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Mary FeddenMary Fedden 'The Green Apple' 1979, pencil and watercolour, signed, British1979
1979
$7,944.27
£5,800
€6,817.24
CA$10,968.13
A$12,159.80
CHF 6,390.45
MX$148,815.97
NOK 79,810.19
SEK 74,909.85
DKK 50,886.44
About the Item
Mary Fedden (British, 1915–2012)
The Green Apple
Pencil and watercolour
Signed and dated ‘Fedden 1979’ (lower left); further signed and titled ‘Mary Fedden, The Green Apple’ (on the reverse)
21 1/5 x 29 in. (54.7 x 73.6 cm)
Provenance: The New Grafton Gallery, Old Bond Street, London, 6th May 1980, catalogue #28; Sir Duncan Oppenheim
This elegant watercolour by Mary Fedden, The Green Apple, exemplifies her distinctive and much-loved approach to still life. The composition balances simplicity with quiet drama: the titular green fruit placed with clarity against carefully arranged forms, rendered with the artist’s hallmark economy of line and subtle modulation of colour. The work reflects Fedden’s gift for imbuing ordinary objects with both lyricism and graphic strength.
Mary Fedden studied at the Slade School of Fine Art before embarking on a career that spanned more than six decades. She became one of Britain’s most admired 20th-century painters, widely recognised for her poetic still lifes and landscapes. A teacher of note, she held posts at both the Royal College of Art and the Yehudi Menuhin School, counting among her pupils David Hockney and Patrick Caulfield.
Married to the artist Julian Trevelyan, with whom she shared a Thameside studio at Durham Wharf, Fedden developed a style that fused modernist clarity with a personal sense of intimacy and warmth. Her works are held in numerous public collections, including the Tate, the Royal Academy, and the Victoria & Albert Museum.
With its strong provenance, including exhibition at the New Grafton Gallery and ownership by Sir Duncan Oppenheim, The Green Apple is both a quintessential and distinguished example of Fedden’s oeuvre—an evocative balance of restraint, delicacy, and quiet authority.
- Creator:Mary Fedden (1915, British)
- Creation Year:1979
- Dimensions:Height: 21.25 in (53.98 cm)Width: 29 in (73.66 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In excellent condition, in a white mount behind glass. In a limed wood frame with only minor abrasion.
- Gallery Location:Petworth, GB
- Reference Number:1stDibs: LU540316876842
Mary Fedden
Mary Fedden was a Modern British painter, printmaker and illustrator. Born in Bristol to a family of surgeons, from childhood Fedden had wanted to become a painter. At the age of sixteen Fedden left Badminton School to study at the Slade School of Art, London, where she stayed for four years. She studied under the designer Vladimir Polunin who had previously worked with the Ballets Russes. She was employed by Sadlers Wells Theatre to create sets but decided to return to Bristol soon after. Here she taught and painted portraits, before serving in the Land Army and Women's Voluntary Service during the Second World War. She was called up in 1944 and was sent abroad to work as a driver for the Navy, Army and Air Force Institutes (NAAFI). Fedden settled back in London after the war, where she worked for the Arts Theatre in Great Newport Street as a stage painter whilst also producing propaganda murals. Fedden decided against a career of stage design and in 1946 was able to resume easel painting and her first solo exhibition followed the next year at the Mansard Gallery in Heal's Department Store, where several of her still life flower paintings were displayed. 'Woman' magazine commissioned her to paint covers shortly after, and at the end of the 1940s, she moved to a complex of studios, Durham Wharf, on the Thames at Chiswick, where she lived and worked until her death. Fedden married the artist Julian Trevelyan in 1951, having met before the war, and they travelled to Europe, Africa, India, Russia and America together. Since then she has continued painting, and the Redfern Gallery, New Grafton Gallery and many others throughout the country exhibit her work. In 1951 she painted murals for the Festival of Britain Television pavilion and later began teaching painting at the Royal College of Art. She was elected to the Royal Academy in 1992 and since the mid-1930s has been a member of the Royal West of England Academy at Bristol, where she was president between 1984 and 1988. Fedden's work is in the collection of Yale Centre for British Art (Pritzker Gift). A monograph on Fedden was published in 2014 by Lund Humphries and written by Christopher Andreae.
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