Paper Portrait Drawings and Watercolors

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

Graphite on paper Image size: 11 ¾ x 8 ½ inches (30 x 21.5 cm) Original frame This superbly-drawn portrait highlights the artist’s undeniable skill as a portrait artist, particularl...

Woman is a modern artwork realized by the French artist,  Jules Marie Auguste Leroux  ( Paris 1871-1954) painter and illustrator. A pencil drawing on paper. Monogram of the artist ...

Ancient woman is a modern artwork realized by an Artist of the early 20th century. Pencil drawing on paper. Diffused foxings on paper. Includes frame.

Duce Portrait is a modern artwork realized by the artist Alberto Manetti (known also as Brivido). Pencil and charcoal on paper. Hand signed on the higher right margin. Inscription...

Letters to Sardinia is a modern artwork realized by Italian artist Filiberto Scarpelli  (Naples, 1870 - Rome, 1933).Four Separate artworks in one frame.  Original drawings realized i...

Jean Jansem (Hovhannes Semerdjian) 1920-2013 Young Boy (sad young man) Hand signed lower left corner Provenance: Marble Arch Gallery NYC Measurements Image size: 25 by 18 inches, ove...

O. Casio Untitled (Moon Man), c. 20th Century Mixed media on paper Sight: 10 x 13 1/4 in. Framed: 16 x 20 in. Signed lower right: O. Casio

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Le Turban by Henri Matisse (1869-1954) Pen and India ink on paper 51.5 x 39 cm (20 ¹/₄ x 15 ³/₈ inches) Signed and date...

Portrait of the Artist by the Artist Original Charcoal Drawing on Paper 1960 Excellent detailed original drawing of the artist by Eugene Hawkins (American, b. 1933). A realistic dep...

Portrait of Man is a modern artwork realized in the 1990s and attributed to Emilio Giannelli. Black and white china ink drawing on paper.

Portrait of Man is a modern artwork realized  in the 1990s and attributed to Emilio Giannelli Black and white china ink drawing on paper.

A strong portrait, and a piece of history. It was confidently sketched in 1923, during the heyday of the "Lost Generation" in Paris, at the Closerie des Lilas - Ernest Hemingway's favourite haunt and home-from-home in the City. This historical café is where Hemingway first read The Great Gatsby with his friend F. Scott Fitzgerald and where he wrote most of The Sun Also Rises...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Charcoal on paper Image size: 4 1/2 x 4 1/4 inches (11.5 x 10.75 cm) Mounted with a contemporary style frame This is a somewhat haunting self-portrait by William Dring, crafted in c...

Self portrait is a beautiful pen drawing on paper, realized in 1993 by the French artist  Pierre Lagénie (1938-2020). Hand-signed and dedicated on the lower right margin. The work ...

Arch Architecture is a drawing realized by Alberto Ziveri in 1928. Pencil on paper. Hand-signed. In good conditions.

Church Bell is a drawing realized by Alberto Ziveri in the 1930s. Watercolor on paper. Hand-signed. In good conditions.

The Portrait is a painting realized by Alberto Ziveri in 1936. Oil on cardboard Hand-signed and dated In good conditions.

Profiles is a drawing realized by Alberto Ziveri in the 1930s. Pencil on paper. Hand-signed. In good conditions with some foxing.

Painter is a drawing realized by Alberto Ziveri in 1938. Ink and watercolor on paper. Hand-signed. In good condition.

Landscape Study is a  drawing, realized in early 20th Century, by the French Artist André Meaux Saint-Marc (1885-1941). Charcoal  on paper. Hand Signed on back.

Red Tulip is an artwork realized by Ferdinando Codognotto in 2023.  Black and color marker on paper. Hand-signed in the lower right margin and dated Good conditions.

Horses is a drawing realized by Alberto Ziveri in the 1926. Ink, pencil and watercolor on paper. Hand-signed and dated. In good conditions.

Cityscape is a drawing realized by Alberto Ziveri in the 1930s. Ink and watercolor on paper. Hand-signed. In good conditions.

Green Tree is a drawing realized by Alberto Ziveri in 1935. Tempera on paper. Hand-signed. In good conditions.

Figures is a drawing realized by Alberto Ziveri in the 1930s. Ink and watercolor on paper. Hand-signed. In good conditions.

Red Roses is an artwork realized by Ferdinando Codognotto in 2023.  Black and color marker on paper. Hand-signed in the lower right margin and dated Good conditions.

Famed Puerto Rican Fashion Illustrator Antonio Lopez creates an oversized illustration for Vogue Patterns Magazine 1971. He uses a variety of media whic...

Le Pere Jean is a drawing, realized in early 20th Century, by the French Artist André Meaux Saint-Marc (1885-1941). Pencil colored on paper. Hand Signed on back.

Teaching Drawing to Children is a drawing artwork realized by Alexandre Lagrant in the early 20th Century. Pencil and ink drawing on paper. The state of preservation is good with s...

Teaching Drawing to Children is a drawing artwork realized by Alexandre Lagrant in the early 20th Century. Pencil and ink drawing on paper. The state of preservation is good with s...

The Child's Portrait is a drawing realized by Alberto Ziveri in 1935. Tempera on paper. Hand-signed. In good conditions.

The Letter F is a drawing artwork realized by Alexandre Lagrant in the early 20th Century Watercolor drawing on paper. The state of preservation is good.

Winter Landscape is a drawing realized by Alberto Ziveri in 1947. Pastel on paper. Hand-signed. In good conditions.

Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...

Original drawing on archival paper, circa 1964. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...

Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...

John Heliker Self Portrait, 1991 Charcoal Pencil on Paper (with original Kraushaar Galleries label verso) Signed on the front bears the original KRAUSHAAR GALLERIES label on the verso on the frame Vintage metal frame included Self portrait done in charcoal pencil by distinguished American artist John Heliker. Hand signed on the front This work is framed - bears the label of the renowned KRAUSHAAR GALLERIES on the verso. Image size: 13 inches by 10 inches; Framed: 18 1/2 inches by 14 1/2 inches About John Heliker from The New York Times Obituary, 2000 (Roberta Smith) John Heliker, a painter and teacher who was a fixture of the New York art world for nearly seven decades, died on Tuesday at the Sonojee Estate, a health center in Bar Harbor, Me. He was 91 and had lived in New York during most of his career, spending summers on Cranberry Island...

Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...

Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...

"The Secretary" Minimalist Illustrative Portrait in Ink on Paper This charming portrait by Jerry O'Day (American, 1912), depicts a tight-lipped woman with stern eyebrows in a fun and simplistic style. Her lips pop in red and the fine line detail of her hair gives texture and movement to the piece. Her rounded figure is created using basic shapes cleverly placed, dressed in a turtleneck with dangling earrings. She is looking sideways, drawing the viewer's eyes in that direction. Unsigned, but was acquired with a collection of the artist's work. Presented in a new blue mat. Mat size: 32"H x 26"W Paper size: 28.5"H x 22.5"W Image size: 15.5"H x 11.5"W Jerry O'Day is also known as Geraldine Heib. Born in Oakland, California, on June 17, 1912. Geraldine Heib assumed the name Jerry O'Day at an early age. She grew up in Washington and studied in Seattle at the Cornish School of Fine Arts. Upon moving to the San Francisco Bay area in 1938, she further studied with Bufano as a muralist for two years. O'Day wed sculptor David Lemon and had a gallery in a converted cod fishery in Belvedere from 1942 until 1963. At that time, the couple moved to a houseboat in Sausalito, where she remained until her demise on March 30, 1986. Post War California artist, Jerry O'Day studied at the Cornish School of Fine Arts in Seattle; studied with Beniamino Bufano for two years. She lived in the artist's colony at the Cod fishery with artist David Lemon on Belvedere Island in the San Francisco Bay Area from 1942 - 1963. Solo Exhibitions: City of Paris, Rotunda Gallery; Lucien Labaudt Gallery, 1963; Torrance Gallery, San Anselmo, 1955; Marin Art Gallery, Sausalito, 1956; Palace of The Legion of Honor, San Francisco, 1962; East & West Gallery, Fillmore Street, San Francisco; Landmarks Gallery, Marin County, 1991. Selected Group Exhibitions: 65th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1945; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963. Source: David J Carlson...

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

Erotic Scene is a drawing realized by Alberto Ziveri in 1930s Ink on paper Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Alberto Zi...

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

"Spa Hair" Minimalist Illustrative Portrait in Ink on Paper In this illustrative portrait by Jerry O'Day (American, 1912), a person is depicted in a continuous line contour style. The fine line detail of the hair gives texture and movement to the piece, with half-closed eyelids, giving the sense of calm and relaxation. Unsigned, but was acquired with a collection of the artist's work. Presented in a new black mat. Mat size: 36"H x 30"W Paper size: 28.5"H x 22.63"W Image size: 25.5"H x 20"W Jerry O'Day is also known as Geraldine Heib. Born in Oakland, California, on June 17, 1912. Geraldine Heib assumed the name Jerry O'Day at an early age. She grew up in Washington and studied in Seattle at the Cornish School of Fine Arts. Upon moving to the San Francisco Bay area in 1938, she further studied with Bufano as a muralist for two years. O'Day wed sculptor David Lemon and had a gallery in a converted cod fishery in Belvedere from 1942 until 1963. At that time, the couple moved to a houseboat in Sausalito, where she remained until her demise on March 30, 1986. Post War California artist, Jerry O'Day studied at the Cornish School of Fine Arts in Seattle; studied with Beniamino Bufano for two years. She lived in the artist's colony at the Cod fishery with artist David Lemon on Belvedere Island in the San Francisco Bay Area from 1942 - 1963. Solo Exhibitions: City of Paris, Rotunda Gallery; Lucien Labaudt Gallery, 1963; Torrance Gallery, San Anselmo, 1955; Marin Art Gallery, Sausalito, 1956; Palace of The Legion of Honor, San Francisco, 1962; East & West Gallery, Fillmore Street, San Francisco; Landmarks Gallery, Marin County, 1991. Selected Group Exhibitions: 65th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1945; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963. Source: David J Carlson...

African Mama - Vintage Illustration in Ink and Watercolor A charming illustration, by Irene Pattinson (American, 1909-1999), shows a woman with a...

Indian Dancer - Vintage Illustration in Ink and Watercolor A stoic, dark-haired woman in elaborate dress is sitting cross-legged in this illustration by Irene Pattinson (American, 1909-1999). Pattinson uses fine ink line detail and a vibrant pink watercolor for a splash of color. Signed at the bottom, "Irene Pattinson." Provenance: The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art. Presented in a new white mat with foam core backing. Mat size: 16"H x 12"W Paper size: 11.75"H x 8.5"W Image size: 7.5"H x 6.5"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance: The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art. Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works). Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963. Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

Lounge Chair Nap - Vintage Illustration in Ink and Watercolor A man lazes in a lounge chair, book still in hand, as he dozes off with a content e...

Pastel on paper Image size: 6 x 7 inches (15.25 x 17.75 cm) Mounted Peter Gardner Peter Gardner was born in London in 1921. He studied at the Hammersmith School of Art between 193...

Male Nude is a drawing realized by Alberto Ziveri in 1938. Charcoal on paper. Hand-signed on the lower and dated. In good conditions The artwork is represented through deft strok...

Portrait Drawing of a Man at a Desk in India Ink on Tan Paper Figurative drawing of a man at a desk by Jerry O'Day (American, 1912). The man is seated, about to pick up a pen. His features are somewhat exaggerated, showing foreshortening in the arms and legs. This piece is executed with confident strokes but nonetheless feels loose and playful. Signed in the bottom right corner, "Jerry O'Day." Mat size: 20"H x 16"W Paper size: 12"H x 8"W Image window size: 11.25"H x 7.25"W Jerry O'Day is also known as Geraldine Heib. Born in Oakland, California, on June 17, 1912. Geraldine Heib assumed the name Jerry O'Day at an early age. She grew up in Washington and studied in Seattle at the Cornish School of Fine Arts. Upon moving to the San Francisco Bay area in 1938, she further studied with Bufano as a muralist for two years. O'Day wed sculptor David Lemon and had a gallery in a converted cod fishery in Belvedere from 1942 until 1963. At that time, the couple moved to a houseboat in Sausalito, where she remained until her demise on March 30, 1986. Post War California artist, Jerry O'Day studied at the Cornish School of Fine Arts in Seattle; studied with Beniamino Bufano for two years. She lived in the artist's colony at the Cod fishery with artist David Lemon on Belvedere Island in the San Francisco Bay Area from 1942 - 1963. Solo Exhibitions: City of Paris, Rotunda Gallery; Lucien Labaudt Gallery, 1963; Torrance Gallery, San Anselmo, 1955; Marin Art Gallery, Sausalito, 1956; Palace of The Legion of Honor, San Francisco, 1962; East & West Gallery, Fillmore Street, San Francisco; Landmarks Gallery, Marin County, 1991. Selected Group Exhibitions: 65th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1945; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963. Source: David J Carlson...

Original painting on archival paper, circa 1963. Paper Size: 29.5 x 21 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate...

The Nude is a drawing realized by Alberto Ziveri in 1930s. Charcoal on paper Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Alberto ...

Female portrait is an artwork realized by an artist of XX century.  L 55 x 64 with frame; image 23 x 32 cm.  Ink and watercolour on paper. Unreadable signature in the lower margin...

The Nude is a drawing realized by Alberto Ziveri in 1938. Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Alberto Ziveri (Rome,1908 – 1...

The Nude is a drawing realized by Alberto Ziveri in the 1930s. Charcoal and watercolor on paper. Hand-signed. In good condition. The artwork is represented through deft strokes m...