Acrylic Landscape Drawings and Watercolors

This piece titled "Parish route" is original artwork made from pencil, marker, acrylic, watercolor on paper by Miriam Singer. This piece measures 18"h x 22.5"w. Miriam Singer grew ...

This piece titled "busy day" is original artwork made from monoprint, pencil, marker, acrylic gouache collage panel by Miriam Singer. This piece measures 6"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture...

This piece titled "Frankford + York" is original artwork made from acrylic and screenprint on panel by Miriam Singer. This piece measures 6"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture Collection...

Watercolour, Acrylic Painting on archival paper. Work Title : "Vu d'ici" (EN : Seen from here) Artist : Fabien Granet (FR) The work is signed and dated on the back of the work. Uniq...

Signed lower right, 'Tommy G Thompson' (American, born 1948), titled, 'Shadows on a Shrimp Pink House, 822 & 824 Bourbon St. New Orleans' and dated 1977. A fine and original watercolor by this legendary painter of the New Orleans jazz scene and street life. Tommy Thompson...

Mixed media on cardboard

Dark toned modern abstract pastel drawing by Texas-born artist Eugene Massin. The work features a small city or village tucked away behind green foliage. Signed in front lower left c...

"A Small City Park", acrylic and watercolor on paper by Denver artist Edward Marecak (1919-1993) of an abstract park broken into four quadrants, separated by brown and white striped borders with different shaped ponds. Inspired by City Park in Denver, Colorado where the artist frequented. Presented framed with all archival materials, outer dimensions measure 21 ¾ x 18 ¾ inches. Image size measures 12 x 15 inches. Painting is clean and in good condition - please contact us for a detailed condition report. Provenance: Estate of Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. They arranged for his first one-person show outside of Colorado held two years later at the Martin Lowitz Gallery in Beverly Hills and Palm Springs, California. That same year his work was featured at the Zantman Galleries in Carmel, California. Thereafter he became an infrequent exhibitor after the 1970s so that his work was rarely seen outside his basement studio. In 1980 he, his wife and Mark Zamantakis exhibited at Denver’s Jewish Community Center, and four years later he had a one-person show at the Studio Gallery in Denver. In 1992 he was included in a group show at the Rule Modern and Contemporary Gallery in Denver, and a year later received a large, posthumous retrospective at the Emmanuel...

18 x 26" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched views of our landscape...

This artwork "Jewish Family" 1968 is an acrylic and ink on wove paper by noted Lithuanian artist Boris Deutsch, 1892-1978. It is hand signed and dated at the lower left corner by the...

This drawing by Frank Girard is created with pigments, Chinese ink, watercolors, acrylic, and colored pencils on 300g/m2 neutral white paper. It is not framed. Through drawings, the...

From the famous illustrator who brought the world "The Polar Express" and "JUMANJI". They Marched into the Woods that Surrounded their Underground Home, Two Bad Ants, interior book illustration, 1988 is a highly detailed and meticulously rendered work that is as descriptive as it is abstract. Signed and dated lower right. This was illustrated on pages 8-9 in Two Bad Ants by Chris Van Allsburg...

This framed 17.25" x 22.5" acrylic on canvas board painting created in 2021 by Anthony Steyn is the artist's depiction of the red sunrise and the hazy sky over rolling hills in Zulu ...

Painting of Wild Yellow Flowers in Meadow Moorland Landscape by Contemporary British Artist, Angela Wakefield. Art measures 36 x 24 inches Frame measures 42 x 30 inches Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business, filmmaking and the media. PROVENANCE: Ascot Studios...

An acrylic and caran d'ache abstract drawing of the moment in the season when it is so crips and quiet that your shoes make clear tracks frozen in the snow. This drawing was produce...

Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan) 18 x 24 x 2 inches Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel Excellent condition, Ready to hang as is This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging. Artist Statement: "My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself." About the work: A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging. SELECTED EXHIBITIONS 2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY 2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ 2018 'MONOCHROME', Bo.Lee Gallery, London 2017 'Arboreal', Manifest Gallery, OH 2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY 2017 'Affordable Art Fair, Battersea, London, October 2017 'A Long Way from Home', Bo.Lee Gallery, London 2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2017 'Palette', Abend Gallery, Denver, CO 2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York 2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design 2017 8th Annual Drawing Discourse, University of North Carolina Ashville 2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland 2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY 2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY 2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville 2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2016 'Summer Group Invitational', George Billis Gallery, NYC 2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY 2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey 2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind 2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski 2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC 2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL 2014 27th Northern National Art Competition, Nicolet College Art Gallery 2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC 2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly 2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery 2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA 2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman 2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit 2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman 2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci 2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie 2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC 2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx

Boulanger began painting at 23 years of age, guided by the Bolivian painter Gonzalo Rodríguez. Then, in Paris (France), he entered the National School of Fine Arts and had as a teacher the renowned Italian painter, Leonardo Cremonini...

Boulanger began painting at 23 years of age, guided by the Bolivian painter Gonzalo Rodríguez. Then, in Paris (France), he entered the National School of Fine Arts and had as a teacher the renowned Italian painter, Leonardo Cremonini...

An acrylic and spray paint abstract drawing of that moment when the snow has just fallen and sticks to the colorful picket fences within town. Fresh and fluffy. This drawing was pro...

An acrylic, caran d'ache, and spray paint abstract drawing of that moment in winter when the air becomes so bitter cold that it almost seems to freeze around you. This drawing was p...

Blue and pink toned abstract landscape by Texas artist Patrick Palmer. The painting depicts two architectural arches against a cool and warm sunset sky. Pencil inscriptions are seen ...

Surrealist architectural landscape drawing by Houston, Texas artist Patrick Palmer. The work features a prominent, brutalist archway set against a blended red sky. Currently hung in ...

An acrylic and caran d'ache abstract drawing of that special, soft purple light that shimmers on the snow at sunset in winter. This drawing was produced during my November 2017 resi...

John Doyle MBE, PPRWS (British, b. 1928) Sunset, Sienna, circa 1986 Acrylic and watercolour on paper 7.3/8 x 11.1/2 in. (18.8 x 29.5 cm.) Provenance: The Catto Gallery, London John Doyle was born in Siddenham Hill, though apparently conceived in Venice. John Ward, a lifelong friend took him to Venice and stuck him in front of Maria della Salute at 5 o’clock in the morning and said ‘paint that!’. On returning to England he placed three pictures in the Academy which all sold immediately. After 18 years at the Royal Watercolour Society, he was elected President in 1997. He used to show with Anthony Spink in St. James’, London. He has had many personal exhibitions in London, and four in the Chapter House of Canterbury Cathedral...

Boulanger began painting at 23 years of age, guided by the Bolivian painter Gonzalo Rodríguez. Then, in Paris (France), he entered the National School of Fine Arts and had as a teacher the renowned Italian painter, Leonardo Cremonini...

Even though recognizable as trees, the artist considers the birch works to be process-oriented abstractions. "I am interested in the interplay between the abstract markings and the s...

John Doyle MBE, PPRWS (British, b. 1928) Sunrise through mist, San Giorgio, Venice, circa 1986 Acrylic and watercolour on paper Monogrammed (lower left) and further signed on the rev...

Starting with observational drawings from life, these works evolve through a series of variations, modifying tonality and forest elements.Even though recognizable as trees, the artis...

An acrylic and spray paint abstract drawing of dancing cattails along the frozen Gihon River bank of Johnson, Vermont. This drawing was produced during my November 2017 residency at...

An acrylic and spray paint abstract drawing of the dying wheat plains throughout the rural region of Johnson, Vermont. This drawing was produced during my ...

John Doyle MBE, PPRWS (British, b. 1928) Sunset, Venice from the Lido, 1986 Acrylic and watercolour on paper Signed with monogrammed (lower right) 6 x 10 in. (15.3 x 25.4 cm.) Prove...

This drawing by Frank Girard is created with pigments, Chinese ink, watercolors, acrylic, and colored pencils on 300g/m2 neutral white paper. It is not framed. Through drawings, the...

An acrylic and spray paint abstract drawing of the Gihon River in Johnson, Vermont. This drawing was produced during my November 2017 residency at Vermont Studio Center in Johnson, ...

This drawing by Frank Girard is created with pigments, Chinese ink, watercolors, acrylic, and colored pencils on 300g/m2 neutral white paper. It is not fr...

Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...

Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...

"Abstract 62," is a contemporary Abstract painting by San Jose-based artist Helen Bellaver. In this work, Helen layers a medium onto her paper to create a subtle texture, which she t...

John Doyle MBE, PPRWS (British, b. 1928) San Marco, Venice, circa 1986 Acrylic and watercolour on paper Monogrammed (lower right) 6.1/4 x 9.7/8 in. (15.8 x 25 cm.) Provenance: The C...

Signed lower left, 'Byron' for Byron Randall (American, 1918-1999) and dated 1947. Born in Tacoma, WA on Oct. 23, 1918. Randall was in Salem, OR during the 1930s. He created artwork...

An original painting by contemporary American painter, Murray Reich. Nicely framed. House and Sky by Murray Reich, American (1932–2012) Date: 1980 Acrylic and Collage on Paper, sign...

Ingrida Irbe's Autumn series capture the beauty of the season in an abstract way, focusing on the expressive dance of colors Ingrida Irbe (1969) Born ...

Ingrida Irbe's Autumn series capture the beauty of the season in an abstract way, focusing on the expressive dance of colors Ingrida Irbe (1969) Born 15th of June 1969 in Riga ...

Liquid acrylic on archival paper, framed. "Settle In" (2019) by figurative wildlife artist, Gigi Chen. The square artwork measures 8 inches high by 8 ...

acrylic on archival Canson watercolor paper Mauricio Trenard is an artist, educator and arts activist. He says this series is of great interest to him, as it offers the potential ...

"Appalachian Trail Map" is an original pen and ink, acrylic wash artwork by Sarah Kaizar measuring 30"h x 24"w framed. It’s an off-beat, diverse...

"Knob Maul Shelter, Virginia, [ 37.0008, -8140446 ]" is an original pen and ink, and acrylic wash artwork by Sarah Kaizar measuring 24"h x 30"w framed. It’s an off-beat, diverse com...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

Hopeful Spring, 2020, watercolor, oil pastel, green, landscape, fantasy, trees.

"Mashipacong Shelter, New Jersey, [ 41.25216, -74.68594 ]" is an original pen and ink, and acrylic wash artwork by Sarah Kaizar measuring 24"h x 30"w framed. It’s an off-beat, diver...

Anthemusa, 2020, watercolor, oil pastel, green, landscape, ink, fantasy.

"Pine Knob Shelter, Maryland, [ 39.54249, -77.60181 ]" is an original pen and ink, and acrylic wash artwork by Sarah Kaizar measuring 24"h x 30"w framed. It’s an off-beat, diverse c...

Abstract Study of English Seascape Shoreline by Leading Contemporary British Artist Angela Wakefield Art measures 12 x 10 inches Frame measures 17 x...

This drawing titled "Roaring Fork Shelter, North Carolina, [ 35.805, -82.94978 ]" is an original artwork by Sarah Kaizar made of pen and ink, and acrylic wash. Drawing from her experience hiking the Appalachian trailing...

acrylic on archival Canson watercolor paper Mauricio Trenard is an artist, educator and arts activist. He says this series is of great interest to him, as it offers the potential ...

Space Rocks, 2020, watercolor, oil pastel, black, creatures, graphite, fantasy.

acrylic on archival Canson watercolor paper Mauricio Trenard is an artist, educator and arts activist. He says this series is of great interest to him, as it offers the potential ...

acrylic on archival Canson watercolor paper Mauricio Trenard is an artist, educator and arts activist. He says this series is of great interest to him, as it offers the potential ...

This drawing titled "William Brien Memorial Shelter, New York, [ 41.2796N, 74.0594W ]" is an original artwork by Sarah Kaizar made of pen and ink, and acrylic wash. Drawing from her experience hiking the Appalachian trail...