner of Bonnard. He was included in Meyer Shapiro's seminal exhibition, The New York School: The Second Generation at the Jewish Museum, and by the end of the 1950s, he had developed his abstracted landscape style for which he is best known. In 1966, he made his first "barn" painting on Martha's Vineyard that reduced the complexities of detail of the architecture to a more basic shape, a stylistic convention that is evident in the Museum's painting. Kahn has since commented frequently on his use of color as a unique and specific component of each work as the situation demands, where the gradual buildup of the colors resembles the beauty and translucent nature of pastels.(4) Since then Kahn has had one-person exhibitions at the Kansas City Art Institute, Chrysler Museum, San Diego Museum of Art, Fort Lauderdale Museum of Art and the Columbus Museum, among others. His work is in the permanent collections of numerous museums throughout the United States. Footnotes: 1. Much of the biographical information is drawn from Justin Spring, Wolf Kahn (New York: Harry N. Abrams, 1996). 2. Spring, 21. Wolf Kahn draws this from a 1973 address to the College Art Association. 3. This group included Jane Wilson...
Category

1970s Contemporary Landscape Drawings and Watercolors

Materials

Pastel, Paper

Ducharme Beach
Located in Toronto, Ontario
Greg Curnoe (1936-1992) was a highly revered artist, bookmaker, and competitive cyclist based in London, Ontario, but beloved across the country. He represented Canada in the 1976 Ve...
Category

1980s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Graphite

"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape
Located in New York, NY
"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...
Category

1930s American Modern Landscape Drawings and Watercolors

Materials

Paper, Gouache

Estes Park Colorado American Modernist Watercolor Landscape Painting, WPA 1930s
By James Russell Sherman
Located in Denver, CO
Vintage 1930s watercolor and ink painting of Estes Park, Colorado, by American artist James Russell Sherman (1906-1989). This captivating work features a detailed view of storefronts...
Category

1930s American Modern Landscape Drawings and Watercolors

Materials

Watercolor

Beach of Kusambe, Bali 1937
Located in Amsterdam, NL
Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...
Category

1930s Art Nouveau Landscape Drawings and Watercolors

Materials

Paper, India Ink, Pencil

Roman Facade, Italy (Exquisite 19th-c. Original Watercolor, Signed)
Located in New Orleans, LA
Sorry for the reflections on the glass, but I didn't want to take this lovely frame apart. The close-ups are much better. This is a highly accomplished, superbly detailed watercolor of a the facade of a building in Rome, depicting Corinthian columns, a frieze and a free-standing tributary sculpture above. Image area itself is 10.5" x 6.25", framed size is 19.5" x 14". Matted and presented in a pretty antique wood frame that has some flaws from an apparently long history but is perfectly serviceable, as you can see. Exquisite detail, so hard to accomplish with watercolor. Came from august Houston...
Category

19th Century Romantic Landscape Drawings and Watercolors

Materials

Watercolor

Edmond Albert Joseph Tyrel de Poix, Landscape With Watermill, Mother & Child
Located in Cheltenham, GB
This charming 19th-century drawing by British artist Edmond Albert Joseph Tyrel de Poix (1840-1916) depicts a mother and child standing by a mill pond before a rustic watermill. De Poix was a gentleman artist descended from French nobility...
Category

1870s English School Landscape Drawings and Watercolors

Materials

Pencil, Paper

House and Sky, Geometric Abstract Acrylic Painting by Murray Reich
By Murray Reich
Located in Long Island City, NY
An original painting by contemporary American painter, Murray Reich. Nicely framed. House and Sky by Murray Reich, American (1932–2012) Date: 1980 Acrylic and Collage on Paper, sign...
Category

1980s Contemporary Landscape Drawings and Watercolors

Materials

Acrylic

Bridge Painter WPA American Modernism Mid 20th-Century Realism Industrial Worker
Located in New York, NY
Bridge Painter WPA American Modernism Mid 20th-Century Realism Industrial Worker. Sight size: 18 x 23 1/4 inches. Estate stamped verso. This drawing is the study for a large oil we ...
Category

1930s American Realist Figurative Drawings and Watercolors

Materials

Paper, Watercolor

Cobb's Creek (Large Signed Original Watercolor, c. 1905, Penns. Academy)
Located in New Orleans, LA
Sorry for the reflections on the glass - I did not want to disassemble the ornate antique gold frame in order to photograph the art. At any rate - this is a beautifully accomplished turn-of-the-century watercolor by the American painter Frank English...
Category

Early 1900s Romantic Landscape Drawings and Watercolors

Materials

Watercolor

Red blooming war landscape with dead soldier - Bleeding flowers -
Located in Berlin, DE
Johannes Friedrich Heinrich Hänsch (1875-1945), Red blooming war landscape with dead soldier, 1918. Watercolor and gouache on paper, 15 x 24.5 cm (image), 27 x 37 cm (sheet size / frame), monogrammed and dated "19JH18" at lower left. - Paper slightly darkened About the artwork Despite the relatively small format, the watercolor with an internal frame depicts a panoramic view of a flat landscape stretching to the horizon. As far as the eye can see, the poppies bloom in flaming red. The flowers are not rendered individually, however, creating an almost cohesive red surface. The bright red is interspersed with vegetal green. A complementary contrast that creates an intense color effect. In this color contrast, a white area breaks through from the middle ground, widening towards the foreground and surrounding a brown hole. Next to it, in blue, is the actual protagonist of the painting, the first thing that catches the eye: a dead soldier. Next to him is his helmet, revealing the empty interior. The brown, hollow shape corresponds to the hole in the ground. A shell funnel is surrounded by bright ash, which, like the inverted helmet, becomes a sign of death. The soldier's arms point to the funnel, while the empty helmet paraphrases the calotte of the skull and, like the funnel, thematizes the empty darkness of death. The soldier's body, however, is intact and not - as in Otto Dix's triptych "The War" - a dismembered corpse. Instead, Johannes Hänsch activates the landscape, especially the color, to illustrate a blooming landscape of death that extends from the shell funnel in the foreground to the rising column of smoke on the horizon. If the soldier's body is intact, the tangle of barbed wire emblematically placed over the empty helmet also appears tattered. On the right side of the picture, the barbed wire even seems to stretch its arms to the sky in horror. Against the background of this allegory, the content of the bright red also becomes clear: the landscape is drenched in blood, literally a sea of blood, and the single unknown soldier stands pars pro toto for all those who died on the battlefield. Dying in war is not dying in community, but in solitude. In order to emphasize the isolation in death, Johannes Hänsch has set the blue of the soldier in the axis given by his body in the middle ground of the picture into the red sea. A master of landscape painting, Hänsch succeeds in creating a natural-looking landscape allegory that illustrates the horror and death of war, without depicting the brutality of war itself. This singular 'war memorial' of the unknown soldier is the opposite of heroization and yet the dignity of the deceased soldier is preserved through the integrity of his body. About the artist As the son of the sculptor Adolf Haensch, the young Johannes received his first artistic training in his father's Berlin studio. However, he eventually decided to become a painter, and in 1897 he entered the Berlin Academy of Arts. He initially studied under Paul Vorgang and Eugen Bracht, and was particularly influenced by Bracht's increasingly colourful landscape painting. In 1901 he moved to the class of Friedrich Kallmorgen, with whom he spent several weeks on excursions into nature. In 1905 he became a master pupil of Albert Hertel, who taught him watercolour painting. From 1903 to 1933 he exhibited annually at the Great Berlin Art Exhibition, the exhibitions of the Berlin Artists' Association and the Munich Glaspalast. In 1905 he was awarded the Carl Blechen...
Category

1910s Realist Figurative Drawings and Watercolors

Materials

Watercolor

From the Calcina, September (Venice), by Peter Greenham, 1991
Located in Kingsclere, GB
From the Calcina, September (Venice), Watercolour over Pencil Painting, 1991 Additional information: Medium: Watercolour over pencil 15.2 x 21.6 cm 6 x 8 1/2 in Signed, dated and titled on the reverse Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...
Category

20th Century Landscape Drawings and Watercolors

Materials

Watercolor

POSSIBLE, IMPOSSIBLE, POSSIBLE - Circular, Contemporary Landscape/Abstract
Located in Signal Mountain, TN
In POSSIBLE, IMPOSSIBLE, POSSIBLE, Peña combines representational elements of a bright green landscape in the background with a more abstracted silhouette of a house in the middle gr...
Category

2010s Contemporary Mixed Media

Materials

PVC, Wood, Paper, Acrylic, Watercolor

French Landscape
Located in Los Angeles, CA
Delve into the serene beauty of a French countryside landscape through the artist Didier's watercolor masterpiece. This original piece, steeped in the impressionist style, captures t...
Category

Mid-20th Century Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Edward A Swan, Turbulent Marine Scene, Watercolour
Located in Cheltenham, GB
This fine late 20th-century watercolour by British artist Edward A Swan (b.1935) depicts two sailboats buffeted by turbulent conditions. Beyond, the hazy form of a frigate under full...
Category

1980s English School Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Green Landscape, Watercolor and Ink on Paper, circa 1926
Located in Doylestown, PA
"Green Landscape" by Philadelphia born modernist and surrealist painter Leon Kelly, is a framed and matted landscape painting. The 17.5" x 23.5" watercolor and ink on paper is signed...
Category

1920s American Modern Landscape Drawings and Watercolors

Materials

Archival Ink, Watercolor, Archival Paper

Recently Viewed

View All