Board Drawings and Watercolor Paintings

Oil pastel and watercolor on paper realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 157.5x113.5. Sirio Pellegrini, born in R...

Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern.mixed media. 21 x 16 (sight). Housed in a hand carved frame. Louis King Stone ...

Maka Cielecka Graduated from the Warsaw Academy of Fine Arts. Worked in Canada and in the Netherlands as a graphic artist. In the mid-90s she began her extensive travels, including t...

"Judy Garland" Legendary Film and Recording Star. Gay Icon. 20th Century Litho Al Hirschfeld (1903 - 2003) Judy Garland 20 x 15 inches (sight) Etching 26 1/2 x 14 3/4 inches Framed...

Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude. PROVE...

Medium: Pen and Ink Over Graphite on Board Signature: Signed "C. D. Gibson" in lower left "At the Black Cat." Illustration for About Paris by Richard Harding Davis (New Yorker: Harp...

Artist: Philip Pearlstein (American, 1924-2022) Title: "Male and Female Nudes on a Sofa" *Signed and dated by Pearlstein in pencil lower left Year: 1970 Medium: Original Graphite Pen...

Artist : Kory Twaddle "Autumn Biogram of the Nelson" Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...

Abstract geometric composition with hints of the female body Date: Circa 1970 Medium: Tempera on thick cardboard Dimensions: H 64 cm x W 50 cm approx. Description: This abstract geo...

Sir Lawrence Alma-Tadema 1836-1912 Dutch The Balneator Signed and inscribed "L Alma Tadema. op CLXXVI." (lower right) Pencil and watercolor with scratching out on paper on board ...

Original Painting Cathedral Interior New Yorker Cover Proposal 1939 Jesus Church Antonio Petruccelli (1907 – 1994) Cathedral New Yorker cover proposa...

Mother and Child is an artwork realized by an unknown artist in 1962. Black Marker Pen on Cardboard 27.5 x 22.5 cm ; 60 55 cm with frame. Unreadable signature in the lower part. ...

Charcoal on cream laid paper mounted on board. 940x590 mm; 37x23 1/4 inches. Signed in charcoal, lower right recto. Unframed, The Paper has a slight ripple in the chest area. Four s...

A monochrome minimalist portrait in a restrained palette. The white face, resembling a mask, is immersed in music, dissolving into time. Simple yet expressive brushstrokes create a s...

Medium: Pen and Ink on Board Signature: Signed Lower Left Story Illustration- Life Magazine ca. 1915 Seated Man in dressing gown pulling on maid's apron

"Let's Make an Opera" Original Drawing NYT Published, Norman Del Mar Conducts Al Hirschfeld (1903-2003) "Let's Make An Opera" Ink on board 13 1/2 x 18 1/2, sight Framed: 22 1/2 x 27...

Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude. PROVE...

'Untitled' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). Beautifully balanced, stunningly...

Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet Antonio Petruccelli (1907 - 1994) Santas Feet At Midnight New Yorker c...

This piece titled "14th Century Romanian Peasant" is an original artwork made from micron pen on bristol board by Kate Glasheen. This piece is shipped in ...

House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA Antonio Petruccelli (1907 – 1994) Mixing Mortar 12 1/2 X 14 3/4 inche...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Original TV Guide Illustration Caricature Esther Williams John Raitt Dinah Shore. Published December 25, 1957 in TV Guide as an editorial to promote the Di...

Black_X, 2016 pencil, white pastel on black cardboard 27.55 H x 19.68 W in. 70 H x 50 W cm Alina Aldea's drawings project all the possible forms which appear to rapidly disappear, w...

Charming mid century watercolor painting of a horse in winter with a barn in the background by Ernest Smythe (American/England 1881-1950). Signed "ERNEST SMYTHE" in lower left corner. Presented in a tan mat with a wood frame and glass. Image size: 25"H x 19.75"W As William Ernest Smyth, he was born at 13 Commercial Road, Ipswich on 9 April 1874 but was not baptised at St Michael's, Ipswich until 23 October 1885, when his birth date is given as 17 February 1874, youngest son of artist Thomas Smythe...

Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA Antonio Petruccelli (1907 – 1994) Army Wedding New Yorker cover proposal, c. 1939 11 1/2 X 8 inches ...

Signed lower right, 'Elizabeth Gowdy Baker' (American, 1860-1927) and painted circa 1910. Exhibited: New York Watercolor Club, Circa 1900 After graduating from Monmouth College, Eli...

Hay stacks. 1981. Oil on cardboard, 22x30 cm

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Luis Miguel Valdes (Cuba, 1949) 'De la serie La Siempre Habana 62', 1994 pastel on cardboard 11.9 x 15.8 in. (30 x 40 cm.) ID: 1D199403 Hand-signed by author ________________________...

Harvest Time The Hills of Mt Tamalpais near Lake Bon Tempe 1890s The Hills around San Rafael in the 19th century were a time of work and play as seen in this watercolor near Lake Bon...

Original Watercolour of Farmhouse in the Northern Ireland Countryside by 20th Century Irish Artist, D Hall Art measures 8 x 6 inches Frame measure...

Uccelliera is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera on ivor...

'Nymph with a Centaur' by T.M. French School, Academic, Framed Greek Mythological Grisaille --- An exceptionally fine, brush and wash, mythological figural study showing a centaur i...

Female Illustrator of the Golden Age Alice Barber Stephens renders in an academic style and women sitting in a chair and responding to something outside of the frame. Signed lower left. Most likely done for a major newsstand magazine like Harper's, Century or Scribner's Monthly. Work is framed under glass in a simple black wood frame. Perhaps period. Matt is new. Frame size: 20.5 x 14.5 From: Wikipedia Alice Barber Stephens (July 1, 1858 – July 13, 1932) was an American painter and engraver, best remembered for her illustrations. Her work regularly appeared in magazines such as Scribner's Monthly, Harper's Weekly, and The Ladies Home Journal. Early life and education Alice Barber was born near Salem, New Jersey. She was the eighth of nine children born to Samuel Clayton Barber and Mary Owen, who were Quakers. She attended local schools until she and her family moved to Philadelphia, Pennsylvania. At age 15 she became a student at the Philadelphia School of Design for Women (now Moore College of Art & Design), where she studied wood engraving. The Women's Life Class (1879), Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. She was admitted to the Pennsylvania Academy of the Fine Arts in 1876 (the first year women were admitted), studying under Thomas Eakins. Among her fellow students at the Academy were Susan MacDowell, Frank Stephens, David Wilson Jordan, Lavinia Ebbinghausen, Thomas Anshutz, and Charles H. Stephens (whom she would marry). During this time, at the academy, she began to work with a variety of media, including black-and-white oils, ink washes, charcoal, full-color oils, and watercolors. In 1879, Eakins chose Stephens to illustrate an Academy classroom scene for Scribner's Monthly. The resulting work, Women's Life Class, was Stephens' first illustration credit. New Woman As educational opportunities were made more available in the nineteenth century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior by the art world, and to help overcome that stereotype women became "increasingly vocal and confident" in promoting women's work, and thus became part of the emerging image of the educated, modern and freer "New Woman". Artists then, "played crucial roles in representing the New Woman, both by drawing images of the icon and exemplifying this emerging type through their own lives." Alice Barber Stephens, The Women Business, oil, 1897, Brandywine River Museum, Chadds Ford, Pennsylvania One example of overcoming women stereotypes was Stephens' Woman in Business from 1897, which showed how women could focus not only in the home, but also in the economic world.[8] As women began to work, their career choices broadened and illustration became a commendable occupation. People's ideas about education and art started to merge, and the outcome of a certain sensitivity to the arts began to be seen as uplifting and educational. By using illustration as a means to further their practices, women were able to fit the traditional gender role while still being active in their pursuits for the "New Woman". According to Rena Robey of Art Times, "The early feminists began to leave the home to participate in clubs as moral and cultural guardians, focused on cleaning up cities and helping African Americans, impoverished women, working children, immigrants, and other previously ignored groups." Stephens took advantage of the explosion of illustration opportunities, including the opportunity to work from home. Women's education Edwin Forrest House, formerly the home of the Philadelphia School of Design for Women. Throughout the period before the civil war, textile and other decorative work became acceptable occupations for those who aspired to be in the middle class. The Philadelphia School of Design for Women, founded in 1848 by Sarah Worthington Peter was first among a group of women's design schools established in the 1850s and 1860s; others appeared in Boston, New York, Pittsburgh, and Cincinnati. It began as a charitable effort to train needy and deserving young women in textile and wallpaper design, wood engraving, and other salable artistic skills, providing a means for training women who needed wage work. The Pennsylvania Academy of the Fine Arts (PAFA) was established in 1805 by painter and scientist Charles Willson Peale, sculptor William Rush...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Interior design paintings. Abstraction art, made in black, orange, yellow on white foam board. Can be as a single independent painting, diptych or 4-pieces art composition. Also, we...

A 1950s pastel drawing of a young boy by artist Francis Chapin. Provenance: Estate of the artist. Image size: 16" x 15". Artwork is not matt...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Rene Portocarrero Figura Ornamentada, 1978 Plaka on paper laid down on board 25 x 19 in Signed on lower left

The Pin-Up of ravishing young beauties in mid-century America was a widely popular art form. The assumption that Pin-Up art was the exclusive domain of men is a misnomer. Female illu...

Signed, l.r. Graphite on museum board This work is offered by ClampArt in New York City.

River bay. 1987. Oil on cardboard, 44x58 cm Summer landscape by the river Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints...

This gouache painting on illustration board was created by American artist Jack Leynnwood. Fascinated by aviation from a young age, Leynnwood did kit illustrations of everything from military aircraft to rigged ships, Rat Finks, Flash Gordon, space ships and Ed “Big Daddy...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Gipsies with Horses & Covered Wagons in the Wild Moorland Landscape of England. An Original Watercolour Painting by 19th Century British Artist, James Walter Gozzard...

Graphite on museum board This work is offered by ClampArt in New York City.

This is a set of three original artworks on board combining delicate detail with expressive brushwork. The outcome offers a soft, feminine aesthetic, with a flowing pink draped grace...

Original Painting Steel Workers Fabric Design Industrial Deco American Modernism Antonio Petruccelli (1907 - 1994) Steel Workers Textile design 19 1/4 X ...

Very well executed watercolor and gouache on heavy card stock of a spring bouquet composed of mainly roses and pansies. Unsigned. Circa 1915. Original gold painted wood frame. Under...

RCA Design Art Deco Streamline Mid Century Modern American Scene Architectural John Vassos (1898-1985) RCA 50 D Transmitter and Control Desk 12 x 19 1/2 (sight) Mixed media on boar...

Medium: Charcoal on Board Signature: Signed "W.B. King" Lower Right The Negotiation. Likely a story illustration for The Saturday Evening Post, circa 1915.

Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board Signed and dated on label, verso This artwork is offered by ClampArt, located in New York City. Cub...

Idyllic depiction of Mount Fuji by Japanese artist Emiko Satsuta (early 20th Century). Muted colors create a serene atmosphere, with Mount Fuji in the ba...

Robert Konersman (American, 1889 - 1975) Signed: Konersman (Lower, Left) " Reading Before Bed " c. 1900-1920 Watercolor and Gouache on Paper Laid on Illustration Board Image Size...

A significant early 20th century landscape watercolor of the paradisical gardens at San Anton Palace in Attard, Malta by Nicholas Krasnoff, 1920 (Russian, 1864-1939). This beautiful piece is a wonderful example of the renowned Russian architect's prized watercolors, created while he was exiled to Malta in the early 1920's. Depicting a lush garden full of blooming, colorful flowers and a stately fountain at the San Anton Palace in Malta, one can see the deft hand and attention to detail rendered by the proficient artist and architect's hand. Signed "N. Krasnoff" lower right. Titled and dated "Malta, St. Antonio 1920". Unframed. Measures 10.25"H x 14.25"W. Right corner has a crease from being bent. Nikolay Petrovich Krasnov, also known as Nicholas Krasnoff or Peter Nicholas Krasnoff, was a Russian Serbian architect and painter. He served as Chief Architect of Yalta, Crimea (1887-1899). From 1922 he lived and worked in the Kingdom of Yugoslavia, and was a key figure in the architectural development of Belgrade. Attending the Moscow School of Painting, Sculpture and Architecture in 1876, aged 12. As a young artist he received patronage from Sergey Tretyakov, brother of the founder of Moscow's Tretyakov Gallery, and entrepreneur Petar Gubonyin. In 1887 Krasnov became Chief Architect in Yalta. At the age of 23, Krasnov had large responsibility for the rapid growth of the city. He expanded the promenade, which by 1913 became the city's main street, before creating a new city plan in 1889 (including a new sewer system, planning regulations, new streets, prevention of unregulated construction, a school and children's hospital, and the construction of the Pushkin Boulevard). Two concrete bridges were built over the river, and the embankment strengthened. Krasnov also ran a private practice in Yalta until 1911. Among his most famous work is the Livadia Palace, later the location of the 1945 Yalta Conference. Designed over 60 buildings in Crimea, blending a modernist style with local traditions. Also of note: Dulber Palace, Koreiz (1895-97), Alexander Nevsky Cathedral, Yalta (1902), Yusupov Palace, Koreiz (1909), Kokkoz Jami Mosque, Sokolyne (1910). In 1913, he presented a collection of illustrations he had produced of his works to the Saint Petersburg Academy of Arts, where he held the title of academician. An opponent of the Russian Revolution, he left Yalta with his family in 1919 for Malta, alongside the Dowager Empress Marie Feodorovna, sister of Queen Alexandra, and over 600 members of the Russian aristocracy. Nikolay was in a group housed in the empty Villa St Ignatius, which had been a Jesuit college and then a hospital during World War I. To earn money, Nikolay painted many scenes of Malta, signing his paintings as N. Krasnoff. He is known as Nicholas Krasnoff in Malta. In May 2016 MaltaPost issued a commemorative set of stamps in his honor. In 1922 Krasnov moved to Belgrade, then part of the Kingdom of Yugoslavia, where he became head of the Department of Monumental Architectural Developments and Monuments. His building designs in Serbia number around 60, and were created under the name Nikola Krasnov, as a mark of respect to his adopted homeland. His key works in Belgrade include: Ministry of Forestry building (now Ministry of Foreign Affairs) (1923) which bears a memorial plaque...

Illustration of a shaggy black and white dog taking a bath Original cover for The Saturday Evening Post, May 11, 1946 The Post editors described: "Artist Albe...

series "Non-standard configurations", 70x50 cm, acrylic on cardboard The work is sold without a frame and mat

Original Painting. Fortune Mag Cover Published 1938. American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Fortune cover published, January ...

Fighter Boxing Woodstock American Scene WPA Era Mid 20th Century Social John Ruggles (1907-1991) Sight: 17 1/2 x 13 1/3 inches. Framed: 22 x 18 inches...