Art Nouveau Drawings and Watercolor Paintings

Georges BARBIER Art Nouveau : Nude with Crystal Ball Original India Ink, Watercolor and Gouache painting Signed in the bottom middle On paper 32 x 50 cm (c. 13 x 20 in) Presented i...

FRANK BRANGWYN ( U.S./U.K./Belgium, 1867-1956) watercolor, gouache, and charcoal on paper, "The Scourging of St. Alban," study for the mural painted for Christ's Hospital, West Horsh...

Felician Myrbach (1853-1940) Poèmes magyars, Magyar poems bears the monogram "M" on the lower left, titled in the upper right Ink on paper 29,8 x 19,8 cm in good condition, the sheet is slightly yellowed In a modern frame : 33 x 23 cm This is an illustration project by Felician Myrbach for François Coppée's work, "Poèmes magyars". He leaves the space to be occupied by the text blank on the sheet and arranges his composition accordingly. It is interesting to see the artist imagine his drawing with this constraint. Felician Myrbach (also Felicien de Myrbach, Felician von Myrbach, from 1919 Freiherr von Rheinfeld) was born on 9 February 1853 in Zalishchyky, he died 14 January 1940 in Klagenfurt He was an Austrian painter, graphic designer and illustrator. He was a founding member of the Vienna Secession and the director of the Applied Arts School in Vienna (now the University of Applied Arts Vienna), and was instrumental in the creation of the Wiener Werkstätte. Myrbach's father was Franz Myrbach (1818–1882), the Administrator of Bukovina in 1865–70. His older brother Franz Xaver (1850–1919) was an economist and professor at the University of Innsbruck. He attended the Theresian Military Academy in 1868–71, graduating as a Leutnant, then at the Academy of Fine Arts, Vienna under August Eisenmenger. In 1875, he joined the 19th Feldjäger Battalion, and in 1877 became an Oberleutnant in the Military Geographic Institute, then, after campaigning in Bosnia in 1878, he taught drawing at the Infantry Cadet School in Vienna. He continued his artistic studies under C R Huber. In 1881, he went on military leave and moved to Paris, retiring totally from the military in 1884 as a Hauptmann, 2nd Class. He stayed in Paris until 1897, working as an illustrator, including illustrating the works of Alphonse Daudet, Victor Hugo and Jules Verne. Myrbach was a founding member of the Vienna Secession in 1897. In the same year, he became the a professor of the Applied Arts School at the Museum of Art and Industry; Arthur von Scala, another reformer Modernist, was made head of the Museum. In 1889, Myrbach became the director of the school. He brought an enthusiastic Modernist attitude and encouraged an integration between art, design and production. He added Koloman Moser and Josef Hoffmann to the staff, amongst other Secession artists. This would lead to the foundation of the Wiener Werkstätte in 1903. Myrbach leant more towards an aesthetic approach than von Scala, but both worked together to bring about their combined vision of successful, popular Austrian applied art. Myrbach was a voice for reform towards Modernist ideals in the School, which was started 1899 with the support of Alfred Roller, and completed by 1901.The reform of the school has been described as his "lasting merit". Ludwig Hevesi called Myrbach "probably the best [illustrator] in Vienna", partially for his work (with Moser) in the Secession magazine Ver Sacrum. Myrbach visited America on a state-funded study trip in 1904, part of which was to represent the Applied Arts School at the 1904 World...

Double sided crayon drawing: Front: Study for "The Shoe" Reverse: Studies of Figures Blue crayon, red and black crayons Image size: 19.25 x 15.375 inches Frame size: 30 x 25 1/2 inch...

Allegory of Water is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower central margin (...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century. They are watercolor on ...

Alphonse Mucha 1860-1939 Czech Fruit Signed "Mucha" (lower left) Pastel on paper "Art only exists to communicate a spiritual message." —Alphonse Mucha Alphonse Mucha's distincti...

Stanislas Warnie (1879-1958), Summer Forest Landscape, 1915. Watercolor, 31.5 cm x 45 cm (passepartout), 50.5 cm x 63.5 cm (frame), signed "S. Warnie" at lower left and dated "1915"....

Unknown Artist, France, late 19th century Anonymous c. 1900 Rondelle on antique laid paper Ink, Watercolor and or Gouache Unsigned An Art Nouveau preliminary design for a decorative ...

An authentic pair of watercolours featuring hunting dogs in their original frames, untouched since the 1880's. Very delightful and expertly drawn. The first, larger painting is of ...

Alphonse Mucha (Czech, 1860 - 1939) Medieval Thoughts, circa 1890 Wash, ink, and watercolor on paper 11 x 9 inches Signed lower right Provenance: Phillips New York, 19th and 20th ce...

Framed Cuban Artist/Caricaturist Conrado Walter Massaguer presents Hollywood star Adolphe Menjou in a satirical dual portrait. In the foreground, the subject is seen in a dapper top hat, tux, fashionable cigarette and boutonnière, and is shown as being the epitome of being stylishly debonair. To make a larger point about this subject, Massaguer paints a cast shadow of Menjou as a burning red devil who studies his alter ego from above. Keeping with the artist's sarcasm, we see the good and bad in one image. Works by Massaguer are rare and this work is in keeping with his signature style. This work was most likely done on assignment for Life Magazine, Cosmopolitan, The New Yorker or Vanity Fair. Signed upper right. Inscribe lower right. Titled on verso. Unframed, Slight bend to board; toning to board; scattered faint foxing; pin point abrasions to margins, not affecting image. 19-1/2 x 15-1/8 inches board size. Conrado Walter Massaguer y Diaz was a Cuban artist, political satirist, and magazine publisher. He is considered a student of the Art Nouveau. He was the first caricaturist in the world to broadcast his art on television.He was first caricaturist to exhibit on Fifth Avenue. He was the first caricaturist in the world to exhibit his caricatures on wood. He, and his brother Oscar, were the first magazine publishers in the world to use photolithographic printing. Self portrait of Conrado Walter Massaguer, depicted on a carrousel ride, with the devil over his left shoulder and an angel over his right. (1945) He created the magazine Social with his brother Oscar to showcase Cuban artistic talent. The duo later created the magazine Carteles, which became for a period the most popular magazine in Cuba, which was purchased by Miguel Ángel Quevedo in 1953. In his life, he met and drew caricatures of Franklin D. Roosevelt, Walt Disney, Albert Einstein, the King of Spain, and many others.[ In sum total, he was the author of more than 28 thousand caricatures and drawings.Ernest Hemingway once had to refrain himself from punching Massaguer in the face after the artist drew an unflattering caricature of him. The dictator Gerardo Machado, however, did not punch Massaguer for his own unflattering caricature - he had the artist deported. He was one of the most internationally renowned Cuban artists of his day, and his art is still regularly featured in galleries across the Western Hemisphere and Europe. Early life Massaguer was born on October 18, 1889, in Cárdenas, Cuba.[In 1892, his family moved to Havana. When the Cuban War of Independence broke out, Massaguer's family escaped the country. From 1896 to 1908, he lived in Mérida, Mexico. However, during this time, his parents enrolled him in the New York Military Academy, where he stayed during school years. In 1905, after graduating the military academy, he briefly attended the San Fernando school in Havana, where he was tutored by Ricardo de la Torriente and Leopoldo Romañach. In 1906, less than a year later, he returned to the family home in Mexico. Career as artist Early career While living in Yucatán, Mexico, Massaguer published his first caricatures in local newspapers and magazines. These included La Campana, La Arcadia, and the Diario Yucateco. In 1908, he moved back to Havana. After returning to the island in 1908, Massaguer began mingling with Havana's aristocratic circles, forming close friendships with some of the city's most powerful and influential men, as well as winning the favor of many women who were quickly charmed by him. Massaguer, largely self-taught, honed his style using the avant-garde techniques he studied from the European and American magazines that were widely available in Cuba at the time. Cover of the immensely popular Cuban magazine El Figaro, drawn by Massaguer in 1909. This cover depicts two bumbling, incompetent American tourists to the island. He started drawing for El Fígaro, and was featured prominently on the cover in 1909. After two years of refining his craft, Havana announced a poster contest aimed at attracting North American tourists to stay in the city during the winter months. Notable figures like Leopoldo Romañach, Armando Menocal, Rodríguez Morey, Jaime Valls, and others also entered the competition. The jury was particularly impressed by the modern execution and creative solution of one piece, signed by Massaguer, who was relatively unknown at the time. The jury deliberations caused a great controversy.[5] The prize was ultimately awarded to the Galician painter Mariano Miguel, who had recently married the daughter of Nicolás Rivero, the wealthy owner of the conservative newspaper Diario de la Marina. Although Massaguer received only an honorable mention, the fraud scandal caused such an uproar that his name quickly entered the public spotlight, and he became an overnight sensation. In 1910, he became co-owner of the advertising agency Mercurio, with Laureano Rodríguez Castells. At Mercurio, he led the Susini cigar campaign, and earned substantial wealth. Massaguer has been described as a restless man, in both mind and body.After earning enough money from his art to begin traveling, he was almost always doing so. He constantly traveled between New York City and Havana, Mexico and France, Europe and the Americas. In 1911, his reputation among the Havana socialites solidified when he organized his own first public caricature exhibit, and also the first Caricature Salon ever held in the Americas, hosted at Athenaeum of Havana (the Ateneo), and the Círculo de La Habana. Other exhibitors here included Maribona, Riverón, Portell Vilá, Valer, Botet, Barsó, García Cabrera, Carlos Fernández, Rafael Blanco, and Hamilton de Grau. "Messaguer Visits Broadway." Caricatures of theatrical and literary figures. Elsie Janis, Raymond Hitchcock, S. Jay Kaufman (columnist), Ibanez, author of The Four Horsemen, and Frances White In 1912, in the New York American Journal, he published his first Broadway drawings. From 1913 to 1918, he was an editor for Gráfico. Social Main article: Social (magazine) Cover of the magazine Social, July 7, 1923 In 1916, he created the magazine Social with his brother, Oscar H. Massaguer. Social's contributors included Guillén Carpentier, Chacón y Calvo, Enrique José Varona and others.Social has been described as Massaguer's great love in the magazine industry, and was the property that historians say he cared the most about. Social was an innovative magazine, being the first magazine in the world to use a modern printing process called photolithographic printing. Social set cultural trends, not only in the fashion of Cuba, but in art, politics, and Cuban identity.[11] Social catered to a certain aesthetic in Cuba - that of the sophisticated elite socialite - but Massaguer would also use this magazine to ridicule and jibe against that same class of society when he found their personalities worthy of his contempt. In Social, readers could find a variety of content, including short stories, avant-garde poetry, art reviews, philosophical essays, and serialized novels, as well as articles on interior design, haute couture, and fashion. Occasionally, the magazine also featured reports on sports such as motor racing, rowing, tennis, and horse riding.The cultural promotion efforts of both Massaguer and Emilio Roig de Leuchsenring are evident in the magazine. Notably, this period overlaps with their involvement in the Minorista Group, which was then at the forefront of the country's intellectual life.[5] Many contributors were devoted members of the group, leading some experts to consider Social as the cultural voice of the Minoristas. One of the features of Social magazine was its section called "Massa Girls," which was a play on his own name, and pronounced with a glottal 'g' in a similar fashion to the letter in Massaguer.[12] Massaguer drew women as independent and free-thinking, and never drew the woman celebrity as a caricature of herself, but as a free agent surrounded by caricatures.[11] However, Massaguer himself has been described as a womanizer in his personal life, and hesitant to fully embrace every facet of women's liberation. In 1916, he also established la Unión de Artes Gráficas and the advertising agency Kesevén Anuncios.[9] The art critic Bernardo González Barroa wrote: “Massaguer has solved the problem of working hard, living comfortably off what his art produces and not missing any artistic, sporting or social event. His broad, childish laugh, of a carefree individual who carries his luck hidden in a pocket, appears everywhere for the moment, disguising the pranks of pupils that lurk, mock and, finally, flash with satisfaction at finding the characteristic point after having analyzed a soul... Massaguer's personality is beginning to solidify now. He has been the best-known and most popular caricaturist for a long time, but his technique had not reached the security, the mastery of values that he presents in his latest works, which is very natural and explainable”[5] Carteles Main article: Carteles Cover of the magazine Carteles, November 29, 1931 In 1919, Massaguer and his brother created the magazine Carteles.[9] Carteles gained the widest circulation of any magazine in Latin America, and the most popular magazine in Cuba for a time, until that title was claimed by Revista Bohemia. Carteles remained in print until July 1960.This magazine showcased Cuban commerce, art, sports, and social life before the revolution. In 1924, Carteles took a more political turn, with articles criticizing Gerardo Machado's government. it became a prime example of the humor and graphic design employed by artists like Horacio Rodríguez Suria and Andrés García...

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Female Nude Liberty is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F. Bac 1922. Original Lith...

Annie French was part of the Glasgow Girls group of artists and illustrators who worked in a delicate, feminine, and detailed Art Nouveau and Pre-Raphaelite style. This work, "Flora," is masterfully rendered and decorated with sumptuous floral patterns in the most detailed way. It is signed twice in the upper right quadrant. The mat has a hand-painted decorative border. The work presents better in person, and the viewer can marvel at the minute detail. The Video is overexposed and light and not representative of color. Use still...

The Dryads… Ancient beings of old growth forests, with wisdom of ages long forgotten, knowing much of what us busy folk have forgotten. The Forest of Arden is famously featured in S...

Ludwig von Hofmann (1861 Darmstadt - 1945 Pillnitz), Female nude from the back, around 1900. Red chalk drawing on watermarked drawing paper, 36 cm x 44 cm (sheet size). Artist's liga...

French School circa 1900 Studies of characters, four drawings in a same frame Pencil on paper Sizes of the drawings (from left to right and from top to bottom) A couple at a table ...

Part of the ring-wall of the Taj Mahal, Agra, India, 1914 Signed with initials and dated bottom right Black chalk on paper, 45.5 x 53 cm Literature: Ernst Braches en J.F. Heijbro...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and J...

Statue of Vishnu Garuda, Bali, 1904 Signed with initials Pencil and ink on paper, 21.4 x 21.3 cm Literature: Bruce W. Carpenter, W.O.J. Nieuwenkamp. First European Artist in Bali,...

"Nymph in the Forest" watercolor on paper signed Gaston La Touche. Gaston de La Touche (1854-1913), also known as Gaston La Touche, was a French painter, engraver, illustrator and s...

Willem Deiperink-Langereis (American, 1889-1966) Signed: Willem Deiperink-Langereis (Lower, Right) " The Peacock and The Skunk ", c. 1915-1920 Pen and Ink with Watercolor 9 1/2" ...

Portrait de Mme de Mornand is an original drawing in ink on paper realized by Maurice Lourdey (1860-1934) Dated on the upper right 22.02.10 Stamp on the lower right ""CJ" Good con...

A finely tuned oval drawing by the Finnish artist Ester Helenius depicting a young woman in profile seated on a chair. The room is suggested only by a diffuse background. Signed and ...

HENRI LEBASQUE (Champigné 1865 - 1937 Le Cannet) Reclining female nudes with an umbrella Pencil, stumping and heightened with watercolor 27 x 24 cm Stamp lower right « H. Lebasque ...

Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: l' Oeuf a Gober Year: 1958 Medium: Original gouache Paper: Canson Mongolfier Paper size: 14.2 x 10.65 inches Signa...

This artwork is an original gouache on Canson Mongolfier paper titled "La Marguerite," by Russian/French Artist Erte, Romain De Tirtoff, 1892-1990. It is...

Tea at the Ritz, New York Colored chalk, 1912 Signed with the estate stamp verso. (see photo) Authenticated by the artist's daughter, Mme Paulette Johnston. Image size: 10 5/8 x 10 1...

Follower of Antoine Calbet. French ( b.1860 - d.1944 ). Theseus and Ariadne, Circa 1890 - 1910. Mixed Media. Watercolour, Gouache & Pastel Image size 16.5 inches x 11.2 inches ( 42cm...

Jean-Gabriel Domergue (1889-1962) Paris, Les Bouquinistes sur les quais, (The booksellers on the banks) Signed and titled lower right Pencil on paper 17 x 27 cm In good condition, ...

Watercolour and Chinese ink on paper, signed and dated (upper right), 10cm x 17cm (30cm x 38cm framed). George Barbier was one of the great French illustrators of the early 20th century. Born in Nantes, France on 16 October 1882, Barbier was 29 years old when he mounted his first exhibition in 1911 and was subsequently swept to the forefront of his profession with commissions to design theatre and ballet costumes...

Art nouveau painting of beautiful maiden and mischievous angels. An allegory of Spring. Watercolor painting by Alessandro Rontini (Italian born 1854). In beautiful custom floral deco...

This early 20th-century mixed media by K & K Hof Atelier Pietzner of Vienna depicts a respectable family within a neoclassical garden setting. With the advent of photography, afflue...

Dancer is an original pencil drawing realized by an Italian artist of 20th century in 1920. Good condition on a little yellowed cardboard. N...

This Illustration Boudoir style Illustration by Female Illustrator Suzanne Meunier was done on an assignment for a French Postcard. It's a very early ...

Mother Goose is a French fairy tale and later of English nursery rhyme. In this illustration, we see an oversized Goose in a yellow bonnet elevated on a step and engaging with an attentively curious young girl and young boy. Large vases of flowers frame them. Titled in pencil center bottom: "Goosey, Goosey Gander. Where do you wander? Signed Margaret Evans Price...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Women illustrators were alive, well, and quite active in the early 20th century. Most of their production was associated with topics that dealt with the home, children or fairy tales. In this masterfully rendered work in pen and ink, Jacobs displays great technical skill in presenting three maidens dressing a beautiful female member of the Court wearing a tiara. Signed in a cartouche lower right From: Stella Mead, Great Stories from Many Lands, London: James Herbert and Co, 1936, page 78 " Red and White Roses" Provenance: Chris Beetles Work is elegantly matted and not framed. Helen Mary Jacobs was born in Ilford, Essex, the sister of the writer W.W. Jacobs; she studied art at the West Ham...

Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...

Pastel on paper on canvas, initialled lower left "ND" Image size: 13 ¾ x 22 ½ inches (35 x 57 cm) Gilt frame This fine Art Nouveau picture executed around 1900, depicts an auburn ha...

Four Balinese, 1910 Signed and dated bottom left Pencil and ink on paper, 15.6 x 23 cm In ebonized frame with white mount. Literature: W.O.J. Nieuwenkamp, Zwerftochten op Bali, Amsterdam, 1910, p. 36 WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...

America's greatest female illustrator draws a heartwarming picture of a mother putting to bed her child. Motherly love towards their children is the artist's most iconic theme. This ...

Cecil Charles Windsor Aldin. English ( b.1870 - d.1935 ). Trotting Horses Harnessed To A Lightweight Four Wheel Cart Trap. Chalk On Paper. Signed Lower Right. Image size 19.3 inche...

Maximilien Luce (French, 1858-1941) Pencil and charcoal drawing of a shop with goods along the coast line of northern France. A cat can be seen looking at a man far off at the entran...

'Chez Maxim's', pastel and gouache on fine art paper, by André Meurice (circa 1950s - 60s). The artist depicts the glamorous clientele at the entryway to...

A turn-of-the-century fantasy illustration by female illustrator May Audubon Post features a charming fairy with expanded wings resting on Lilly s...

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André LHOTE (1885-1962) Two couple of horses, c. 1920 Original ink and pencil drawing On paper 20 x 26 cm (c. 8 x 10.5 inch) In black wood frame 34 x 40 cm (c. 14 x 16 inch) Ms. Do...

Signed lower right, “Ch. Henrida” for Charles Henrida (French, 1854-1924) and painted circa 1900. Unframed and displayed in a beveled, ivory mat with gilt inner slip. Matted dimens...

Oscar Wilson. English ( b.1867 - d.1930 ). The Lady Of The Lake. Watercolor & Ink On Paper. Signed Lower Left. Image size 17 inches x 10.2 inches ( 43cm x 26cm ). Frame size 23 inc...

Circle of Austin Osman Spare (British, 1888 – 1956) Bohemian Fantasy Pen and gouache on paper 13.1/2 x 19.5/8 in. (34.3 x 50 cm.)

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic composition, dream, flesh tones, portrait, earth tones, tonalist, nostalgia, early 20th century, naturalist, illustration, grey art, young woman, hair, hair bun...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century. They are watercolor on ...

Marcel BLOCH Piano Lesson on a Snowing Day Original watercolor with gouache enhancement Handsigned bottom right c. 1930 On vellum 35 x 24 cm at view (c. ...

Marcel BLOCH A Galant Welcome Original watercolor with gouache enhancement Handsigned bottom right c. 1930 On vellum 35 x 24 cm at view (c. 14 x 10 in) Information : This drawing i...

Marcel BLOCH A Charming Unexpected Visit Original watercolor with gouache enhancement Handsigned bottom left c. 1930 On vellum 35 x 24 cm at view (c. 14 x 10 in) Information : This...

Marcel BLOCH Elegant Lovers at the Rink Original watercolor with gouache enhancement Handsigned bottom right c. 1930 On vellum 35 x 24 cm at view (c. 14 x 10 in) Information : This...

Marcel BLOCH 1920's Elegant Couple in the Snow Original watercolor with gouache enhancement Handsigned bottom left c. 1930 On vellum 35 x 24 cm at view (c. 14 x 10 in) Information ...

This artwork, titled "Raspoutine, Costume d'Hiver," is an original gouache on Canson Montgolfier paper by Russian/French artist Erte, Romain De Tirtoff, 1892-1990. It is hand signed ...