Dessert Drawings and Watercolor Paintings

'Cherry Pie' original watercolor painted in 2022 by Cleveland-born and educated Gary Bukovnik who has lived in California for over 40 years. Bukovnik’s art ...

Eve Nethercott, American (1925 - 2015) - Still Life with Fruit (P1.29), Year: 1960, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Scattered a...

this is a soft pastel on red toned heavyweight archival paper , framing under glass recommended for display. full figured women like Botero theme: circus, food, cake, relationships,...

Tess Michalik Floral Escapades 1 & 2, 2025 Oil on yupo 38 x 25 in. (mic032)

Contemporary colorful realistic pastel food still life drawing of pastries. The work features detailed drawings of eclairs, each with a chocolate drizzle, whipped cream, and cherries...

Pastel on toned paper Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

'Fancy Cake no. 2' original watercolor painted in 2023 by Cleveland-born and educated Gary Bukovnik who has lived in California for over 40 years. Bukovnik’s art conveys a monumental...

Eve Nethercott, American (1925 - 2015) - Pitcher with Vegetables (P2.43), Year: 1960, Medium: Watercolor on Paper, Image Size: 14 x 21 inches, Size: 15 x 22 in. (38.1 x 55.88...

This piece calls on memories of sensational summers and glorious holidays. The piece was inspired by my memories of being a child and putting down my ice lolly and watching as the su...

Artist: D. Burton, American Title: Tutti Frutti Year: 1988 Medium: Watercolor and Mixed Media on Paper, signed and dated in pencil Size: 30 x 20 in. (76.2 x 50.8 cm)

This original artwork Freeze #4 was realized by the Italian artist EMPHI in 2019. Watercolor and ink on cardboard from the series Tuttifrutti. Hand-signed on the upper left. Certi...

mixed media on paper image size: 17 X 25 framed size: 28 X 34 Provenance- Originally purchased from the Candy Store. It is from the Cherie and Ron Petersen collection and exhibited in 1989 in an exhibition "Collectors Choice, Drawings Paintings and Prints from the collection of Cherie and Ron Petersen". Bio- Born in Benicia, California in 1930, Robert Arneson was encouraged by his father to draw. He became a proficient draftsman early in life and drew cartoons for a local newspaper as a teenager. After Arneson studied art education at the California College of Arts and Crafts in Oakland he taught in a local high school, where he became interested in ceramics. He went on to receive an MFA from Mills College in 1958. Arneson became head of the ceramics department at the University of California at Davis in 1962 and became a full professor of art in 1973. Arneson was greatly influenced by the expressionist work of fellow Californian Peter Voulkos, who had studied Pablo Picasso’s works...

L'oeuf est cuit is an original satiric artwork realized by the illustrator Leka. Ink and watercolor. Hand-signed on the lower left by Leka. Titled on the lower right. Dated 1914-19...

Original Art by Sergio Lazo "English Trifle" Enamel & Ink on Paper 11" x 14" (actual size with frame 16" x 20") 2019 :: Drawing :: Pop-Art :: This piece comes with an officia...

Porcelain Vases is an original china ink and watercolor drawing on ivory-colorated paper by realized in 1890 ca. In very good conditions. This artwork represents various models of...

Books with yellow flowers. 1980's, watercolor on paper, 73x54 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1927 – 1...

Judith Bledsoe, American (1938 - 2013) - Atlanta Olympics - Athlete with Ball. Year: circa 1996, Medium: Pastel and Collage on Paper, signed l.r., Size: 25.5 x 19.5 in. (64.77 x 49....

Watercolor sculptural collage

artwork dimensions (unframed): 35.5h x 39w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

Art Sz: 23"H x 14 1/2"W Alexander Warren Montel (1921-2002)

Watercolor on Canson paper 300 g The artwork will be shipped rolled up in a tube Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She a...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Sz: 23"H x 14 1/2"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Guitar Player

Collaboration with Coosje van Bruggen