1990s Drawings and Watercolor Paintings

ROCKET LAUNCH is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 196...

Artist: James Meyer Title: Food Chain Year: 1990 Medium: Watercolor Tusche and Pencil on Paper, signed Size: 29.5 x 34.5 inches (74.93 x 87.63 cm) Frame: 38...

Black and white abstract charcoal drawing by Houston artist Paul Forsythe. The work features a large, abstract, organic shape in the upper right corner of the composition. Currently ...

Artist: Richard Davies Title: One Green Wave Year: 1991 Medium: Watercolor, graphite, colored pencil, collage, signed in pencil Size: 60 x 40 in. (152.4 x 1...

John York Thomas the Tank Engine at Wellsworth Station Ink on cel 41 x 30 cm This black-and-white ink illustration depicts Thomas the Tank Engine at Wellsworth Station, a well-kno...

John York Thomas the Tank 'Seeing Signals' Ink on cel 41 x 30 cm This black-and-white ink illustration is from the Thomas & Friends episode "Seeing Signals." This episode features...

John York Thomas the Tank Engine, 'Signal to stop!' Ink on cel 41 x 30 cm This black-and-white ink illustration was part of the storyboard for the episode 'Signal to Stop!'. In th...

Artist: Roberto Matta Title: Hommage to Germana 1998 Medium: Original Black marker and colors drawing on paper Signed: Hand Signed Measurements: 6.5" x 8.5" Framed: ...

Sunil Das - Untitled - 20 x 13 inches (unframed size) Coloured Ink, Water Colour & Acrylic on Graph Paper Inclusive of shipment in ready to hang form. The...

Very nice original work of Yvon Taillandier dated 1993. Yvon Taillandier's work is related to free figuration, mixing image and language. His painting has an aesthetic closeness to ...

Frame size 76x78 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/41) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...

"Holy Hill" is an original ink painting on paper by Dan Muller. The artist signed the piece lower left. This piece features an abstract depiction of a church in black and white. The ...

Pastel on paper Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore Col...

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Collage on paper

Courtyard with Sculpture by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

Chairs in the Park by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

Titled, signed, and dated in lower margin. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personally, he expected a lot from Janet, and she grew from his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft. Janet met a businessman/artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists, and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful influencing them to concentrate only on their artwork and discontinue the sales end of his business. Janet says it has been very, very good for them and has caused different things to happen. The challenges of commissions make her think in directions that it is unlikely she would have done on her own. Janet is an extremely talented artist. It is difficult to believe when one sees her pastel, mixed media of pencil, oils and collage landscapes done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lives inspires her artwork. Interestingly, she also derives inspiration from her ceramics for her paintings although the two are quite different in style. Her paintings are stylized and readable, but she does not look for minute detail when she paints. These soft landscapes create a feeling of bucolic peace and serenity although Janet does not consciously paint a message. Janet says of her work, that it is like a dance or conversation in her head, which she expresses through her art. Janet lives an almost idyllic rural existence with her artist/husband who she says is "the love of her life." They work together everyday, and for them it is the perfect partnership because they compliment one another so well. Together they raise and train horses, and are expecting three foals within a year. In addition, she loves to garden and after the tradition of her grandmother and mother, has a huge vegetable garden. She and her husband love to cook. They enjoy golfing together as well. Their three grown children are still very important in their lives, and Janet sews intricate costumes for her daughter when she shows her horse. In the future, Janet thinks that living in Virginia with horses and continuing with her art would be perfect. She, along with her husband, would like to spend a summer in Provence...

JEKATERINA GRYAZEVA Born in Latvia, Riga 1968 Education 1979 - 1986 J.Rozentals Secondary Art School (Riga). 1987 - 1993 Academy of Art (Riga, Latvia), department of Graphics,...

Homage to Morandi Watercolor, c. 1990 Signed lower right: Sloane An important exhibition size watercolor by the artist. Acquired by the Cleveland Clinic, de-accessed in 2021 Conditio...

"Crossroads A-73" by Janet Richardson-Baughman is a pastel landscape drawing. The landscape figures a yellow field in the foreground and a cluster of deep green trees in the middle ground, behind which the tiniest strip of water is visible in light blue. On the distant horizon, a dark green hill meets a serene blue sky. Art size: 16" x 12" Frame size: 29 1/2" x 25 1/2" Framed to conservation standards. Matted with a cream-colored acid-free mat board and glazed in UV Clear Glass that filters 99% of UV Rays to inhibit fading. All this is housed in a traditional moulding in a gold finish. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

This colourful portrait depicts the profile of a man wearing a blue tunic and a kufi. The artist captures the man in fine pastel detail, highlighting the h...

JEKATERINA GRYAZEVA Born in Latvia, Riga 1968 Education 1979 - 1986 J.Rozentals Secondary Art School (Riga). 1987 - 1993 Academy of Art (Riga, Latvia), department of Graphics,...

A vibrant full length portrait of a young women, walking her dog through a field of dandelion on a blustery summers day. The artist has signed to the lower right-hand corner. inscrib...

American painter and author Alex Beard is best known for his elaborate wildlife compositions created in his signature style of gesturalpainting, which he has coined “Abstract Naturalism.” Raised in a family that fostered philanthropy, creativity and exploration, Alex has traveled extensively around the world. The diverse cultures, colors, and climates of Africa, India, China, the Americas, and Australia have profoundly influenced both his professional and artistic practice. While earning his BA from Tufts University, he studied painting and drawing at the School of the Museum of Fine Arts in Boston. In his early twenties Alex moved to New Orleans to continue his formal training at the New Orleans Academy of Fine Arts. Fueled by curiosity about the cultures and wildlife he had been exposed to in his early years, Alex has spent much of his life traveling to the some of the world’s most remote wildlife outposts - paintbrush in hand. His time in nature enables him to continually hone his style – creating complex compositions in which abstraction and figuration collide, while exploring themes of cultural and environmental interconnectivity. Alex’s work figures prominently in several private and public collections and he has exhibited extensively throughout the United States, including solo exhibitions in New York, Los Angeles, New Orleans, and abroad in Hong Kong. An impassioned conservationist and philanthropist, in 2012 Alex established The Watering Hole Foundation – a public charity engaged in saving endangered wildlife and preserving their environments. His documentary, Drawing the Line, fused his artistic talent with his dedication to preservation, chronicling the plight of the endangered Wild African Elephant, as seen through the eyes of a conservationist artist. In addition to producing a series of short films, Alex has authored and illustrated a critically acclaimed trilogy of storybooks published by Abrams. The series, Tales from the Watering Hole, includes The Jungle Grapevine (2008), Monkey See Monkey Draw (2009), and Crocodile Tears (2010). Along with other New Orleans artists Raine Bedsole, Dr. Bob, George Dunbar, Mitchell Gaudet, Alan Gerson, Thomas Mann, Steve Martin, James Michalopoulos...

A charming watercolour painting with gouache by the artist John Scarland, depicting a rural landscape scene with a windmill. Signed and dated to the lower right-hand corner. Presente...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

Watercolor on paper, Framed 54 x 44 x 2 cm

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Dominika Krechowicz is a professor at the Gdansk GUT Institute Flags , 53x65 cm, acrylic, pigment on paper, 1996, composed of 4 elements, a single part is 24 x 30 cm. Works from th...

CURT STENVERT (1920 - 1992) Pesce (fish), 1972, Pastel on paper, 62 x 48 cm, signed and dated lower left PROVENANCE: Galleria d'Arte Narciso, Turin (label on the reverse) Private col...

Prakash Karmakar - Untitled - 23 x 20 inches (unframed size) Marker on paper Delivery of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Bengal was ...

"Storm Watch 2" is an original pastel drawing on paper by Victoria Ryan. The artist signed the piece. This piece features an idyllic farm landscape with ro...

A large drawing by Harry McCormick from 1990's. An interior scene of a young woman in a low-lit bar. Artist: Harry McCormick, American (1942 - ) Title: At th...

Marc Baseman is a visual artist. Marc Baseman has had several gallery and museum exhibitions, including at The Harwood Museum of Art, University of New Mexico.He has been exhibiting with Dickinson Roundell and Edward Nahem in New York, and Nahem has helped him find an eager audience among collectors in London and Europe. Marc Baseman has Exhibited with these artists: Larry Bell, Lynda Benglis, Vija Celmins, Ronald Davis, Wes Mills, Lee Mullican...

Peter Halley Prison 30, 1995 Original graphite drawing on paper Pencil signed on the recto. Titled and dated verso. This unique work on paper was created by Peter Halley in 1995 to b...

Bruno Lassalle Untitled, 1993 18.75 x 15.75 inches; framed in natural wood color 21.6 x 19.6 inches oil pastels on board signed 'LASSALLE' and dated recto; stamped verso Bruno Lassa...

sight size is irregular. size includes frame.. In scrawly pencil lines, William Anthony outlines figures that look like sock puppets with oversize heads and sausage-shaped limbs. An...

Luis Miguel Valdes (Cuba, 1949) 'Perfil-1-99', 1999 aquatint on paper 15.8 x 11.9 in. (40 x 30 cm.) ID: 1D199911 Hand-signed by author ______________________________________________ ...

Luis Miguel Valdes (Cuba, 1949) 'Amor de pinceles-III', 1999 ink on paper 11.9 x 15.8 in. (30 x 40 cm.) ID: 1D199910 Hand-signed by author ___________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Acueducto-1-99', 1999 aquatint on paper 11.9 x 15.8 in. (30 x 40 cm.) ID: 1D199909 Hand-signed by author ____________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Mariposa-I', 1999 aquatint on paper 15 x 11.1 in. (38 x 28 cm.) ID: 1D199908 Hand-signed by author ______________________________________________ Bio...

Luis Miguel Valdes (Cuba, 1949) 'Pareja', 1999 ink on paper 15 x 11.1 in. (38 x 28 cm.) ID: 1D199907 Hand-signed by author ______________________________________________ Biography Bo...

Luis Miguel Valdes (Cuba, 1949) 'Perfil con mano', 1999 ink on paper 10.9 x 11.9 in. (27.5 x 30 cm.) ID: 1D199905 Hand-signed by author ______________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Las piernas', 1999 ink on paper 13.8 x 11.9 in. (35 x 30 cm.) ID: 1D199903 Hand-signed by author ______________________________________________ Biogr...

Luis Miguel Valdes (Cuba, 1949) 'Encuentros 4', 1996 aquatint on paper 19.7 x 25.6 in. (50 x 65 cm.) ID: 1D199607 Hand-signed by author ______________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Encuentros 3', 1996 aquatint on paper 19.7 x 25.6 in. (50 x 65 cm.) ID: 1D199606 Hand-signed by author ______________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Encuentros 2', 1996 aquatint on paper 19.7 x 25.6 in. (50 x 65 cm.) ID: 1D199605 Hand-signed by author ______________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Encuentros 1', 1996 aquatint on paper 19.7 x 25.6 in. (50 x 65 cm.) ID: 1D199604 Hand-signed by author ______________________________________________...

Luis Miguel Valdes (Cuba, 1949) 'Perfil', 1994 acrylic on paper Velin Arches 300 g. 11.9 x 15.8 in. (30 x 40 cm.) ID: 1D199410 Hand-signed by author _________________________________...

Luis Miguel Valdes (Cuba, 1949) 'El chisme', 1990 ink on paper 19.7 x 25.6 in. (50 x 65 cm.) ID: 1D199002 Hand-signed by author ______________________________________________ Biograp...

Luis Miguel Valdes (Cuba, 1949) 'Equilibrista', 1990 ink, aquatint on paper 19.7 x 25.6 in. (50 x 65 cm.) ID: 1D199001 Hand-signed by author _________________________________________...

Pastel with dazzling colors (Orange and red flowers, hues of greens and different shades of blue in the background) of fiery flowers blooming by the water. Signed "June Ziegler" lowe...

ALEX KATZ (1927-Present) Alex Katz' 'Rudy' is a 1972 graphite drawing on paper. This original piece is signed 'Alex Katz '73', previously acquired from Marlborough Gallery, New Yor...

Prakash Karmakar - Untitled - 23 X 20 inches (unframed size) Marker on Paper Delivery of shipment in ready to hang condition. Style : Legendary master artist Lt. Prokash Karmakar fr...

French watercolor painting of abstract nude figure, circa 1990. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival pla...

Dynamic charcoal drawing of woman with long flowing hair flipping head by American artist Kismine Varner, circa 1990. Signed lower left. Original artwork on paper displayed on a w...

Striking charcoal drawing of a woman's profile full of dash, éclat and energy by American artist Kismine Varner, circa 1990. Signed lower left. Original artwork on paper displayed...

Abstract charcoal drawing of figure, path and landscape by American artist Kismine Varner, circa 1990. Signed lower left. Original artwork on paper displayed on a white mat with a...

Delightful pencil and pastel nude of a standing female, circa 1990. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-sized frame. Archival ...