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Marcel VertèsSeasons Greetings #2- Drawing by French Painter Marcel Vertes1950s
1950s
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CHF 450.25
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About the Item
Season's Greetings # 1 is a greeting card featuring an original drawing by the illustrator and artist Marcel Vertès. The work displays Vertès' signature at the bottom right. The work is based on wax crayons, and ink for the delicate black outlines and composition of the primary character and secondary figures.
Season's Greetings is a greeting card featuring an original drawing by the illustrator and artist Marcel Vertès. The work is presented unfolded. The work is based on wax crayons, and ink for the delicate black outlines and details of the six elves.
Legend has it that Christmas elves work all year round in Santa's factory, making presents and helping him with the preparations before visiting houses to play all sorts of tricks and mischief after dark.
In this variation on Christmas elves, Vertès presents them as winged and feminine, in red and green outfits, preparing greeting cards. Two of the elves finish painting the words “Seasons” and “Greetings”.
Vertès presents a whimsical interpretation of the Christmas card tradition.
Marcel Vertès, was born on August 10, 1895, in Budapest, Hungary.
After the war, Vertès settled in Paris, where he enrolled as a student at the renowned Academy Julian. Immersed in the vibrant atmosphere of the Latin Quarter, he became an integral part of the Parisian art scene, and his artistic style evolved to become more light and lyrical. He focused on various mediums, including illustration, painting, and lithography, with his first solo exhibition in New York taking place two years after his initial visit in 1935.
With the onset of World War II, Vertès fled the Nazi invasion of Paris and returned to New York with his wife, subsequently dividing his time between the two cities. After a decade, he returned to his cherished Paris, where he spent the remainder of his life.
During his time in the United States, Vertès became a consultant to the Producers and Set Designers of the acclaimed 1952 film "Moulin Rouge," centered around the life of artist Henri De Toulouse-Lautrec. His expertise in forgery, which he had utilized earlier to earn money for his education, played a role in the film, where his hand was featured as Toulouse-Lautrec's, and his images were used with proper credit. Vertès also made significant contributions to the film's British production credits, particularly as the Color Production Designer and Costume Designer, leading to a shared British Academy Film Award for Best Costume Design.
Additionally, Vertès left his mark on the artistic landscape by creating original murals in the Café Carlyle at the Carlyle Hotel in New York City, as well as in the Peacock Alley of the Waldorf Astoria Hotel, also located in New York. In 1956, he designed sets for the entire Ringling Bros.-Barnum & Bailey Circus show. His talent extended beyond visual arts, as he served as an illustration contributor for renowned publications like Vogue and Harper's Bazaar. In 1961, he was part of the jury at the Cannes Film Festival and was honored as an officer of the Legion of Honor in 1955 for his work in designing ballets at the Paris Opera.
On October 31, 1961, at the age of 66, Marcel Vertès passed away in Paris, leaving behind a rich legacy of artistic achievements and a profound impact on the art world.
- Creator:Marcel Vertès (1895 - 1961, Hungarian)
- Creation Year:1950s
- Dimensions:Height: 16.88 in (42.88 cm)Width: 20.75 in (52.71 cm)Depth: 0.88 in (2.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Pasadena, CA
- Reference Number:1stDibs: LU654312400302
Marcel Vertès
Emmanuel Marcel Vertès, born Vértes Marcell in Újpest (Hungary) on 10 August 1895 and died in Paris 16th arrondissement on 31 October 1961, was a Hungarian-born French painter, engraver, illustrator and costume and film designer. After studying with Ferenczy at the Beaux-Arts in Budapest, Marcel Vertès produced political posters during the First World War. Going into exile at the end of the hostilities, like his comrades Mihály Bíró and Róbert Berény, he studied at the Académie Julian in Paris. He made a name for himself in France in the mid-1920s, particularly for his lithographs and illustrations. He published L'heure exquise, a series of erotic engravings, followed by Le pays à mon goût. His favourite subjects were the circus, balls and brothels. His real fame came with an album of lithographs entitled Dancings. Among the works he illustrated were Chéri and La Vagabonde by Colette, L'Europe galante by Paul Morand and Le Cirque by Ramón Gómez de la Serna, published by gallery owners Madeleine and Pierre Trémois. He was associated with the Hungarian cartoonist Alex Szekely.
In the 1930s, he also worked for fashion magazines such as the English edition of Vogue, the American rival Harper's Bazaar and the Gazette du Bon Ton. An engraver, watercolourist and costume designer, this artist also collaborated with Elsa Schiaparelli on numerous occasions, including advertising campaigns for perfumes, the creation of fabrics and even a portrait of the couturier. Mobilised at the start of the war, he was demobilised the following year and left for Biarritz. After passing through Spain, he returned to New York with his wife shortly afterwards and settled in 57th Street, continuing his collaborations and illustrations with the fashion world.
In the early 1950s, Marcel Vertès enjoyed a high profile in artistic circles, justified by a talent often described as exceptional. His drawings were characterised by a great economy of line and colour, and he also produced illustrations in black and white.
It was during this period that he worked on John Huston's Moulin Rouge as costume designer and set designer. He won two Oscars for this film. He moved back to Paris in the late 1950s and died there in 1961.
He is buried in the Père-Lachaise cemetery (90th division).
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