1980s Drawings and Watercolor Paintings

Signed lower right, 'Jane Malinasky' (American, 1920-2003) and dated, verso, 1980. Jane Malinasky attended the College of William and Mary.

Vibrant watercolor, pen and ink floral study of hot pink roses in full bloom, with brilliant attention to detail and a signature delicate style, by California artist Deborah Eddy (Am...

Black And White Landscape is an original artwork realized by Michel Gigon in 1980. Mixed media on cardboard (chalcography and ink). Hand-signed by the artist on the upper left corner. Very good conditions except for some foxing on the back. Totally black Surrealist composition realized by Michel Gigon at the end of his artistic career. During this period, the artist realized several black artworks...

Richard Haas Great Western Staircase, New York State Capitol Building, Albany (View II), 1980 Pastel drawing on paper Hand-signed by artist, Signed and dated 1980; bears RDA (Readers Digest...

The color harmony on paper. stamp singed lower right Pinajian. Archived numbered 1580

Highly detailed rendering of a kimono by Patricia A. Pearce (American, b. 1948). The ribbons in this piece have a metallic quality to them. Signed "Patricia A Pearce" in the bottom r...

Jay Rosenblum Polarity #3, 1981 Acrylic on paper 6 × 9 1/2 inches Signed and titled in graphite pencil on the front Unframed This gem of a work is an acrylic painting on paper by ren...

Sunil Das - Untitled - 13.5 x 10.5 inches (unframed size) Jottings, Pen & Ink on Paper Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian ...

John Strickland Goodall John Strickland Goodall was born in Heacham, Norfolk on 7 June 1908. He was the son of a famous heart specialist whose boasted seven generations of medics, a...

Joel FROMENT (1938-2023) Untitled, 1986 Pastel on paper Signed et dated “86.12” lower right 50 x 50 cm without frame Joël Froment attended the Lycée d'Art de Sèvres before entering ...

Queensdown Warren, Kent - Autumn Forest Interior Landscape in Watercolor Colorful forest landscape by L.B.H. Cremer (20th Century). Layers of color cr...

Richard Haas Great Western Staircase, New York State Capitol Building, Albany, 1980 Pastel on paper drawing Hand-signed by artist, Signed and dated 1980; bears RDA (Readers Digest...

RECLINING NUDES, Signed Original Watercolor Drawing Chaim Gross (Austrian American, 1902-1991) Original mixed media - watercolor and graphite on paper, hand signed in pencil by Chaim Gross on lower right, very good condition, off-white cream archival acid-free mat, warm metallic pewter color wood frame. Framed size - 20 x 23 in., 2.5 inch, Image area 12.5 x 16 in. Frame is included. About the artist - Chaim Gross (1902-1991) was a modern American sculptor working in New York City from 1921 until his death in 1991. He was born in 1902 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before immigrating to New York City in 1921. In New York City, Gross's studies continued at the Educational Alliance Art School on the Lower East Side, led by Russian-American etcher Abbo Ostrowsky. Gross first began to exhibit his work as a student at the Alliance in 1922 (in the late 1920s, he joined their faculty). Gross also attended the Beaux-Arts Institute of Design from 1922-25, where he studied sculpture with Elie Nadelman and others, and at the Art Students League in 1926, with sculptor Robert Laurent. In 1926, Gross began to exhibit his sculpture at the Jewish Art Center (then in the Bronx), and in 1927, at the Salons of America exhibitions at the Anderson Galleries at 59th Street and Park Avenue. Beginning in 1928, he exhibited at the Whitney Studio Club at 10 West 8th Street (the precursor to the Whitney Museum of American Art), showing a watercolor "Circus" in their 13th Annual Exhibition of Paintings. In March 1932 Gross had his first solo exhibition of sculpture at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehudah and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze...

D. Tongen "Orange, Brown, Black" 1980s 11.75"x10" Soft pastel and pencil on paper Signed in pencil lower right

Sakti Burman - Kamdhenu Watercolour on Paper 14 x 20 inches Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata and the Ecole Nationale des Beaux ...

D. Tongen "Yellow and Black" 1980s 19.75"x12.5" Soft pastel and pencil on paper Initialed in pencil lower right

Figure is an original Drawing in Pencil artwork realized by Antony Roland. Good conditions. Hand-signed. The artwork is depicted through soft strokes in a well-balanced composition.

Evocative abstract landscape by Martin Kallman (American, 1925-1992). This piece has large sections of light and shadow that overlap each other, as if c...

Artist: Kenjilo (Kenji) Nanao – Japanese/American (1929-2013) Title: Untitled – Watercolor with collage Date: 1989 Medium: Watercolor with collage Image size: 39.5 x 38 inches Sheet ...

it is currently unframed and will be sold thus. Similar in style to the 80s work of Elizabeth Murray. A bright, colorful expressive piece signed (labels are not included as it is un...

Colorful watercolor still life with plant, fruit and a red candle by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in...

Soft watercolor and Cyanotype of oak trees at Rancho San Carlos by Cheryl Trotter (American, 20th century). Signed lower right "Cheryl Trotter." Displayed i...

Garden in Rome is an original drawing in watercolor and Tempera realized by Zeno Giglietti in 1985. Good conditions. The artwork is depicted through h...

View of Henningsvaer Lofoten is an Original Watercolor realized by Armin Guther in 1986. Good condition, included a white cardboard passpartout (50x40 cm). Hand-signed and dated on...

On heavy Arches deckle edged paper. This combines text or poetry in calligraphy on the side. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist nude and animal drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

"Descriptions I have heard or read of my work, most of which either delight or offend me, are: allegorical, apocalyptic, provocative, prophetic, dream-like, surreal, fantastic, weird, frightening, disturbing, demanding, despairing, disgusting, irrelevant, inspiring, old, new-old, fascinating, morbid, medieval, bizarre, cathartic, mystery-plays (I like that), and well drawn." - David Becker David Becker Day of the Painter graphite on paper 22h x 34w in 55.88h x 86.36w cm DB0017 David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on request Arkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconsin-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennessee – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shoemaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

“Alexandria” by artist Mary Spencer is a 30 x 42.5 inch contemporary mixed media work on paper. The artwork is signed and dated on the front and back. Mary Spencer’s works on paper ...

Figure of woman is an original artwork realized by an unknown artist and signed "Avitch" in 1980s. Tempera and china ink drawing in good conditions on a yellow paper. Hand-signed b...

This feminist work of a nude gazing directly at the viewer, features graphite on mylar over cut paper, aligned to amplify the forms while maintaining the delicacy of the drawing. These recently discovered 1984 oversize works on mylar and archival papers were created with a live model. The series shows the last existing observational drawings prior to the artist's switch to working with her non- dominant left hand. As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze...

Original conte crayon drawing of a reclining female nude on tinted archival paper by the American artist, Renate Duncan. Signed lower left. Artist full name and address verso. Circa ...

Gabryela Wasowicz is a Polish painter born in 1947. She studied at the Academy of Fine Arts of Warsaw and then at the Gerrit Rietveld Akademie in Amsterdam. Once she graduated in 197...

Mother and Child is a drawing artwork realized by an Anonymous in the late 18th century Two ink drawig with figures nn paper. with ntes. The state of preservation is good with slig...

Nude is an original drawing in pencil realized by Emile Deschler in 1986. Hand-signed in pencil by the artist on the lower right. Good condition except for some small holes. Emile...

Original oil pastel twilight scene on Canson Mi-Teintes pastel paper of a tree lined country lane. Beautiful use of light and shadows. American School, post impressionist style. Init...

Strange Patient is a drawing realized by Shokirov in the 1980s. Waterclor and ink drawing on paper. Hand-signed on the lower right. The state of preservation is good. Th artwork...

Segnali is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera on ivory-c...

This original watercolor by Dwight Baird, drawn on location at the Port of Gomera on Tenerife in the Canary Islands, captures the charm of several fishing boats resting in the harbor...

Subtly shaded abstract figurative illustration by Elsa Warnick (American, 1942-2013). Two adult and three baby figures are rendered with subtle tan shading, against an abstract background with geometric shapes and swirling ribbons. One of the two adult figures is laying down, while the other appears to be jumping or dancing. Notable is the skillful use of negative space to balance the composition. Signed and dated "Warnick 1982" in the lower right corner. Signed, titled, and dated with materials information on verso. Presented in a silver aluminum frame. Frame size: 23.5"H x 31.25"W Paper size: 23.25"H x 31"W Elsa Warnick (American, 1942-2013) was born and raised in Tacoma, Washington. She moved to Portland to attend the Reed College/Museum Art School joint five year program. Warnick went on to create many works of art as well as teach art and illustration. She is mostly known for her watercolor paintings, including the illustration of several children's books. Some of her pieces are held in the Portland Art Museum’s collection. Selected Exhibitions: 1974: University Center Gallery, Willamette University - Salem, OR 1978: Mayer Gallery...

Red with Black, White and Orange - Expressionist Composition in Acrylic on Paper A bright abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). Unsigned, from a collection of his works. (Certified to be by the artist) Paper size: 22.5"H x 15"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was born in Brazil and grew up in Los Angeles. He was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve Alastra...

This black and white charcoal and pastel painting features a Burmese temple landscape. Rising from clouds of gnarled trees, the temple’s triangular shape thins to a pointed dome, wit...

Michael Lucero (born 1953) is an American sculptor. His work has been exhibited in the Carnegie Museum of Art and the Mint Museum. Lucero works with multiple mediums and usually work...

A unique hand-painted lithograph of a colorful Bouquet of Flowers by Wayne Ensrud, American (1934). Quiet Sunday (Blue) Wayne Ensrud, American (1934) Date: 1980 Hand-Painted Lithogra...

Ira Moskowitz, Polish/American (1912 - 2001) - Two Nudes - I, Year: 1989, Medium: Ink on Paper, signed, Size: 13 in. x 10 in. (33.02 cm x 25.4 cm), Description: This sensual depict...

“Dazed” by artist Mary Spencer is a 28 x 39.5 inch surreal mixed media work on paper. The artwork is signed and dated on the back. Mary Spencer’s works on paper investigate gaze as ...

Erotic Scene is a charcoal Drawing realized by Mino Maccari (1924-1989) in 1980s. Hand-signed on the lower margin. Good condition on a cream colored cardboard. Mino Maccari (Siena...

Untitled is an orignal contemporary artwork realized by Pedro Cano in the 1980s. Mixed colored pastels on board. Includes frame. Hand signed on the lower...

Tree of Life is an original drawing in pencil realized in 1982 by Herta Hausmann. Hand-signed in pencil on the lower left, with blue stamp of "Atelier Herta Housmann" on the rear of...

Road, Irena Luse, 42x32 cm

A painter, draftsman, printmaker and master printer, Curlee Raven Holton (born 1951) taught for twenty years at Lafayette College, Pennsylvania, a...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 6A Year: 1984 Medium: Tempera on Paper, sig...

“Messenger” by artist Mary Spencer is a 28 x 39.5 inch contemporary pastel drawing on paper. The drawing is signed on the front and back. Mary Spencer’s works on paper investigate g...

A bold abstract watercolor with yellow and blue, contrasted with red accents by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Anderson" on verso. From the estate o...

Peter Pinchbeck, English (1931 - 2000) - Green and White Squares, Year: 1982, Medium: Gouache on Paper, signed and dated in pencil on verso, Size: 22.25 x 30 in. (56.52 x 76.2 cm)

“Choppy Waters” by artist Mary Spencer is a 28 x 39.5 inch surreal mixed media work on paper. The artwork is signed and dated on the front and back. Mary Spencer’s works on paper in...

Untitled is a watercolor painting by Italian artist Lucio Pozzi. The canvas is signed and titled by the artist himself, and the work is currently housed at Hal Bromm Gallery.

Simon Samsonian (1912 - 2003) Colorful Geometric Abstraction, 1981 Oil on paper 16 x 22 inches Signed and dated lower right Provenance: Estate of the artist This survivor of the Armenian genocide wound up in a Cairo orphanage in 1927. He rose to fame as one of Egypt’s great modernists, but after moving to Long Island late in life he withdrew into anonymity. Now his compelling story is being told. Art historians are finally beginning to realize that the power of abstraction in its early years was a zeitgeist not limited to the major European centers of the avant-garde — Paris, Munich, and Moscow — but one that quickly rippled to major cities throughout the world. Within a few decades that original shock of a new vision had inspired thousands of artists from different cultures — particularly those the Middle East — whose translations were not slavish imitations of works by seminal figures like Picasso, Braque, Malevich, and Kandinsky but creative variants colored by their respective cultures. This essay focuses on an extraordinary Armenian artist, his harrowing survival of the genocide, his rise to fame in Cairo, and his creation of a unique style of abstraction. Art historians have typically formed a chorus that teaches the history of abstraction like this: Just before and during the World War I era, several avant-garde artists emerged to create shockingly different new forms by which artists could express themselves. In Paris, Picasso and Braque broke out with cubism, quickly followed by Mondrian. In Moscow, Malevich created Suprematism, the ultimate hard-edge geometric abstraction. And in Munich, Kandinsky emerged as the father of Abstract Expressionism. Within these few short years a zeitgeist was sensed throughout the art world. American pioneers, too — particularly Stanton Macdonald-Wright and Morgan Russell — felt this explosive freedom of expression. When Europe was recovering after World War I it became clear that Paris would retain its title as capitol of the art world, lasting through the Roaring Twenties and even through the Great Depression. But the end of World War II changed everything. A parallel war had been won by a group of irascible young Abstract Expressionists in New York — led by Pollock, Rothko, DeKooning, and Kline. No sooner had Paris been liberated from the Germans than Picasso, Matisse, Breton, and Duchamp surrendered to the Americans. From that point on New York would be the epicenter of the art world. But a lens that focuses myopically on the war between the avant-garde of Paris and New York misses the wider narrative of multiple aesthetic modernities that developed in the several decades following World War I. For Armenian artists the matter is even more complex owing to the genocide of 1915 where more than 1.5 million people — seventy-five percent of Armenians in the Ottoman Empire — were massacred. Those not shot on the spot were sent on death marches through the Mesopotamian desert without food or water. Frequently, the marchers were stripped and forced to walk naked under the scorching sun until they dropped dead. As a child Samsonian witnessed the murder of his parents and most of the members of his family. Soon thereafter, his older sister, Anahid, quickly shepherded him into a line of children being rescued by Greek nuns. But they became separated and he lost her, too. He was sent to a Greek orphanage in Smyrna (now Izmir), on Turkey’s west coast. Because he only knew his first name, the orphanage gave him a last name based on the place where they found him — Samsun — a major port on Turkey’s north coast on the Black Sea. His birth date was unknown, too. According to Samsonian’s vague recollections he assumed he was about three or four years old at the onset of the genocide, which would place his birth year in 1911 or 1912. In 1922, when Samsonian was about 10, the Turks ended their war with the Greeks by putting Smyrna to the torch in what has been called the “Catastrophe of Smyrna.” Once again, the child was on the run, escaping the fire and slaughter. He found temporary refuge in Constantinople, but within a year that major port would fall to the Turks, too, and become renamed as Istanbul. This time, Samsonian was whisked away to an orphanage in Greece founded by the American charity, Near East Relief — which is credited with saving so many Armenian orphans that the American historian Howard M. Sachar said it “quite literally kept an entire nation alive. Any understanding of Samsonian’s approach to modernism requires careful consideration of the impact of his early years because his art is inseparable from the anguish he experienced. In 1927, when he was a teenager, he was transferred to Cairo, Egypt, then a cosmopolitan city hosting a sizable portion of the Armenian diaspora. There he lived with thirty-two other children on the top floor of the Kalousdian Armenian School. Upon graduating in 1932 he won a scholarship to attend the Leonardo da Vinci Art Institute — an Italian art school in Cairo — where he won first prize in final examinations among one hundred students. He found work with an Armenian lithographic printer and he returned to the Kalousdian Armenian School to teach drawing. In 1939 he married one of his students, Lucy Guendimian. The Cairo in which Samsonian matured as an artist was home to many prominent art collectors after World War I. In this receptive environment Samsonian exhibited widely and won many awards. Beginning in 1937 and for the next thirty years he exhibited annually at the prestigious Le Salon du Caire hosted by the Société les Amis de l’Art (founded in 1921). After World War II he hit his stride as a modernist in Cairo, counting among his peers other artists of the Armenian diaspora such as Onnig Avedissian, Achod Zorian, Gregoire Meguerdichian, Hagop Hagopian...

Roses. 1983, watercolor on paper, 75x55 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1927 – 1930 – learning at Liep...

The Modern Couple is a Watercolor and Pen Drawing realized by Mino Maccari (1924-1989) in 1980s. Hand signed on the lower margin. Good condition on a yellowed paper. Mino Maccari ...